Author: Will Harris (Page 13 of 41)

The Light from the TV Shows: A Chat with Matthew Macfadyen (“Ripper Street”)

Although BBC America received considerable acclaim from their original series, “Copper,” a period piece about New York City police officers circa the 1860s, it should come as no surprise that their stock and trade still tends to be series set in the UK. Don’t worry, though: they’re still sticking with the whole period-piece thing for their latest endeavor, “Ripper Street,” which is set in Whitechapel, in London’s East End, n 1889, a mere six months after the infamous Jack the Ripper murders. The series stars Matthew Macfadyen, a familiar face to Angophiles for his work in numerous TV and film appearances, and Bullz-Eye had a chance to chat with him just before the “Ripper Street” panel at the Television Critics Association’s winter press tour, where we asked him about his new gig, several of his old ones, and how he got into acting in the first place.

Bullz-Eye: You, sir, are no stranger to period pieces.

Matthew Macfadyen: I’ve done a few, yeah. [Laughs.]

BE: What was it about “Ripper Street” that stood out for you in particular? Certainly it’s a bit darker than some of your past fare.

MM: Yeah, I thought it was dark. But I just thought the writing was brilliant. I really did. I didn’t expect to…I wasn’t planning on doing another series, but then it came along and I couldn’t stop reading it, which is sort of the acid test for me. So that was it, really.

BE: When you took the role, how much of Det. Sgt. Edmund Reid was on the page, and how much were you able to bring to the part?

MM: It was all on the page. I mean, it’s there. It’s so beautifully sketched out, and there’s so much going on underneath him. He’s got this terrible thing with his family, his daughter, so…there’s a lot. It’s interesting. And I think the writer, Richard (Warlow), doesn’t immediately build the characters, but you know there’s a back story, and it sort of comes out in dribbles. It evolves.

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The Light from the TV Shows: A Chat with Ivana Milicevic (“Banshee”)

Ivana Milicevic is one of the sexiest dorks you’ll ever meet. Hey, don’t laugh: if you were wise enough to tune in to the premiere of her new Cinemax series, “Banshee,” when it made its debut on Friday, then you already know that my assessment of her sexiness is on the money, but having actually sat in her presence and chatted with her one-on-one for 20 minutes or so, trust me, she’s a big ol’ dork. But if you’re wondering, let me assure you that this is an amazingly awesome combination. During our conversation, there was much discussion of “Banshee,” of course, but we also touched on more than a few of her earlier credits as well, including everything from “Seinfeld” to “Casino Royale” to “Jerry Maguire” to “Children of the Corn III: Urban Harvest,” a range which I think we can all agree is very wide indeed.

Bullz-Eye: An obligatory question to start out: how did you find your way into “Banshee”?

Ivana Milicevic: [Places palms flat on table.] Will, let me tell you.

BE: Please do.

IM: I read the script – ‘cause I was reading millions of scripts, because it was pilot season – and I was, like, “Wha…?!?”It was so good. I loved it. And I was madly in love with Greg Yaitanes because I had done an episode of “House” with him. Like, a season-finale “House” episode that was really fun to do, and he was so fun and easy to work with. And I had been touch with him because of…he was getting me on Twitter in the early days. This was, like, five years ago. But I loved “Banshee.” I had to go in a lot of times. I had to fight for it. I met Antony, we had this instant chemistry that just…

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BE: That’s what he said.

IM: He said that, too?

BE: Yeah. In fact, I think he even made the same hand gesture to indicate “instant chemistry.”

IM: [Laughs.] Did he really? That’s so funny. But we do! It’s kind of true. We get along, but we’re also like black and white. So that makes exactly what you’re looking for: a polarity. It just worked. And I think that’s how come I got the job. And then I was really happy, Will, because… [Drops voice down to a whisper.] I had to play it. I had to play this part.

BE: You don’t say.

