Corvette enthusiasts and sports car fans all over the world have been waiting to see the new Corvette, and Chevrolet unveiled it this morning at the Detroit Auto Show. As you can see from the photos, the new design is stunning and we’re pretty confident that this will be a big hit for Chevy and GM. This sexy beast goes on sale in the third quarter of 2013.
The 2014 Corvette Stingray is the most powerful standard model ever, with an estimated 450 horsepower (335 kW) and 450 lb.-ft. of torque (610 Nm). It also accelerates from 0-60 in less than four seconds, and Chevy expects it to be the most fuel-efficient Corvette, exceeding the EPA-estimated 26 mpg of the current model.
Chevrolet decided to bring back the iconic Stingray name with this all-new corvette.
“Stingray is one of the hallowed names in automotive history,” said Ed Welburn, GM vice president of global design. “We knew we couldn’t use the Stingray name unless the new car truly lived up to the legacy. The result is a new Corvette Stingray that breaks from tradition, while remaining instantly recognizable as a Corvette the world over.”
Here’s a great photo of a classic Stingray in the background.
Here’s another great photo, with the all-new C7 with the prior 6 Corvette body types in the background.
The Corvette is one of the most iconic American nameplates, and frankly it’s very gratifying to see GM triumphantly introducing the newest version of this sports car that many of us have admired since we were kids. We can’t wait to drive one!
I always wanted to be a movie director, but a lack of ambition, and talent, sadly kept me from that particular goal. That still never stopped me from having a fascination with the filmmaking process, even if the particulars of the art have eluded me.
The new app Directr was seemingly made for people like me. It’s a video recording app that allows you to produce semi-professional looking works out of video recorded on your Apple device. The difference between Directr and other film creation apps is the more relaxed approach it takes to the idea. The highlight of the app is that there is no editing required, and it’s pretty much all point and shoot. That’s not to say it’s a bare bones program as you are allowed to insert text, music, graphics, and, in a particularly inspired bit of design, use storyboards to help you plan the layout of certain types of videos (which is a major contributor to the simplicity of the app).
What is the practical use of Directr? Well, based off of examples provided on the apps site, it can be used to stylishly record your baby’s actions, make a modern day slideshow of your vacation (only interesting), or to provide a video capture to spice up your apartment listing just to name a few. Thanks to the deeply integrated social features, sharing your videos is exceptionally easy, and even already there is a growing community for doing just that, as people aspire to create viral video sensations, or even just sell a car.
If you had to assign a greater purpose to Directr though, it would be giving users the ability to enhance their everyday videos, without beating them over the head with the prospect of having to sort through and splice together mounds of footage. While it doesn’t have the creative depth of a full fledged video editor, it does allow you to come up with a similar final product, and always maintains the fun of creating something that is closer to a film than a simple video, without forcing you through the elongated, tedious process usually required to do so.
For a free app, there is lot of life in Directr, and once you download it, it becomes hard to shoot any video, without suddenly framing it within the abilities of the app. Nothing you can create with Directr will be winning any Oscars, but the program itself does goes home with my award as app of the week.
This week’s Hidden Netflix Gem: “Bottle Rocket” (1996)
Before Wes Anderson was a household name (at least among movie buffs), before receiving Oscar nominations for The Royal Tenenbaums, Fantastic Mr. Fox, and Moonrise Kingdom, before The Darjeeling Limited, Rushmore, and The Life Aquatic, yes, before all of that, he and Owen Wilson co-wrote the screenplay for Bottle Rocket. It was based on a short film of the same name they’d made in 1992 and released in 1994. Bottle Rocket was Anderson’s directorial debut and marked the first appearances of Luke and Owen Wilson, as well as their lesser known older brother, Andrew. Leslie Mann, now famous for her many roles in husband Judd Apatow’s films, even had a small part, though it was eventually left on the cutting room floor.
Anderson’s first film is an interesting look back at the development of filmmaker’s now signature style: the methodical cinematography, with its bright coloring and compulsive need to center-frame the actors, along with humor so dry you’d better pack a canteen. Though a commercial failure, Bottle Rocket served as a launching pad for the careers of all those names above, so easily recognized here in 2013. But the film is worth a watch on its own merits, even for those who aren’t intrigued by the idea of taking a look at the early work of a couple of future A-listers. Thanks to Anderson’s burgeoning style and its innocent, humorous characters, Bottle Rocket has been certified fresh and holds an 80 percent rating on the TomatoMeter. If that’s not enough to sway you, Martin Scorsesenamed it his seventh favorite movie of the 1990’s. Yes, that Martin Scorsese.
I’m not sure if it’s a good omen that the first DOTW of 2013 is celebrating Al Capone. Especially considering what we’re all about here, we might be prone to forgive the bootlegging and the gambling the man was involved with, but his probable involvement in mass murder is something we have to come down a bit harder on here at DOTW Central. On the other hand, it appears he had good taste in rye whiskey.
