Author: Will Harris (Page 30 of 41)

Breaking Bad 4.13 – Lily of the Valley

In last week’s blog, I wrote of Walt sitting poolside, “We see a man who’s spinning both his firearm and his wheels, waiting to figure out how little future he has left. When the pistol spins toward one of the potted plants, however, it’s clear that Walt has gotten an idea.” If only I’d recognized that plant as a Lily of the Valley, I could’ve been a hero among my peers. Damn my insufficient knowledge of botany! Damn it all to hell!

Ahem.

When we first see Walt this evening, he’s making a mad dash through the parking garage to remove the bomb from the underside of Gus’s car, which he promptly carries into the hospital and up to the waiting area. It’s an unabashedly slapstick moment when the magnet on the bomb sticks to the elevator door, followed by a hilarious back-and-forth between Walt and Jesse about the decision to bring the bomb with him (“What, was I supposed to leave it on his car?”), but things get serious immediately thereafter, with the ABQ police showing up and requesting an audience with Jesse about his statement. As the boys with badges walk away with Mr. Pinkman, Walt looks positively pale. Is it just from being in close proximity to the cops?

The conversation between Jesse and his new friends is predictably tense. “We’re just talking.” “So if I get tired of talking, I can get up and leave?” Sure, that’s how it always works. Jesse’s being seriously grilled over the fact that he offered up a very specific poison as what was causing Brock’s illness. His explanation? “I musta seen it on ‘House’ or something.” Awesome. Time to call Saul, but there’s so much shredding going on that his secretary can’t hear the phone when he calls…or when Walt calls, for that matter, as we discover when he busts through the bottom pane of the front door in a desperate effort to find Saul. It’s an unexpectedly hilarious scene between Walt and H.T. (as Saul dubbed her last week), particularly when Walt is initially completely oblivious to the fact that the $20K pricetag for the repairs ain’t nothing to do with repairs. Okay, so it was a little slapstick-y when Walt left the office the same way he came in, but that didn’t keep me from laughing, anyway.

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A Chat with Annie Ilonzeh (“Charlie’s Angels”)

Annie Ilonzeh and Minka Kelly and Racheal Taylor in Charlie's Angels

“Charlie’s Angels,” ABC’s 2011 take on the classic chicks-kicking-ass concept, hasn’t exactly been setting the ratings on fire during its first few weeks on the air, but that’s not for lack of extremely dedicated actresses in the show’s cast. Take, for instance, Annie Ilonzeh, who plays Kate Prince on the series, starring opposite Minka Kelly and Rachael Taylor. Bullz-Eye had the chance to chat with the “General Hospital” alumnus just as “Angels” was about to take flight, and her enthusiasm and excitement about the series and her role proved decidedly infectious.

Bullz-Eye: So have you just finished a long day of filming?

Annie Ilonzeh: Yes, I have! So I’m sorry that I’m a little late calling.

BE: That’s quite all right. You have a good excuse, so you’re fine.

AI: (Laughs) Literally, it was perfect timing. I’m really surprised that it worked out. But after looking at the schedule, I figured, “Okay, we’re not going to be working ‘til 10 or 11 tonight.”

BE: Well, I’m glad you were able to finish in time to talk. I was at the TCA tour when you did the panel for “Charlie’s Angels,” but you all rushed off immediately afterward, so you weren’t around to chat at the party that night.

AI: Yeah, they had us in and out of there so quick! It was, like, “Get out of here and go back to Miami!” “Okay, okay!” So we were there for the panel that morning, and then we had a 2 PM flight or something crazy like that.

BE: You play Kate Prince on the show, and the one-liner ABC gives you in the press release is that you’re “a Miami cop who fell from grace, losing both her career and her fiancé.” Is that all they gave you to work with when you first got the role? Or did they even tell you which Angel you were going to be playing?

