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Suede boots for your fall wardrobe

Fall is here, and it’s a good time to beef up your wardrobe now that the weather has changed and winter is around the corner. Clarks sent us a pair of their new Maguire ankle boots, and I was very impressed with the product. The boots came in brown soft distressed suede with a “plain toe,” meaning that the front toe area of the boot was much darker with a smoother finish. You can see in the photo above that it give the boot a very distinctive and trendier look while retaining a classic feel. The boots look great with jeans, casual slacks and corduroys, so they’re very versatile. Pair them up with a brown leather jacket and you have a great look for the fall.

The comfort of the boots was also impressive. The boots feature a removable OrthoLite® cushioned footbed and soft premium suede surround the foot. I wore these out several times and you can break them in quickly.

The boots retail for $124.99 and also come in brown and black leather. You can find them at ClarksUSA.com and Clarks retail stores nationwide. Overall, the styling of these boots together with the comfort with make the Maguires appealing to most guys.

“Pulp Fiction” Blu-ray is better than a $5 milkshake

Is “Pulp Fiction” the greatest movie of the 1990s? That seems to be a popular talking point on the eve of the film’s Blu-ray release, with everyone from Entertainment Weekly to star John Travolta (on one of the disc’s new special features) making their case for the argument. Whether or not you agree doesn’t really matter, because Quentin Tarantino’s sophomore effort is definitely up there among the best, which only makes the film’s numerous snubs at the 1995 Academy Awards (particularly for Best Picture and Best Supporting Actor) seem even more egregious nearly two decades later.

Though I thought about putting together a list of my five favorite scenes from the film in celebration of the Blu-ray release, I quickly realized that there were far too many great moments to choose from to settle on just five. The movie was already pretty close to perfect when I first saw it on DVD as a teenager, and it’s even closer to perfection now after receiving the Blu-ray treatment. It’s sometimes easy to forget how much a good high definition video transfer can do for a film’s presentation, but the director-approved HD transfer on “Pulp Fiction” is absolutely stunning. And yet, while the movie looks better than ever, the disc’s brand new special features are the real standout additions.

The first featurette, “Not the Usual Boring Getting to Know You Chit Chat,” is a 43-minute retrospective that includes interviews from several key cast members about everything from getting involved in the project, to production, to the Cannes premiere and the film’s subsequent success. While there are a few notable absences from the list of participants (like Tarantino, Uma Thurman, Bruce Willis and Ving Rhames), it’s still loaded with tons of interesting facts about making the film. Travolta and Jackson are particularly enlightening, with the former revealing that he was initially pitched the lead role in “From Dusk ‘Til Dawn” before landing the part of Vincent (a role originally given to Michael Madsen) and the latter telling a funny anecdote about the history behind Jules’ Jheri-curled wig.

The other featurette is a film critic roundtable moderated by Elvis Mitchell entitled “Here Are Some Facts on the Fiction” that, while not as revealing as the retrospective, offers up an engaging conversation about each critic’s first experience seeing “Pulp Fiction” and their thoughts about the movie. It’s especially fascinating to listen to Stephanie Zacharek discuss her love/hate relationship with the film, as it appears to take the other critics (all of whom regard it as a modern masterpiece) by surprise. That doesn’t exactly make the debate over whether “Pulp Fiction” is the best movie of the ‘90s any easier to settle, but then again, the question itself is ultimately more important than the answer.

“Arrested Development” returning to small screen, debuting on big screen?

Ever since “Arrested Development” was yanked off the air in 2006, rumors that a big-screen version of the quirky Fox sitcom have refused to die. Fans have long been skeptical, and for good reason, but even the most optimistic “AD” fan never could have predicted what series creator Mitchell Hurwitz has in mind: an abbreviated fourth season with nine or 10 episodes airing on either Netflix or Showtime, leading up to the release of the much-anticipated “Arrested Development” movie.

Said Hurwitz, while addressing the audience at the New Yorker Festival on Sunday:

“I have been working on the screenplay for a long time and found that as time went by there was so much more to the story. In fact, where everyone’s been for five years became a big part of the story. So, in working on the screenplay I found that even if I just gave five minutes per character to that backstory, we were halfway through the movie before the characters got together. And that kinda gave birth to this thing we’ve not been pursuing for a while and we’re kinda going public with a little bit. We’re trying to do kind of limited run series into the movie.”

Too good to be true? Hurwitz doesn’t seem to think so, judging by his candor and optimism on the subject. Jason Bateman, who plays Michael Bluth on the beloved show, further stirred the pot when he tweeted, “It’s true. We will do 10 episodes and the movie. Probably shoot them all together next summer for a release in early ’13. VERY excited!”

“Arrested Development” fans have been waiting five years for good news, and while it’s wise and natural to remain somewhat skeptical until production on the movie and/or episodes has actually started, there’s enough smoke here to at least suggest the existence of a real fire.

To be safe, we thought it wise to prepare for an “Arrested Development” return. We’ve got reviews of Season 1, Season 2 and Season 3, and our 2009 interview with David Cross. You can also see where “Arrested Development” placed in past editions of our TV Power Rankings, and don’t miss scenes from the show below, including an awesome Chicken Dance mash-up.

