Coming Soon: A Moviegoer’s Guide to July

july

After a mostly disappointing June that saw the release of very few summer tentpole films (and even fewer that were any good), this month seems poised to follow suit with an equally lackluster lineup. There are a couple blockbuster-sized movies on tap in July (like the follow-up to the “Planet of the Apes” prequel and Dwayne Johnson’s long-gestating Hercules film), but everything else feels very un-summery, including a Fourth of July weekend devoid of a big action movie. Instead, America gets to celebrate its freedom with Melissa McCarthy, and that’s pretty telling of just how poor this summer season has been.

“DELIVER US FROM EVIL”

Who: Eric Bana, Edgar Ramirez, Olivia Munn and Chris Coy
What: NY police officer Ralph Sarchie joins forces with a priest schooled in the rituals of exorcism to combat the possessions that are terrorizing their city.
When: July 2nd
Why: I know what you’re thinking: yet another horror movie that’s supposedly inspired by real-life events? But while the setup may seem more than a little contrived, Hollywood has proven on numerous occasions that you can still make an excellent horror film no matter how preposterous its claims may be. (Remember a little movie called “The Exorcist”?) Scott Derrickson is also one of the better directors currently working in the genre, and with a cast that includes Eric Bana and the underrated Edgar Ramirez, “Deliver Us from Evil” certainly has the potential to follow in the footsteps of last year’s “The Conjuring” as one of the surprise hits of this summer.

“TAMMY”

Who: Melissa McCarthy, Susan Sarandon, Dan Aykroyd and Mark Duplass
What: After losing her job and learning that her husband has been unfaithful, a woman hits the road with her profane, hard-drinking grandmother.
When: July 2nd
Why: Melissa McCarthy clearly didn’t get the memo that her 15 minutes of fame are up, because the actress (who’s essentially a less talented female version of Chris Farley) keeps plugging away with dumb movie after dumb movie. And to make matters worse, studios continue to green light these so-called comedies because they make obscene amounts of money. Then again, so do those god-awful spoof films and just about anything produced by Tyler Perry. If “Identity Thief” and “The Heat” weren’t evidence enough that McCarthy is one of the most annoying, undeserving movie stars in Hollywood, then surely “Tammy” (which she co-wrote with husband/director Ben Falcone) will finally put an end to America’s baffling love affair with her.

“DAWN OF THE PLANET OF THE APES”

Who: Andy Serkis, Gary Oldman, Keri Russell, Jason Clarke and Kodi-Smit McPhee
What: A growing nation of genetically evolved apes led by Caesar is threatened by a band of human survivors of the devastating virus unleashed a decade earlier.
When: July 11th
Why: My expectations were pretty low going into “Rise of the Planet of the Apes,” which is why it was such a pleasant surprise that the movie was actually good. But while another installment in Fox’s franchise reboot was inevitable, “Dawn of the Planet of the Apes” seems to have lost a lot of what made the prequel so unique from the rest of the series. It still takes place well before the 1968 original, but now the apes are walking, talking and even riding on horses while firing machine guns. That’s a far cry from Rupert Wyatt’s more down-to-earth prequel, so here’s hoping that director Matt Reeves is able to retain some of the humanity from that film.

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Coming Soon: A Moviegoer’s Guide to June

june

The summer season is typically reserved for the year’s biggest films, and although May certainly delivered in that department, this month’s slate is in remarkably short supply of tentpole movies. There are a few surefire blockbusters on tap – like “22 Jump Street,” “How to Train Your Dragon 2” and the latest Transformers flick – but the rest of June is mostly comprised of smaller dramas that don’t fit the traditional summer mold. That’s not necessarily a bad thing, but it’s a little strange for a time of year where studios tend to live by the mantra that bigger is better.

“EDGE OF TOMORROW”

Who: Tom Cruise, Emily Blunt, Bill Paxton and Brendan Gleeson
What: A military officer is dropped into battle against an alien race, only to find that he’s caught in a time loop that allows him to replay the day over and over again.
When: June 6th
Why: It’s a shame that the studio felt the need to replace the film’s playfully offbeat original title (“All You Need Is Kill”) with something so safe and generic, because “Edge of Tomorrow” looks a lot more interesting than it sounds. The whole “Groundhog Day” concept isn’t exactly new, and it’s not even the first time that it’s been used in a sci-fi movie, but it does provide a unique angle to the clichéd alien invasion premise that should please genre fans. Plus, it features cool exoskeleton suits, a solid cast led by Tom Cruise and Emily Blunt, and a director in Doug Liman who’s not only willing to take risks, but hungry to atone for the disappointment of his last sci-fi venture, “Jumper.”

