Tag: Will Harris (Page 20 of 29)

The Light from the TV Shows: Shannen Doherty & Kurt Iswarienko – A Match Made in Reality-Show Heaven

April 18, 2012 / Will Harris

Despite its title and its subject matter, “Shannen Says” – the new WEtv reality series in which Shannen Doherty plans her latest and, God willing, last wedding – isn’t just about Shannen Doherty. It’s also about her husband-to-be, photographer Kurt Iswarienko, who, to hear the couple tell it, earns as much focus on the show as his blushing bride. Granted, they may have been feeding me a bit of what I wanted to hear, since I began our encounter at the TCA Press Tour with the explanation that Bullz-Eye is very much a guy’s site, but they certainly spun their story well, ’cause I bought it. Or maybe I was somewhat swayed by having had a slight crush on Ms. Doherty since we were both in our teens. Either way, the conversation went swimmingly, and in addition to discussing their TV endeavor, I also got a bit of insight into Iswarienko’s photography, and by the end of it all, it was all “Wilford Brimley” this and “Jennie Garth” that, like we were old pals. Good times…

Bullz-Eye: Kurt, most guys have a tendency to view weddings as more of a means to an end rather than something to really get excited about, so I can’t imagine what it took to get you involved in a show that focuses on every single aspect of the wedding process.

Kurt Iswarienko: I agree with you that most guys probably share that sentiment. [Laughs.] The cool thing is that I didn’t have to deal with planning the wedding at all, because my job was to plan the honeymoon. And Shannen did the planning of the wedding. So it wasn’t any kind of hassle or nightmare at all to go into.

BE: Shannen, I’ve read the press release for the show, and this is obviously something that you’ve been looking forward to for quite some time, the definitive dream wedding.

Shannen Doherty: Yeah. Uh… [Long pause.] Yeah. [Laughs.] I’m not quite sure how to… [Another long pause.] Yes, since we’ve been engaged, we’ve sort of talked about, “Okay, we’re doing to do a wedding, we’re going to do it right,” and definitely this is. But I’m also not that girl who, from the time I was six, dreamed about having this fantasy dream wedding, or that I just had had had to get married.

BE: So how early did David Tutera come into the mix? Was he always going to be a part of it?

SD: You know, I think… [Hesitates.] He probably came into the mix pre-production, when, y’know, you’re sort of talking about the show and the wedding, and I had said to my executive at the time, “I think I’m going to hire a wedding coordinator, just because I need one, but also because while I’m working I need someone to take my vision and make it happen.” And then the network said, “Well, how about David?” And I said, “Uh, duh!” [Laughs.] “Great!” So he came on pretty much in pre-production, I guess. Pretty early on.

KI: That, and we spent a whole Sunday watching…

SD: …a “My Fair Wedding” marathon. [Laughs.]

KI: …a “My Fair Wedding” marathon. We both got sucked into it somehow, and we were, like, “Of course he’s the guy!”

BE: How has he been to work with? Does he throw things at you, or does he try to get you to brainstorm?

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The Light from the TV Shows: A Chat with Chris Elliott (“Eagleheart”)

April 6, 2012 / Will Harris

Chris Elliott has comedy in his genes, courtesy of his father, Bob Elliott (of the legendary comedy team Bob & Ray), and he’s passed his abilities on to the next generation, as his daughter Abby Elliott proves week after week on “Saturday Night Live,” but, geez, enough about his dad and kid already. Surely it’s time to shine the spotlight solely on Chris Elliott himself, who first won our hearts with his decidedly unique characters on “Late Night with David Letterman,” completely blew the minds of a generation of moviegoers with his film “Cabin Boy,” and has since gone on to appear in everything from “Manhunter” to “Everybody Loves Raymond.” On April 12, his current endeavor – Adult Swim’s “Eagleheart” – returns for its second season, just over a week after the DVD release of Season One, which hit stores on Tuesday. Bullz-Eye chatted with him…okay, fine, we geeked out…about the more eccentric side of his comedy, including his seminal TV series “Get A Life,” which, as you may have read elsewhere first (although it came from this interview), is coming to DVD in a complete-series set at long last.

Bullz-Eye: First off, let me just tell you what a pleasure it is to talk to you. I’ve been a fan for many years.

