Category: Entertainment (Page 157 of 277)

The Light from the TV Shows: A Chat with Michael Dorn (‘Star Trek: The Next Generation’)

Michael Dorn may have come to be known best for his work as Worf, the most famous Klingon in the ‘Star Trek’ universe, but his acting career was already off and running well before he found his way onto the bridge of the U.S.S. Enterprise. Bullz-Eye had a chance to chat with Dorn in connection with the Blu-ray release of ‘Star trek: The Next Generation – The Complete Fourth Season,’ and he discussed some of his pre-‘Trek’ roles, including working with Bruce Jenner and Sylvester Stallone, in addition to revisiting his work as Worf and commenting on how things are going with the ‘Captain Worf’ series he’s been hoping to make

Celebrity City

Bullz-Eye: So how have you been enjoying seeing the ‘Next Generation’ episodes on Blu-ray?

Michael Dorn: Well, I haven’t seen this season’s yet, but the other ones have looked great. Just beautiful.

BE: When they first started rolling them out, I was really rather startled by the difference. I knew it’d look better, but it never occurred to me that it’d be quite that substantial.

MD: Yeah, exactly. I mean, it’s one of those things that makes you realize just how much technology and other things have changed. When we were doing our show in the late ‘80s and early ‘90s, we looked at the original series and we were, like, “Ah, we’re so far ahead of that!” And now we look at our show side by side, and it’s, like, “Oh, my God…” [Laughs.] Technology has just grown by leaps and bounds. But it looks spectacular.

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Coming Soon: A Moviegoer’s Guide to August

august

In recent years, August has typically been the month where studios dump their summer fare that can’t compete with the bigger blockbusters, and although that’s probably true with this year as well, it’s hard to complain with a line-up as great as this, including the latest sci-fi treat from “District 9” director Neill Blomkamp, the sequel to “Kick-Ass” and the final chapter in Edgar Wright’s Three Flavours Cornetto trilogy.

“2 GUNS”

Who: Denzel Washington, Mark Wahlberg, Paula Patton and Edward James Olmos
What: A DEA agent and an undercover Naval Intelligence officer who have been tasked with investigating one another find they have been set up by the mob.
When: August 2nd
Why: It’s hard to believe that “2 Guns” was originally planned as a post-“Wedding Crashers” reunion for Vince Vaughn and Owen Wilson, because they’re hardly the action movie types. Thankfully, that never came to pass, and director Baltasar Kormakur ended up finding an even better onscreen duo in Denzel Washington and Mark Wahlberg, who are just as good at handling action as they are at delivering a quip. And that’s important, since it appears that the humor in Blake Masters’ script has remained mostly intact. Washington and Wahlberg are both incredibly charismatic actors that have the box office power to sell a movie on their names alone, so while audiences may have missed out on the chance of seeing Vaughn and Wilson do their version of “Bad Boys,” “2 Guns” is probably better off for it.

“ELYSIUM”

Who: Matt Damon, Jodie Foster, Sharlto Copley and Alice Braga
What: Set in a future where the wealthy live on a space station while the rest of society resides on a ruined Earth, a man embarks on a mission to bring equality to the worlds.
When: August 9th
Why: Moviegoers have been patiently awaiting Neill Blomkamp’s follow-up to “District 9” ever since the 2009 sleeper hit arrived in theaters, and although it’s not a sequel like some were hoping for, it is another sci-fi thriller with a socio-political message. Obviously, getting actors like Matt Damon and Jodie Foster was a huge coup for Blomkamp, but the success of “Elysium” will once again rest on its unique premise, which already has my interest piqued. The South African director proved with his debut that he’s really good at world building, and the same holds true for “Elysium,” which looks like a fully formed piece of science fiction with some great visuals to boot. And with the talent involved, another Oscar nomination certainly isn’t out of the question, though it’s just nice to see such an original voice working in Hollywood.

“WE’RE THE MILLERS”

Who: Jason Sudeikis, Jennifer Aniston, Emma Roberts, Will Poulter and Ed Helms
What: A veteran pot dealer assembles a fake family as part of his plan to move a huge shipment of weed into the U.S. from Mexico
When: August 9th
Why: It probably won’t be the best comedy you see this year (and quite likely, not even this month), but “We’re the Millers” has the potential to be a lot funnier than it sounds. For starters, the movie is directed by Rawson Marshall Thurber (who made the underrated 2004 comedy “Dodgeball: A True Underdog Story”) and written by the same duo behind “Wedding Crashers,” which means that you can expect plenty of silliness without it going too far over the top. There are better leading men than Jason Sudeikis, who’s usually more effective in supporting roles, but the rest of the cast is great, including Jennifer Aniston (tapping into her naughty side once again after the positive reception from “Horrible Bosses”) and up-and-comer Will Poulter in what promises to be a scene-stealing performance.

App of the Week – Futuridium EP

Developer: Mixedbag SRL

Compatible with: iPhone 4 and up, iPod Touch 4th gen and up, iPad

Requires: iOS 6.0

Price: $1.99

Available: here 

There’s a popular trend in gaming going around, and it involves making games as difficult as feasibly possible, forcing the user to die and die again until they finally make a marginal amount of progress. You then repeat this process until you either complete the game (not likely) or watch your eyeballs explode in rage (not technically possible, but still more likely).