AI: Oh, yeah, I auditioned specifically for her. And, yeah, that was kind of the gist of it. Actually, I don’t think the ex-fiancé thing was in the breakdown as of that time, as in when I first auditioned. But when I auditioned, I kind of felt like things were a bit rougher at that time. They were still figuring things out. (Hesitates) Well, no, because originally I’d heard that they’d tried to attempt this a year ago, so I guess they kind of had an idea of the character. I just didn’t know about the ex-fiancé part very clearly. But slowly, through the four month audition process(Laughs) …I learned more about her and figured her out more, which was good for me. It was a long process, which sucks for any actor, because you wrack your brain and you’re, like, “Well, they didn’t say this, but they did say this, and she looked at me this way,” and…well, whatever. You just start making things up in your head, and it just gets crazy. But throughout that process, it did help me figure her out more. And I got to see producers more, and they got to see more. So it all worked out.

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Breaking Bad 4.12 – No More Prolonging the Inevitable

To call last week’s episode of “Breaking Bad” intense is to undercut the utterly traumatizing effect it had on the show’s regular viewership. This week attempts to start off with a similar level of tension, showing a pair of vehicles pulling up outside the White house without immediately identifying them. Within seconds, however, we confirm that what we’re witnessing is the arrival of the DEA agents who’ve come to put Walt, Skyler, and Walt Jr. into protective custody.

Wait, scratch that: Walt’s not going.

“All that matters is that the rest of you are safe,” Walt tells Skyler. “And that’s why I’m not going with you. I’m the real target.” Ever the naïve one, she can’t quite grasp that being under the watchful eye of the DEA isn’t enough to keep everyone protected, but Walt knows better, just as he knows that he and his family are only being included in the DEA’s protective of Hank because Marie has demanded it.

“There’s got to be another way,” sobs Skyler.

“There isn’t,” Walt says, matter-of-factly. “There was. But now there isn’t.”

And so Walt steps outside and calls Hank, playing his brother-in-law like a fiddle with the suggestion that Marie has a history of overreacting, and assures him that somebody’s got to keep the car wash up and running. Hank isn’t thrilled, but he doesn’t sound suspicious, even when Walt’s voice cracks with emotion as he tells him to keep his head down. The look on Walt’s face as he says goodbye to his infant daughter is heartbreaking, if only because we know that, in his mind, he believes this could well be the last time he ever sees her…but, y’know, you can’t really blame the guy for thinking that, can ya?

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Breaking Bad 4.11 – Go Insane

Let’s get it out of the way now: not only was this the best episode of the season to date – which, given the competition, is a pretty damned impressive feat in and of itself – but it has instantly vaulted into the elite category known as The Best “Breaking Bad” Episodes of All Time.

This is not hyperbole. This is fact.

And with this having been said, let’s get to talking about the proceedings, shall we?

What’s going down ‘round the hospital? Oh, wait, this isn’t a hospital: these are some of Gus’s guys, a rag-tag team of doctors who were clearly prepared for the eventuality that his preventative measures might not do the trick. Unfortunately, they’re not nearly as interested in helping out poor Mike, as evidence by when Jesse says, “This man needs help,” and the lead physician replies matter-of-factly, “This man pays my salary.”

Meanwhile, back at the SuperLab, Walt’s continuing to make with the meth under the watchful eye of Gus’s right-hand man, but as Walt reminds him for what must surely be the hundredth time, “If Pinkman’s gone, I’m done.” So what’s up with Walt’s figures being off? Is he just frazzled and not paying attention? If so, you have to admit that’s a little understandable, what with everything going on in his world…like, for instance, teaming up with Hank on a stakeout of the Los Pollos Hermanos warehouse. Walt’s less than subtle when asking about the status of the cartel, but it works: Hank’s heard rumblings that a major massacre went down, big even by cartel standards. In return, Hank starts asking about the bruises on his face, once again offering him a friendly ear, but Walt stiffens and snaps, “I’m done explaining myself.”

