Category: Entertainment (Page 218 of 277)

Hidden Netflix Gems: ‘Trailer Park Boys’

This week’s Hidden Netflix Gem: “Trailer Park Boys” (2001-2008)

“Trailer Park Boys” is a Canadian mockumentary series following the exploits of Julian (John Paul Tremblay), Ricky (Robb Wells), and Bubbles (Mike Smith), lifelong friends and serial criminals living in a Nova Scotia trailer park—when they aren’t in jail that is. The three pals run petty scams and dream up get rich quick schemes. They grow pot, act in homemade pornos, run bars out of trailers and sell counterfeit CDs. Most of the time, their plans are so ludicrous they need no help getting caught. Nonetheless, the boys live under the watchful eye of cop turned Trailer Park Supervisor Jim Lahey (John Dunsworth), who’s constantly working to derail their plans. The series might just be the best thing ever to come out of America’s hat, and all seven seasons (55 episodes) are currently available on Netflix Instant.

Ricky, Julian, and Bubbles are surrounded by a colorful cast of characters, the residents of Sunnyvale Trailer Park, each with their own trademark mannerisms and personalities.  There’s wannabe rapper J-Roc (Jonathan Torrens), who honestly believes he’s black (he’s not), and Mr. Lahey’s perpetually shirtless, cheeseburger-loving sidekick, Randy (Patrick Roach). There’s Ricky’s on again, off again girlfriend, Lucy (Lucy Decoutere), his father, Ray (Barrie Dunn), a former trucker pretending to need a wheelchair for a disability check, and his fall-guy sidekicks, Cory (Cory Bowles) and Trevor (Michael Jackson), who are never seen without each other, and many more. A young Ellen Page (“Inception,” “Juno”) appears a few times in the first two seasons, playing Mr. Lahey’s daughter. Silly and stupid as they may be, all the characters are incredibly lovable and relatable.

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War Tears Up the SummerStage at New York’s Queensbridge Park

Forty-three years after their original 1969 formation, the legendary band War can still rock a stage with the best of them and provide a funky good time for audiences of all ages. Of course, the only original member still in the lineup is keyboardist and current lead singer Leroy “Lonnie” Jordan, but since the band has cycled through more than 25 members since its original inception, this is no surprise. The band, in its current seven-piece configuration, played a free show at Queensbridge Park in Queens, New York, last night as part of City Parks Foundation’s annual SummerStage series. Probably about 400 people, ranging in age from toddlers to elderly folks, were in attendance, and War played an excellent two-hour set full of positive energy and musical prowess.

After an hour-long warm-up from DJ Felix Hernandez’ Rhythm Revue, War opened their set with the funky, upbeat “Me and Baby Brother,” from their 1973 gold record “Deliver the Word,” and the already dancing crowd really began to get down. Jordan is an exceptionally charismatic frontman who really commands the stage even when boxed in behind his keyboards, but he stepped out early on in the show to lead an audience sing-along to the 1972 hit “The Cisco Kid.” He joked that if anyone in the crowd could tell him how many other War songs contained the word “wine,” he would let that lucky fan buy him a glass of wine.

Jordan then slowed the upbeat set down a bit with the more serious jam “The World Is a Ghetto,” from the 1972 album of the same name, taking time to speak off-the-cuff about changing the world for the kids in the audience. He referred specifically to an adorable toddler dancing near the stage, of whom he couldn’t quite identify the gender, saying, “They don’t know when they’re that age anyway. Let ’em worry about all that when they get older.” The band also catered to an unexpected fan request by playing the gorgeous, tempo-shifting instrumental “City, Country, City,” also from the “World Is a Ghetto” album, which really gave saxophonist Fernando Harkless and harmonica player Stanley Behrens a chance to shine.

Though the overall set was mostly very up-tempo and danceable, War took time for a couple of slow love ballads near the end. Jordan took a lengthy vocal and keyboard solo for the beginning of the beautiful 1973 title track “Deliver the Word” before letting the rest of the band join him to jam it out, and drummer Salvador Rodriguez sang a love ballad of his own before War broke out their two biggest hits. On “Why Can’t We Be Friends,” from the 1975 album of the same name, each of the seven members of the band sang one two-bar verse, except for percussionist Marcos Reyes, who relegated the last small verse to an audience sing-along.

