Category: Entertainment (Page 208 of 277)

The Light from the TV Shows: A Chat with Giancarlo Esposito (“Revolution”)

It’s a matter of public record that I’ve interviewed a huge-ass number of people over the years, but given that most of those interviews tend to be on the phone, it never fails to give me a warm feeling inside when someone actually remembers me from an in-person encounter. Then again, one presumes that the cast of “Breaking Bad” doesn’t sit down and break bread with journalists on their home turf of Albuquerque all that often, so maybe that makes it a little easier to remember such an occasion.

Either way, it was still nice to see the warm glow of recognition in Giancarlo Esposito’s eyes when I came up to him at the Television Critics Association press tour this summer. I mean, it’s certainly better to see that than the steely anger we came to expect from him in his final appearances as Gustavo Fring, right? Sadly, it was a short chat, so we didn’t even get a chance to talk about Gus’s last days (except in passing reference) or even his Best Supporting Actor Emmy nod, but you can still look back at the far lengthier conversation we had a few years ago to get a bit more insight into his feelings about Gus and his career as it stood prior to “Breaking Bad.” For now, though, Esposito is all about looking forward…really, really intensely.

Giancarlo Esposito: Hi, Will! Oh, my goodness, I remember that evening in Albuquerque. I totally remember that evening!

Bullz-Eye: I’m glad I’m not the only one!

GE: How are you? It’s good to see you again.

BE: It’s mutual, of course. So I’m curious: with “Revolution,” you’ve taken on another supporting role. Not that you don’t do them well, but do you have an active desire to kick it up to leading-man status, or do you just enjoy the challenge of making the most out of a smaller part.

GE: You know what? I always have a desire to make it to the big time. [Laughs.] But the more I’m able to put my heart and soul into a role and the fuller that character that is, then the more screen time it has, and for me that’s a plus. But I love doing what I do as a character actor, and I think that’s also important, because that enables me to strengthen my craft. And in this case, that supporting role is with some of the best folks in television. So to me, it’s a journey. I feel like there is a moment in time when there’ll be that moment to step up into films where I’m doing the lead and carrying everything, but right now I think that all is well.

I’m coming off this time with “Breaking Bad” and that’s been very special for me, and it’s a nice way to decompress and play a character that’s a heavy but probably a little more of a loose cannon, a little more psychotic. He’d love to think he’s always in control, but he does lose it. And he’s a guy who’s a little bit different than the last guy, but…audiences just love the bad guy! [Laughs.] And they love the character actor that can play him in a fuller way. So I’m all in. I’m all in with this “Revolution.” I think the show itself is about evolution of human beings, and on a grand scale. I mean, this is an epic show. I don’t know what people expect, but some seem to think that they may be seeing something they’ve seen before. They’re not. It’s a big show to do, a big show to produce…it’s a big, wide canvas of a show, but I think it’s not only a grand action/adventure series but it’s also a very dramatic, character-driven show as well.

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Blu Tuesday: HBO’s Unlucky Three and More

I was unable to write my column last week because I was still recovering from knee surgery, but hopefully that didn’t cause you to miss out on all the great new releases, because there were several titles worth checking out, including the latest seasons of “Sons of Anarchy,” “The Walking Dead,” “Boardwalk Empire” and “Homeland,” as well as Peter Berg’s big, dumb and fun “Battleship.” This week is almost as good, with a variety of new movies and several more TV series to get you ready for the fall season.

“Hung,” “Bored to Death” and “How to Make It in America”

HBO has never been as trigger happy as most networks when it comes to cancelling shows, so it was a bit surprising when the pay cable channel axed three series in one fell swoop at the end of last year. Though “Hung,” “Bored to Death” and “How to Make It in America” may not have brought in the same kind of ratings as HBO’s bigger hits, but they were all quality shows with solid fanbases. “Hung” was probably the best of the bunch, and although the dark comedy had its share of highs and lows throughout its three-season run, Thomas Jane (who was once again nominated for a Golden Globe) made it immensely watchable. The same goes for Ted Danson on the more inconsistent but nonetheless entertaining “Bored to Death,” perhaps the most shocking of the three cancellations considering Zach Galifianakis’ recent rise to fame. “How to Make It in America,” meanwhile, was the kind of series that seemed tailor-made for the HBO viewer based on the success of the likeminded “Entourage,” and yet it was the worst performer of the three. You can’t really blame HBO for not giving each show the chance to reach a larger audience, because they did. It’s just upsetting that more people didn’t watch when it mattered, because they deserved a better ending than this.

