The Light from the TV Shows: A Chat with Dick Cavett

Dick Cavett steps out of the elevator, hangs a right, and strolls into the lobby of the Beverly Hilton, a man on a mission: to participate in the promotion of a PBS documentary which premieres on August 8 at 9 PM EST/PST: Dick Cavett’s Watergate, an examination of the Watergate scandal and its effects on Richard Nixon’s presidency that’s structured around archival clips from Cavett’s late night talk show.

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After introducing himself, Cavett can’t resist making an observation about the familiarity of his surroundings: “You know, this is the same lobby where I stood when I was out here for two weeks auditioning to be a writer on The Jack Paar Show.” As has been the case for Cavett on more than few occasions during the course of his half-century (and then some) in the TV business, this observation proves to be only the first sentence of an anecdote.

“I came into the hotel one night and I heard singing,” continued Cavett, glancing and vaguely gesturing at the entrance to a nearby ballroom. “I opened a big door, and Judy Garland was onstage. The lights came on, and there were George Burns, Jack Benny, Edward G. Robinson, Barbara Stanwyck, Kirk Douglas, and about a hundred more. It was a huge charity thing. You couldn’t see any face that you didn’t know!”

With this brief recollection, Cavett immediately confirms that at least one of his lines during his memorable appearance on The Simpsons was absolutely spot-on: he really does have some wonderful stories about famous people that involve him in some way.

Who came up with the idea of viewing the Watergate scandal through the prism of your show?

You know, I think (executive producer Robert S.) Bader did. I’m almost certain he did. Yeah, he’s the one who’s most up on tapes that I had and stuff like that, so I don’t think it could’ve been anyone else. He just went through the stuff. I think initially he looked at 350 Cavett shows to make the (Shout Factory) DVDs, and then he just finally had to stop looking at them and start making them! But I was stunned to find how much stuff we have. It’s going to be a strain to make it only an hour. There’s so much good stuff. That’s a luxury, because there are so many shows that are a strain to make even an hour.

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The Light from the TV Shows: A Chat with Sinbad

IF you grew up in the ’90s, then your first frame of reference to “Sinbad” is almost certainly not that of a sailor. Between his work on the small screen with A Different World, his feature film work in Houseguest and Jingle All the Way, and his stand-up comedy, the man born as David Adkins is surely the first and foremost Sinbad in your mind. As such, you’ll no doubt be thrilled to learn that he’s back with a new stand-up special, Make Me Wanna Holla, which premieres tonight on Comedy Central. We had a chance to chat with Sinbad recently about his new comedy effort, his back catalog of films and TV series, and how our next look at him is likely to be on YouTube.

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Bullz-Eye: Being that pop culture has such a short-term memory problem, it’s got to drive you crazy that you’ve never really gone away, and yet this new special is causing people to say, “Sinbad’s back?”

Sinbad: You know, it’s funny, man. This is the thing with pop culture: I guess you’d say the difference is… Well, there’s always been old school and new school, but when I was coming up, you knew who the old cats were, and it wasn’t like they had less value. I look at Quincy Jones and cats like that, and to me they just got better and better, and you wanted to be like them. Now, if you’re not in the public eye on a daily basis, you’re just gone. I mean, like, gone gone. Like, “I think he’s dead!” [Laughs.]

BE: Have you had to endure any false death claims on social media?

S: Oh, I was one of the first ones the internet killed. [Laughs.] They killed me twice! But I keep coming back!

BE: For those who haven’t been following your stand-up, you’re still following the same general format, as far as the type of material you do, right?

S: Well, the material always changes. I don’t know what the format is, though. To me, the only format is that it’s got to be funny.

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The Light from the TV Shows: Chatting with the Cast of WGN’s ‘Salem’

For years, WGN has been a network that’s gotten precious little notice from most cable subscribers outside of Chicago, but in recent years, they’ve been trying to expand their viewership through moves like, for instance, serving as the exclusive U.S. home of the long-running Canadian comedy, Corner Gas. Unfortunately, that didn’t turn out to be the ratings-grabber that they’d hoped it might be, but things are on the upswing now that the network has branched out and begun their own original programming, kicking off their new roster with the supernatural period-piece drama Salem.

Bullz-Eye was invited to visit the set a few weeks back, and we were amazed at how well they’ve captured the look and feel of the era, but we were a little bit thrown when we discovered that our interview ops with the cast members were to be done on camera…even if we weren’t going to be using the footage! Still, we had four very nice chats during the course of the day, each featuring two cast members, and we got a bit of insight into how each of them came to join the series, who their characters are, and what we can expect from Salem as the series rolls through its first season.

