Category: Entertainment (Page 185 of 277)

The Light from the TV Shows: A Chat with Jason Mewes (“King of the Nerds”)

Jason Mewes has been around the block enough times that he’s easily identifiable even when he’s not standing next to his onscreen hetero life mate, Kevin Smith, but the two are teaming up again to serve as judges on this week’s episode of TBS’s “King of the Geeks,” which airs 2/7 at 10 PM. Bullz-Eye talked to Mewes for a few minutes about his TV obsessions, his new gig, one of his old gigs, and an old gig that may yet be a new gig again. Confused? Read on and you’ll figure it out.

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Bullz-Eye: When one of your most famous characters is turned into part of a superhero duo with their own comic book (Bluntman & Chronic), you’ve got pretty good geek credentials, but what is it about you, Jason Mewes, that makes you a geek?

Jason Mewes: Um, I would say…I could be considered a geek in the sense of my love of TV shows, comics, and action figures. I collect action figures, I collect Legos, I have a Batman pillowcase and sheet set, and, y’know, I play video games all day: “Call of Duty,” “Black Ops,” “Lego Batman 2: DC SuperHeroes”… And I guess a love of technology. I mean, I don’t know why I’m obsessed with technology, and some of it I don’t know how to use, but I want it. I have an iMac that I’ve had for a couple of years, but now they’ve got that new iMac and I want to go get it. I haven’t, but I want to, even though mine’s perfectly fine, because the new one’s all sleek and slim and amazing. I have the newest iPad, the oldest iPad, and when the iPad Mini comes out, I want to get that. So I don’t know, I guess I’d just say that my love of technology, games, comics, toys, all that…I don’t know if that makes me a child or a nerd. [Laughs.]

BE: How was the experience of being a judge on “King of the Nerds”?

JM: It was awesome. What they talked about, the content and the debating of each topic, was awesome, not to mention getting to sit there as a judge, but also the hosts (Robert Carradine and Curtis Armstrong)…I mean, “Revenge of the Nerds” was one of my favorite movies growing up. I know the whole song. [Starts singing.] “Clap your hands, everybody / And everybody clap your hands!” That was my favorite. And to be able to meet Lewis and Booger…that was a treat. So combining the stuff that they talked about and that we got to judge them and the hosts, it was amazing.

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BE: Not to divulge any spoilers, but were there any contestants who, when you saw them on the show, struck you as being potential Kings?

JM: Um, you know… [Hesitates.] There’s a lot of great people on the show, so…I don’t know which one’ll be the King. And I don’t really want to give anything away, because they get kicked off…well, they don’t get kicked off, but they leave the show. But…I don’t know, there was a young lady there, I’ll say that, who was really passionate and was really on her stuff. She knew what she was talking about. So we’ll see what happens.

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Blu Tuesday: BFFs, MMA and Other Acronyms

My Blu-ray column may be about as consistent as the weather in Ohio (seriously, it sucks), but while I often skip writing it due to the lack of releases, last week’s column was binned because many of the major titles weren’t available for review. Thankfully, that’s not an issue this week, and there are plenty of new Blu-rays to choose from as well – so many, in fact, that I actually ran out of time trying to include them all. Except for “Alex Cross,” which was so dreadful that I found myself at a complete lost for words.

“Celeste and Jesse Forever”

Lee Toland Krieger’s Sundance hit is the antithesis of the traditional romantic comedy. Instead of telling a story about two people who meet cute and fall in love, it’s about a married couple who’s recently separated and is trying to move on with their respective lives, despite the fact that they can’t quite let the other go. It’s more mature than most Hollywood rom-coms, and to even label it a comedy would be a disservice to some of the bigger emotional beats that take place throughout the movie. Thankfully, the film isn’t nearly as depressing as it could have been, and that’s a credit to co-star Rashida Jones and Will McCormack’s well-balanced script, which is refreshingly honest in its depiction of love, friendship and marriage. Jones and Andy Samberg are both great as the title characters – especially the former, who’s written herself the best role of her career – while Elijah Wood fares the best of the large supporting cast. Although the movie ends almost as predictably as a majority of rom-coms, the journey there is much more entertaining and rewarding.

Blu-ray Highlight: The audio commentary with Rashida Jones and Andy Samberg may not be as fun to listen to as it clearly was to record, but the other track with Jones, co-writer Will McCormack and director Lee Toland Kreiger is much better, focusing more on the actual making of the movie. And though making-of featurettes are pretty hit and miss, the one included here is actually worth watching and features various cast and crew discussing the story, its themes and the actual events that served as inspiration.

