Nissan JUKE makes a splash in New York

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Crossovers have been fueling the rejuvenated car market, and now Nissan is pushing the envelope with the new Nissan JUKE, a compact crossover with bold styling that was unveiled last night in New York City at Rockefeller Center.

We were able to attend the event in New York so we got an up-close look at the new vehicle. It’s definitely targeted at the youth market with it’s sporty design, and it will fit in nicely with consumers who have an active lifestyle. The bold design inside and out draws on a number of active lifestyle influences including motorcycles and rally cars. It’s also roomy as hell for a compact vehicle.

If you’re looking for a sporty vehicle that makes a design statement, check this one out.

Disclaimer: Nissan provided my airfare, hotel stay and drinks to come check out the new Juke. Special thanks to Nissan!

  

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A chat with the cast and crew of “MacGruber”

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When Universal’s big-screen adaptation of “MacGruber” rolls into theaters on May 21st, it’s going to face some pretty heavy competition. In fact, it’s a bit of an underdog when compared to some of the surefire blockbusters opening around the same time, but you wouldn’t know it from the reception it received at this year’s South by Southwest film festival. Although director Jorma Taccone announced that the movie was still in the later stages of post-production and not quite 100% finished, it brought down the house at the sold-out Paramount theater. The following morning, I was invited along with a few of my fellow movie bloggers to chat with Taccone, co-writer John Solomon, co-writer/star Will Forte, and star Kristen Wiig about making the film. (Warning: minor spoilers ahead.)

As the first “Saturday Night Live” movie since 2000’s “The Ladies Man,” everyone was curious how “MacGruber” was chosen as the next sketch to receive the big screen treatment. Taccone admitted that he didn’t know “how Lorne’s wonderful mind works,” but that “he’s always been a champion of the sketch and thought of it more highly than we did at times.” That doesn’t change the fact that the big joke of the skits is that MacGruber dies at the end of every one, and although Forte agrees that “a lot of people will probably think that’s what the movie will be – just a series of explosions,” Taccone was a little more defensive of the early criticisms:

“That was the comment: ‘What’s it going to be?’ We’re going to make a plot of it. What did you expect? But we did put that one little nod to the original sketch at the end, which is really nice that people seem to get that moment.”

Though Taccone wouldn’t get into any details regarding the recent lawsuit surrounding the film (Forte did say they would have loved Richard Dean Anderson to be a part of it), he was quick to state that the MacGyver character didn’t have any direct influence on the movie. Instead, they looked more to 80s and early 90s action movies for inspiration, and when asked if there was anything specific, Taccone offered up an example:

“I will say that me and John [Solomon] were watching a [Steven] Seagal movie and over an explosion you heard a cougar growl. We were like, ‘What was that? Oh my god, we have to put that in!’ It’s a technique, obviously, but you’re supposed to put it low enough so that it’s just a hint of something. So our sound dude was like, ‘People are going to think I’m bad at my job.’”

In addition to Forte, the film also features Kristen Wiig (reprising her role from the sketches), as well as Ryan Phillippe and Val Kilmer. Taccone confesses to being really lucky to get both actors, especially for how hard they worked and how little they were paid. Phillippe, in particular, plays an important role in the film according to his co-stars, not only because there are always three characters in the sketches, but because they needed someone who could “ground the craziness with something that we thought would be useful.” As for Kilmer, while he didn’t have a hand in shaping the villainous role of Dietrich von Cunth, Taccone joked that he “certainly made it more Cunthy.”

Everyone on set clearly got along really well, and it shows in the final product. While Forte and Wiig swear that a majority of their soon-to-be-infamous sex scene was scripted, they were more than game to talk about the difficulties of shooting it. When asked how she could possibly keep a straight face as Forte humped and grunted all over her, Wiig was quick to point out that it if you watch carefully, you’ll notice that she’s laughing so much that she had to turn her head ahead away from the camera. Forte, meanwhile, just felt bad for his co-star, who was being “pelted with major drops of sweat” the minute he started moving on top of her.

