Kenny Powers is hilarious as usual.
Kenny Powers is hilarious as usual.
As if running a marathon isn’t stressful enough, I’m traveling more than 7,000 miles this week to run another 26.2. I’d be lying if I said I wasn’t nervous about participating in the 2012 Tokyo Marathon this weekend (the race begins Sunday morning in Tokyo, Saturday evening in the States), but I’d also be lying if I said I wasn’t insanely excited. I’ve never been to Japan so the trip alone will be a thrill, but running a marathon on foreign soil will only add to what is sure to be a memorable experience.
In my Tokyo Marathon Preview, I outlined the basic schedule for this race weekend, with a full slate of events as a member of the press tour culminating Sunday morning at 9:10 local time with the start of the race. As that starting line approaches, I feel fortunate to be worn out but generally healthy after 12 straight months of marathon training and countless Sunday long runs. However, while I have my health heading into the sixth annual Tokyo Marathon, I also have some concerns.
© TOKYO MARATHON
For starters, I’ve never been much of an Asian food fan, which poses a potential problem when trying to fuel my body in the days leading up to the race. That’s not to say I won’t try different foods while I’m in Tokyo – when in Rome, right? – but as picky as I tend to be with my meals leading into a big race, I’ll be on the lookout for chicken and noodles more often than not. I’m also packing a few food comforts from home in case I have more trouble than anticipated with the local fare.
I’m also curious to see how my body reacts to the 14-hour time change. If my trip to South Africa a couple years ago was any indication, I should adjust relatively well once I’m in Tokyo and be grab a couple good nights of sleep heading into Sunday morning. If not, well, I’m sure I wouldn’t be the first sleep-depraved person to run a marathon.
My goal is simple: Enjoy the moment. As I mentioned previously, I’m planning on snapping a few pictures during the race, and rest assured I’ll be taking in as much of the city as I can during my free before and after Sunday’s festivities. I’m still in the process of figuring out what my body needs to compete at a high level during a marathon, and I’m hoping my new in-race nutrition plan (thanks to my triathlete buddy for the advice) will help me shave some time off my Arizona Marathon PR of 3:44:10 from last month, but I won’t be too concerned with my watch, not when I’ll be adjusting to a multitude of unique circumstances. I just want to finish, and have a blast doing it.
Be sure to check in throughout the weekend as I update this live blog with some details from my Tokyo visit, and then come back on Friday 3/2 to read my complete recap with some photos from the trip! In the meantime, I figured I’d share the view from my hotel room in downtown Tokyo. Time to get some sleep!
Tags: 2012 Tokyo Marathon, Jamey Codding, Jamey Codding runner's journal, Jamey Codding Tokyo Marathon, Japan marathon, runner's journal, running a marathon in Japan, running the Tokyo Marathon, Tokyo Marathon, Tokyo Marathon Live Blog, traveling to Japan
If you caught last week’s debut of Bullz-Eye’s 2012 TV Power Rankings, then you already know that we’re so excited about the return of “Mad Men” that we put it as our #2 show despite the fact that it hasn’t aired a new episode since 2010. So what? We’re excited, you’re excited, everyone’s been chomping at the bit for the fifth season to kick off that we can barely stand it. Surely that warrants a little fudging of the numbers, no…?
Since AMC let slip a few trailers this week to promote the new season of “Mad Men,” I figured this would be a good time to revisit the cocktail party thrown by the network during the January TCA Press Tour, where I was able to get a few minutes with a few of the cast members, but here’s the score, so you don’t get too excited: I got a couple of minutes one on one with John Slattery (Roger Sterling) and Rich Sommer (Harry Crane), got a single question with Jon Hamm, and was able to ask precisely nothing of Christina Hendricks. I did, however, stand next to her for an extended period of time, and just for the record, she’s just as gorgeous as in person as she is on TV and in photos…which, come to think of it, might have had something to do with why I never managed to ask a question. (Mostly, though, it was because I’m not into trying to out-talk other people, which was the modus operandi of just about everyone else surrounding her at the time.)
Oh, and speaking of not getting too excited…? Total-lack-of-spoiler alert: there ain’t a single lick of new footage in any of the below trailers. Thanks for nothing, Matthew Weiner. But, hey, at least they serve to remind you of how much you missed these characters.
