This Thursday is Cinco de Mayo, and that’s as good an excuse as any to revisit what I’m guessing is the world’s second most popular tequila cocktail. Indeed, this year I’ve got an additional excuse, which is to give a plug to some work by a DOTW Manor resident and frequent cocktail tester. Seems this enterprising young director was a finalist in a contest being sponsored by one of your classier tequila manufacturers, Avion. Moreover, I found out not long after writing the original draft of this post that he actually won a Grand Prize. Good things can sometimes come to those who imbibe (with moderation) and work (to excess).
As luck would have it, I myself can be seen in one of Joseph Lao’s two spine-tingling faux trailers, this one demonstrating the construction of a high-end La Paloma. Moreover, the last time we dealt with that drink — some four years ago and, it seems, a lifetime away — I offered the more popular, but arguably less refined, take on the beverage. This time, we’re setting aside the Jarritos grapefruit soda, and very definitely the Squirt, and going for a somewhat healthier and arguably more satisfying version of a cocktail that deserves its place alongside many better-known drinks.
2 ounces white tequila (Avion Silver, if you’ve got it, I guess)
1 ounce fresh grapefruit juice
1/2 ounce fresh lime juice
1/2 ounce simple syrup or about 2 1/2 teaspoons of superfine sugar
1 splash or two of club soda
1 lime web (desirable garnish)
This is one you build in a Tom Collins-type glass, though it might be good idea to pre-chill it as well in this case. Anyhow, just add all the liquid ingredients over ice and stir, and then add the lime wedge, which really does seem to improve the overall flavor.
The next month is an interesting mixed bag of some would-be summer blockbusters, a few festival favorites and a couple of very promising comedies. Will “Captain America: Civil War” live up to its hype and buzz when it hits theaters? Can an “Alice in Wonderland” sequel actually be entertaining and not some Hot Topic-infused nightmare like its predecessor? Whether you’re interested in social commentary, buddy cop shenanigans or large cataclysmic affairs with things that go boom, there’s a little something for everyone.
“Captain America: Civil War”
Who: Chris Evans, Robert Downey Jr., Scarlett Johansson, Anthony Mackie, Sebastian Stan, Chadwick Boseman, Elizabeth Olsen, Jeremy Renner and Daniel Brühl What: Political interference in the Avengers’ activities causes a rift between former allies Captain America and Iron Man. When: May 6th Why: After their impressive work on “Captain America: The Winter Soldier,” the Russo brothers return with this culmination of two Captain America films and two Avengers films. The storyline finds the Marvel Cinematic Universe at a crossroads and alliances tested on a personal level, while the action in the trailers looks larger in scope with many moving parts. This film also features the introduction of both the Black Panther (Boseman) and Spider-Man (Tom Holland) to the MCU, and based on early reviews, promises to be a thrilling ride that offers real emotional stakes for the audience. Plus, who doesn’t love superhero on superhero fisticuffs?
Who: George Clooney, Julia Roberts, Jack O’Connell and Dominic West What: Financial TV host Lee Gates and his producer Patty are put into an explosive situation when an irate investor takes over their studio. When: May 13th Why: While this topic, taking Wall Street and its subcultures to task for their hubris, may be a little stale eight years out from the market crash, it’s sadly still relevant today for many people in the country. The trailer seemingly gives away most of the film, but it looks like a serious take on the repercussions of politics and financial institutions failing the common people, but with a real-time ticking clock (attached to a bomb) involved to make the tension even more palpable. Plus, it’s been five years since Jodie Foster last directed a film, so it’ll be interesting to see how she fares with this stellar cast and potentially hot-button topic.
