The blockbuster season has some lest vestiges in November with “Doctor Strange” and the latest from the “Harry Potter” universe, but mostly it’s crowd pleasers and awards bait. Although there are a few comedies and family films, the rest of the releases are dedicated to serious stories that will hopefully draw critical raves and awards nominations soon enough. Luckily, the quality on display seems to be evident and should be entertaining for the average cinephile as they wade through the month’s options. Even those blockbuster types seem slightly different with unique visuals and stories that should be engaging for audiences.
Who: Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Tilda Swinton, Mads Mikkelsen and Benedict Wong What: A former neurosurgeon embarks on a journey of healing only to be drawn into the world of the mystic arts. When: November 4th Why: Marvel’s first foray into the more mystical side of their multiverse comes with some truly impressive acting pedigrees, from Cumberbatch as the titular doctor to Tilda Swinton as the Ancient One that teaches him the power of sorcery. The visuals on display suggest a trippy aesthetic that will play with people’s minds as they enjoy the origin story of Marvel’s Sorcerer Supreme. Director Scott Derrickson, who co-wrote the script with Jon Spaihts and C. Robert Cargill, has done mostly horror (“Sinister”) but looks ready to leap into the blockbuster foray with this genre defying action tale.
October is an interesting month for film releases. The blockbuster season is a distant memory and awards season is just getting started. Some festival favorites finally hit wide release, while others are chasing the spooky atmosphere of the season. However, there aren’t many major horror movies this month (and no, “Boo! A Madea Halloween” doesn’t count); instead, it seems that the dominant genre for October is adult thrillers. Sure, there’s a comedy and a drama or two in the mix, but mainly it’s thrillers aimed at grownups with twists, turns and some sophisticated action. Who knows if any of these will succeed at the box office, but here’s what’s on the docket for the month.
“The Birth of a Nation”
Who: Nate Parker, Armie Hammer, Aunjanue Ellis and Gabrielle Union What: Nat Turner, a literate slave and preacher in the antebellum South, orchestrates an uprising. When: October 7th Why: There’s been a lot of discussion around “The Birth of a Nation.” First, there was tons of hype about the film coming out of Sundance, but more recently, the talk has become about writer/director/star Nate Parker’s previous rape allegations. For some, that’s a deal breaker and they won’t go see the film; others have learned to separate the art from the artist and will take the movie on its own merits (see Woody Allen, Roman Polanski, etc.). Based on word of mouth, the film is a harrowing, emotional experience that does a good job of connecting audiences to this historical event while finding the humanity amid all the horrible actions of the time period.
September is an odd time in the cinematic schedule, no longer part of the summer blockbuster season but still too early for the prestige awards bait of later months. It doesn’t even have a particularly well-known holiday like Halloween to gear towards programming. With that being said, the September slate is a mixed bag of some very promising films, most of them original (only two sequels and one remake in the bunch). Can “Blair Witch” live up to the original and the hype that’s been steadily building for it? And what about true-life stories like “Sully,” “Snowden” and “Deepwater Horizon?” Is there enough in each of those to tell a gripping tale? Only time will tell.
Who: Kate Mara, Anya Taylor-Joy, Paul Giamatti, Jennifer Jason Leigh and Brian Cox What: A corporate risk-management consultant has to decide and determine whether or not to terminate an artificial being’s life that was made in a laboratory environment. When: September 2nd Why: Made by Luke Scott (music video director and son of Ridley), this sounds like an intriguing, original sci-fi film that will be both entertaining to watch and actually grapple with some heavier, headier stuff. Also, the cast is pretty much stacked with talent, including Anya Taylor-Joy, who has proven to be an incredible actress at a young age with her performance in “The Witch” and whose role as the AI in question should be suitably captivating. This may be a retread of “Ex Machina,” but considering that was a brilliant film, that’s no knock on “Morgan,” which looks to be a mix of Alex Garland’s thriller, Luc Besson’s “Lucy” and an especially engrossing episode of “Black Mirror.”
Summer is winding down, and with it goes the last vestiges of the blockbuster season. But there are still a few tentpole movies left which, along with some offbeat choices, make for an interesting August at the theaters. There’s only one sequel and two remakes in this month’s offerings, and the rest are refreshingly off-kilter originals that hold a lot of promise for entertainment. Laika returns to deliver astonishing visuals with their latest, while the DC Comics movieverse tries to rebound from “Batman v Superman” with “Suicide Squad.” And the whole thing is capped off by one of the most enjoyable, intense thrillers released this year. It’s an intriguing and original list of films for August, so let’s get to it!
Who: Margot Robbie, Will Smith, Jared Leto, Joel Kinnaman, Viola Davis, Cara Delevingne, Jai Courtney, Jay Hernandez and Adewale Akinnuoye-Agbaje What: A secret government agency recruits imprisoned supervillains to execute a dangerous black ops mission in exchange for clemency. When: August 5th Why: “Suicide Squad” looks like an absolute barrel of fun that mixes everyone’s love of antiheroes with a dash of “The Dirty Dozen.” Based on the hit comic book of the same name, the film finds a bunch of colorful supervillains riffing off each other while trying to save the world (or just themselves). The trailers make it look like a promising blockbuster, though writer/director David Ayer (“Sabotage,” “Fury”) isn’t exactly known for delivering fun films, usually preferring the grittier side of things. Perhaps he’s found the perfect balance between the ultraviolent, grim world he normally inhabits and a more heightened experience that’s actually enjoyable to sit through.
With summer blockbuster season in full swing, July is surprisingly full of original releases. Sure, there are three sequels, a remake and a reboot, but the rest are original (or adapted) films that seemingly have something to offer everyone. From horror to comedy, intense drama to family-friendly fare, and even some of those patented, action-packed blockbuster franchises, July looks to be an eclectic month for moviegoers.
Who: Ruby Barnhill, Mark Rylance, Bill Hader, Jemaine Clement and Rebecca Hall What: A girl named Sophie encounters the Big Friendly Giant who, despite his intimidating appearance, turns out to be a kindhearted soul that refuses to eat children. When: July 1st Why: Steven Spielberg returns both to family fare and summer spectacle with this adaptation of the beloved Roald Dahl book. On hand are some seriously funny people (Hader, Clement) and the always-welcomed presence of Oscar-winner Rylance to help deliver the story of childhood outcasts and strange friendships that helped cement Spielberg’s reputation back in the Amblin days of the ’80s. Will this be a return to form or too sentimental for most crowds? Will the darker elements of the story translate to the movie? And does that mean Spielberg’s old relishing of darker tones in children’s films will also return? Lots of unknowns, but this film may surprise a lot of people.