Check out the “fun audit” to see how much fun you’re having . . .
Check out the “fun audit” to see how much fun you’re having . . .
With “House” coming to its conclusion on Monday after an eight-year run, it’s fair to say that quite a few regular cast members have seen their way in and out of the doors of Princeton Plainsboro Teaching Hospital, but their number can’t hold a candle to how many guest stars – we’re talking people who were on the show for a single-digit number of times – have turned up over the years. This isn’t all of them, but it’s a start…
Robin Tunney (Ep. 1.1, “Pilot”)
Character: a kindergarten teacher who becomes dysphasic and starts having seizures. Turns out she’s invested with tapeworms.
Sam Trammell (Ep. 1.4, “Maternity”)
Character: the father of a baby girl that’s not even out of the maternity ward and already on death’s door from a virus.
Elizabeth Mitchell (Ep. 1.5, “Damned If you Don’t”)
Character: a nun who looks like she’s suffering from stigmata but is later discovered to be suffering an allergic reaction to a copper cross IUD left over from her, uh, wilder days.
Dominic Purcell (Ep. 1.6, “Fidelity”)
Character: a husband whose wife – the Patient of the Week – turns out to have been unfaithful.
Amanda Seyfried (Ep. 1.11, “Detox”)
Character: girlfriend to the Patient of the Week.
Scott Foley (Ep. 1.12, “Sports Medicine”)
Character: a baseball player suffering cadmium poisoning from all the pot he’s been smoking.
Joe Morton (Ep. 1.17, “Role Model”)
Character: a senator suffering the after-effects of an epilepsy treatment from childhood
John Cho (Ep. 1.20, “Love Hurts”)
Character: a guy who, after spilling apple juice on House’s clothes, ends up being diagnosed by him as having had a stroke. Upon further investigation, it’s determined that he has a trauma-induced aneurysm as a result of a preference for sadomasochism.
Carmen Electra (Ep. 1.21, “Three Stories”)
Character: While begrudgingly lecturing a classroom of medical students about a past patient who is depicted as looking like Carmen Electra playing miniature golf. In reality, the patient was actually a male golfer…and he played regular golf, by the way. (Who knew miniature golf could be so sexy?)
This week Saturday Night Live is celebrating the end of its’ 37th season on air (yes, you read that right) by pulling out the usual bags of tricks. That includes rock god Mick Jagger taking on hosting duties, while Arcade Fire and the Foo Fighters provide the marquee music interludes (plus there will be comedy sketches…at least I think they still do those).
But while the cast and crew will mostly be sticking to the traditional SNL formula for success, they are throwing one new variable into the mix for this monumental occasion. That comes in the form of a partnership with the Facebook app Color.

Some of you may remember Color as the app that allowed you to share your photos and short (about 30 seconds) live video clips with a network of your closest friends. More likely though, you remember the story of how the program managed to raise $41 million dollars for its launch, only to fade into obscurity sometimes after that. It’s not that the program didn’t work; it just didn’t manage to catch on in the ever growing app market.
But now, thanks to a new partnership with Verizon, Color is looking to make a big comeback. Not only will Verizon start making the app standard on all new Android phones, but Color has also beefed up its’ own services, particularly in the video area which now has a better broadcast quality, sound with your live feed (for Verizon customers), and the ability to notify your friends immediately for live broadcast.
To celebrate (and most importantly, to promote), Color will be teaming with SNL to have the actors, crew, and guests take backstage footage of the evening, and fill in the breaks and commercials with exclusive footage that will be broadcast to anyone who friends Verizon on Facebook.

Color certainly seems more focused this time around. It’s no wonder either considering the recent $1 billion Instagram acquisition by Facebook, and how Facebook itself is preparing for the richest public offering anyone has ever seen. But if you’re looking for the new Color’s greatest motivation…that may actually be Twitter. It’s a smart move to try to set up a service that could be similar to Twitter, but uses video instead since that would seem to be the logical progression of the medium.
If you’re interested in the footage,you just have to like Verizon on Facebook, and download the Color for Facebook app on your mobile device. While Verizon customers are the only ones that get sound with the feed, anyone can sign up for it.
It’s easy to see that the team behind Color believes in their product, and their dedication to getting their name out there shows that. If the SNL show is a success, it’s easy to imagine the public imagination taking hold of this app and making something unique out of it.
And , maybe Mick will even sing “Start Me Up” for them.
Hey, it worked for Windows.
Check out the new photos of Jennifer Aniston in a soon-to-be-released smartwater campaign. She looks fantastic as usual and we think smartwater was pretty smart to pick the winner of our TV Girlfriends contest!
Here Jennifer looks pretty sexy.

Gotta love that killer smile!
It’s been a while since I’ve had this many new releases to choose from, but it looks like things are beginning to really pick up as we head into summer, which is great news. Though I didn’t have time to check out all of the week’s Blu-rays, it goes without saying that you shouldn’t limit yourself to the ones featured below. Criterion’s release of “Being John Malkovich” would be an excellent addition to any cinephile’s collection, while Western fans will probably enjoy the first season of the AMC drama “Hell on Wheels.”
With the exception of “The Blair Witch Project” and “Cloverfield,” the whole found-footage craze has generally failed to impress me as a viable storytelling device, usually because most of the movies in the subgenre are plagued by terrible scripts and bad acting. But director Josh Trank’s debut feature doesn’t run into any of those problems, and it’s exactly because the script and acting are so good that he’s able to utilize the low-budget gimmick to his benefit, delivering a fresh take on found-footage and superhero movies in the process. Additionally, the idea to tell the superhero origin story from the villain’s point of view is pretty ingenious, particularly because his fall from grace is a lot more complex than the typical hero’s tale. Though the format does yield a few nagging questions – like, for instance, why anyone would still bother recording any of this after all hell has broken loose – the cameras are integrated so cleverly into the story that it helps the movie a lot more than it hurts it.
Blu-ray Highlight: I didn’t receive a copy in time for review, but I’m curious to check out the proposed director’s cut to see if any cool stuff was left on the cutting room floor.
The trailers for Joe Carnahan’s survival thriller may have promised one thing (namely, a showdown between Liam Neeson and a big bad wolf) and delivered something else entirely, but it’s still a solid adventure film with plenty of action. Though you pretty much know how it’s going to end as soon as the first few guys succumb to the deadly triumvirate of the punishing weather, dangerous terrain and hungry predators, Carnahan manages to hold your interest by taking the time to develop his characters, humanizing them beyond simple wolf fodder. Neeson and character actor Frank Grillo, in particular, deliver some really strong performances, with the latter even managing to outshine his co-star. “The Grey” can get a bit too philosophical at times when you’d rather just watch Neeson punch a wolf in the face, but while that would have certainly delivered the kind of instant adrenaline rush we all expected, it’s the bleak realism of the movie that stays with you long after it’s finished.
Blu-ray Highlight: Though Joe Carnahan has a tendency to be a bit of a tool when it comes to talking about his movies, the director’s commentary with editors Roger Barton and Jason Hellmann is nonetheless an engaging discussion about making the film that covers a range of topics like the cast, special effects and shooting in the Arctic.
© 2026 Bullz-Eye Blog
Theme by Anders Noren — Up ↑