2016 Father’s Day Gift Guide: Entertainment

Everyone loves watching a great movie or TV series, so we’ve compiled some of our favorite releases from the past few months that most guys will enjoy. And for more great suggestions, be sure to check out the other categories in our Father’s Day gift guide.

Star Wars: The Force Awakens

“Star Wars: The Force Awakens” is an exciting return to form for the franchise that recaptures the childlike sensation of watching the original trilogy for the first time. It’s thrilling, funny and surprisingly emotional. While the inclusion of familiar faces like Han Solo, Chewbacca and Leia is great fan service that also functions as a passing of the torch to the new characters, director J.J. Abrams never lets you forget that this is their movie. Daisy Ridley, John Boyega, Oscar Isaac and Adam Driver all shine in their respective roles, although it’s playful droid BB-8 who ultimately steals the show. If there’s one complaint, it’s that Abrams packs too many characters into the story, resulting in several unanswered questions that are dangled in front of the audience like a carrot on a stick. But those kinds of mysteries have always been a part of the “Star Wars” ethos, and “The Force Awakens” is “Star Wars” to the core, blending the old with the new to produce an excellent continuation of the saga that leaves you wanting more.

The Hateful Eight

Quentin Tarantino’s first crack at making a Western may have resulted in the slightly disappointing “Django Unchained,” but his second attempt is a much-improved genre piece that represents his most accomplished work behind the camera to date. While Kurt Russell, Jennifer Jason Leigh and Walton Goggins all deliver excellent work, Samuel L. Jackson’s show-stopping turn is the real standout, chewing up scenery with every juicy monologue and sly look. Granted, the first half of the film moves like molasses as Tarantino gets all of his pieces on the board, but the pacing is intentional, slowly building to a boil that spills out into a flurry of violence in the final hour. Though “The Hateful Eight” is filled with the same self-indulgent tendencies that fans have come to expect from the director’s movies, this Agatha Christie-styled whodunit is a lot of fun thanks to a smartly crafted script, some outstanding camerawork that benefits from the 65mm film format, and riotous performances from the cast.

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Blu Tuesday: 13 Hours, Zootopia and More

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on social media with your friends.

“13 Hours: The Secret Soldiers of Benghazi”

WHAT: On the evening of September 11, 2012, Islamic militants in Benghazi attacked the poorly guarded compound where the U.S. Ambassador resided, prompting a six-man security team led by Tyron Woods (James Badge Dale) to launch a perilous rescue attempt before returning to the nearby CIA annex to defend against wave after wave of rebel attacks until support arrived.

WHY: Michael Bay has wasted the better part of the last decade making shitty “Transformers” films, so it’s nice to see him return to form with “13 Hours: The Secret Soldiers of Benghazi,” an exhilarating and surprisingly apolitical military thriller that reconfirms why he’s one of the best action directors in the business. It takes nearly an hour before the first attack occurs, but Bay uses that time to establish the characters, provide an overview of the geopolitical landscape and build tension, because once it kicks into action mode, Bay rarely lets his foot off the gas, pummeling the audience with one explosive firefight after the next. This is Bay’s bread and butter, and he doesn’t disappoint with some expertly shot action sequences that drop the audience right into the middle of the combat. Though the movie isn’t without the typical Bayisms (from the overuse of slow motion and lingering shots of the American flag, to the corny dialogue), “13 Hours” is a marked improvement compared to his recent output that harkens back to earlier films like “The Rock.”

EXTRAS: There’s a trio of featurettes on adapting the source material, filming the battle sequences and the CIA’s real-life Global Response Staff.

FINAL VERDICT: RENT

“Zootopia”

WHAT: After proving her detractors wrong by becoming the first rabbit police officer in the animal city of Zootopia, Judy Hopps (Ginnifer Goodwin) must team up with a con artist fox named Nick Wilde (Jason Bateman) to uncover a conspiracy that’s causing some of the city’s predators to revert back into savage beasts.

WHY: “Zootopia” might just be the best Pixar movie that Pixar never made. It’s smart, funny and works both as a delightful family film on the surface and a rich allegory for race relations on a much deeper level. In fact, it handles the subject of racism and prejudice better than most live-action movies, and that in itself is really impressive. The dynamic between Ginnifer Goodwin’s go-getting bunny and Jason Bateman’s sardonic fox is excellent, while the vibrant world that directors Byron Howard (“Tangled”) and Rich Moore (“Wreck-It Ralph”) have created is incredibly imaginative, opening up numerous possibilities for sequels that would not only be warranted but welcome as well. Though the movie runs a little long at 108 minutes, there are so many great moments littered throughout that it’s hard to imagine another animated film providing much competition at next year’s Oscars. Sister studio Pixar may get all the love, but recently, Walt Disney Animation has been on a real winning streak, and “Zootopia” is its finest achievement yet.

EXTRAS: The Blu-ray release includes a making-of featurette hosted by star Ginnifer Goodwin, three additional featurettes on developing the story, finding inspiration from real-life animals, and composing the score, a behind-the-scenes look at the film’s many Easter eggs and more.