Over the Wall: The Job and Workout Regime of a NASCAR Pit Crew Member

NASCAR pit crew

New Hampshire is quite an idyllic place in the fall, full of trees with changing leaves, mild weather, and sleepy small towns; until the baritone crackle of NASCAR V8’s roll into town that is.

Twice a year, the NASCAR circus comes to New Hampshire to race at the Sylvania 300. However, unlike most other tracks, New Hampshire Motor Speedway special is the fact that is a 1-mile oval. Because of this, the racing action is condensed as opposed to the larger tracks like Talladega. Imagine putting 50 angry bears into one boxing ring, and letting them loose, that is what NASCAR racing on a short oval looks and sounds like. While here as guests of Sylvania, Bullz-Eye.com had the opportunity to find out the type of physical dexterity needed to be on a racing team as well.

Many people might think NASCAR and fitness should not be in the same sentence. Images of beer bellies and Cheetos fill their heads as they think of some man named Bubba screaming himself to near cardiac arrest for his favorite driver. However, that belief isn’t true.

Behind the scenes of every NASCAR team, there is a group of dedicated individuals that work on and off the track to achieve a race win. These individuals are the pit crewmembers. I spoke to TJ Fleming, front tire carrier of the Menards 88 truck in the Camping World Truck Series, on just how a pit crew member prepares for his job.

For those unfamiliar with racing, think of a pit crew like an offensive line, and the driver as the quarterback. Although the quarterback shoulders pressure from the media and responsibility for executing plays, it’s his offensive line that protects him so he can be effective. Just ask Jay Cutler of the Bears on how important a functioning offensive line is.

A pit crew does the same job. The driver goes out and collects the attention and race wins, but without his crewmembers, he would never have a chance to reach the podium. A pit crew keeps their driver competitive by completing a driver’s pit stops. During a pit stop, tires are changed, gas is refueled, and a car may be slightly repaired (usually with the delicate tools of hammers and duct tape). The faster a driver can get in and out of the pits, the greater his chances of winning. To get out fast, a pit crewmember must be well trained and in good shape.

Changing a tire may not seem like an activity to train for, but you probably have never had to change a tire in less than 30 seconds in front of a screaming crowd with a race win on the line. Not to mention, these tires way anywhere from 45-75 lbs. each that need to be lifted and fitted in a moments notice after sitting on the wall waiting for a driver to pit. Like an offensive linemen, you need to immediately and quickly spring into action to get the job done.

The person I spoke to about the importance of fitness for a crewmember was T.J. Fleming. T.J. and his teammates are responsible for keeping Matt Crafton’s truck competitive on the track in the Camping World Racing Series. Instead of cars, the Camping World Race Series features pickup trucks hauling ass on the racetrack that you would normally find at Home Depot hauling lumber.

Unlike NASCAR pit crews, whose teams have more money and resources, he and his crew pull double duty both working on the truck at the shop, and themselves in the gym. Since his job requires double duty, his workout regime focuses on all around strength. If you want to stay in shape like a crewmember, focus on these lifts:
• Squats
• Romanian Deadlifts
• Core Training
His exercise regime focuses around functionality, not necessarily what makes you look like a greased Guido.

Off the cameras, and out of the spotlight, is where pit crewmembers do their jobs. Pumping gas and changing tires is easy during a daily commute, but doing it quickly and effectively in a racing setting takes and hours of preparations. Without their help, the wins won’t come for the driver and neither will the spotlight or attention. Just like without an offensive line, your quarterback is just an expensive smear on the football field.

Breaking Bad 4.12 – No More Prolonging the Inevitable

To call last week’s episode of “Breaking Bad” intense is to undercut the utterly traumatizing effect it had on the show’s regular viewership. This week attempts to start off with a similar level of tension, showing a pair of vehicles pulling up outside the White house without immediately identifying them. Within seconds, however, we confirm that what we’re witnessing is the arrival of the DEA agents who’ve come to put Walt, Skyler, and Walt Jr. into protective custody.

Wait, scratch that: Walt’s not going.

“All that matters is that the rest of you are safe,” Walt tells Skyler. “And that’s why I’m not going with you. I’m the real target.” Ever the naïve one, she can’t quite grasp that being under the watchful eye of the DEA isn’t enough to keep everyone protected, but Walt knows better, just as he knows that he and his family are only being included in the DEA’s protective of Hank because Marie has demanded it.

“There’s got to be another way,” sobs Skyler.

“There isn’t,” Walt says, matter-of-factly. “There was. But now there isn’t.”

And so Walt steps outside and calls Hank, playing his brother-in-law like a fiddle with the suggestion that Marie has a history of overreacting, and assures him that somebody’s got to keep the car wash up and running. Hank isn’t thrilled, but he doesn’t sound suspicious, even when Walt’s voice cracks with emotion as he tells him to keep his head down. The look on Walt’s face as he says goodbye to his infant daughter is heartbreaking, if only because we know that, in his mind, he believes this could well be the last time he ever sees her…but, y’know, you can’t really blame the guy for thinking that, can ya?

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