Tag: Will Harris (Page 13 of 29)

The Light from the TV Shows: A Chat with Patricia Heaton (“The Christmas Heart,” “The Middle”)

Although it’s not unreasonable to suggest that just about everyone knows Patricia Heaton best for her work in front of the camera, but she’s been known to step into the role of producer on occasion, including the 2006 film “Amazing Grace.” Her most recent procedural credit, however, can be seen throughout the month of December on the Hallmark Channel, and as is only appropriate for a holiday film, it’s a family affair: not only did Heaton co-produce the film with her husband, David Hunt, but it’s written by her brother, Michael Heaton. Bullz-Eye had a chance to chat with Ms. Heaton during the summer TCA tour, and although “The Christmas Heart” was the reason for our conversation, I was able to split our time evenly between the film and her current full-time gig: playing Frankie Heck on “The Middle.” By the way, “Middle” fans, please note that, given the date of our conversation, I had no way of knowing that my theory about Frankie departing from her job at the car dealership really was in the cards. I’m like freaking Nostradamus over here!

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Bullz-Eye: As someone who has a sister myself, how weird is it to work with your brother on a project like this?

Patricia Heaton: Not as weird as working with my husband on it. [Laughs.] Too many relatives spoil the soup! No, it was great. You know, my brother and I have… Once he stopped torturing me and pinning me down and spitting on me and things like that when we were younger, we both lived and struggled in New York together at the same time. At one point we were both working at People Magazine: he was writing and I was a copy clerk. So we’ve been down the road together, and…he’s a great story guy. He has tons of stories, partly because he’s a journalist himself and he talks to people all day long, every day, and it just generates these stories in his mind. So this movie, “The Christmas Heart,” he had in his head for many years, and we’ve been trying to get it made. We’re so grateful that Hallmark gave it a home.

It’s an unusual Christmas movie, in that it’s very dramatic and there’s very serious themes in it. So it’s a little bit unusual, but I think that’s what’s going to be great about it. You’ll want to have popcorn on one hand and a box of tissues on the other. But it was great to have my brother having written it and my husband (David Hunt) and I producing it, and seeing the whole thing come off the page…we spent hours and hours and hours on the script, so when you start watching the dailies and you see it come alive, it’s so thrilling. And that’s what makes it addictive, ’cause it’s really one of the hardest things you can do, to take something from an idea to the screen. It’s a lot of hard work, but when you see it… It’s the kind of thing that really sort of lives forever.

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The Light from the TV Shows: A Chat with Joe Berlinger (“The ‘Paradise Lost’ Trilogy”)

I can still remember the first time I watched “Paradise Lost: The Child Murders at Robin Hood Hills,” about the so-called West Memphis Three, a trio of teenagers – Jason Baldwin, Damien Echols, and Jessie Misskelley – who in 1993 were accused of the murder and sexual mutilation of three prepubescent boys in West Memphis, Arkansas. Maybe Baldwin, Echols, and Misskelley weren’t the most clean-cut teens imaginable, but watching the sad but undeniably enthralling “Paradise Lost,” it’s pretty easy to believe that their imprisonment was unjust, a case of the justice system gone horribly wrong.

Indeed, I was sufficiently affected by it that I continued to keep tabs on the case over the years, right up through when Baldwin, Echols, and Misskelley were finally released after almost 20 years behind bars. Similarly, directors Joe Berlinger and Bruce Sinofsky, the gentlemen behind the camera for “Paradise Lost,” continued to follow the saga of the West Memphis Three, resulting in two sequels, “Paradise Lost 2: Revelations” and “Paradise Lost 3: Purgatory.”

The whole trilogy has just been released in a four-disc set – one for each film, plus an extra disc of bonus material – and upon receiving a review copy, I was pitched an interview with Berlinger. At first, I hesitated, thinking, “Geez, do I have any place to run this?” Then I realized, “Hello, technicality: all three films made their debut on HBO, so I’m calling in a loophole and putting this baby in ‘The Light from the TV Shows’!” The next thing you know, I’m on the phone with Mr. Berlinger, having the chat that sits before you now. Read on…

Bullz-Eye: I should probably start by telling you that I’ve just spent a fair amount of the preceding 24 hours plowing through the new “Paradise Lost Trilogy” set.

