Category: Entertainment (Page 239 of 277)

The Light from the TV Shows: Brace yourself for…”The Aquabats! Super Show!”

Even if he’d left the world of show business behind after hitting his twenties, Christian Jacobs would still deserve a certain amount of respect from pop-culture obsessives, having acted his way through his childhood and teenage years, serving as a regular on the “All in the Family” spin-off “Gloria” (he played Gloria Bunker Stivic’s son, Joey), making one-off appearances in episodes of “V,” “Married…with Children,” and “Roseanne,” and turning up in such films as “Gleaming the Cube” and, most notably, “Pretty in Pink,” where he plays the kid in the record store who Annie Potts’ character comes within half an inch of hitting in the eye with a staple. In the ’90s, however, Jacobs shifted careers, focusing on music and eventually helping to found a rather colorful band known as…The Aquabats!

Music alone couldn’t keep the coffers filled, alas, which forced the Aquabats into second position in favor of a gig that actually paid the bills with more regularity, so Jacobs returned to TV, this time working behind the scenes. In doing so, he was responsible for co-creating one of the most successful kids shows in recent years: “Yo Gabba Gabba!” Flush with the excitement that success brings, Jacobs and company have used a combination of creativity and show-biz connections to simultaneously kick-start a new series for the youth of today and fulfill a dream.

Ladies and gentlemen: The Aquabats! Super Show!

Bullz-Eye: Having seen the first two episodes of “The Aquabats! Super Show!,” it seems safe to suggest that Sid and Marty Krofft have been a major influence on you guys.

Christian Jacobs: [Laughs.] Definitely! I’m glad you caught that point of reference, for sure.

BE: So what are the origins of this “Super Show”? Was the idea of doing an Aquabats TV series always in the back of your mind, or was this a recent development?

CJ: No, it’s always been there, really. I mean, you know, it’s one of those things where…we started the band in ’94, and at the same time, I was doing video production, making music videos and skateboard videos, so I was in production already. And I grew up working in television as well, so we started the band, just for goofing around, but pretty much within a year I was, like, “This could be an amazing kids show! We could incorporate all those fun things we used to watch that were weird and trippy and action-packed…” We were influenced by shows from Japan, too. Those were there right away. So we started to incorporate them into the band, and from there we immediately set out to try and start a TV show…and this was, like, ’95 or ’96. [Laughs.] So it’s taken some time to finally happen, but it was one of those things where, right away, we were telling people, “We’re gonna make a TV show!” And it started to feel a little bit like that book The Carrot Seed, where there’s the little kid and no one believes the carrot’s gonna grow, but the kid does, and he knows the carrot’s gonna come up at some point. I feel like that was us a little bit. It was just up to us to stick it out and keep trying and keep trying and keep trying. But, yeah, it was definitely something that we always wanted to do.

BE: When did it first look like it was going to become a reality? Certainly the success of “Yo Gabba Gabba!” couldn’t have hurt.

CJ: Well, I think that’s what finally took us over the hill. But back in ’98, you know, we did a pilot for this studio, and then in ’99 or 2000, we did another development deal with a different studio, and…it was one setback and weird thing after another. And then we had pitched it to all of the networks by 2002 or 2003 – we pretty much ran the table, so to speak – and no one was biting, so it just seemed like a dead project. But in the back of our minds, we were, like, “I know this can still be a great kids show, but let’s focus on something else.” And that’s when we came up with a bunch of ideas, and one of those ideas was “Yo Gabba Gabba!” And just from pitching the Aquabats so much around the industry, we had some contacts, so we started pitching “Yo Gabba Gabba!,” and we immediately realized that we were going to run into the same problem unless we just took matters into our own hands and independently did it ourselves. And that’s really where the ball started rolling, and we realized, “Hey, if we’re going to do this, then we’re just going to need to go and make it on our own somehow.”

