Tag: The Light from the TV Shows (Page 22 of 23)

The Light from the TV Shows: ’60s and ’70s Saturday Mornings Made to Order

I love Warner Archive.

It’s true. I really do. I’ve been a major proponent of the MOD (Made on Demand) format for DVDs ever since I first heard about the idea in the context of movies – “Want an obscure film from our vault released on DVD? We’ll print copies on an as-ordered basis!” – but when they started moving into doing the same thing for TV series, I practically lost my mind. Mind you, they eased into television, first offering up a bunch of TV movies, then miniseries, then a couple of more recent series that didn’t have massive fanbases, like “The Eleventh Hour” and “Dark Blue.” Soon, however, they started to delve into their back catalog of Hanna-Barbera series…and that’s when things really started getting interesting for me.

Throughout the ’70s, I was an obsessive watcher of cartoons: before and after school, Saturday mornings, even the occasional Sunday morning series. (Anyone remember “These Are The Days”?) As Warner Archive has begun to reissue the series that I watched in my youth but, in most cases, haven’t seen since, I’ve all but drooled at the prospect of getting to revisit them. Now that I have, I thought I’d shine the spotlight on the top 10 releases that have resulted in the most flashbacks for me:

The Addams Family: The Complete Series

Be delightfully miserable with the Addams Family as they take to the road in their Victorian-styled RV for spooktacular cross-country quests only they can conjure. From Nashville to New Orleans, New Mexico and Hawaii, these peculiar parents – Gomez and Morticia – treat their family to misadventures, including outwitting a band of gold thieves, freeing the animals from New York’s Central Park Zoo and racing a horse in the Kentucky Derby. They even win a piece of the moon and with Uncle Fester’s rocket, the trip will be a blast! You may remember them as “altogether ooky,” but the spirit of this family is contagious!

Although the “Addams Family” movies resulted in an animated series in the early ’90s, a lot of people don’t realize that there’d already been one back in the early ’70s. I remembered that I’d watched it as a kid, but I hadn’t seen it in years. Indeed, my only truly concrete memory of the ’70s animated version of the Addams Family came from when they appeared on an episode of “The New Scooby-Doo Movies.” Unfortunately, although John Astin, Carolyn Jones, Jackie Coogan, and Ted Cassidy contributed to the Addams’ “Scooby-Doo” appearance, they’re nowhere to be found on this set. This is the sort of disappointment you never really get over as you’re watching it, but at the same time, if you’re a fan of “The Addams Family” in general, then it still makes for relatively enjoyable viewing.

Frankenstein Jr. and the Impossibles: The Complete Series

Buzz Conroy is a heroic boy-genius who builds the powerful robot Frankenstein Jr. When the Ghastly Genie, the Junk Man and other evildoers get up to their old tricks, “Frankie” and his young creator crank into action. The crime fighting coalition continues with the Impossibles, a group of superheroes disguised as a beatnik rock group. At the direction of “Big D,” Multi Man, Coil Man and Fluid Man make hot-rockin’ musical justice thwarting thieves and corralling crooks with their transformative powers.

This remains one of the oddest – and therefore coolest – series ever to have emerged from Hanna-Barbera. There would seem to be little doubt that the Frankenstein Jr. / Buzz Conroy relationship was inspired at least in some part by Gigantor, the famous space-age robot who was under the command of Jimmy Sparks, but hearing Ted Cassidy’s voice come booming out of Frankie made it rather easy to dismiss the derivative nature of the premise. As for the Impossibles, I remain mystified as to why a series about a rock band who doubled as superheroes neither lasted very long nor made any sort of dent on the pop charts. Somebody at Hanna-Barbera really dropped the ball on that one, that’s all I can say.

The Funky Phantom: The Complete Series

One cold, wet night three lost teens – Skip, April and Augie plus Elmo their dog – stumbled inside a spooky old house hoping to get warm. The dusty clock showed the wrong time, so these helpful kids reset the clock hands. A gong rang out, followed by a voice: It’s the Spirit of 1776, even, at your service! Much to their surprise was the friendly ghost Mudsy and his mischievous ghost cat Boo. Antics abound when this motley group hits the road, cracking cases and thwarting crooks, pirates, ghosts and all kinds of strange characters.