It’s not the most risqué moment in the film, though. That honor goes to a scene where MacGruber sticks a stalk of celery up his ass as a diversionary tactic. Forte spoke at length about where the idea came from, including a particularly funny anecdote about the day they filmed it:

“I think that was John and Jorma’s, and they pitched it to me, and it was just one of those things where I was like, ‘Oh, yeah, I’ll stick some celery in my butt.’ The best part was that my mom was visiting that day, and she was saying, ‘Oh, I think I’m going to go into Santa Fe with my friends,” and I said, ‘Okay, there’s a pretty crazy scene we’re doing, so you could stay for that or got to Santa Fe.’ And I forgot exactly what we were doing, and I’m sitting there naked, cupping my balls, trying to place this celery, and I look over and there’s my mom and there was no judgment on her face. It was just like, ‘This is what my son is doing today…’ The weird thing is, she was with two friends, and they were not having it.”

And just like that, the interview was over, although I couldn’t think of a better place to end it. After all, they had just demonstrated how far they were willing to go in order to get a laugh, and that’s “MacGruber” in a nutshell.

  

10 Greatest Comments Appearing Below Rolling Stone’s “Steve Perry vs. Sarah Silverman” Article

If you haven’t seen the article in question yet, you can find it right here, but to get the gist, here’s the opening paragraph:

In an interview with Playboy set to hit newsstands tomorrow, comedian Sarah Silverman responds to questions about her provocative brand of humor by telling a story about how “the onetime lead singer of a very popular band from the 1980s” came up to her after a show and said, “You’re my favorite comedian. You have the best nigger jokes.” Silverman didn’t outright name Journey’s Steve Perry, but she added, “I’ll just say this: After that, I stopped believin’,” a poke at the band’s classic “Don’t Stop Believin’.”

It’s kind of a non-event, really, since the combination of knowing Sarah Silverman’s sense of humor and reading Steve Perry’s reaction to her comments make it seem pretty likely that she’s having a laugh by taking an approximation of something he said and making it into a punchline of questionable comedic value (your mileage, of course, may vary), but try telling that to the members of the Steve Perry street team, who have come out in force in the Comments section of the article.

Here, then, are ten of my favorite reactions…and, yes, they are all 100% real.

1. “I refuse to believe that Mr. Perry is the same type of low-life as John Mayer who would carelessly use such a disgusting word.”

2. “What bullshit! I don’t believe he even talked to that slut puppy! Neal (Schon) and (Jonathan) Cain probably paid her to say that because they know Perry’s working on his new cd! What a bunch of lowlifes!”

3. “WELL I DON’T BELIEVE A WORD THAT TRAILER TRASH SARAH SAYS. I’D LIKE FOR HER TO USE THE NI WORD IN FRONT OF WHOOPI. WHY DIDN’T SHE USE IT WHEN SHE WAS ON THE VIEW? STEVE’S IDOL IS SAM COOKE HELLO IF HE WAS PREJUDICE HE WOULDN’T SAY SAM COOKE IS HIS HERO MORE LESS. WHY COMEDIANS FEEL THEY HAVE USE BAD WORDS TO GET LAUGHS IS BEYOND ME. SHE COULD OF SAID BLK PEOPLE INSTEAD OF THE N WORD GROW UP SARAH.”

4. “I work in the mental health field and so I know how people perceive what they want and misconstrue to make themselves powerful. I find her humor cheap, condescending and pathetic. Steve Perry can’t even enjoy a comedian act without someone trying to shit on his image. LEAVE HIM ALONE! I get so tired of people triangulating in the name of fame at other’s expense.”

5. “First and foremost, I do not think that Racial and Ethnic slurs have a place in Comedy PERIOD. My interpretation of Silverman is nothing more than a Skank! Furthermore, I also have been a fan of Steve Perry for 30 years or more. I HAVE been to concerts and he is a total gentleman at all times, with more class than any other Lead Singer I have ever seen. I also wish to challenge what RS is saying that Mr. Perry actually said to defend himself. I doubt he would say as much as RS is saying, or go into detail about the experience. This is just disgusting rubbish that belongs in the dump along with Sarah Silverman. Listen to Steve’s beautiful Voice and weigh the talent. I don’t have to tell you which side the scale is going to weigh heavy. RS, write something good for a change. You used do some great articles. This is definitely way below your standards.”

6. “This is SUCH BULL!! Steven is one of the kindest, most gentle spirits on the planet and would NEVER say the “N-word”!!!! That bitch lied!”

7. “Steve is very classy and SEXY guy! I don’t believe he said this in a million years! Steve is friends with Randy Jackson, so why would anyone agree with that so called comedian?”

