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Drink of the Week: The Great Migration

The Great Migration

Today we present the second part of what’s going to be trilogy of posts featuring the beguiling and bewitching new Mariposa Agave Nectar Liqueur. Last week, I discussed the seductive sweetness of the concoction in context with the Mariposa Mojito.

Now, we move on to a sweeter territory with a drink that’s been heavily promoted by Mariposa’s masters over at Heaven Hill Distilleries, Inc. It’s something like a gin sidecar, but slightly more sugary — that’s not always a bad thing — and using a liqueur that I personally dig more than most. I have to admit the historical connections of the drink’s name have me at something of a loss, however, though it’s clear there was more than one great migration. Some of you might also want to have more than one of the libation of the same name.

The Great Migration

1 1/2 ounces dry gin
3/4 ounce Mariposa Agave Nectar Liqueur
3/4 ounce fresh squeezed lemon juice
1/4  ounce simple syrup
Turbinado/raw sugar
Lemon twist (garnish)

Rim a cocktail glass with raw sugar — It’s very possible that the plain old white stuff might work almost as well — by wetting the edges and dipping it into a plate full of the sweet stuff. Take your rimmed glass and stick it in the freezer to get it nice and chilled while you make the rest of the drink.

Combine all the liquid ingredients in a cocktail shaker with plenty of ice. If you don’t have simple syrup on hand, you can probably dissolve some superfine sugar in a little bit of room temperature water and use that instead. Shake vigorously and strain into your now well chilled rimmed cocktail glass.

Engage in the magical process old school/artisanal bartenders call “expressing” the lemon twist which is crucial to drinks like the Sazerac. It involves twisting a very thin — as in rind-free — strip of the lemon’s skin; the act of twisting is thought to spritz a tiny but notable amount of lemon oil into the drink. Drop the skin into the drink and sip away at the sweetness.

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If you like your drink very sweet indeed, you can make the accidental alteration I did while preparing this drink for some cooperative test subjects. Having forgotten the complete recipe, I actually doubled the amount of simple syrup to an entire half ounce — but I forgot about the turbinado rim. That made for a somewhat less complicated beverage that, for me, wasn’t as good as the recipe proper. However, it went really down really well with my willing guinea pigs and might work better for a lot of people who are less frequent boozers.

Friday Video: ‘Incident of 57th Street’ live by Bruce Springsteen

If you talk to die-hard Bruce Springsteen fans, many of them will list “Incident on 57th Street” as one of their favorite Springsteen songs. The song leads off the second side of Bruce’s second album, “The Wild, the Innocent & the E Street Shuffle” released in 1973, with “Rosalita” and “New York City Serenade.” The jazzy sound of these songs was dominated by the incredible piano playing of David Sancious who preceded Roy Bittan in the E Street Band.

The live version in the video above was released as a B-side in the mid-Eighties when Springsteen released his first live album, but I can’t find it anywhere on iTunes or in a legal digital format. It’s by far the best live version I’ve heard of this song and it features an excellent and mellow guitar solo by Bruce at the end that’s much better than the solo on the original recording.

This fan video was created by a Springsteen fan on YouTube who has posted a number of excellent Springsteen videos. He mashes up concert footage and other Springsteen footage to create visually interesting interpretations of the songs, and he translates the lyrics into Spanish subtitles.

The Lyricist Lounge Presents Pete Rock vs. DJ Premier in New York’s East River Park

Last night at Manhattan’s East River Park, the legendary Lyricist Lounge continued their 20th anniversary celebration with a free show featuring two of Hip-Hop’s all-time greatest producers and deejays, Pete Rock and DJ Premier. Hosted by Lyricist Lounge founders Danny Castro and Ant Marshall, the show was dubbed “Pete Rock vs. DJ Premier,” though it was really less a battle than a collaborative showcase. Castro began the show by schooling the audience on a bit of trivia about the East River Park bandshell, which is where the finale of the 1983 Hip-Hop classic “Wild Style” was filmed.

Pete Rock and Premo opened their shared set with a tribute to Rock’s cousin, the late, great Heavy D, taking turns spinning some of his best-loved jams, including the classic “Nuttin’ But Love.” The evening was heavy on R.I.P. shout outs to some of the great musicians of the past, including a medley of Rick James songs like “Give It to Me Baby” and “Mary Jane,” a brief medley of the Jackson 5 hits “I Want You Back” and “ABC,” and a much more extended medley of the James Brown classics “The Payback,” “Soul Power,” “Make It Funky,” and “Sex Machine.” Along with cuts from Al Green, Kool & the Gang, the Commodores and more, Premo and Rock’s set felt like a miniature history lesson in black music, continuing into the rest of the evening.

Promising to soon go head to head with some of their own original beats, the two deejays first segued into the Hip-Hop portion of the evening with some ’80s favorites like Afrika Bambaataa‘s “Planet Rock,” MC Lyte‘s “Survival of the Fittest,” Audio Two‘s “Top Billin’,” Eric B. & Rakim‘s “Move the Crowd,” and Biz Markie‘s “Nobody Beats the Biz.” When Premo spun the Boogie Down Productions battle classic “The Bridge is Over,” a diss track aimed partly at Marley Marl (a huge influence on both Rock and Premo), Rock observed, “It’s even hard to hear at a distance, ’cause those are my people.”

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Weekly Web Series Review: Between Two Ferns

Hosted by Zach Galifianakis at his most awkward, “Between Two Ferns” represents what television talk shows might actually be like in a much more interesting world. Filmed to look like a low-budget public access show, but with big-name celebrity guests, the series mines uncomfortable humor to the fullest. Galifianakis frequently mispronounces the names of his guests and openly insults them, creating an environment of hostility that often feels almost too real. When not blatantly mispronouncing names, he is prone to making intentionally terrible puns out of them, like when he asks Jon Hamm if his middle name is “Honey-Baked,” or if he has considered changing his name to something like “Stewart Turkey-Link.”

The discomfort starts strong right out of the gate in the first episode, in which Galifianakis basically molests Michael Cera. There is a common thread of one-sided sexual tension in many of the episodes, and certainly not just with the female guests, though it may be strongest in the episode featuring Natalie Portman. It is a testament to her skill as an “acteress” that this episode is one of the most authentic, as if she were actually just in the midst of a nightmarish interview set up by the most incompetent agent imaginable. Other episodes are more clearly staged, and perhaps the weakest is the one with Will Ferrell, if only because the two are generally too chummy with each other, at least until the end.

The series is at its best when Galifianakis is openly hostile to his guests, like the episodes featuring Ben Stiller and “Brad Lee Cooper.” Though this hostility is common throughout the series, only “Conan O. Brien” gets an explanation, which is that Galifianakis thought he had a shot at “The Tonight Show.” Another especially convincing episode features Galifianakis’ “twin brother,” Seth, interviewing a wooden-faced Sean Penn, who really seems like he might haul off and punch Galifianakis at any moment. As with Portman, it is Penn’s acting skill that pulls off the joke so well.

A pitch-perfect spoof of bad, desperate public access talk shows, “Between Two Ferns” is easily one of the best offerings from the always enjoyable Funny or Die. Even the opening and closing theme music feels authentic, though it is actually lifted from Bernard Herrmann‘s “Taxi Driver” score, which adds to Galifianakis’ creepy, angry vibe. I’m not sure how well it would work as a full-length show on television, but in the small segments available online, it is hilarious.

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