Keegan-Michael Key, Jordan Peele, Tiffany Haddish, Method Man, Jason Mitchell, Will Forte, Nia Long
After gaining popularity with their eponymous Comedy Central sketch show, it was only a matter of time before Keegan-Michael Key and Jordan Peele made the jump to the big screen. The duo’s debut feature “Keanu,” co-written by Peele and frequent collaborator Alex Rubens, may not be as steeped in political and racial humor as some of their funnier skits, but it’s an enjoyable and often hilarious action-comedy that serves as the perfect showcase for Key and Peele’s excellent onscreen chemistry. Apart from perhaps Tina Fey and Amy Poehler, there isn’t a better comedy team in the business, and when combined with a cute-as-a-button tabby kitten that looks adorable even while dodging bullets amid a deadly gangland shootout, it’s no surprise that “Keanu” leaves you with a big smile plastered on your face.
The audience first meets the titular feline during the aforementioned massacre, barely escaping after his drug lord owner is killed by a pair of silent assassins and eventually landing on the doorstep of recently dumped stoner Rell (Peele), whose spirits are quickly lifted by the lovable kitten, which he renames Keanu. A few weeks later, Rell returns home from a night out with his cousin Clarence (Key) to find his place ransacked and Keanu stolen. Following up on a tip from Rell’s drug dealer neighbor (Will Forte), whose apartment was the intended target, the cousins go undercover as a pair of hardened thugs named Tectonic and Shark Tank to retrieve Keanu from the gang responsible for the robbery. Their leader Cheddar (Method Man) has already taken a shine to the kitten, but he agrees to give him up if Rell and Clarence – whom he mistakes for the Allentown Brothers (also played by Key and Peele), the assassins from the opening – tag along with his crew on an upcoming drug deal. Meanwhile, the real Allentown Brothers, who have fallen for the kitten as well (did I mention he’s really cute?), are hot on their trail.
Eight years ago this week, the Chicago Bears spent a second round draft pick on a largely unknown running back from the University of Tulane. Then Bears GM Jerry Angelo was well-known for two things: finding late round steals on defense and for being completely inept in selecting offensive players in any round.
When Angelo used the 44th overall pick on Matt Forte, just two years removed from major knee surgery, Bears fans all over the world groaned in unison.
But the player the Bears ended up with exceeded everyone’s expectations. In eight seasons, Forte became the face of the franchise.
He was selected to the Pro Bowl twice, set an NFL single-season record, and left the franchise second all-time in rushing yards and sixth in receiving yards.
In the video below, we spoke to Matt about his time with the Chicago Bears, what he remembers about his own draft experience, and teaming up with Verizon on the NFL Mobile App.
Anton Yelchin, Patrick Stewart, Imogen Poots, Alia Shawkat, Joe Cole, Callum Turner, Mark Webber, Macon Blair
Jeremy Saulnier’s sophomore feature “Blue Ruin” established him as a director to keep an eye on. The revenge tale was a brutal, dramatically rich and intense thriller. With his third feature, “Green Room,” Saulnier dials things up a few notches, delivering his most propulsive and unshakeable experience yet.
Pat (Anton Yelchin), Sam (Alia Shawkat), Reece (Joe Cole) and Tiger (Callum Turner) are members of the punk rock band The Ain’t Rights, a group barely scraping by to get from gig to gig. After an embarrassing performance at a Mexican restaurant, the group gets desperate and, against their better judgement, end up playing at a bar packed with white supremacists, led by the imposing but calm Darcy Banker (Sir Patrick Stewart). After the band members witness a murder in the green room (a.k.a. the waiting room for musicians), they must fight to survive the night with the assistance of Amber (Imogen Poots), a mysterious but incredibly capable and violent friend of the deceased.
With a brisk 95-minute runtime, Saulnier’s film is a well-oiled thriller without a single ounce of fat on it. Every scene, every shot and every character helps build this driving energy, which manages to keep growing throughout the film. There are no narrative pit stops in “Green Room” — it’s just mean and lean storytelling, rarely ever allowing the characters to catch their breath and collect their thoughts. This story is always on the move, even when the lead ensemble is stuck in the green room for a large portion of the film.