Blu-ray Highlight: HBO could have easily dumped these onto Blu-ray without any bonus material, so it’s nice to see that they’ve included a decent collection of extras on all three sets. While fans of audio commentaries will find several tracks with various cast and crew members on each release, there are some great featurettes as well. Creators Dmitry Lipkin and Colette Burson discuss the new characters and story arcs that make up “Hung: The Complete Third Season”; author Jonathan Ames records a series of mini-interviews for all eight Season Three episodes of “Bored to Death”; and the cast of “How to Make It in America” talk about filming the show’s second season.

“The Five-Year Engagement”

Beginning where most romantic comedies usually end, you can’t fault “The Five-Year Engagement” for trying to deliver a fresh take on the genre. But although it boasts some great laughs throughout (including a Muppets-inspired bit that is probably the most honest moment in the entire film), the movie doesn’t know when enough is enough. The constant shifts in tone also prevent it from ever finding its groove, particularly when the film gets really dark and gloomy in the second act. It would be one thing if Jason Segel’s character was just depressed, but he becomes borderline crazy, devolving into a grizzly mountain man. Though the theme of resentment plays a big part in the story, Segel’s emotional transformation is taken a little too far, to the point that you’re not even sure if you like the main characters anymore. Thankfully, director Nicholas Stoller surrounds his two leads with an excellent supporting cast that helps keep the mood light, especially Chris Pratt, who absolutely steals the show as Segel’s idiotic best friend. The movie could have done with more of him and Alison Brie, because the pair earns more laughs in their limited screen time than the rest of the cast combined.

Blu-ray Highlight: Fans of the film will no doubt enjoy the included audio commentary by co-writer/director Nicholas Stoller and stars Jason Segel, Emily Blunt and Chris Pratt, but the disc’s real standout is the fantastic making-of featurette, which offers a refreshingly transparent behind-the-scenes look at the complete production process.

“Safe”

Director Boaz Yakin’s first foray into the action genre may look eerily similar to every other film to come out of the Jason Statham Factory of Ass-Kicking, but Statham’s movies are rarely dull, and that has a lot to do with the actor’s seemingly endless supply of charisma. He’s probably the most entertaining action star working today, and although “Safe” isn’t much better than his previous direct-to-video efforts, it delivers some pretty awesome action beats along the way. The rest of the movie is a giant mess, fueled by an overly complicated plot that fails to make much use of its carousel of B-movie villains, and it takes way too long to get going. Once it does, however, “Safe” never looks back, transforming into a speeding train wreck of violence where the various parties (Statham, some crooked cops and feuding Chinese and Russian gangsters) open fire on one another with such reckless abandon that it eliminates any plausibility. Don’t get me wrong, it’s fun to watch, but “Safe” is ridiculous even for a Jason Statham movie, and that’s saying something.

Blu-ray Highlight: As you might expect from a movie like “Safe,” the coolest piece of bonus material is a 10-minute featurette called “The Art of the Gunfight” that takes a look at the action choreography in the film, focusing on three sequences in particular.

Coming Soon: A Moviegoer’s Guide to September

The summer movie season may be finally over, but awards season is just around the corner, and Hollywood typically uses September as a time to catch its breath between all the madness. But while there aren’t many high-profile releases on tap for the month, there are still plenty of promising titles worth checking out, including the latest from visionary directors P.T. Anderson and Rian Johnson and the return of Clint Eastwood.

“THE COLD LIGHT OF DAY”

Who: Henry Cavill, Bruce Willis, Sigourney Weaver and Veronica Echegui
What: After his family is kidnapped, a young Wall Street trader is confronted by the people responsible: intelligence agents looking to recover a mysterious briefcase.
When: September 7th
Why: Despite a starring role in last year’s underwhelming Greek epic “Immortals,” British actor Henry Cavill has failed to demonstrate why he was chosen to don the iconic red and blue suit for Zack Snyder’s upcoming “Man of Steel.” And though his latest vehicle was delayed earlier this year due to reportedly bad test screenings, “The Cold Light of Day” will give him another shot to convince audiences that he’s the right choice to play Superman. With that said, however, not even the involvement of Bruce Willis and Sigourney Weaver makes this action thriller look any less like a Jason Bourne rip-off. After all, there’s usually a pretty good reason when a film’s release date gets pushed back, and it’s hard to imagine that any amount of re-editing will fix that.