“THE FAULT IN OUR STARS”

Who: Shailene Woodley, Ansel Elgort, Nat Wolff and Willem Dafoe
What: Teenagers Hazel and Gus meet and fall in love at a cancer support group.
When: June 6th
Why: “The Fault in Our Stars” isn’t the kind of movie you’d normally expect to see released during the summer, so you really have to applaud 20th Century Fox for placing so much confidence in the teen drama. It’s also not the kind of movie that would normally interest me, but between the casting of Shailene Woodley and the almost unanimous admiration for the John Green novel on which it’s based, there’s a certain air to the project that suggests it’ll be much better than the typical young adult book adaptation. If it’s anything like 2012’s “The Perks of Being a Wallflower” – and judging by the trailer, that’s a pretty fair comparison – then moviegoers are in for a real treat.

“22 JUMP STREET”

Who: Channing Tatum, Jonah Hill, Ice Cube, Peter Stormare and Dave Franco
What: After making their way through high school (twice), big changes are in store for officers Schmidt and Jenko when they go deep undercover at a local college.
When: June 13th
Why: “21 Jump Street” proved that it’s possible to make a good movie based on a hit TV show, but the sequel has a much more difficult task: doing it all over again, only this time, even bigger and better. Of course, if anyone is capable of handling that sort of pressure, then surely it’s the directing duo of Phil Lord and Christopher Miller, who seem to turn everything they touch into gold. Not only was “The LEGO Movie” a critical and commercial success, but “Brooklyn Nine-Nine” is one of the funniest new comedies on TV, and it’s hard to imagine that “22 Jump Street” won’t continue that streak, especially with a pair of stars that have such great chemistry as Channing Tatum and Jonah Hill.

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Coming Soon: A Moviegoer’s Guide to May

may

The summer movie season has officially begun, and this May promises to be one of the biggest yet, with two massive superhero sequels, the return of Godzilla, and the latest comedies from Seth Rogen, Seth MacFarlane and Adam Sandler. And just to make things interesting, there are also a couple of smaller indie films that you’ll want to squeeze into your schedule to help prevent blockbuster overload. After all, there are still three more months of this to go.

“THE AMAZING SPIDER-MAN 2″

Who: Andrew Garfield, Emma Stone, Jamie Foxx, Dane DeHaan and Sally Field
What: Spider-Man’s biggest battle has always been the struggle between power and responsibility, but Peter Parker is about to discover that a greater conflict lies ahead.
When: May 2nd
Why: The first “Amazing Spider-Man” improved upon Sam Raimi’s original in just about every way, but the one thing it lacked was a memorable villain. Director Marc Webb may have taken the criticisms a little too harshly, however, because the sequel already has fans groaning for making the same mistake that some believe ruined “Spider-Man 3”: too many villains. But instead of playing down these rumors, the studio has embraced them by not only revealing the several villains that appear in this movie, but teasing future one as well. It was actually a pretty smart move, because in the post-“Avengers” landscape, fanboys appreciate this kind of forward thinking. The fact that Webb has managed to cast some great actors in the villain roles is just the icing on top, provided he can strike the necessary balance that Raimi was unable to achieve with his last entry in the franchise.

“NEIGHBORS”

Who: Seth Rogen, Rose Byrne, Zac Efron, Dave Franco and Lisa Kudrow
What: A couple with a newborn baby face unexpected difficulties after they are forced to live next to a fraternity house.
When: May 9th
Why: Nicholas Stoller’s last two films were a bit disappointing compared to his 2008 directorial debut, “Forgetting Sarah Marshall,” but he may have finally stopped the rot with this new frat comedy, which played like gangbusters at SXSW earlier this year. Though Seth Rogen runs really hot and cold with me, the actor appears to be in top form here, while Zac Efron has been begging for a role like this to show people that he’s more than just that dude from “High School Musical.” It’s also nice to see Rose Byrne returning to comedy after scene-stealing turns in “Bridesmaids” and “Get Him to the Greek,” because she’s done some of her best work in the genre. Of course, none of that matters if all the funny material has already been spoiled in the trailers, but judging by the early buzz on this one, it’s safe to say that won’t be an issue.