They go by many names, and come in many forms, but this one is called “Futuridium EP.”

Even more difficult to beat than pronounce, “Futuridium” has a story, but it basically boils down to you’ve been sent to a balls trippingly psychedelic universe where you are tasked with destroying a series of cubes to expose the main cube (called the core) which you then destroy to escape.

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Not exactly Pulitzer worthy, but it does give you a good enough setting for which to make runs over colorfully bizarre levels and destroy your objectives. The difficulty of this comes in small part through its tricky touch screen controls, but in larger part through your constantly depleting energy bar that only refills at the end of a level. It’s that bar that requires you to make pinpoint perfect runs, which isn’t made any easier by the having to start over at the very beginning of the game after each numerous failure, unless you earn the rare continue by hitting certain milestones.

Like so many similar titles, the difficulty alone would usually be reason enough to never touch this game, if it weren’t for some genuinely enjoyable aspects. While the basic cube shooting is fondly reminiscent of many quarter sucking arcade classics, and at first glance you’ll likely get a serious “Starfox” vibe, really the game reminds me most of the cult classic shooter “Rez,” due to its mind altering visuals, and engaging soundtrack that begs for a good pair of headphones.

Also like “Rez,” the combination of those aspects completely immerses you in the experience, which is particularly useful as the game requires a zen like state to complete. This is not a game for the casual player, and in fact it does at times feel slightly out of place on a mobile platform due to that. However, even the shortest play sessions can all contribute to building that perfect run, and that perfect run is sheer nirvana, even if you crash and burn on the next level.

“Futuridium” is not a perfect app, nor is it intended for everyone. If you’re looking for a gauge of whether or not you will dig it, then ask yourself if an arcade game that will beat you down without mercy, and assault your senses with an enthralling soundtrack and unique visuals, while threatening your routine by causing you to miss train stops and phone calls as you contemplate the limits of your control issues sounds appealing.

If so, then check out “Futuridium,” a truly trippy app of the week.

Movie Review: “The Wolverine”

Starring
Hugh Jackman, Tao Okamoto, Rila Fukushima, Hiroyuki Sanada, Svetlana Khodchenkova, Will Yun Lee
Director
James Mangold

Hugh Jackman has been pretty vocal about atoning for the disappointment of “X-Men Origins: Wolverine” with his latest (and sixth) appearance as the popular mutant, but while “The Wolverine” is a slight improvement on the character’s first solo outing, it’s kind of like giving someone a less bruised piece of fruit and expecting them to be grateful for it. Though director James Mangold should be applauded for trying to do something different with a superhero movie, it’s still plagued by some of the same problems (and a few new ones, as well), ultimately resorting to an all-too-familiar formula in the end. As a character piece, “The Wolverine” is Jackman’s best performance in the role, but as a summer blockbuster, it fails to deliver the Wolverine that audiences want to see.

Loosely based on the much-loved miniseries by Chris Claremont and Frank Miller, the film picks up sometime after the events of “X-Men: The Last Stand,” with Logan (Jackman) now living in the woods like an animal and haunted by visions of Jean Grey (Famke Janssen), the woman he loved but was forced to kill. His past catches up to him once again when a mysterious Japanese girl named Yukio (Rila Fukushima) comes to whisk Logan away to Tokyo to pay his respects to her master, Yashida (Hal Yamanouchi), a dying billionaire whose life he once saved as a young soldier during the 1945 bombing of Nagasaki. Yashida claims to have the technology to free Logan of his so-called curse and transfer his mutant powers to someone else, but when he refuses and the old man dies shortly after, Logan reluctantly agrees to protect Yashida’s granddaughter Mariko (Tao Okamoto) from the local yakuza, despite losing his coveted healing ability after he’s poisoned by an evil, snake-like mutant called Viper (Svetlana Khodchenkova).

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Movie Review: “The To Do List”

Starring
Aubrey Plaza, Johnny Simmons, Scott Porter, Bill Hader, Rachel Bilson, Alia Shawkat, Sarah Steele
Director
Maggie Carey

There are lots of individual things to like about “The To-Do List.” Aubrey Plaza delivers a fearless performance as the curious virgin, her supporting cast delivers laughs by the pound, and the movie has a coming-of-age vibe to it that was unexpected but most welcome. (You would think that the themes of first-time sex and coming of age would cross paths often, but they really don’t.) For everything it does well, though, it could have done it better. It’s funny, but could have been funnier. It’s clever, but botches golden opportunities to deliver a memorable, poignant one-liner. It works in fits and starts, but there always seems to be something that derails its momentum.

It is June 1993, and Brandy Klark (Plaza) has just graduated from high school. She is class valedictorian, fond of correcting her friends’ grammar, and the most inexperienced virgin on the planet. After a drunken, mistaken-identity encounter with mysterious college-age hunk Rusty Waters (Scott Porter), Brandy decides that before she heads off to college, she needs to know how to handle herself when it comes to sex, the ultimate goal being losing her virginity to the out-of-her-league Rusty. As she gains experience, though, she loses perspective on how her actions affect those around her, particularly her longtime adoring lab partner Cameron (Johnny Simmons).

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