Joe Berlinger: Oh, my God. Watching it in one fell swoop…

BE: Yeah, I said on Facebook, “This is a whole lot of depressing footage to watch and know that you’re only going to get a semi-happy ending in the end.”

JB: Yeah, I know. Imagine me living it! [Laughs.] At least I spread it out over two decades. But to pile it all on like that…I’m actually curious: how does it feel watching one after another? Does it feel repetitive?

BE: No, it doesn’t. [Hesitates.] Well, okay, there are moments, I guess. But they’re acceptable knowing the fact that each one was made several years after the next.

JB: Okay, so it holds up as a trilogy, watching one after another?

BE: I’d say so.

JB: Cool!

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The Light from the TV Shows: TV Comfort Food for Thanksgiving

It’s Thanksgiving Eve ’round Bullz-Eye HQ as I write this piece, which means that anyone here who’s still working wants to be doing it about as little as I do. In fact, the biggest reason I’ve waited this long into the evening to get moving on the piece is because I’ve spent way too much of my day watching a marathon of a certain series on the USA Network…which brings me to the premise of this week’s column. Lord knows it’s become a small-screen staple for networks to offer programming which provides the one-two punch of 1) allowing the employees of these networks to do as little work as possible, and 2) inspiring all those TV viewers with Tryptophan surging through their veins to set down their remotes and bask in as many episodes of their favorite show as their holiday weekend downtime will allow.

Now you’re wondering what marathons you can catch this weekend, right? Well, there are a few good ones out there, to be sure:

Adam Richman’s Best Sandwich in America (Travel Channel, 9am-3pm Thursday)
ALF (The Hub, 3pm Thursday – 3am Friday)
The Andy Griffith Show (TV Land 4pm-9pm Thursday & Friday)
Behind the Music (VH1, 2pm-10pm Friday)
Beverly Hills, 90210 (SOAPNet, 8pm Friday – 1am Saturday)
Breaking Amish (TLC, 11am-9pm Saturday)
Castle (TNT, 10am-11pm Thursday)
Chef Race: UK vs. US (BBC America, 8am-5pm Sunday)
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The Light from the TV Shows: A Chat with Eden Sher (“The Middle”)

If there’s any question as to whether actress Eden Sher possesses any of the delightful awkwardness of Sue Heck, her character on “The Middle,” it was answered at the precise moment I picked up the phone when she called me for our interview. At first, there is silence, which is quickly followed by an odd muffled sound which can only be described as a high-pitched grunt. Then, a breathless Sher suddenly announces herself and explains apologetically that she’d taken a sip of water the moment before the call connected and was struggling to hurriedly swallow it without choking. (“I’m, like, ‘No, no, I’m not a mute!’”) With her throat no longer parched, Sher discussed the experience of playing one of TV’s geekiest, gawkiest teenagers, getting her big break on “Weeds,” and sharing a tender yet awkward moment with Ryan Hansen on “Party Down.”

Bullz-Eye: With your performance on “The Middle,” you’re quickly developing a reputation as one of the most fearless comediennes on television.

Eden Sher: Wow, thank you! I appreciate that. I’ll try to limit the growth of my head after a compliment like that. [Laughs.] When people say that, though, I’m not sure how to take it, because it doesn’t seem…I feel like if you’re not going big, if there’s any sort of fear in the way or if there’s any thought process that gets in the way of being funny, you’re not going to be funny. So I don’t really consider it to be a special thing. I’m just doing my job!

BE: Well, you’re certainly not afraid to “Sue it up” as far as your appearance goes, but you also seem to be game for any and all physical comedy gags.

ES: Yes! Yes, I am, because I say the sweatier I am, the more bruised I am, the dirtier I get, the funnier it probably will be! [Laughs.] Because, I mean, you know the scene when I’m practicing to be the mascot, with the cardboard box on my head? I have realized this: falling or hitting something or physically hurting yourself is always funny. In real life or TV. Always is.