This week’s drink was suggested to me by a mysterious — though, I’m sure, entirely law-abiding — benefactor who was kind enough to send me a bottle of what we are told was the real original Scarface’s favorite whiskey and “the good stuff” well-heeled folks might have enjoyed at a real Chicago speakeasy during prohibition days. Made in nearby Iowa, Templeton Rye alleges itself to be a recreation of what my long-deceased reprobate Great Uncle Ben might have personally swilled at certain Chi-town establishments.
I have no idea whether or not that’s true, but I do know that this is some very good rye whiskey. A bit less peppery and less reminiscent of the stuff I eat with yellow mustard and pastrami than other ryes, it nevertheless sports a delightful potpourri of flavors with a bit more bourbon-esque sweetness than is usual. The fact that it’s 80 proof probably helps allow for a bit more gentleness than in your bonded 100 proof ryes.
As for the cocktail the Templeton people have created in the name of Al Capone, it’s much nicer than the man most people assume was behind the St. Valentine’s Day Massacre must have been.
This is a pretty easy one. Combine your liquids in a cocktail shaker or mixing glass with plenty of ice. Stir vigorously and strain into a chilled cocktail glass. Rim the glass with a very thin slice of lemon peel (none of the white stuff) and “twist” it over the drink to express the lemon oils into the drink. (This is actually standard practice with a twist of lemon, but I’m going into detail because it’s more important than usual.) Toast whomever you like when you sip this, but do me a favor and consider making it something or someone other than Mr. Capone. I’m going out on a limb here and expressing my vehement opposition to organized crime.
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Very, very observant readers might note here that I’m going against my usual practice and actually suggesting you use only Templeton Rye in making this particular drink. Far be it from me to curtail experimentation, but I have to say that I actually tried this drink first with a different brand of rye, a fun-size bottle of Korbel I happened upon, and Cointreau in lieu of Grand Marnier. It was nasty.
Here’s where I have to thank my benefactors again who went well above and beyond the call of duty and, in response to some of my habitual whining, actually sent me some Grand Marnier (which is very tasty but not cheap, hence my whining) as well as some very quaffable Yellow Tail Sparkling White Wine. Sure, Australia is a long way from the Champagne region of France, but it did just fine.
While the Capone turned out very nicely using the more or less originally specified ingredients, there is some wiggle room here as far as your choice of bitters goes. Your standard classic Angostura works just fine here, but there was a slight aftertaste of the wrong kind of bitterness I wasn’t overly fond of. Using the kinder, gentler Peychaud’s bitters yielded a nice enough result, however. I also had decent luck with Regan’s Orange Bitters, which I think worked nicely with the Grand Marnier.
Still, for all of that, I’m so taken with Templeton Rye, it’s reputed evil origins notwithstanding, that I’m expecting even better results when I try it in something where it can really stand out on it’s own. I’ll be having that Templeton Old Fashioned I think. Right…about…now.
In his homeland of New Zealand, it is virtually inarguable that Antony Starr is a somebody, given that he spent six seasons starring – as twins, no less – in “Outrageous Fortune,” one of the most successful NZ-produced series in the country’s history. Here in the United States, however, it is fair to say that he has yet to achieve any particular degree of recognizability, but there’s a very real chance that that could change with his starring role in Cinemax’s “Banshee,” produced by Alan Ball (“True Blood”). Bullz-Eye had a chance to chat with Starr at the winter Television Critics Association press tour, and he discussed how both men and women could fall in love with his new series, touched on past U.S.-released efforts that you might have caught him in, and praised some of his country’s finest musical exports.
Bullz-Eye: There are times when I watching “Banshee” where I found myself thinking, “This really couldn’t be much more of a ‘guy’ show.”
Antony Starr: Oh, really? Why?
BE: Well, you know, it’s action-packed, there’s sex, there’s violence…you can’t go wrong with those things in the “guy” demo.
AS: Yeah. I mean, look, it’s definitely and obviously going to appeal to a sort of masculine demographic. But interestingly, though, I’ve talked to a lot of women who’ve seen it, and the fact that the show is basically a love story…you know, it’s anchored on a love story. It’s the only reason this guy would get straight out of prison and make a bee-line for his lover. And a lot of women I’ve talked to have really responded to that and are prepared to go through the violence and some of the more masculine elements because of that. So I think it’s…well, we’ll wait and see, but I think it’s got a good appeal to women as well.
I’m not sure if it’s a good omen that the first DOTW of 2013 is celebrating Al Capone. Especially considering what we’re all about here, we might be prone to forgive the bootlegging and the gambling the man was involved with, but his probable involvement in mass murder is something we have to come down a bit harder on here at DOTW Central. On the other hand, it appears he had good taste in rye whiskey.