“THE WORDS”

Who: Bradley Cooper, Zoe Saldana, Dennis Quaid, Olivia Wilde and Jeremy Irons
What: A writer at the peak of his literary success discovers the steep price he must pay for stealing another man’s work.
When: September 7th
Why: CBS Films doesn’t exactly have a very good track record, but compared to their past projects, “The Words” seems to be a step in the right direction. Though it received mixed reactions when the movie premiered earlier this year at Sundance, the concept is intriguing enough that I’m willing to give it the benefit of the doubt. The ensemble cast certainly doesn’t hurt its chances, although it’s not the first time that the studio has used big stars to disguise a turd. And while Bradley Cooper is an actor that I admire, and it’s always a pleasure to see Jeremy Irons no matter how small the role, it’s a little worrying that “The Words” might follow suit, especially in the hands of first-time directors Brian Klugman and Lee Sternthal, the writing duo behind the disappointing “TRON: Legacy.”

“BACHELORETTE”

Who: Kristen Dunst, Isla Fisher, Lizzy Caplan, Rebel Wilson and James Marsden
What: Three friends are asked to be bridesmaids at a wedding of a woman they used to ridicule back in high school.
When: September 7th
Why: It may seem awfully convenient that another R-rated comedy about bridesmaids behaving badly is being released only a year after Paul Feig’s Oscar-nominated film became the surprise hit of last summer, but that’s about where the similarities end. In fact, those who claim the movie is just a rip-off might be surprised to discover that Leslye Headland’s directorial debut (which screened at Sundance this past January) is based on her 2010 off-Broadway play of the same name. Though it hasn’t gotten quite the same acclaim as “Bridesmaids,” I’m actually looking more forward to this darker, meaner wedding comedy, namely due to its awesome cast. Kirsten Dunst and Isla Fisher can be great with the right material, while Lizzy Caplan and Rebel Wilson are two very funny women with very different brands of humor that deserve more recognition.

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App of the Week: Bastion

Developer:
Supergiant Games

Compatible with:
iPad

Requires:

iOS 5.1

Price:

$4.99

Available here

As the Summer of Arcade kicked off in 2011 for Xbox Live, one of the headline games was a title called “Bastion.” Like just about every other indie title ever made, it arrived without much hype and drew little more than curiosity based on the tantalizing art style. But as soon as it hit the marketplace, both critics and fans found themselves completely immersed by a game that realized that sometimes there is an inherent value in style over substance, if you happen to be the most stylish thing in the room. It went on to post impressive sales figures, and find itself on short lists everywhere for game of the year.

And now it’s coming to iPad.

If you never got to experience “Bastion” originally, it’s a story of a protagonist known only as the kid who awakes one day to find that an event known as the “Great Calamity” has wiped out just about everything he’s ever known. His only hope is to search out a communal safe haven, known only as the bastion.

“Bastion” is an action RPG in the style of “Diablo.” From there, it immediately defies categorization. Letting the simple and addictive style of the genre take care of that burdensome concept known as gameplay, “Bastion” instead focuses its considerable efforts on…well just about everything else. You’ll immediately be drawn in by the games art style, which features well rendered hand painted environments and characters. Color has seemingly abandoned video games as a whole, and to call “Bastion’s” style a breath of fresh air contradicts the fact that the only way to really describe the look of the game is breathtaking.

Coupled with this graphical onslaught is some of the best sound design ever put in a video game. This is mostly due to the games gruff narrator who manages to comment on just about everything in the game, whether scripted or otherwise. What initially seems gimmicky, and could get annoying, instead becomes vital as it contributes to the game a unique storytelling style that reminds you of a storybook fantasy tale. When not being entertained by the narration, you may take the time to notice that the music is not only appropriately atmospheric, but also stands well on its own accord.

For its critical transition to the iPad, little is lost. All of the game’s content is available, and looks and sounds great. The controls could have been an issue, but by using a minimal amount of touch buttons, the developers have managed to make things as painless as possible, and after the first few levels you will rarely find yourself fumbling with the controls. In fact, the only reason I couldn’t recommend the iPad as a platform for “Bastion” is because when everything in the game (the addictive action, the stunning look, and the encompassing sound) all come together, it’s very easy to get swept up in the title and thus lose track of the world around you, making “Bastion” something of a public hazard. Also, much like the original title, you may find yourself wishing that you had an invisible narrator commenting on your every action through the day, only to be continuously disappointed there isn’t one.

There doesn’t exist enough games with the simple beauty of “Bastion,” and there are even fewer on the iPad. In 2011 “Bastion” for the 360 was a candidate for best game of the year. In 2012, it’s still got enough going for it on the iPad to be my app of the week.

Hidden Netflix Gems: Once Upon a Time in the West

This week’s Hidden Netflix Gem: “Once Upon a Time in the West” (1968)

It’s 2012, so it wouldn’t be all that surprising to discover a majority of young people have not heard of Italian film director, producer, and screenwriter Sergio Leone. After all, the man died 23 years ago in 1989. However, you’d likely be hard pressed to find someone in that demographic who hasn’t seen, or at the very least heard of the man’s work.

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