8. “SARAH SILVERMAN , I WILL NEVER WATCH U ON T.V AGAIN..THIS IS SO-UNCOOL”TO USE JENNIFER ANNISTON’S WORDS”.. STEVE PERRY IS WAY TO POPULAR FOR U TO JAM ON..AND REALLY U JUST AREN’T THAT FUNNY..TO BE HONEST, EVEN IF ROBIN WILLIAMS OR RICHARD PRYOR SAID IT , I WOULD BE PISSED..AND U CAN’T EVEN TOUCH THEM AS A COMEDIAN.”

9. “First Sarah is a total B. Get a life! I guess your name hasn’t come up often so you have to create a total lie about “The Voice.” Like one comment said he was going to come out with an album and now this will scare him away. He’ll hide for another ten years!! Thank you!!Some people (Sarah) have nothing better to do in their lives than make up lies about the nicest people! All she does is make up horrible jokes but they shouldn’t be called jokes because they SUCK ASS!!! Anyways she’s racist herself. Yeah it’s fun and jokes but what do we really now? She just might hate us all! Also Steve Perry is the greatest voice ever! That is why they call him the voice! And his idol is Sam Cook! for heaven sakes he’s black! Now why would a guy who loves Sam Cook be racist!?!? And maybe Neal Schon paid her to say it all. I can believe that after all Neal and Steve aren’t great friends right now. Sarah is just making this up. She thinks it’s a funny and cute joke. Well let me tell you something it’s not funny or freaking cute!! Also why would someone falsely accuse another just for a laugh!! She’s an F*** Bitch!!!Lastly Sarah get a freaking life!! Stop making fun of people just because. Steve I believe you all the way! You’re the best singer and also will be. And you’ll also be the nicest and most charming guy ever!! And again I believe you!! Steve Perry is right and Sarah Bitch is wrong to Hell!!!!!!!!!!!!!!!!!!!!”

10. “I believe Steve Perry over that no-talent-horse-faced-unfunny woman any day…and where is all the outcry over John Mayers racial slurs in Playboy??? The kid is a no-talent racist who will be dead of a drug or alcohol overdose in 5 years or less… Peace…”

  

Your appointment with the Doctor is hereby scheduled

“Doctor Who,” that is. (What, like you were expecting it to be Dr. Pepper?)

At 9 PM on April 17th, everyone’s favorite Time Lord…well, statistically speaking, anyway…is making his return to BBC America in his new guise, which has him looking remarkably like actor Matt Smith. He is the Eleventh Doctor, if you’re keeping count, and he will be accompanied by a new traveling companion: Amy Pond, played by the highly cute Karen Gillan.

According to the publicity department, they will be exploring sixteenth century Venice, France during the 1890s, and the United Kingdom in the far future, where the nation is floating in space, and the new series will feature episodes written by Richard Curtis (“Pirate Radio,” “Love Actually”) and Toby Whithouse (“Being Human,” “Torchwood”) and guest stars including Alex Kingston (“ER,” “Flash Forward”), James Corden (“Gavin & Stacey,” “The History Boys”) and Oscar nominee Sophie Okonedo (“The Secret Life of Bees,” “Hotel Rwanda”) and Tony Curran (“24″).

You can get more info by heading over to the “Doctor Who” portion of the BBC America website, but for now, enjoy this trailer for the new season. Is this a Dalek I see before me…? Why, yes, I believe it is…


  

What’s my name, bitch? Twenty great movie titles

The press release came in early November. In it were four words that came together for the first time like a cinematic Reese’s peanut butter cup of awesomeness. We were powerless to resist, not that we would have tried. The four words:

“Hot Tub Time Machine.”

Bar none the best movie title to come down the pike in years (and hot on its heels is the equally awesomely named “Kick-Ass”), and it had us thinking about what we consider to be the all-time best movie titles. But first, we had to set some ground rules. Porno titles were obviously out (too easy), as were movies named after plays, songs, books or lines of poetry (borrowed material). Bonus points were given to titles that were either startlingly direct or looked like unfinished Mad Libs, thus provoking a reaction along the lines of Lisa Simpson when she saw “Yahoo Serious Film Festival” on a marquee (“I know those words, but that sign makes no sense.”) Horror movie titles were so plentiful that they received their own list, though a few choice selections made the regular list. Lastly, we feel compelled to remind everyone that this list was made purely for fun, so legitimately good titles – “Alien,” “Fight Club,” “The Texas Chainsaw Massacre,” “Drag Me to Hell,” “Kill Bill” – were disqualified. Because really, how boring would that list be? Answer: very.