Man oh man, March 25 seems like a lifetime away…
One of the big pieces of news to emerge about the return of “Mad Men” was that one of the episodes in the new season – not the season premiere, although it was the first episode the cast filmed upon coming back to work – was directed by Jon Hamm. While standing in a scrum during the cocktail party, I was privy to some of Hamm’s reflections on the experience.
Tags: AMC, christina hendricks, Don Draper, Harry Crane, Joan Harris, Joel McHale, John Slattery, Jon Hamm, K.P. Anderson, LeVar Burton, mad men, Mad Men blog, Mad Men fifth season, Mad Men Season 5, Mad Men Season Five, Matthew Weiner, Rich Sommer, Roger Sterling, The Light from the TV Shows, The Soup, Will Harris
A&E Network’s original scripted drama series, “Breakout Kings,” returns for an action-packed second season. From Matt Olmstead and Nick Santora, writers/producers of the hit series “Prison Break,” “Breakout Kings” follows an unconventional partnership between the U.S. Marshals’ office and a group of convicts as they work to catch fugitives on the run.
In “Breakout Kings,” veteran U.S. Marshals Charlie Duchamp (Laz Alonso, Avatar, Fast and the Furious 4: Fast & Furious) and Ray Zancanelli (Domenick Lombardozzi, “The Wire,” “Entourage”) decide to reject protocol and take an unorthodox approach to their work: using former criminals to catch current ones. They form a special task force composed of the three most elusive convicts Ray ever captured: Lloyd Lowery (Jimmi Simpson, “It’s Always Sunny in Philadelphia,”), a former child prodigy and behaviorist/psychiatric expert who excels in psychoanalysis; Shea Daniels (Malcolm Goodwin, American Gangster), an ex-gang banger who knows how to work the system, both in prison and on the street; and Erica Reed (Serinda Swan, Tron: Legacy, “Smallville”), a sexy expert tracker who learned her trade from her bounty hunter father. Charlie and Ray also employ the services of Julianne Simms (Brooke Nevin, “Worst Week”), a civilian who acts as the “funnel” for the group – all information, tips and data go through her.
It makes perfect sense that a documentary about SoCal ska punkers Fishbone would follow in the wake of “Anvil! The Story of Anvil.” Both bands were far ahead of their time, proved to be wildly influential – Gwen Stefani, for one, sings Fishbone’s praises to the heavens – yet neither band could sell a record to save their lives. Slash offers a great quote about how several speed metal bands ripped Anvil off and left them for dead. Fishbone had a few more chances at the brass ring than Anvil did, but the end result proved to be the same. “Everyday Sunshine: The Story of Fishbone” explains, in often uncomfortable detail, several of the reasons why they were often their own worst enemies.
The structure of the story is not your typical ‘analyze the band’s career from album to album’ approach. Unfortunately, that turns out to be a problem. The great Laurence Fishburne narrates the band’s tale, but disappears for long segments at a time, and since the timeline jumps around a bit, the viewer never really knows when to expect his return. Also, several albums from the band’s catalog, including 1986’s In Your Face (which included minor MTV hit “When Problems Arise”), are not discussed at all, which denies anyone unfamiliar with the band any sense of momentum, or lack thereof, the band had as they soldiered on.
The first act of the film, though, is pure genius. As the band members recall the early days and their formation, the stories are backed with “Fat Albert”-style animation that both nails and works in stark contrast to the vibe of the band and the area in which they lived. David Kahne, the Columbia Records exec who produced Fishbone’s first four albums, admits that their failure to reach the next level is his greatest career disappointment. There is a wealth of live footage from the early days. Most of the content, though, is a landslide of conflict and hard times; we see lead singer Angelo Moore get evicted from his place, and worse, we see him on video laying into Norwood Fisher, the only other surviving member of the group. Even the guy shooting the video is telling Angelo to stop before he’s gone too far. Then you see Norwood talk about sharing a band with a guy who insists on being Dr. Mad Vibe on the Theremin in the middle of Fishbone gigs, and it’s suddenly easy to see why the band is exactly where it is.
But hot damn, were they awesome at times, and in an industry where the pioneers are scapled a lot more often than they’re rewarded, you can see why someone would want to pay their respects. We’re betting that even the filmmakers did not anticipate the places “Everyday Sunshine” would go, and while that would occasionally lead to an eye-opening moment, the conclusion does not instill the sense of optimism that Anvil had when their credits rolled. Pity. (Cinema Guild 2012)