FINAL VERDICT: RENT

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Blu Tuesday: The Revenant, Veep and Silicon Valley

Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

“The Revenant”

WHAT: During a hunting expedition in the early 1800s, fur trapper Hugh Glass (Leonardo DiCaprio) miraculously survives a bear mauling and is left for dead by members of his group. When one of the men responsible (Tom Hardy) kills Hugh’s half-Native American son after he protests about leaving his father to die, Hugh conjures up the strength to navigate the rough terrain and weather in order to seek vengeance.

WHY: Alejandro González Iñárritu’s follow-up to “Birdman” is an unflinchingly brutal tale of survival and revenge that completely immerses you in the rugged conditions of early frontier life. Iñárritu does his best Terrence Malick impression with this gorgeous drama filmed largely in the Canadian wilderness, reteaming with cinematographer Emmanuel Lubezki to deliver more of the same great visuals and signature tracking shots, which amplify the realism of the never-ending suffering that Leonardo DiCaprio’s character endures throughout the story. The much talked about grizzly bear mauling may be one of the most intense sequences ever captured on film, but it’s only a small piece of the actor’s raw and physically demanding performance. Though Tom Hardy is absolutely electric as the villain, DiCaprio has the tougher role, and he makes you feel every bit of blood-curdling agony. “The Revenant” is the classic battle of man vs. nature at its cruelest, and save for some pacing issues (at 156 minutes, it’s way too long), it doesn’t disappoint.

EXTRAS: There’s a 44-minute documentary on making the movie and the social responsibilities of portraying Native American people and their culture in film.

FINAL VERDICT: RENT

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Negan finally appears on “The Walking Dead”

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SPOILER ALERT: If you haven’t seen the Season 6 finale of “The Walking Dead,” you may want to stop here!

If you’re not a fan of cliffhangers, you’re likely very irritated by the Season Six finale of “The Walking Dead.”

For the most part, I stay away from discussions of “The Walking Dead” that focus on the original graphic novel and reveal potential plot developments. I prefer to just watch the shows and enjoy the developments as they unfold.

That said, it was pretty difficult this year for fans of the show to avoid discussions about the upcoming appearance of Negan. There were plenty of news stories about Jeffrey Dean Morgan being cast in the role. And if you heard about Negan, you heard about his weapon of choice, a baseball bat covered in barbed wire that he calls “Lucille.”

There were plenty of rumors online about Negan unleashing Lucille to kill off one of the main characters in brutal fashion, and the finale didn’t disappoint on that front. The chilling ending was brilliant in many ways, as the smirking and obnoxious Negan relished the opportunity to subjugate Rick and his group. With Rick and his closest friends lined up on their knees, Negan toyed with them as he explained how they would need to obey his “new world order,” while one of them would have to die as punishment for their actions. We saw the stunning killing from the point of view of the victim as Lucille came crashing down on the victim’s head. In a show that consistently delivers graphic killing scenes, this ranks as one of the most horrifying and memorable.

But any reaction to the brilliance of the scene was quickly replaced by frustration as it became clear that the identity of the victim wouldn’t be revealed until next season. I can see both sides of this, though I’m disappointed the writers decided to take the easy route and turn this into a season-ending cliffhanger. But like the annoying episode that falsely implied Glenn’s death when he fell off the dumpster, I’m willing to live with these quibbles in the context of a compelling storyline.

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A Roundtable Chat with (Most of) the Cast of “Archer”

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Before he became the world’s second most famous spy novelist, literary master John le Carre famously disliked the world’s most famous spy (who never actually seems to spy much). He has said of James Bond that “you felt he would have gone through the same antics for any country really, if the girls had been so pretty and the Martinis so dry.” We can argue about whether or not that’s literally or just figuratively true of 007. However, it’s very definitely the case if you’re talking about Sterling Malory Archer, the cocktail-guzzling, murderously self-centered yet oddly competent titular protagonist of “Archer,” Adam Reed’s blend of super-smart, reference-heavy, super-black comedy spy satire and frequently filthy animated workplace sitcom. If you’re a fan, like this writer, you’ll be delighted to know that the show returns to FX with its seventh season this Thursday night, March 31th.

Last summer, just as the new season was starting to go into production, I was lucky enough to be invited to a Comic-Con roundtable with pretty much the entire regular cast of the show as well as creator and voice actor Adam Reed. That’s pretty impressive considering the show’s cast includes voice acting comedy genius H. Jon Benjamin (“Bob’s Burgers,” “Home Movies,” etc.) as the voice of Archer; multi-talented actress Aisha Tyler as the even more multi-talented and super-smart superspy Lana Kane; SNL-grad par excellence Chris Parnell (“30 Rock”) as weaselly espionage accountant Cyril Figgis; borderline ubiquitous working actress Judy Greer as the lovably psychopathic billionairess Cheryl Tunt; the less well-known but seemingly no less talented Lucky Yates as mad scientist Dr. Krieger; and the voice of poly-addictive fan favorite Pam Poovey herself, Amber Nash. Present in the room but, sadly, not at my table was genuine acting great Jessica Walter (“Arrested Development,” “Play Misty for Me”), whose Malory Archer is easily the scariest mom in spy fiction this side of “The Manchurian Candidate.”

What follows are highlights of the conversations I was lucky to have or listen in on.

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