“CHEF”

Who: Jon Favreau, Sofia Vergara, John Leguizamo and Scarlett Johansson
What: A chef who loses his restaurant job starts up a food truck in an effort to reclaim his creative promise, while piecing back together his estranged family.
When: May 9th
Why: After helping launch the Marvel Cinematic Universe with 2008’s “Iron Man,” it was only natural that Jon Favreau would continue making big Hollywood blockbusters. But following the box office blunder of “Cowboys & Aliens,” nothing pleases me more than to see the “Swingers” scribe returning to his roots with a smaller, more personal film like “Chef.” Though he’s drafted in a couple Avengers friends (Scarlett Johansson and Robert Downey Jr.) for some cameos, his newest movie is a refreshingly CGI-free affair. The only special effects you’ll see here are the copious amounts of food porn teased in the trailer, and that’s all done in service of the story, which Favreau has smartly centered around the red-hot food truck trend, making “Chef” incredibly timely as well. If it’s any bit as good as “Swingers” and “Made,” Favreau could have another cult classic on his hands.

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Coming Soon: A Moviegoer’s Guide to April

april

With the exception of Marvel’s Captain America sequel, the directorial debut of longtime Christopher Nolan collaborator Wally Pfister, and yet another Kevin Costner sports drama, April is suspiciously lacking in many big releases. Before theater chains are inundated with all the summer blockbusters, this month’s slate is mostly comprised of smaller independent films, many of which are actually quite promising.

“CAPTAIN AMERICA: THE WINTER SOLDIER”

Who: Chris Evans, Scarlett Johansson, Samuel L. Jackson, Sebastian Stan and Anthony Mackie
What: Steve Rogers struggles to embrace his role in the modern world and battles a new threat from old history: the Soviet agent known as the Winter Soldier.
When: April 4th
Why: The first Captain America movie may not have been one of Marvel’s best, but it was a solid and completely necessary introduction to the character that helped pave the way for the awesomeness that was “The Avengers.” And just like that film marked the beginning of the end of Phase One, “The Winter Solider” serves a very similar purpose for Phase Two. Loosely based on the popular storyline from the comics featuring the title character, Cap’s second solo adventure is shaping up to be everything fans wanted and more. The action looks fantastic and the cast is stacked – including the return of Scarlett Johansson’s Black Widow and Samuel L. Jackson’s Nick Fury, as well as the introduction of another famous face from the Marvel universe with Anthony Mackie’s Sam Wilson (AKA The Falcon) – so it’s easy to see why expectations are so high.

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“DOM HEMINGWAY”

Who: Jude Law, Richard E. Grant, Demian Bichir and Emilia Clarke
What: After spending 12 years in prison, notorious safe-cracker Dom Hemingway is back on the streets of London looking to collect what he’s owed.
When: April 4th
Why: It’s been nine years since writer/director Richard Shepherd burst onto the scene with the hugely entertaining black comedy “The Madator,” and with the exception of his underseen 2007 follow-up (“The Hunting Party”), he’s spent most of that time as a hired gun for various TV series. But he’s finally back with a new movie featuring a character that could rival Jonathan Glazer’s “Sexy Beast” for the title of Most Polarizing British Gangster, which is quite the feat considering that the British crime genre is jam-packed with loud, ballsy and over-the-top characters. Jude Law has always been one of my favorite actors, so it’s great to see him playing against type here as the larger-than-life criminal, much in the same way that Pierce Brosnan shocked audiences in “The Matador.” Though the film has received fairly mixed reviews since its UK debut, Law’s unhinged performance looks like reason enough to catch this in theaters.