Chris Elliott: Oh, well, thank you. I just don’t hear that enough. [Laughs.]

BE: In my case, it’s no exaggeration: when I was in high school, I sent off for tickets for “Late Night with David Letterman.” Granted, I had graduated by the time I actually got them, but, hey, at least I got them.

CE: Oh, my gosh. That’s pretty funny. So did you actually wait four years for tickets?

BE: No, but it was more than a year: I sent them off during my senior year, and it was well after graduation when they finally arrived.

CE: Wow, that’s pretty amazing. But it proves that you were a hardcore fan. Do you remember who was on the show when you went?

BE: Absolutely: it was Jane Pauley and Bruno Kirby. I also remember that they did Shoe Removal Races that night, with a podiatrist squaring off against a shoe salesman.

CE: Ah, yes, that was an excellent episode. [Laughs.]

BE: You were actually just on Letterman’s show a few nights ago. It sounded like you may have taken a bit of flour into your lungs.

CE: [Laughs.] I started to smell like cookies after I was under the lights for a little while. But I thought it came off all right. It’s always fun to go back there, and I hate coming back on there as myself in any form. This interview is okay because I can’t see you. [Laughs.] But I don’t like coming on and just talking as myself, so I always come on with something.

BE: The “Downton Abbey” thing was great, too.

CE: Yeah, I thought that came out great.

BE: So let’s talk “Eagleheart.” One of the most surprising things about the series, at least to me, is that you don’t actually get a writing credit on the show. Not that you don’t have some input, given that you’re a consulting producer, but…

CE: I’d say these guys have my voice down. I knew that when I met with them. They were huge fans of mine, and, honestly, I didn’t want the extra work. [Laughs.] And at the same time, y’know, they changed the pilot quite a bit to suit me, and what I do – and Adam Resnick does this, also – is sort of take a pass at the scripts when they’re done with them and change a couple of jokes here and there, and if something’s not quite in my voice, I just kind of paraphrase what I would be saying, and that sort of thing. I’m sort of at the point in my career where writers that are working in the business sort of grew up knowing about me. At least the ones that are fans of mine, anyway. And they’re really capable of writing for me. It wasn’t always that case. Early on in my career, it was pretty much Adam and me just trying to establish this voice.

BE: Of course, it makes me wonder if people sometimes come to you with something utterly off the wall, saying, “Well, ‘Cabin Boy’ was so nuts that I figured you’d be into this.’

CE: Yeah, I think I get that a lot. It’s interesting: some people put anything weird in the “weird” category and think, “Oh, Chris’ll do that because it’s so weird.” But you’re right. Certain people, like yourself, get why certain things are funny-weird as opposed to just being strange. That’s a different breed. I think I do get lumped in a lot with “he’s just off the wall, he’s crazy.”

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The Light from the TV Shows: A Chat with Eric Ladin (“The Killing”)

April 4, 2012 / Will Harris

If you’ve been trying to figure out why Eric Ladin, who plays Jamie Wright on AMC’s “The Killing,” looks familiar to you but can’t quite pin down why, maybe this will help: in addition to being one of the cast members of HBO’s critically acclaimed miniseries “Generation Kill,” he’s also turned up in a few episodes of “Mad Men,” playing Betty Draper’s brother. Now, however, he’s back to playing Darren Richmond’s campaign manager on “The Killing,” which – as you may already be aware – returned to AMC for its second season on Sunday night. Unfortunately, the ratings weren’t necessarily what you’d call stellar, but Ladin’s enthusiasm about what viewers can expect during the course of the series’ sophomore year may prove infectious.

Bullz-Eye: So are you psyched that “The Killing” is finally back?

Eric Ladin: I am. It’s about time! I think everybody is.

BE: Of course, you realize that a lot of people are really just desperate at this point to find out definitively who killed Rosie Larson.

EL: I do realize that, yeah. [Laughs.] I’ve been reminded of that quite a lot over the last nine months.

BE: Were you shocked at the outcry about the lack of resolution in the season finale?

EL: I was, a little bit. I knew that there would definitely be some people that were upset, but I didn’t foresee the hatred and…just the pure venom that was spat towards our writers. [Laughs.] Yeah, I was a little shocked by that.