IM: I did! Because I get to be a mother, so I get to love my family. And I love my real family, so I just love to play that. And I get to be in love…with two men! [Laughs.] And I get to kick ass. And I get to be sexy. Because if not now, Will, when? When?

BE: I hear you.

IM: Because I’m European, and I like that sexy stuff.

BE: Well, Americans are rather fond of it, too.

IM: Well, sure. Who isn’t? [Laughs.]

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The Light from the TV Shows: A Chat with Antony Starr (“Banshee”)

In his homeland of New Zealand, it is virtually inarguable that Antony Starr is a somebody, given that he spent six seasons starring – as twins, no less – in “Outrageous Fortune,” one of the most successful NZ-produced series in the country’s history. Here in the United States, however, it is fair to say that he has yet to achieve any particular degree of recognizability, but there’s a very real chance that that could change with his starring role in Cinemax’s “Banshee,” produced by Alan Ball (“True Blood”). Bullz-Eye had a chance to chat with Starr at the winter Television Critics Association press tour, and he discussed how both men and women could fall in love with his new series, touched on past U.S.-released efforts that you might have caught him in, and praised some of his country’s finest musical exports.

Bullz-Eye: There are times when I watching “Banshee” where I found myself thinking, “This really couldn’t be much more of a ‘guy’ show.”

Antony Starr: Oh, really? Why?

BE: Well, you know, it’s action-packed, there’s sex, there’s violence…you can’t go wrong with those things in the “guy” demo.

AS: Yeah. I mean, look, it’s definitely and obviously going to appeal to a sort of masculine demographic. But interestingly, though, I’ve talked to a lot of women who’ve seen it, and the fact that the show is basically a love story…you know, it’s anchored on a love story. It’s the only reason this guy would get straight out of prison and make a bee-line for his lover. And a lot of women I’ve talked to have really responded to that and are prepared to go through the violence and some of the more masculine elements because of that. So I think it’s…well, we’ll wait and see, but I think it’s got a good appeal to women as well.

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The Light from the TV Shows: A Chat with Lorenzo Lamas (“The Joe Schmo Show”)

For someone who’s best known for his work in prime-time soap operas (“Falcon Crest”), syndicated action series (“Renegade”), and straight-to-video shoot-’em-ups (including the “Snake Eater” trilogy, among many, many others), Lorenzo Lamas is a pretty funny fellow, and he gets a chance to show that side of himself – along with several other sides, to say the least – when “The Joe Schmo Show” returns to Spike TV tonight at 10 PM / 9 CST. Lamas took some time to chat with Bullz-Eye before and after the show’s panel at the winter Television Critics Association press tour, and he talked about how much fun he’s having showing off his comedy chops while also taking time to delve into his life and times up to this point.

Bullz-Eye: Well, I was able to watch the first two episodes…

Lorenzo Lamas: Oh, yeah…? How did you like it? What did you think about it?

BE: It was great. I liked the first season, but I never actually saw the second season. But this looks like it’s right on par with what the show’s been like before.

LL: From what I gather, the guy they cast for this “Schmo” is a lot different than the first guy. And what I’m gathering is that…the first guy was just a really great, friendly, open, more innocent kind of guy. Like, a real Joe Schmo, y’know? [Laughs.] Whereas I found Chase to be a very analytical, intelligent, not quite as naïve guy.

BE: Yeah, he seemed like a sweetheart, but he also seemed like a guy who really wanted to win, too.

LL: Yeah, really competitive. Absolutely.

BE: So how did you find your way into this? Did they approach you, or was there a casting call and you heard about it?

