Category: Entertainment (Page 213 of 277)

App of the Week: Organ Trail – Director’s Cut

Developer:
The Men Who Wear Many Hats LLC

Compatible with:
iPhone
iPad
iPod Touch

Android Systems

Requires:
iOS 3.1.3 or later

Android 2.1

Price:
$2.99

Available here (for iOS) and here (for Android)

“You have Died of Dysentery”

Nothing was worse than seeing this message pop up on the Apple screen at the library we used to play “The Oregon Trail” at in grade school. Maybe the first couple of people to fall to it got away without too much ridicule, but as soon as one of us discovered what dysentery was, we became unstoppable forces of mocking nature. There were many ways to die on the “Oregon Trail”, but the only one you truly feared was the dreaded dysentery. It’s not like it was ever your fault either. If there was a “wash your hands after using the bathroom” button, we would have used it.

If you can’t relate to what I’m talking about then I truly pity you, because you missed out on one of the greatest gaming experiences of all time. What made “The Oregon Trail” so great was the many gameplay options and features, and how even playing the game right wasn’t a guarantee for survival. Even better, the vaguely historical setting meant that it was a game you could play at school, and at the aforementioned libraries. It’s one of those games where you can tell right away if someone grew up with it or not, because if they did, all it takes is a mere screenshot to bring a grin to their face, and set them off on a bombastic recollection of nostalgic memories.

Well if you did, in fact, never get to share that experience, then developer The Men Who Wear Many Hats has your back, thanks to some funding by Kickstarter. Because they are bringing back the old school gameplay of “The Oregon Trail” but infusing it with the harsh reality of the zombie apocalypse. Now truthfully, I’m getting a little tired of the zombie genre, but every now and then something will pop up that resurrects the style much in the same manner as the decaying dead that populate those titles.

“The Organ Trail” (huh…clever) is one of those instances. From the menus, to the basic gameplay, to the perfectly recreated graphics and sounds, “The Organ Trail” shamelessly apes “The Oregon Trail” with admirable accuracy. The basic goal is the same. You and yours traverse the country in search of a better home, while battling the dangers of the untamed world. But rather than just throw a couple of undead sprites your way and port “The Oregon Trail,” the developers have completely re-imagined the experience of that classic as it stands in this new world, and along the way have managed to perfectly recreate the experience of the original, while still making sure that anyone who grew up on the original game enjoys the near flawless ratio of nostalgia to the joy of a fresh game experience.

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Hidden Netflix Gems: ‘Oldboy’

This week’s Hidden Netflix Gem: “Oldboy” (2003)

Here in the States, it’s entirely likely you haven’t seen or even heard about the 2003  film “Oldboy.” If that’s the case, you’ve been missing out on what’s generally considered one of the greatest films of all time. Directed by Park Chan-wook, one of South Korea’s most popular and critically acclaimed filmmakers, “Oldboy” won the Grand Prix at the 2004 Cannes Film Festival, it’s been certified fresh with an 81 percent rating on the Tomatometer, and with its 8.4 rating on IMDb, the film sits at 87th on the site’s Top 250 movies of all-time. As a result, Spike Lee is set to direct an American remake and subsequently ruin an awesome film which deserves all the acclaim that’s been heaped upon it.

When “Oldboy” begins, its main character, Oh Dae-su (played by Choi Min-sik), is more than a bit too drunk on his daughter’s birthday. Dae-su is kidnapped and locked in a hotel room for 15 years, never knowing the identity nor the motives of his captors. Fed nothing but fried dumplings, a television is his only contact with the outside world. It is through his TV screen that Dae-su learns that his wife has been murdered and he has been made to look like the culprit. As he slowly loses grip on his sanity, Dae-su spends his days honing his fighting skills, waiting to be released and obsessing over the vengeance he plans to take on those who imprisoned him. Then, one day, completely without explanation, Dae-su is released. A beggar hands him a cell phone and a wallet filled with money, the phone rings, and the voice on the other end challenges him to uncover the reasons behind his imprisonment. Dae-su embarks on a quest for vengeance, finding himself caught in a web of conspiracy and violence, and perhaps more surprisingly, he finds himself in love.