And so, without further delay, here’s our list. Discuss, debate and dissect amongst yourselves.

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20. Mega Shark Versus Giant Octopus (2009)
Because, you know, a simple battle between a shark and an octopus is on Discovery Channel twice a week. But a mega-shark and a giant octopus, that would be…well, craptacular, actually. And that is why we love the title; It’s eye-catching, but for all the wrong reasons. You want to give it credit for self-awareness – this is, after all, a movie that features a shark taking a plane out of the sky, thousands of feet off the ground – but perhaps that is giving the movie a bit too much credit. Still, there was a point where it was the most viewed trailer on the web, so the filmmakers clearly knew what they were doing when they came up with the title. Or maybe it was the irresistible allure of one Miss Deborah Gibson, one of the two.

19. The Brother From Another Planet (1984)
Using “brother” in this context was relegated solely to the exploitation genre until John Sayles wrote and directed this movie about a mute alien being chased by alien bounty hunters. It may seem harmless now, but it was downright ballsy at the time, even for an independent movie. And we totally have to learn the card trick done by the guy on the subway.

18. The Midnight Meat Train (2008)
Come on, who doesn’t want to ride that? Oh, right: everyone.

The thing is, this tale of a photographer who uncovers a subway serial killer is a pretty damn good movie. (And look at that cast: Bradley Cooper, Leslie Bibb, Roger Bart and Vinnie Jones, to name a few.) But that title was apparently too much for some to handle, to the point where after several release date changes, the movie finally surfaces in the dog days of August, making its first run…in second-run movie theaters. It goes down as another box office miss for Clive Barker, but this is easily the best Barker-related movie since “Candyman.” And you’d be hard pressed to come up with a more descriptive yet grossly unappealing title than that one.

17. Shoot ‘em Up (2007)
Sounds like an unholy straight-to-DVD Steven Seagal schlockfest, yes? (Though the preposition is in the wrong place, since Seagal’s movies usually begin with one.) Yes, and then you see Clive Owen and Paul Giamatti are the leads, and Nigel Tufnel’s line about the fine line between clever and stupid comes to mind. “Shoot ‘em Up” perfectly encapsulates what the movie is all about, while underselling it at the same time. “Leave your expectations at the door,” it says, so we did, and walked out grinning from ear to ear. And did we mention the lactating hooker?

16. Spanking the Monkey (1994)
Sexual Euphamism Movie Title #1. Hey, we’re dudes. Even though we like high-brow humor, we’re dudes.

Still, don’t let that title fool you. Yes, there is masturbation going on here, but this isn’t some “American Pie”-type sex comedy. It’s a disturbing black comedy where Jeremy Davies ends up having sex with his mother. Oh, that nutty David O. Russell. Only he could find the humor in incest.

15. Buffy the Vampire Slayer (1992)
You’d be hard pressed to come up with a name as pre-packaged with stereotypes as Buffy. Girls named Buffy are rich, spoiled, not terribly bright, and most likely blonde. (It goes without saying that they’re also white.) What they’re not are vampire slayers, thus making a perfect title for a movie about the textbook definition of reluctant hero. While the TV adaptation clearly surpasses the theatrical release, we still have a soft spot for the movie, due in large part to Paul Reubens’ spectacular death scene.

14. Mars Needs Women (1967)
The movie itself may have been a stock footage fiasco – hey, what do you want, it was made for TV for the price of a ham sandwich – and they made a fatal mistake by taking the subject matter seriously, but that title will live forever, making a memorable cameo in the song “Pump the Volume” and inspiring a level to one of our favorite video games, “Zombies Ate My Neighbors.”

13. Death Bed: The Bed That Eats (1977)
Had they simply named it “Death Bed,” people might mistake the movie for a stirring drama about someone who’s about to meet his maker. But since this movie is about a demonic bed that feeds on human flesh (you read that right), the filmmakers decided to add a little something extra to clear up the air. Not wasting too much thought on the matter, they went with “Death Bed: The Bed That Eats” – “The Bed That Eats” – and boom, a cult legend was born. Credit where credit is due: Patton Oswalt tipped us off to this one. The clips of the movie on YouTube are even funnier than we thought they’d be. Seriously, who plays poker on a bed? Dead people, apparently.