They closed with the iconic hit “Low Rider,” from the same album, and of course the crowd loved it, many of them begging for one more song. Unfortunately, the free outdoor show had a strict ending time, but it is a testament to War’s energy, vitality and long list of beloved hits, that a two-hour set could still leave us wanting more.

Weekly Web Series Review: Smart Girls at the Party

Described by host Amy Poehler as “a celebration of real friendship, real fellowship, and a kind of community with other girls,” the web series “Smart Girls at the Party” is a kind-hearted, fun and educational program for kids and their parents alike, but especially for young girls. Often specifically focusing on girls who enjoy activities traditionally thought of as being more for boys, the series enjoyed a significant viewership boost in its first season when it introduced its youngest interviewee, seven-year-old Ruby, who speaks precociously about feminism. Its most-viewed episode to date features a 14-year-old boxer named Precela, and another highlight features a young robotics engineer named Rachel.

These are the “girls who are changing the world by being themselves,” in the words of Poehler, who hosts the show with the tongue-in-cheek seriousness of a news anchor before ending each episode with a dance party. Along with producer Meredith Walker and musical director Amy Miles, Poehler explores the special talents and interests of each girl – or in a few episodes, groups of girls – and interviews them, always ending on a “very serious question,” such as “pizza or cotton candy?” or “which is cuter, a baby panda or a baby monkey?” However, despite poking fun at self-serious interview questions, the series never makes fun of the girls or treats them or their interests with cynicism or irony. Instead, it clearly aims to imbue its young audience with a sense of self-worth and individuality, without being boring or preachy.

Now in its second season, the series has markedly improved from its first few episodes, adding a “World Famous 20 Second Song” segment for Miles and boasting higher production values. There are also some familiar faces in the dance parties that parents will enjoy spotting, including Poehler’s husband Will Arnett (who returns from the first season), as well as her “Parks and Recreation” co-stars Aziz Ansari, Nick Offerman, Rashida Jones and Aubrey Plaza. Look closely and you’ll also spot folks like Jon Hamm, David Cross and Jack McBrayer in later episodes. With its own new channel on YouTube, “Smart Girls at the Party” is slicker and more fun than ever, and is highly recommended for viewing with children, especially daughters, between the ages of five and fifteen.

The Light from the TV Shows: Even executive producer Vince Vaughn can’t liven up “Sullivan & Son”

When the DVD screener arrived for TBS’s new sitcom “Sullivan & Son,” I couldn’t help but notice that the packaging for the disc featured five words placed prominently above the title: “From Executive Producer Vince Vaughn.” For some, this wouldn’t necessarily be that big a selling point. Hell, it’s not even that big a selling point for me, and I consider “Swingers” to be one of my favorite films from the ’90s. It’s not that I don’t think Vince Vaughn’s funny. It’s just that, in addition to the fact that his comedy track record is far from 100%, the simple fact of the matter is that you absolutely cannot tell how funny a sitcom is going to be by its executive producers…and, boy, is “Sullivan & Son” proof of that.

“Sullivan & Son” starts Steve Byrne as Steve Sullivan, an NYC attorney who returns home to Pittsburgh with his new girlfriend, Ashley (Brooke Lyons), in tow in order to help celebrate the 60th birthday of his Irish-American father, Jack (Dan Lauria). The birthday celebration takes place in the bar owned by Jack and his wife / Steve’s mother, Ok Cha (Jodi Long)…and in case the name didn’t give it away, yes, Steve’s mom is Korean. During the evening’s celebration, Steve’s parents reveal that they’ve decided to sell the bar, a newsflash which sends Steve into a tizzy of reflection as he tries to decide if his current path in life is more important than keeping the bar in the family. Unsurprisingly, he decides on the matter, talking his parents into selling the place to him, and although this utterly infuriates Ashley, who’d already worked out a 12-step program to have the perfect married life with Steve, it’s a decision which nicely sets up the premise of the series.

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