For my part, when I think of the Funky Phantom, I think of the fact that, when the amusement park Kings Dominion used to be Hanna-Barbera-themed, we also used to end up parking in the Funky Phantom lot. Also, I always remember that Micky Dolenz of the Monkees did one of the voices on the show (Skip). Funnily enough, though, it wasn’t until years later that I actually saw my first episode of the show, by which point I’d already long since associated it with fond memories of childhood, anyway. Having revisited it, it’s still a fun little show, following the same general formula as “Scooby-Doo,” but with the twist of doing the ghost-hunting with an actual ghost.

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The Light from the TV Shows: “Hung” is still worth hanging onto

“Hung” is a series that, not unlike a particular physical attribute of its lead character, caught my eye immediately. The reason it did so, however, was less because of the apparent anaconda residing in the trousers of Ray Drecker, played by Thomas Jane, and more because of the people behind the scenes.

Now in its third season on HBO, “Hung” was created by Dmitry Lipkin and Colette Burson. I was well familiar with Lipkin’s name from his previous small-screen creation, “The Riches,” which lasted for an all-too-short two seasons on FX. As such, I would’ve followed him anywhere his next project might have taken him…and when I discovered that it revolved around a well-endowed high school baseball coach who turns to prostitution as a way of making ends meet, I’d have to say that I wasn’t entirely surprised that it took him to a premium cable network.

Alas, as is often the case in the life of a TV critic, there never seem to be enough hours in the day to keep up with every series you’d like to watch, and although I was decidedly curious to see how a concept such as this might play as a series, I wasn’t really able to give it a good look until Season 1 made its DVD debut. Unsurprisingly, those first ten episodes proved highly entertaining, making it easy as pie to dole out a four-star review while musing on the conceptual (if not necessarily tonal) similarities between “Hung” and “Breaking Bad,” both focusing on what a father is willing to do to make ends meet for his family. Sadly, though, I wasn’t nearly as charmed by the goings-on in Season 2, and by the end of those ten episodes, I’d reached a point where I was left wondering whether or not it was going to worth the time and effort to follow the series into its third season.

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The Light from the TV Shows: Getting Your Scare On with “American Horror Story”

The Television Critics Association press tour is always an exciting opportunity to mingle with my TV critic peers, meet and greet with the individuals involved in the latest and greatest (and otherwise) new series, and get the scoop on what we’ll all be seeing on the small screen over the course of the subsequent six months. This summer’s tour was the first time I didn’t subsequently write up my recollections of the event – my only excuse lies in the lyrics of John Lennon: Life is what happens to you while you’re busy making other plans” – but had I pulled together a list of highlights, one of them certainly would have been that I had the opportunity to head over to the 20th Century Fox lot and attend a special advance press screening of the pilot episode of FX’s “American Horror Story.”

Creators Ryan Murphy and Brad Falchuk were in attendance to introduce the pilot, along with cast member Connie Britton, and, as is par for the course for series creators when they’re standing in front of an audience of TV critics, Murphy and Falchuk seemed as excited for us to see the episode as they were nervous to learn what we thought of it. Indeed, unless they were skulking in the back of the auditorium, they didn’t stick around to witness our reactions to the events unfolding onscreen, let alone to hear any of our discussions after the closing credits had rolled.

It should come as no surprise to learn that critical reaction was mixed – I mean, that’s pretty much a given for any new series, right? – but if there was one recurring theme to the many conversations going on about “American Horror Story” during our post-screening dinner, it was that a great number of the people who wouldn’t necessarily commit to actually liking what they’d seen were at least willing to concede that it was going to stay near the forefront of their thoughts for quite some time to come…which, as it happens, is where I was with the show, too.

If you’ve seen the pilot, you can probably appreciate my position: it’s creepy, disconcerting, and, yes, there are a few legitimate scares amidst the cheap but effective made-ya-jump moments, but it’s also full of a multitude of horror tropes and plot devices, including (but not limited to) a haunted house, gory murders, ghostly apparitions, eccentric neighbors, a sinister stranger delivering a warning of impending tragedy, and a pregnancy possibly brought about by evil forces.