12. Frankenhooker (1990)
Granted, every word is funnier when combined with ‘hooker.’ See, watch: Robohooker. Cyberhooker. Psychohooker. Amish hooker. But nothing trumps “Frankenhooker” on the ‘funny prostitute’ scale. And admit it: you’d risk the itch for a shot at that, wouldn’t you? One woman assembled from several other women to form a, um, dream hooker? (And played by a former Penthouse Pet, no less.) Well, all right, maybe we wouldn’t actually risk the itch…but we’d think about it. Sex with a sex-crazed monster: hey, could be fun. Lord knows there are worse ways to die.

11. Faster, Pussycat! Kill! Kill! (1965)
Its title has inspired a metal band and a techno song (Brittany Murphy, R.I.P.), and Quentin Tarantino wants to remake it, though one could argue that he already has with “Death Proof.” But here’s our question: do people love the movie because it features a group of tough-as-nails strippers, or do they love it because it’s called “Faster, Pussycat! Kill! Kill!”? Had it been named something else, something tamer, like “Stripper Girls on the Loose,” would it have the same cult status today? We doubt it, which is why this movie, more than any other, shows the importance of a great title.

10. Shaun of the Dead (2004)
By stealing the title from George Romero’s game-changing 1978 horror film, but changing that one word, “Shaun of the Dead” sets the tone perfectly. You know the source material (zombies), and the sense of humor (bone-dry). If you’re still unsure what to expect then, as comedian Jeff Marder once said, pull the plug, because you’re just taking up space.

9. Mother, Jugs & Speed (1976)
One is a black man named Tucker who drinks on the job and harasses nuns for fun. One is a disgraced cop who sold cocaine to school children. And one of them has big tits. We’ll let you figure out who’s who.

This movie about a rag tag group of ambulance drivers and EMT specialists also includes the potential rape of an unconscious college student and a junkie murder-suicide (Toni Basil!) …and it’s a comedy. A comedy called “Mother, Jugs & Speed.” At one point, Bill Cosby (yep, he’s Mother) gets a massage from a woman using a dildo. If you want to know why people are nostalgic for the ’70s, this movie sums it up in one word: swagger.

8. Vampiros Lesbos (1971)
It was so cute that the producers of the 2009 straight-to-DVD movie “Lesbian Vampire Killers” thought they were pushing something edgy . We’re guessing they didn’t know that a German film beat them to the punch by nearly 40 years. Exploring erotic horror at a time when the genre barely existed, this tale of an American lawyer lured to an island for business, only to discover that her client is, yep, a lesbian vampire, has a rabid cult following, as does its psycho-lounge soundtrack, which Quentin Tarantino lifted for use in “Jackie Brown.” There’s just something about the foreign translation of “lesbian vampire” that classes up the joint.

7. Slap Her…She’s French (2002)
Just about every ethnic group has someone representing them when it comes to matters of unfair portrayal in the media, cultural insensitivity, etc. But call someone a frog, and no one bats an eye. Those poor French are still getting kicked around like it’s 1965, and this title sums that up as well as anything. The conversation writes itself: “Did she do anything wrong, or hurtful?” “No, but she’s French, damn it. Do you need another reason to slap her?” Apparently, though, the TV censors did need another reason to slap her, because the movie runs on the tube under the nondescriptive name “She Gets What She Wants.” Blech.

As for the movie itself, yes, the title is the best thing about it, but this tale of a Texas alpha female whose life is turned upside-down by a foreign exchange student has its moments, notably when Starla (Jane McGregor) is dragged away from a confrontation with Genevieve (Piper Perabo), screaming, “I’m going to get you, Kermit! You’re going down!” Heh heh, Kermit. Frog jokes: the slur that will not die.

6. Boss Nigger (1975)
This should be disqualified on a technicality since blacksploitation movies by nature have humorous, ‘fuck you Hollywood’ titles. But “Boss Nigger” makes the cut because it would be lucky to see the light of day in today’s climate as a working title, never mind an official one. (See: “Cop Out,” which was known as “A Couple of Dicks” during production.) Indeed, when the movie was issued on DVD in 2008, it was simply titled “Boss,” and writer/producer/star Fred Williamson is surely having a laugh at the knee-jerk reaction the title elicits today, since that was the point all along.