“Side by Side”

The debate about film versus digital cinema has been really heating up in recent years, and it’s at the center of Christopher Kenneally’s documentary “Side by Side.” Narrated by Keanu Reeves, the movie examines the evolution of the digital format while speaking with various directors, cinematographers, editors and actors (some admittedly more reputable than others) about their thoughts on the matter. To my surprise, the documentary is pretty one-sided, with a majority of the subjects either big proponents of the digital format (like George Lucas, James Cameron, et al.) or ones that have gradually adopted it. The only well-known pro-film advocates are director Christopher Nolan and his longtime DP Wally Pfister, and they don’t get as much screen time as you’d hope. With that said, the movie is an interesting look at how far cinema has come in the last 20 years (looking beyond just the photography side at digital editing, color timing, 3D, projection and archiving) that any film geek will enjoy. As for the debate itself, it’s really just a question as to which one you prefer, because there’s no reason why both formats can’t mutually exist.

Blu-ray Highlight: There isn’t much in the way of bonus material, but the disc does include about 16 minutes of additional interviews, including one particularly interesting anecdote from Robert Rodriguez about making “Grindhouse” with Quentin Tarantino.

“Here Comes the Boom”

Like most Happy Madison productions, “Here Comes the Boom” isn’t very good, but when compared to Kevin James’ past starring vehicles, there’s no question that it’s a major improvement. That doesn’t make his latest film any less of a disappointment, but it does provide a sliver of hope that James has finally graduated from making juvenile comedies like “Paul Blart: Mall Cop.” In fact, it’s only because the actor is so likeable that the film almost manages to overcome its various problems, though he doesn’t get much help from his co-stars or the humorless script. For a movie about mixed martial arts, it’s also surprisingly light on action. There are a few fight scenes scattered throughout, but with the exception of the big finale, the sport never really gets the attention you’d expect, and at that point, you might as well just watch “Warrior” again instead. “Here Comes the Boom” certainly had the makings of a decent comedy, but when the laughs are so rare that you can count them on one hand, it’s not surprising that it leaves such a bland taste in your mouth.

Blu-ray Highlight: Sony definitely hasn’t skimped on the bonus material for the film’s Blu-ray release – which includes about 16 minutes of deleted scenes, a short gag reel and a series of production featurettes – but none of them are particularly memorable.

“Death Race 3: Inferno” – The biggest, baddest “Death Race” yet

Luke Goss - Death Race 3: Inferno

I was on hand recently on Sunset Blvd. in Hollywood for a private screening of the third installment of the “Death Race” franchise, “Death Race 3: Inferno,” hosted by Luke Goss and director Roel Reiné. It was great to see the film after traveling to South Africa to cover the filming of the movie last year. After seeing it, I’m convinced it was easily the best yet in the series. With most of the cast returning from “Death Race 2,” including Luke Goss and Tanit Phoenix, Roel Reiné directing and Mike Elliott producing, all of the pieces were in place for a very successful production, and the end-result was excellent. “Death Race 3” is available in a Blu-ray/DVD combo pack from Universal Studios Home Entertainment.

This latest version, inspired by Roger Corman’s cult classic, “Death Race 2000,” finds the legendary Frankenstein (Luke Goss) in a new competition, a winner take all race in South Africa. Set in an underground convict prison inside an abandoned Cape Town rock quarry, the extreme action soon explodes out in to the Kalahari Desert, with more explosions, car wrecks and wild to the death chases than you can imagine. he director himself even commented on the sheer number of cameras destroyed in the making of this film.

The Death Race, a brutal prison blood sport that bid the opportunity for prisoners to race for their chance to be released from prison, but it is to the death they must go. This race in turn is broadcast worldwide in this future apocalypse for the sadistic joy of a twisted civilization with a desire for blood thirst. There are some interesting twists to the story, however, and you’ll have go along for the ride to find out what happens.

Rounding out the cast is Ving Rhames and the stellar Danny Trejo, whose real life experiences in San Quentin helped bring a hardened authenticity to his portrayal of Goldberg. I had the opportunity to interview them in South Africa as you can see from clicking on their names above, along with lead actor Luke Goss, Robin Shou and Fred Koehler.

“Death Race 3” also brings an ever greater bevy of beauties on board this time, now with female co-pilots (the Nav Girls) next to the drivers and even one “all girl” race team led by Dutch model Michelle Van Schaik in her acting debut. Hot pit crew girls also prep the outlandish desert cars between races. Bullz-Eye was granted exclusive photo sets of the Navigation Girls, the sexy driver team and the female star Tanit Phoenix (“Death Race 2,” “Femme Fatales”). We also interviewed them all as well, so follow the links above to their photo sets and video interviews.

You can also check out a gallery of all of the unique and badass desert race cars, along with some great slideshows of Tanit Phoenix, Michelle Van Schaik and the Navigation girls posed on the Death Race cars. You can follow all of our “Death Race 3” coverage here.

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App of the Week: Table Top Racing

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Developer:

Playrise Edge Ltd.