BE: So do you have any formal training as far as physical comedy goes?

ES: Uh, you mean aside from being clumsy and accidentally hurting myself? [Laughs.] No! I mean, I’ve taken acting classes forever, but I’ve actually never even taken a class that’s strictly comedy. I’ve taken improv classes before, but not a comedy class, per se. Do they offer physical comedy classes? Is that actually something they do?

BE: Not being an actor myself, let’s say, “Sure, they do!”

ES: [Laughs.] Well, either way, I’ve never actually taken one.

BE: DeAnn Heline has confirmed that it was actually you who went careening across the countertop in “The Test” last season, but did you do the swing set face-plant in this year’s season premiere (“The Last Whiff of Summer”)?

ES: That was not. I tried to do it, and I just…it was too dangerous. But it did take awhile, because it’s actually the stunt girl you see walking to do it, too, and it was quite an ordeal having to help her master my walk. [Laughs.] I had to show her how to walk like Sue! But I will say, because this is something you don’t even see my face for, that the mascot face-plant…? That was me in the suit. That was actually me.

BE: Is that a regular occurrence? How much of what we see the mascot doing is you inside the suit?

ES: Anytime I’m doing anything physical other than standing, it’s me. All of the dancing stuff, that’s all me.

BE: Regarding to the physical transformation, what’s involved in the process of turning Eden Sher into Sue Heck?

ES: Well, first of all, I appreciate you noting that there is actually a transformation required! But it’s actually helped me to retain my anonymity a lot, because either people aren’t expecting it, or…I usually get, “You know, you look a lot like that girl on that show? Have you seen it?” It’s not actually that extensive of a process, because it’s mostly a case of coming in with dirty hair…oh, but I’m revealing too much. [Laughs.] Seriously, though, what happens is that I usually don’t wash my hair, because they have to flatten it out and make it a little stringy-ish. Or stringier than it usually is, anyway. And then they don’t put any makeup on me. They kind of fill in my eyebrows to make ‘em a little bushier. And then they just put the braces in, and that’s pretty much it.

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The Light from the TV Shows: This One’s for the Veterans – 20 Military-Set Sitcoms

With Veteran’s Day coming up quickly – it’s on Sunday, Nov. 11, in case you don’t tend toward looking at the calendar – now seems like a perfectly appropriate time to take a look back at some of the many sitcoms set in the world of the military. Granted, not all of these are necessarily what you’d describe as military sitcoms, per se, nor is this intended to be perceived as a comprehensive list, but everything that’s on here does feature the military in a significant capacity. Just call it our little tribute to the men and women who’s fought for our country…and to the ones that made us laugh, too, of course.

The Phil Silvers Show (1955-1959): Otherwise known as the adventures of notorious US Army con-man Ernie Bilko, who regularly pulled the wool over the eyes of the perpetually befuddled Col. Hall while trying to earn a fast buck whenever possible. Although consistently ranked as one of the greatest sitcoms of all time, Silvers’ show had such an extensive ensemble cast that it was also one of the first series to get the axe not because it didn’t get ratings but because it was simply too expensive to maintain.

Ensign O’Toole (1962-1963): Starring future Disney staple Dean Jones as the title character, who was stationed aboard the U.S.S. Appleby. Although it only lasted for a single season, the series had a heck of a cast, featuring former “Phil Silvers Show” regular Harvey Lembeck as well as Jack Albertson and a very young Beau Bridges.

McHale’s Navy (1962-1966): Kids, if the only version of Lt. Commander Quinton McHale you know is the one played by Tom Arnold, you really don’t know “McHale’s Navy” at all. Head for the nearest wayback machine and check out the original series, starring the recently-departed Ernest Borgnine and the still-alive, still-hilarious Tim Conway. With a supporting cast that includes another future Disney stalwart, Joe Flynn, as well as noted prestidigitator Carl Ballantine, the show has, aside from the occasional – and, given the era, somewhat inevitable – politically-incorrect moments, held up well over the years.

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