“DRAFT DAY”

Who: Kevin Costner, Jennifer Garner, Dennis Leary, Chadwick Boseman and Sam Elliot
What: The General Manager of the Cleveland Browns struggles to acquire the number one draft pick for his team.
When: April 11th
Why: Between “Bull Durham,” “Field of Dreams,” “Tin Cup” and “For the Love of the Game,” it’s safe to say that Kevin Costner and sports movies go together like peanut butter and jelly, so perhaps the only surprising thing about “Draft Day” is that it’s about football instead of America’s favorite pastime. Filmed in Cleveland where it takes place, locals are no doubt hoping that this film can provide a much-needed reversal of fortune for their precious Brownies in the upcoming season. Whether it will be any good is another matter entirely. You’d have to go all the way back to the early ‘90s to find director Ivan Reitman’s last great movie, though it’s certainly encouraging that “Draft Day” seems to be more along the lines of “Moneyball” than “Major League,” because the behind-the-scenes stuff is far more engaging than anything that happens on the field.

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Coming Soon: A Moviegoer’s Guide to March

march

After what can only be described as a fairly lackluster start to 2014, moviegoers will be happy to discover that there are several promising titles scheduled for release throughout March. In addition to new films from Wes Anderson and Darren Aronofsky, this month marks the return of Veronica Mars, the debut of Veronica Roth’s “Divergent” series and the arrival of a new challenger to the “Fast and Furious” franchise.

“THE GRAND BUDAPEST HOTEL”

Who: Ralph Fiennes, Tony Revolori, Edward Norton, Adrian Brody and Saoirse Ronan
What: The adventures of Gustave H, a legendary concierge at a famous European hotel, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
When: March 7th
Why: At this point in Wes Anderson’s career, you either like his movies or you don’t, which is good news for fans of the eccentric director, because “The Grand Budapest Hotel” looks very much like more of the same. While not every one of his films is an instant classic (“The Life Aquatic with Steve Zissou” remains his worst effort), audiences usually have a pretty good idea of what to expect from a typical Anderson project, and “The Grand Budapest Hotel” is no different. Quirky dialogue? Check. Even quirkier characters? Check. Whimsical production design painted in vibrant colors? Check and check. And if that’s not enough to get you on board, the director’s ever-expanding pool of talent adds a few new faces to the mix with Ralph Fiennes, Jude Law and Saoirse Ronan, making this perhaps his most impressive ensemble to date.

“300: RISE OF AN EMPIRE”

Who: Sullivan Stapleton, Eva Green, Rodrigo Santoro and Lena Headey
What: Greek general Themistokles leads the charge against invading Persian forces led by mortal-turned-god Xerxes and his vengeful commander Artemisia.
When: March 7th
Why: It’s been so long since the original “300” hit theaters that it’s hard to imagine many people still care about this prequel/sequel, even if the very idea of a spinoff was ridiculous from the start. With that said, credit to Frank Miller for coming up with an idea that complements the first film instead of feeling like a silly cash grab. Though Sullivan Stapleton will have a tough time living up to Gerard Butler’s Leonidas (especially if you’ve seen his work on “Strike Back”), he fulfills the beefcake quotient, while Eva Green is already earning positive reviews for her turn as the female baddie. Seeing Noam Murro behind the camera of a big action movie like “Rise of an Empire” may be a little perplexing considering his only other credit is the indie dramedy “Smart People,” but judging from the trailers, he’s nailed the look and feel of Zack Snyder’s universe.

“NEED FOR SPEED”

Who: Aaron Paul, Dominic Cooper, Imogen Poots, Scott Mescudi and Michael Keaton
What: Fresh from prison, a street racer who was framed by a wealthy business associate joins a cross-country race with revenge in mind.
When: March 14th
Why: It’s amazing that it took this long for another studio to exploit the success of the “Fast and Furious” franchise with a racing movie of its own, but considering that Electronic Arts’ “Need for Speed” video game series (from which the film gets its name) predates the original “The Fast and the Furious” by several years, you can hardly blame DreamWorks for wanting a piece of the pie. Casting Aaron Paul, hot off his Emmy-winning role on “Breaking Bad,” as the leading man is a surefire way to win support, though the involvement of director Scott Waugh (“Act of Valor”) is certainly cause for concern. One of the things that make the “Fast and Furious” movies so entertaining is that they don’t take themselves seriously, and if “Need for Speed” is unable to tap into that childish sense of fun, then it’s already lost before the race has begun.

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