Looks like they found time to help Mike after all. Jesse discovers just how much advance planning Gus put into the goings-on in Mexico, and it’s clear that, although he’s shocked, he has considerable respect for the man. Moments later, the man himself emerges, looking tired but on his way to recovery. Unfortunately, Mike’s still going to be laid up for a week or more, but Gus assures Jesse that he’ll send for their friend as soon as he’s well enough to travel. The lead doc smiles and prescribes water and rest to Gus, and I swear, I think this was the most human I think we’ve ever seen Gus look. I don’t know how far they go back, but it’s got to be pretty damned far. And speaking of far, it’s a hell of a stroll back to the border, and it’s even longer once Gus casually comments that Jesse can run the lab himself. Jesse understands the implications…and he does not appreciate them.

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Boardwalk Empire 2.1 – Welcome Back to Sodom by the Sea

Greetings, all, and welcome back to Prohibition-era Atlantic City. Since the Season 1 DVD set of “Boardwalk Empire” has yet to emerge, I have to admit that my memory on what went on when last we saw Nucky Thompson and the rest of the gang isn’t as fresh as it perhaps ought to be, so I’m hoping that your recollections are similarly imprecise. If not, then lord knows I’ll hear about it, but I’ll keep my fingers crossed and just dive right in, shall I?

The first sight we see this season is a bunch of kids running through the surf, picking up…a bottle? I think it was a bottle. Maybe it’s just because I was watching the episode as an advance screener, but it was so damned dark that I honestly couldn’t tell exactly what they were picking it up. But, hey, it’s a show about running bootleg liquor during Prohibition, so a bottle makes about as much sense as anything else, and I’m going to take a similar stab in the dark and presume that what they’re moving onto trucks in the next shot is crates of the same stuff. Basically, the whole segment is intended to give us a quick look at what all of the usual suspects are doing nowadays, and it looks for the most part that they’re still doing about the same thing they were when we left them. Nucky’s still enjoying the 24-hour party while Margaret remains at home, Jimmy’s busy handling the transport of product to Chalky White, Eli’s recovering from his wounds, Agent Van Alden’s with his wife, and…hey, wow, look how much more energy the Commodore’s got! Amazing how reinvigorated one can be when they stop ingesting poison, huh? Unfortunately, it isn’t long before all of the joviality is replaced by tragedy, with Chalky’s operation being abruptly machine-gunned into oblivion by a bunch of KKK members. Pretty horrifying stuff, and although Chalky manages to make it out alive, he’s rightfully pissed about what’s gone down. (At least he manages to take one of his attackers down before they drive away.)

Nucky and Margaret may be making this relationship work, but it’s clearly having a toll on the kids. After pulling an all-nighter, Nucky arrives to find Teddy ensconced under the dining room table, refusing to go to school because he’s been so traumatized by the nuns, but Nucky talks him out by sharing his own past educational experiences, leaving the adults to enjoy a bit of tense conversation amongst themselves. It might’ve shifted into a little bit of loving, but thanks to the nattering of the children, Nucky bails out, leaving Margaret understandable frustrated. Uh-oh, Teddy, you’re in trouble…

Looking in on Angela and Jimmy, it’s clear that Angela’s still an emotional wreck after losing out on the lesbian love of her life at the tail end of last season. She might be trying to put on the façade of family happiness, but there’s misery dripping from every word out of her mouth, and she obviously has no tolerance for Jimmy’s mother, Gillian. Speaking of which, how incredibly creepy was it when, apropos of nothing, she announced that she used to kiss Jimmy’s wee winkie once upon a time. Talk about your awkward revelations. Meanwhile, in Chicago, Capone’s still got a chip on his shoulder when it comes to people perceiving him as Johnny Torrio’s lackey, as evidenced by his reaction to George Remus, whose ridiculous tendency to refer to himself in the third person completely confuses Capone. Remus submits a plan to help Torrio do an end-run around Nucky Thompson, which Torrio accepts, quickly passing the buck to Capone on the matter of informing Nucky that his services will no longer be required.

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