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Coming Soon: A Moviegoer’s Guide to March

Springtime is finally here, and as the weather starts to get a little better, so does your choice of movies. Though March wasn’t always known as a month where you could score big at the box office, Zack Snyder’s “300” changed all that, and since then, the studios have been more open to releasing some of their higher profile films in an attempt to cash in on the pre-summer excitement. If it’s big-budget epics you’re after, or just a great comedy anchored by some big names, then you’ll want to continue reading.

“BEING FLYNN”

Who: Robert De Niro, Paul Dano, Olivia Thirlby and Julianne Moore
What: While working in a Boston homeless shelter, Nick Flynn re-encounters his estranged father, a con man and self-proclaimed poet.
When: March 2nd
Why: This is the kind of film that you’d normally expect to see during awards season, which is what makes Focus Features’ decision to release it in March so refreshing. Of course, it could just mean that the movie simply isn’t good enough to be Oscar bait, but with actors like Robert De Niro and Paul Dano involved, it seems pretty unlikely. Based on playwright Nick Flynn’s memoir, “Another Bullshit Night in Suck City” (a great book title, but hardly one that rolls off the tongue when buying a ticket at the movie theater), “Being Flynn” might just be the film that finally gets De Niro’s acting career back on track. If nothing else, it’s great to see Paul Weitz directing some much headier material following the dreadful “Cirque du Freak: The Vampire’s Assistant” and “Little Fockers.”

“JOHN CARTER”

Who: Taylor Kitsch, Lynn Collins, Willem Dafoe, Dominic West and Mark Strong
What: After a Civil War veteran is inexplicably transported to Mars, he becomes mixed up in a conflict amongst the habitants of the planet.
When: March 9th
Why: I had never even heard of Edgar Rice Burroughs’ series of pulp fantasy novels when a “John Carter” movie was first rumored a few years ago as a possible directing project for Jon Favreau, but after seeing the initial trailer, I was sold. It’s been awhile since a sci-fi epic has come along that actually looks the part, and a lot of that credit goes to Andrew Stanton, who, although he’s best known for directing Pixar hits like “Finding Nemo” and “Wall-E,” is following in the footsteps of colleague Brad Bird with his live-action debut. While it will be interesting to see what Stanton can do outside the realm of animation, however, the film’s success will ultimately depend on whether Taylor Kitsch can prove to be the action star that Hollywood is betting on him to become.

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The Light from the TV Shows: No, seriously, “Mad Men” really IS coming back! For real, this time!

If you caught last week’s debut of Bullz-Eye’s 2012 TV Power Rankings, then you already know that we’re so excited about the return of “Mad Men” that we put it as our #2 show despite the fact that it hasn’t aired a new episode since 2010. So what? We’re excited, you’re excited, everyone’s been chomping at the bit for the fifth season to kick off that we can barely stand it. Surely that warrants a little fudging of the numbers, no…?

Mad Men actresses

Since AMC let slip a few trailers this week to promote the new season of “Mad Men,” I figured this would be a good time to revisit the cocktail party thrown by the network during the January TCA Press Tour, where I was able to get a few minutes with a few of the cast members, but here’s the score, so you don’t get too excited: I got a couple of minutes one on one with John Slattery (Roger Sterling) and Rich Sommer (Harry Crane), got a single question with Jon Hamm, and was able to ask precisely nothing of Christina Hendricks. I did, however, stand next to her for an extended period of time, and just for the record, she’s just as gorgeous as in person as she is on TV and in photos…which, come to think of it, might have had something to do with why I never managed to ask a question. (Mostly, though, it was because I’m not into trying to out-talk other people, which was the modus operandi of just about everyone else surrounding her at the time.)

Oh, and speaking of not getting too excited…? Total-lack-of-spoiler alert: there ain’t a single lick of new footage in any of the below trailers. Thanks for nothing, Matthew Weiner. But, hey, at least they serve to remind you of how much you missed these characters.