BE: At least there was a small but somewhat vocal group that was reminded people that we didn’t find out who killed Laura Palmer until the second season of “Twin Peaks.”

EL: That’s correct. And if you ask David Lynch, he’ll probably tell you that the biggest mistake he made was telling people who killed her at all. I think he said – this was in an interview I read – that if he was able to do it again, he’d never tell who the killer was. So, yeah, I don’t believe that there was anywhere that said that you were guaranteed to find the killer in Season 1, but by the same token, I think that AMC’s PR probably could’ve handled it a speck differently. With that said, as a TV viewer, I would not have expected to find the killer in Season 1. So I guess there’s that.

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The Light from the TV Shows: “Game of Thrones” begins anew (and so does “The Killing”)

March 28, 2012 / Will Harris

As we enter into the final quarter of the traditional broadcast TV season, where many of the mid-season entries are already beginning to wrap up their runs (“Alcatraz,” for example, aired its two-hour finale on Monday) and most of the series that kicked off way back in the fall are in that depressing twilight period just prior to their last run of new episodes before season’s end, many of your favorite premium cable programs are taking advantage of the semi-lull by coming back with a vengeance.

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The Light from the TV Shows: Pilot Season Ahoy!

March 14, 2012 / Will Harris

It’s a sure sign that spring is on the verge of emerging when the networks start to let slip the names, premises, and attached actors for all of the pilots under consideration for the next TV season. Most of these pilots go nowhere, which is the way the cookie has always crumbled, but a few lucky programs end up getting the go-ahead for a series commitment. I don’t claim to have any real idea how the networks think – as a critic, it’s pretty much a given that I never know what the networks are thinking (and, in turn, they don’t care what I’m thinking) – but that doesn’t mean I’m afraid to give my thoughts on 15 of the pilots that I’d like to see come to fruition and join the fall schedules of their respective networks. You can check out a much fuller list from The Hollywood Reporter by clicking here, but in the meantime, here’s the stuff that I’m hoping to be TiVo’ing in a few months’ time….

1. Gilded Lilys (ABC)

It’s been quite awhile since a broadcast network has managed to sell viewers on a period piece set prior to the 20th century, so the fact that ABC is even considering this series, which takes place in 1895 and revolves around the first luxury hotel in New York, is proof of how much pull executive producer Shonda Rhimes has with the American Broadcasting Company. In truth, the big selling point for me is John Barrowman. This doesn’t exactly bode well for another season of “Torchwood,” but the dude deserves a big U.S. break. You never know: this could be it.

2. Untitled Louis C.K. / Spike Feresten Comedy (CBS)

Go on, admit it: you were sold the moment you saw the name “Louis C.K.,” weren’t you? And Spike Feresten isn’t bad, either. Seeing these two guys attached to this project is the only reason why it stands out, since the only real description available is that it’s an an ensemble comedy about a bunch of twentysomethings trying to make their dreams come true despite today’s crappy financial climate. But, damn, after two seasons of “Louie,” the idea of Louis C.K. putting his spin on anything makes it something that’ll surely be worth seeing. With that said, however, I hope Dan Byrd ends up not being available to do the show, as that will mean that “Cougar Town” has been renewed.

3. Animal Kingdom (NBC)

Two words: Tyler Labine. I mean, come on, America, what more does this loveable teddy bear of a comedy actor have to do to get a show to stay on the air for more than a season or two? NBC is, if memory serves, the last of the broadcast networks that has yet to cancel a series out from under Mr. Labine – “Invasion” was on ABC, “Reaper” was on The CW, “Sons of Tucson” was on Fox, and “Mad Love” was on CBS – and, frankly, this could be his last stop before the autograph-show circuit. Doesn’t Tyler Labine deserve a better fate than that? You’re damned right he does.

4. Untitled Kevin Williamson serial killer drama (Fox)

The man behind “The Vampire Diaries” brings Kevin Bacon to the small screen to play Ryan Hardy, a former FBI agent on the hunt for serial killer Joe Carroll (James Purefoy), who’s busy building himself a whole cult full of serial killers. If that isn’t enough to sell you, the cast also features Natalie Zea (“Justified”).

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