Was it memorable? Absolutely. Did it make an impact? I dare say it did: even though I didn’t know if I liked it, I already couldn’t wait to watch it again. Was it sufficiently intriguing for me to want to seek out a second episode? You better believe it. But even with these things said, in addition to getting the feeling that Murphy and Falchuk were throwing things against the wall to see what stuck, I was also left with nagging uncertainty about where the hell they were going with this thing.

Now that I’m six episodes into the proceedings, I’m far more confident about the situation, but I won’t lie to you: it was a little bit touch-and-go for a bit.

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The Light from the TV Shows: The Current State of “Law & Order”

Is it me, or does it feel inherently wrong that there’s only one “Law & Order” series on the air at the moment?

I’m not saying that it hasn’t been completely and totally warranted to make fun of how many members of the franchise there have been over the years. In addition to the so-called mothership, “Law & Order,” you’ve had “Law & Order: Special Victims Unit,” “Law & Order: Criminal Intent,” “Law & Order: Trial by Jury,” and “Law & Order: Los Angeles.” Oh, and lest we forget, there was also “Conviction,” which – although it didn’t feature the words “Law & Order” in front of its title, was a spin-off featuring the character of Alexandra Cabot (Stephanie March) as a Bureau Chief Executive ADA supervising the newest crop of ADAs.

I admit it: that’s a hell of a lot of “Law & Order.” But, dammit, I like “Law & Order.” Even if I’ve never liked the various spin-offs quite as much as the mothership, all of the series still served as TV comfort food, each just different enough from the other to make me happy. All things being equal, I can’t complain that the one “L&O” series left is “SVU,” as that’s the one that’s often been on the verge of overtaking the original series as my favorite, but now that there’s no Stabler, even “SVU” feels…dare I say it?…a little unstable.

Thank heavens, then, that the series has decided to delve into its universe of characters and bring back one from the mothership: Michael Cutter, played by Linus Roache. The relationship between Roache and Sam Waterson on the original series was great, but in his return to the franchise, we’re now going to see Cutter standing on his own, getting to be the big shot this time around. Also turning up on the series is another actor who recently his full-time gig go under: Andre Braugher, late of “Men of a Certain Age.” If you’re a real diehard “L&O” fan, you may remember that Braugher once turned up on the original series, but…well, I’ll let him remind you about it.

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The Light from the TV Shows: Beavis and Butthead are Back!

Yes, kids, your dreams have come true: starting on Oct. 27, your favorite animated dumbasses, Beavis and Butthead, are returning to MTV with their first new episodes since 1997.

First of all, if you’re worried that they might have smartened up some over the course of the past 14 years, let me assure you that, based on the advance trailer for their new season, there is little doubt that they’re as dumb as ever. Secondly, since I know you’re wondering, yes, the Great Cornholio does still need T.P. for his bunghole.

I was fortunate enough to catch up with Beavis and Butthead creator Mike Judge during this summer’s TCA tour, and we talked about his decision to bring the boys back, what’s changed in their absence, and which recurring characters we can expect to see during the course of these upcoming episodes.

Bullz-Eye: So why bring back Beavis and Butthead – with the caveat that I’m very, very excited that you’re doing so – rather than move forward with a new, original property?

Mike Judge: Well, you know, actually, if you put it that way… [Laughs.] Look, I still like experimenting around and trying different characters, which I’ve done without ever showing it to people, but I’ve also been involved with development on new animated shows, some that never saw the light of day or that people are talking about. I always kind of look at all this stuff, and I’ll think of why it’s not working and what does work, and in the back of my mind, I’m always going, “You know, I actually had a great couple of characters that were working pretty good that I think would still be fun to do.” And I think they’re still fairly unique. I’d like to think so, anyway, just in the way they look and sound. But, I mean, the bottom line is that I really like doing it. And King of the Hill was done, I’d just done a live-action movie and didn’t want to do that again anytime soon, and…it just seemed like it would be fun.

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