5. Young People Fucking (2007)
Any questions?

4. Dude, Where’s My Car? (2000)
Talk about a movie casting itself. “It’s called ‘Dude, Where’s My Car?’ Go get Stifler and Kelso. No need to call anyone else.” In retrospect, the movie is like a beta test version of “The Hangover”; the two leads wake up with no memory of the previous night’s events, though the path of destruction they left in their wake soon comes back to haunt them. Only this one has twins…who don’t look remotely alike. The movie was admittedly dumb but not without its charms, and while it didn’t deserve a sequel, we were pushing for one anyway, since the only thing better than a movie called “Dude, Where’s My Car?” is a movie called “Seriously, Dude, Where’s My Car?”

3. Donkey Punch (2008)
Sexual Euphamism Movie Title #2 If you’re not familiar with the expression ‘donkey punch’…good for you. That means you’re a testament to clean living, and we could all learn from your example. Now, if you would like to know what it means, go here. But don’t say we didn’t warn you.

Pretty vile, isn’t it? To quote one of our favorite “Futurama” episodes, you’ve seen it, you can’t un-see it.

Truth be told, we still haven’t seen this UK horror import, but the filmmakers get our undying respect for having the nerve to not only write a movie around a fun night of sexcapades gone horribly wrong after a guy kills a girl while executing the move in question, but also naming their movie after it. The title is both perfectly clean and utterly depraved. That’s a pretty impressive trick, by any standard.

2. Snakes on a Plane (2006)
In an industry with an irrational love for vague, meaningless titles like “Edge of Darkness,” “Deception” and “The Happening,” the directness of “Snakes on a Plane” was nothing short of revelatory. It doesn’t get more ‘are you in or out?’ than that, and to think, the producers briefly toyed with the idea of changing the title to “Pacific Flight 121.” What the hell is that movie about? No idea, but “Snakes on a Plane” is about motherfucking snakes on a motherfucking plane, you dig?

Of course, as we all know, the end result did not meet the ridiculously high expectations of the movie’s rabid online following – well, it actually did meet their expectations; it just didn’t meet anyone else’s – and “Snakes,” despite a huge push from Entertainment Weekly and your friends at Bullz-Eye, barely managed to make its money back. The studio will probably say that the title failed them, but our finger is pointed squarely at New Line’s marketing department, who apparently thought the Internet would market the movie on their behalf and did nothing to increase the name recognition. Sorry, guys, but even movies with awesome titles need promotion, too.

1. Breakin’ 2: Electric Boogaloo (1984)
Bow down before your robo-popping, ceiling-dancing overlords, bitches.

Deciding to do a sequel is easy; naming it, not so much. (Ahem, “Alvin & the Chipmunks: The Squeakquel.”) ‘This’ becomes ‘That,’ singular becomes plural, and the words ‘Another,’ ‘Return’ and ‘Next’ are lazily inserted, along with the inevitable Roman numerals. Now look at what the producers of “Breakin’” did after their low-budget dance flick became a left-field hit and there was demand for a sequel: they used a predictable ’2,’ then followed it with “Electric Boogaloo.” Electric, fucking, boogaloo. The result of having balls of steel, or the last-minute inspiration that comes with a suitcase full of cocaine? Doesn’t matter, really; over time, the title has gone from ‘WTF’ laughingstock to holding a permanent place in the pop culture lexicon as the ultimate sequel title in movie history.

Great Titles: Horror Division
This list could literally go on for days, but there were a few that missed the main list that deserved a mention.

Motel Hell
Dead Alive
I Spit on Your Grave
Splatter Farm
Chopping Mall
Sssssss
I Dismember Mama
Terror Firma
Chopper Chicks in Zombietown
Sharks in Venice
Werewolves on Wheels
Vampires on Bikini Beach

Marquee Busters
Remember when there were guys responsible for changing the letters on the marquee outside the theaters? They hated these movies.

The Positively True Adventures of the Alleged Texas Cheerleader-Murdering Mom (Thankfully, this one was made for HBO.)
The Adventures of Buckaroo Banzai Across the 8th Dimension
Oh Dad, Poor Dad, Mama’s Hung You in the Closet and I’m Feeling So Bad
The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies!!?

  

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