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The Light from the TV Shows: A Chat with Adam F. Goldberg (‘The Goldbergs’)

If you grew up the ’80s and haven’t watched ABC’s The Goldbergs, then you’re missing out on one of the funniest new comedies of the season…and if you didn’t grow up in the ’80s, you’re still missing out on one of the funniest new comedies of the season, because most of the stories are about growing up and dealing with your family, two things which are absolutely not decade-specific. Tonight’s episode is definitely going to be a treat for those folks in the former category, though, because it’s basically one big homage to The Goonies. I had a chance to chat with the show’s creator, Adam J. Goldberg, who’s basically taken his own life and turned it into a sitcom, and there’s little question that this episode is a career milestone for him. Having now seen it, I’d agree…although I hadn’t seen it when I originally hopped on the phone to talk to him.

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Bullz-Eye: While I got a link to watch the Goonies episode of The Goldbergs, I didn’t get it in time to watch it, due to another deadline I was rushing to meet. But I’m rationalizing that, since the piece is going to be written for people who won’t have seen it either, I’m still on solid ground.

Adam F. Goldberg: [Laughs.] Right, exactly! And it’s technically not even finished, anyway, because I’m still editing it! I’m just so nervous about this one. ABC loved it and wanted to send it out, but I was, like, “I don’t know…” It’s the one that… There’s just a lot of writers on my staff who, like, don’t know the movie. I showed it to them as an adult, and they were just, like, “What is this?” So when they watched it, they were just baffled. So I’m hoping that people who’ve seen the movie will be reviewing it, at least…

BE: When you’re doing a show about the ‘80s, you’ve got the opportunity to pay tribute to basically anything you experienced when you were growing up. Was The Goonies always in the back of your mind as something you wanted to do?

AG: Yes. From the minute I sold the show, and I think even… [Hesitates.] I don’t remember if it was in my original pitch document, because I didn’t want to alienate anybody with something that could potentially be so insane to do. But I’m a collector of the props. You know, I have an original doubloon, and fans have made replicas that I have of the various copper bones and all this stuff. I’ve seen the movie a billion times. I mean, honestly, it’s the movie that… It’s the reason I’m a writer. I know that when Peter Jackson made King Kong, that was his movie as a kid, and this is mine. So if I’m doing a show about the ‘80s, of course I’m going to pay tribute to it. And there’s a character that’s me, and since it was such a big part of my life growing up…

My siblings just tortured me about it being the dumbest movie ever, ‘cause they were teenagers. They didn’t get it, so they always made fun of me for watching it and called the movie stupid to torture me. So that’s how the episode began. And, you know, I even did something on my last show, Breaking In, which was that Goonies 2 was coming out, and they had a mission to protect the movie. So it’s always something. I pitched the musical to Richard Donner. I went in initially to pitch him Goonies 2, which he quickly said he wasn’t that into. [Laughs.] So I flipped over to the musical. So it’s, like, my dream job. I keep revisiting it in different ways. It’s my thing. My jam.

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The Light from the TV Shows: A Chat with Pam Grier (TV One’s ‘Unsung Hollywood’)

Fans of TV One’s documentary program Unsung, which shines the spotlight on performers whose mainstream profiles aren’t as substantial as they perhaps out to be, will be pleased to learn that the network is branching out with the series, expanding its coverage beyond the world of music and into the field of acting. Tonight marks the premiere episode of Unsung Hollywood, which kicks off with a look at the life and career of Pam Grier, and Bullz-Eye was fortunate enough to be able to sit down with Grier and discuss the episode and how it came about while also chatting a bit about her career…but without giving away too much about the program, of course.

Pam Grier as Kit Photo: Max Vadukal/Showtime Photo ID: LW3_21D-05

Bullz-Eye: How did you find your way to Unsung Hollywood? Did they pitch you on the idea?

Pam Grier: I had turned them down several times, because I wasn’t interested, but then I saw one of their episodes. My mom was so enthralled by one of the shows they had done on musicians – they did an excellent job – and she said, “I didn’t know that!” And, of course, no one knows what inspired the music and the tenacity of people to get their music played and all that except for the musicians. So we talked, and they said what they were going to do, and I said, “Okay, but you know it’s very difficult to get photographs.” Because as I learned from doing my book (Foxy: My Life in Three Acts), you have to have the rights if someone owns the photographs, and if someone else is in it, you have to get the rights from those people.

I said, “I don’t know if I can do that, because you’re going to get maybe five pictures, because a lot of people do not want to participate.” So I said, “I don’t want to marginalize it, but I can only give you so much, and I don’t know when I can do it.” But they kind of gave me an outline, and I said, “Oh, I think we can do this…so I just have to find the time!” And I did. And I think they did an excellent job.

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