Man oh man, March 25 seems like a lifetime away…

Don’s back!

One of the big pieces of news to emerge about the return of “Mad Men” was that one of the episodes in the new season – not the season premiere, although it was the first episode the cast filmed upon coming back to work – was directed by Jon Hamm. While standing in a scrum during the cocktail party, I was privy to some of Hamm’s reflections on the experience.

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Blu Tuesday: Crazy Cults, Tower Heists and More

There are plenty of new Blu-rays on tap this week, and as usual, it’s a bit of a mixed bag. I didn’t even bother writing entries for Clint Eastwood’s “J. Edgar” and the “Shrek” spin-off “Puss in Boots” because the sooner we forget about both movies the better, while other noteworthy titles like Criterion’s “Anatomy of a Murder” and the first season of BBC’s “The Fades” weren’t available for review. Fans of Criterion’s previous releases can confidently blind-buy the former, however, knowing it will live up to their standards.

“Martha Marcy May Marlene”

Sean Durkin’s directorial debut was a big hit at last year’s Sundance Film Festival, and after finally seeing the movie myself during its theatrical release, it’s easy to understand why. A disturbing yet mesmerizing psychological thriller about a girl who runs away from a cult only to become increasingly paranoid that its members have tracked her down, “Martha Marcy May Marlene” (so titled for the various names that its protagonist uses throughout the course of the film) is bone-chilling suspense at its best. Durkin’s cleverly edited transitions between past and present are so disorienting that you start to become as paranoid as Martha herself, while star-in-the-making Elizabeth Olsen delivers an incredible performance that should have netted her an Oscar nomination. “Martha Marcy May Marlene” is one of those rare movies that stay with long after it’s over, sparking debate about its purposefully vague ending. It’s sure to enrage some, but most cinephiles will love every gripping minute.

Blu-ray Highlight: The list of included bonus material isn’t as impressive as it sounds, but fans of the movie will still no doubt be interested in director Sean Durkin’s short film “Mary Last Seen,” which serves as a companion piece to “Martha Marcy May Marlene.”

“Tower Heist”

Though a lot of people were quick to condemn “Tower Heist” before they even had a chance to see it, I was hopeful that Brett Ratner – who’s a better director than he gets credit for – would prove them wrong. After all, not only did the movie boast a promising setup and a great cast (including the potentially dynamic pairing of Ben Stiller and Eddie Murphy), but the script was co-written by Ted Griffin, who penned the “Ocean’s Eleven” remake and co-created the excellent but short-lived FX drama “Terriers.” In hindsight, I probably shouldn’t have been so optimistic, because despite its timely subject matter and the aforementioned components, “Tower Heist” never really makes the most of its potential. There are a handful of humorous moments littered throughout, but for the most part, it’s a rather unmemorable heist movie that’s biggest disappointment is its mediocrity.

Blu-ray Highlight: Universal has provided a solid collection of bonus material for the two-disc release, but the audio commentary with director Brett Ratner, co-writers Ted Griffin and Jeff Nathanson, and editor Mark Helfrich is the clear standout. In addition to revealing some interesting anecdotes about the long road from development to production (including Eddie Murphy’s original pitch for an all-black cast with guys like Chris Rock, Dave Chappelle and Chris Tucker), the quartet also talks about working with the ensemble cast and the challenges of filming the movie’s various set pieces.

“The Son of No One”

Channing Tatum must have made a deal with the Devil earlier in his life, because it’s the only possible explanation as to why Hollywood is so obsessed with him. After seven years in the business, Tatum hasn’t delivered a single performance that’s convinced me he has any real talent as an actor, and yet he continues to get work in high-profile projects. Director Dito Montiel is perhaps the worst offender, having cast him in all of three of his films, including this laughable police drama that also stars Al Pacino, Ray Liotta and Katie Holmes. The only thing worse than watching Tatum bumble his way through yet another leading role is the dreadful script by Montiel, which lazily strings together a series of incredibly pointless events and moments of manufactured conflict that are so easily avoidable it can be viewed as nothing less than an insult to the audience’s integrity.

