Category: Television (Page 54 of 84)

The Light from the TV Shows: A Remembrance of Summer Replacement Series

A few weeks ago, I was fortunate enough to chat with Drew Carey in conjunction with the upcoming DVD release of PBS’s “American Masters: Johnny Carson,” for which Carey was interviewed, and at some point in the conversation, we got to talking about the phenomenon of summer replacement series. In a world where cheesy, cheap-to-produce reality shows tend to fill the programming void while your favorite shows take their annual summer hiatus, we sometimes forget that there used to be a wealth of cheesy, cheap-to-produce variety shows.

Okay, so maybe they weren’t significantly more substantive in the long run, but here it is almost 40 years since the glory days of these programs – I speak of the ‘70s, of course – and they’re still remembered at least semi-fondly by those of us who lived through the era. Here’s a look back at some of the series that kept us relatively entertained during June, July, and August when I was a kid…

1. Make Your Own Kind of Music (NBC, 1971): Riding high on the soft-pop success of singles like “Close To You” and “We’ve Only Just Begun,” brother-and-sister duo The Carpenters were given their own variety show in the summer of ’71, although it’s one that occasionally slips under the radar for fans of the group due to the fact that their name wasn’t actually in the title. It’s also the sort of program that further cements the Carpenters’ reputation as being less than hip, what with guests like the Doodletown Pipers and Al Hirt, but let’s just remember that, in 2012, a heck of a lot more people still listen to the Carpenters than the Doodletown Pipers. All told, I think it’s fair to say that Karen and Richard had the last laugh.

2. The Helen Reddy Show (NBC, 1973): Yeah, yeah, she was woman, we heard her roar…but that’s really about all most people remember about Helen Reddy’s musical career anymore, though. (I’d almost forgotten about “Delta Dawn” ’til I started writing this piece, and I still can’t place “Angie Baby,” even though it was apparently also a #1 hit for her.) Nowadays, you’re more likely to have people think back to her gig as a very special guest star on “The Muppet Show,” or maybe her occasional stints as an actress, as seen in such ’70s classics as “Airport ’75” and “Pete’s Dragon.” Oh, right, and that really was her saying “Helen Reddy, standing by” in that episode of “Family Guy.” But in ’73, Reddy got a boost in profile from Flip Wilson, who apparently had a hand in selecting her to serve as the summer replacement for his variety series.

3. The Bobby Darin Amusement Company (NBC, 1973): By the end of 1973, crooner Bobby Darin would be dead, his perpetually poor health finally getting the best of him (he died from complications during heart surgery), but in his final year, he took to the small screen for a summer variety series that continued to prove his versatility as a interpreter of popular song.

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Weekly Web Series Review: Blue

Julia Stiles in Blue

Julia Stiles stars as the title character in “Blue,” a new web series produced by the YouTube channel Wigs, which is described as “a digital channel producing high-end, original, scripted dramatic series and short films about the lives of women.” “Blue” certainly fits this bill, as it has high, network-standard production values and explores the life of Francine, aka Blue (Stiles), a single mother who works in an office and moonlights as a prostitute. We are introduced to her in the middle of serving a client, Cooper (David Harbour), who turns out to be an old acquaintance from high school. Cooper has more than a simple professional interest in her, and there is speculation that he might be the father of her 13-year-old son, Josh (Uriah Shelton).

Josh is a precocious, A-student who is beginning to be curious about sex and who is too smart not to know that his mother is hiding something about herself from him, though he is not yet sure what. He befriends Cooper, seeming to need a father figure in his life to complement the good relationships he has with his mother and his grandmother, Jessica (Kathleen Quinlan), a sexy older woman prone to over-sharing about her love life. Meanwhile, beginning in the third episode, Blue has an oddly mentor-like relationship with her office co-worker, Lavinia (Sarah Paulson), who looks up to her, thinking Blue really has her life together. Lavinia seeks Blue’s advice about her relationship with her ex-husband, Walter (so far unseen), who seems to be using her for financial support due to his ailing health.

The series is created, written and directed by Rodrigo Garcia, who is known for his work on feature films like “Mother and Child” and last year’s “Albert Nobbs,” as well as television series such as HBO’s “The Sopranos” and “Six Feet Under,” the latter of which has a similarly soap opera feel to it. The first season runs 12 episodes, each around eight minutes long, which means the entire first season is roughly the length of a relatively short feature film, and each episode is basically a single long scene, or two shorter, connected ones. Some of these work better than others; while Blue and Josh have great chemistry and really good dialogue in the second episode, and a subplot involving Josh’s troubles at school in the tenth and eleventh episodes is especially interesting, I have to admit I have very little interest in the relationship between Blue and Lavinia. Paulson is a very good actor, but her character is sort of weak and whiny, and it remains to be seen if her subplot will garner more interest. On the other hand, the first season ends with an intriguing development involving an older man from Blue’s past, and fans of soapy drama will definitely want to tune in for new episodes once they become available.