Compatible with:
iPhone (optimized for iPhone 5)

iPod Touch

iPad

Requires:
iOS 5.0 or later

Price:

$2.99

Available here

So like all kids, I’m guessing you enjoyed playing with “Micro Machines” and “Hot Wheels.” If you were a Playstation user, I bet you like the high speed sci-fi racing series “Wipeout.” And like all everybody everywhere, you probably think “Mario Kart” is awesome.

So if I were to tell you that there was a “Hot Wheels” styled kart racing combat game like “Mario Kart” from some of the makers of “Wipout,” would that be something you’re interested in?

Well I hope so, because that’s just what we’ve got, and it’s called “Table Top Racing.” In it, you compete in several races, circuits and events against a variety of different model toy cars, which are unlockable and customizable, in both single player and online multiplayer modes. Rather than a simple sprint to the finish though, you’ll also use several weapons against your foes including the leader finding heat seeker missile and a beyond devastating EMP bomb.

The best part of “Table Top Racing” is it’s care with the subject matter. Everything about the game feels like playing out the most involved of all your toy car racing fantasies, a feature highlighted by the game’s best aspect, the tracks. All of the eight tracks are cleverly designed common world environments modified to create racetracks. For example, you’ll find yourself maneuvering around sandwiches on a picnic table at a Bar-B-Que, winding around oil cans on a work bench, or (in the best and most appropriate level) racing through a child’s room surrounded by classic toys. The track design is inspired and vibrant to the point of being almost distracting at times, but the brilliant layout keeps them fresh and even learning to keep your eyes on the course takes nothing from their creativity.

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As for the gameplay, it’s not near as fast or hectic as the “Wipeout” and “Mario Kart” series that inspired it, but the controls are tight and races are almost always competitive, due in part to the influence of the variety of weapons, and some reasonably challenging AI. There’s always a competitive spirit to the game that somehow never overwhelms the loose sense of fun.

There aren’t enough racing games like this available on mobile systems, and there are none as good as “Table Top Racing.” I wish there were more shortcuts, races, tracks, and speed, but when your biggest knock against a game is that there should be more of it, that’s generally an indication of things going right. That is certainly the case here as “Table Top Racing” does many, many things right, leading to an intense, yet casual approach to the mobile racer with just the right amount of nostalgia to fuel it.

As a, most likely, adult, you are too old to play with your toy cars anymore. With “Table Top Racing” though, you’ll never miss them as it’s the best game of toy cars you never got to play as a child, and my app of the week.

Hidden Netflix Gems: Raising Arizona

This week’s Hidden Netflix Gem: Raising Arizona (1987)

Even if you haven’t heard of Joel and Ethan Coen, you’ve sure as hell heard of some of their films. The brothers have jointly written, directed, and produced such modern classics as Fargo, The Big Lebowski, O Brother, Where Art Thou?, No Country for Old Men, and True Grit. Their work bounces around in time, space, and genre—the Coens never make the same movie twice—and they’ve been renowned for it over the past three decades, with 13 Academy Award nominations and four wins.

Before all those accolades, the Coen brothers made their debut with 1984’s Blood Simple, a neo-noir thriller. Not wanting to make a reputation as one-trick ponies, they avowed to make to their next project as different from their first as possible. Out of that desire, the one-of-a-kind screwball comedy Raising Arizona was born.

Our protagonist is Herbert I. “Hi” McDonnough, played by the polarizing Nicolas Cage, who can make or break a movie depending on whether or not he fits his character. Hi is the type of lovable nitwit that often fills Coen fare: an erudite idiot reminiscent of Lebowski’s Dude, if he’d been born in an Arizona trailer park and had a penchant (though not necessarily a skill) for robbing 24-hour convenience stores. Luckily, Cage slips into Hi’s skin masterfully, right down to the wacky hairdo and funny accent (“Temp-ee, Arizona”). The performance remains one of his best to date, although ultimately Adaptation takes the cake.

Opposite Cage is Holly Hunter as the tight-lipped policewoman, Edwina or “Ed,” who’s always taking the recidivist Hi’s mugshot photos. After one particularly fateful arrest, Hi finds Ed in tears and learns that her fiance has left her. He proposes after his latest release from prison, and the two get married and move into a tiny trailer in the Arizona desert, which Hi lovingly calls a “suburban starter home.” One of the film’s many sources of comedy is the contrast between the upbeat world of Hi’s narration and that of the more objective reality we see on screen.

Hi does his best to “stand up and fly straight” after settling into married life, getting a job in a machine shop, but finds it difficult “with that darned Reagan in the White House.” Nonetheless, as time passes, the couple want to take the logical next step and start a family. Unfortunately, “biology is against them,” as they receive the unhappy news that Edwina is “barren,” and they’re denied the chance to adopt because of Hi’s criminal record.

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