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Weekly Web Series Review: The Handlers

Be sure to check out our most recent interview with Bryan Cranston, the star of “Breaking Bad,” where he discusses “The Handlers” and a host of other topics!

The absurdity of political maneuvering is ripe for comedic satire, and the Comedy Central original web series “The Handlers” takes full advantage of this. our most recent interview with Bryan Cranston, star of TV’s best show, “Breaking Bad,” plays Jack Power, a state senate hopeful with a team of spin doctors (or “handlers”) watching his every move in order to spin his blunders to the campaign’s advantage. Sarah (Andrea Cansler), Miles (Matt Braunger), Tim (Josh Dean) and Goodman (Gary Anthony Williams) are experts in the field of bullshit, and when they’re not busy covering Jack’s ass, they’re twice as hard at work covering their own.

The series starts strong with its first episode, “The Focus Group,” in which Jack’s boring speech delivery style is hurting his poll numbers as well as his team of handlers watching the speech from campaign headquarters. However, when Jack experiences a slip of the tongue pronouncing a certain state name, his polls soar, and the handlers land on a brilliant strategy for the campaign. Ending with a jaunty theme song briefly introduced at the beginning, this episode nicely sets the tone for what’s to come, and the series continues strongly with a similar idea in its second episode, “Prostitute.” An innocent mistake in which Jack tries to help a woman in need, only to be railroaded by the media when she turns out to be a hooker. Perhaps the best moment of the episode comes when Jack asks his handlers, “Is a good person helping out a stranger so hard to believe?” and the answers comes back as a resounding “Yes!”

After the third episode, “Poster,” which features a really well-done sight gag at the end, the series takes a slight dip in quality. The fourth episode, “Mustache,” is well-played but basically just builds to a very predictable joke, and the same could be said of the fifth episode, “The Announcement,” which is even weaker. This is sort of the problem with the web series format, at least for this series; the characters and situation are strong enough to build an actual, full-length sitcom from, but the two-to-four minute episode format of the web series only leaves room for essentially one joke per episode. Some of the jokes work better than others, but Cranston and company always give it their best, and “The Handlers” is worth a look, especially in its first three episodes.

The Light from the TV Shows: A Chat with Iliza Shlesinger (“Excused”)

A hallmark of attending the Television Critics Association press tour and the various panels and events surrounding it is that you really never know who you’re going to end up chatting with. On one evening this time around, I went to the Paley Center and found myself chatting with Joe Regalbuto (known to most for “Murphy Brown”, though I’ll always remember him best as Rex Smith’s scientific sidekick on “Streethawk”) and “Waltons” creator Earl Hamner, Jr., then had a chance to say “hello” to one of my past interview subjects for both Bullz-Eye and the Onion AV Club, Ed Asner. But that was a special Warner Brothers event celebrating the history of the studio’s TV series, so I wasn’t entirely blindsided by their appearances there…unlike the gorgeous blonde in a traffic-stopping dress who strolled into the CBS all-star event even though, I felt quite certain, she wasn’t actually on a CBS show.

I mean, you wouldn’t forget someone who looks like this, would you?


And I was right, as it turns out.

Well, sort of, anyway: Iliza Shlesinger isn’t on CBS, per se, but she hosts the syndicated dating show “Excused, “which – provided it appears in your market – appears in on your TV screen courtesy of CBS Television Distribution. Funnily enough, I’d worked with her publicist on several past projects, which is why the publicist came up to me and asked, “Would you like to talk to Iliza?” Like I’d turn down an offer like that…

(Plus, as I told Ms. Shlesinger a few minutes later, I also immediately thought, “Hey, I’ve actually watched that show, so I won’t have to sit there bluffing my way through the next several minutes!”)

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