Blu-ray Highlight: There are only two extras on the disc, but the audio commentary with writer/director Dito Montiel and executive producer/editor Jake Pushinsky offers up some interesting nuggets about making the film despite the long stretches of silence.

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Bullz-Eye’s 2012 TV Power Rankings

Bullz-Eye's 2012 TV Power Rankings

So…where were we?

Oh, fine, let’s go ahead and deal with the elephant in the room: it’s been nine months since Bullz-Eye doled out our most recent version of our TV Power Rankings. What can we say? There were a lot of good shows on the air between May 2011 and February 2012, and somewhere around late October, it just kind of reached a point where we said, “You know what? It’s way more fun to watch TV than it is to write about it.” Eventually, though, the powers that be pried us off the couch (there’s still an indentation where we were sitting), set us back in front of the computer, and said, “Look, the readers demand to know Bullz-Eye’s take on the best shows of the past year* and, frankly, they’re starting to get a little belligerent about it.”

(*Rounded up for statistical purposes.)

So here we are, ready to offer up our list of the 25 best shows on television** as well as several shows bubbling just under our list, plus a new section called “Still Too New to Call,” where we praise shows that seem pretty damned good after their first few episodes but simply haven’t been around long enough for us to feel comfortable including them in the other two lists.

(**Okay, technically, it’s the 24 best shows on television plus one show that hasn’t been on since 2010, but we’re so excited about that particular show coming back that we included it, anyway.)

All told, we hope you’ll walk away from this piece either nodding your head in agreement or wondering why you haven’t been watching some of these shows. If not, however, there’s a perfectly good Comments section that’s just waiting for your opinions about what’s good on TV.

Everybody ready? Then let’s get this thing started…

1. Breaking Bad (AMC)

Breaking Bad labFact: if you believe that there is any show on television that’s better than “Breaking Bad,” you are wrong. Period. End of story. Although the show began with a concept that spoke to many a family man – if you knew you were going to die, to what lengths would you go to make sure that your family was provided for? – it has since evolved into so much more. Bryan Cranston and Aaron Paul continue to startle with the depth of their performances, but Giancarlo Esposito‘s work as the chillingly efficient Gus Fring was the kind of work that makes an actor’s career. With an end date now in sight, the series has grown more gripping than ever, and there’s little doubt that we’ll see Hank (Dean Norris) figure out what Walt (Cranston) has been doing behind the back of him and his fellow DEA agents. In other words, folks, for all the shit we’ve seen hit the fan so far, you ain’t seen nothin’ yet.

2. Mad Men (AMC)

Mad Men female charactersYes, we know it hasn’t been on the air since 2010 (we covered that in the intro, you may remember), and, no, we don’t know any more about what to expect from the new season – which premieres on March 25 – than you do (series creator Matthew Weiner is notoriously tight-lipped, and we’re pretty sure he threatens to do terrible things to his cast’s pets if they leak anything to the press), but if we’re going to be doing these TV Power Rankings on an annual basis, then we’re forced to go with our instincts here and presume that “Mad Men” will continue to be as awesome in the future as it has been up to this point.

3. Modern Family (ABC)

Modern Family - 2012 Power RankingsIt’s a little hard to take the cynics seriously when they say that “Modern Family” isn’t as funny as it used to be when we continue to laugh so hard at each and every episodes. Admittedly, the storyline about Cam and Mitchell trying to adopt another baby has been a little hit-and-miss, and the idea of Claire running for public office seemed a lot funnier in concept than it has in execution, even with David Cross in tow. But the heart of the show continues to be the relationships between the three distinct family units – Cam and Mitchell, the Dunphys, and Jay and Gloria – and their respective kids. If things haven’t been quite as funny this year, so be it: it’s still funny, and we’re still watching.

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