Julia Stiles in Blue backside view

The Light from the TV Shows: A Chat with Maurice LaMarche (“Futurama”)

Maurice LaMarche has been my Facebook friend for several years, but I’d never actually met him, talked to him, or even traded email with him until a few days ago…which means, of course, that he really wasn’t my friend at all. I mean, not really, anyway. After I found out that he and I would be chatting in conjunction with the return of “Futurama,” however, I decided I’d tag him on my status update about our upcoming conversation. In turn, I drew Mr. LaMarche’s attention at long last…or, at least, one of my “likes” did.

Eh. Either way, Maurice LaMarche kinda sorta knew who I was when I got on the phone. I’m chalking it up as a win.

Maurice LaMarche: Now, I’m looking here on your Facebook page, and…who are your likes? Because I see you’ve got “The Newsroom,” and then you’ve got this guy with really tightly cropped hair, but then when I go into your page, you’ve got something like 1,200 “likes,” so I can’t tell who he is. Do you know who I’m talking about?

Bullz-Eye: Yeah, he’s…I’m blanking on his name right this second, but he’s part of the cast of USA’s “Suits.”

MLM: Hmmm. Because he looks like a guy who used to be on a show that I loved that got cancelled, a show called “Jake In Progress.” He played a magician, I think, but…God, that’s gonna drive me nuts now. I’ve got to look up “Suits” now! [Laughs.] Sorry! Then we can start. I’m a little compulsive…

BE: Well, look, I’ll help you out: that’s the same guy. His name is Rick Hoffman.

MLM: Yes! I love him! He’s so good. So funny. I love that guy.

BE: Yeah, I think I first saw him on “Samantha Who?”

MLM: Okay, so you never saw him on “Jake in Progress,” then…? Oh, “Jake in Progress” was my favorite show, and it just was treated so… [Puffs up his voice.]  …ignominiously by ABC. Reminiscent of the way they treated a certain futuristic cartoon show, one might say.

BE: I’m sure I don’t know what you’re referring to.

MLM: I’m sure I don’t, either. [Laughs, then puffs up voice again.] But Comedy Central has treated us much better.

BE: Yes, “Futurama” continues to be the gift that keeps on giving. It’s like a zombie: Fox tried to kill it, but they couldn’t get rid of it.

MLM: That’s right. We just keep coming back at you. And we’ll try not to do any zombie storylines, so…thank you for your patronage. [Laughs.]

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The Light from the TV Shows: HBO’s “The Newsroom” is unabashedly Sorkin-esque…which is a good thing

It’s arguably the laziest possible comparison to suggest that Aaron Sorkin’s new HBO series, “The Newsroom,” comes across like “Sports Night” and “Studio 60 on the Sunset Strip” fused with “The West Wing.”

With that said, however, it’s also hard to deny the inherent accuracy of such a statement, given that it’s a series that takes place behind the scenes of a television program, except rather than sports or comedy, the predominant thrust of the program is politics. Plus, it’s full of bombastic speeches, rapid patter, romantic comedy, and – oh, yes – more than a few walk-and-talks.

In a nutshell, “The Newsroom” is about as Sorkin-esque as anyone could possibly hope for his return to television to be. This, of course, opens a whole other can of worms…but we’ll get to that.

“The Newsroom” begins by introducing newsman Will McAvoy, played by Jeff Daniels, as he sits on a political discussion panel in a college auditorium, and although it’s basically a blind introduction which offers us nothing about his career, we can already tell from his responses that whatever talents he once had as a newsman have been supplanted by a desire to play it safe. It’s also a bit of a given that, in short order, he’s going to give an answer that causes him to break out of his rut, but it’s a testament to Sorkin’s writing and directing that, when it does finally happen, it still manages to feel pretty damned inspirational.

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The Light from the TV Shows: “We’re Back, Baby” – Attempts at Reviving Old TV Series

Tonight marks the return of “Dallas” to the airwaves, with TNT offering viewers a look at the latest generation of Ewings while also giving original cast members Larry Hagman, Patrick Duffy, and Linda Gray an opportunity to get in on the fun. For what it’s worth, I quite enjoyed the pilot, but I’ll freely admit that the only reason that I was interested in revisiting Southfork Ranch in 2012 was because of those original cast members.

No matter how brilliantly or badly they turn out, I’ve always been a sucker for TV series revivals, be it as a “next generation” sort of series like this one or as a reunion movie, so I thought I’d throw together a list of some of my favorites for your reading enjoyment. The only caveats: I’m not counting occasions when a series jumped to the big screen, i.e. the not-very-good theatrical “Get Smart” movie, “The Nude Bomb,” nor am I including animated series in the mix…although if I did, you can bet the animated “Star Trek” series would be at the top of my list.

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