LL: You know, John Stevens and I had done something last year together – a pilot for an action show, a hybrid that was part reality, part scripted – so we met on that project, and then when Sharon Levy talked to John about doing this version of “Joe Schmo,” John says, “Well, what do you think of Lorenzo Lamas?” So he kind of brought it up to Sharon, and then Sharon asked, “Does Lorenzo do comedy?” Because the whole idea is this 10-day-long improv where everyone’s in character and they have to really stay in character. So John called me and said, “I’ve got something that’s kind of out of left field, but…would you be interested in doing this show?” And then he kind of formulated a pitch to me. And I had just finished doing “The Eric Andre Show,” and I loved it. That was improv, too. I did one episode, then they brought me back and did another episode. I’d just finished doing it, so I said, “You know, John, I think this might be meant to be…” Because prior to that, I’d also done a couple of episodes of the Nickelodeon show “Big Time Rush.” I played Doc Hollywood, who’s a bigger-than-life character, almost slapstick comedy. And I’ve been enjoying that. I’ve been enjoying the change, wrapping my mind around just…not doing action, y’know?

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The Light from the TV Shows: What’s New in 2013

Welcome to 2013, everybody, and welcome to the so-called midseason. The television landscape has changed more than a little bit over the past several years, creating a situation for viewers where they can generally count on getting new series offered to them by the networks at just about any time during the course of the year. Sure, the fall’s still consider the time when the big guns come out, but the midseason isn’t just a place where the dregs of programming get dumped. As you can see from the following series, the broadcast networks have plenty of interesting and – one can only hope – entertaining new offerings to keep you glued to the tube and stuck to the sofa for hours on end.

Deception (NBC, Jan. 7)


Says the network: “When wealthy socialite and notorious party girl Vivian Bowers is found dead of an overdose, no one is really surprised. The heiress to the Bowers pharmaceutical empire has been tabloid fodder for years: wild, pretty, privileged… and now dead at the age of 32. But for FBI agent Will Moreno (Laz Alonso, ‘Avatar’), things don’t add up with this suspicious dynasty. Convinced that the troubled girl’s death was a homicide, he has a clever plan to get to the truth. Her name is Detective Joanna Locasto (Meagan Good, ‘Think Like a Man’). Twenty years ago she was Vivian’s best friend and practically grew up inside the Bowers’ home. And when she appears at Vivian’s funeral, the family re-embraces her and no one is the wiser. Joanna quickly begins to uncover dark secrets and clues about why Vivian’s life was very much in danger. At the same time, she rekindles an old romantic relationship and rediscovers the allure of the luxurious lifestyle she once knew. She’s about to see once again just how the other half lives… and dies.”

The Carrie Diaries (The CW, Jan. 14)


Says the network: “It’s 1984, and life isn’t easy for 16-year-old Carrie Bradshaw. Since their mother passed away, Carrie’s younger sister Dorritt is more rebellious than ever, and their father Tom is overwhelmed with the responsibility of suddenly having to care for two teenage girls on his own. Carrie’s friends – sweet, geeky Mouse, sarcastic and self-assured Maggie and sensitive Walt – make life bearable, but a suburban life in Connecticut isn’t doing much to take her mind off her troubles. And even though the arrival of a sexy new transfer student named Sebastian brings some excitement to Carrie’s world, she is struggling to move on from her grief. So when Tom offers Carrie the chance to intern at a law firm in Manhattan, she leaps at the chance. Carrie’s eyes are opened wide at the glamour and grit of New York City – and when she meets Larissa, the style editor for Interview magazine, she’s inspired by the club culture and unique individuals that make up Larissa’s world. Carrie’s friends and family may have a big place in her heart, but she’s fallen in love for the first time with the most important man in her life – Manhattan.”

The Following (Fox, Jan. 21)


Says the network: “The chilling new series focuses on former FBI agent Ryan Hardy (Emmy Award-nominated actor Kevin Bacon, ‘X-Men: First Class,’ ‘Frost/Nixon’), who is brought in as a consultant when notorious serial killer Joe Carroll (James Purefoy, ‘Rome’) escapes from death row and embarks on a new killing spree. Hardy discovers that, while in prison, Carroll was covertly communicating with a network of killers in the outside world and it quickly becomes obvious that he has more planned than just his escape.”

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