Coming Soon: A Moviegoer’s Guide to January

january

January tends to be a bit of a cinematic wasteland every year, as studios dump a bunch of films they didn’t like or couldn’t market properly. Meanwhile, most people are catching up on awards contenders that have finally expanded beyond their limited runs. This January is a mixed bag of new installments in old series, a few original movies and a couple of promising new flicks. But even amid those installments of rusty franchises comes some films that may just be weird enough to last beyond the January wasteland.

“Amityville: The Awakening”

Who: Jennifer Jason Leigh, Bella Thorne, Cameron Monaghan and Kurtwood Smith
What: A single mother moves her three children into a haunted house, unaware of its bloody history.
When: January 6th
Why: The story of the Amityville haunting has been pretty well documented in movies, including last year’s “The Conjuring 2,” but this film looks like it’s using the original case as a jumping off point for a new source of terror. The trailer features lots of jump scares and cross-cutting but also some genuinely gross moments and cool visuals. While this could just be a cash-in on an established property, the addition of Jennifer Jason Leigh and Kurtwood Smith in front of the camera and writer/director Franck Khalfoun (who helmed the exceptional “Maniac” remake) behind it suggests that there could be something more to this movie.

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Coming Soon: A Moviegoer’s Guide to January

january

As if the winter months weren’t already miserable enough, the January movie slate definitely won’t be one to remember. Though recent years have seen a slight increase in the quality of films being released during this time, 2016 will remind audiences why it’s long been considered a dumping ground for bad movies. There a few potential surprises from the likes of Michael Bay and Gavin O’Connor, but you’d be better off catching up on all the awards contenders (and maybe seeing “Star Wars” a third or fourth time) instead.

“The Forest”

Who: Natalie Dormer, Taylor Kinney, Yukiyoshi Ozawa and Eoin Macken
What: A young woman searches for her twin sister in a Japanese forest, only to find herself surrounded by paranormal forces.
When: January 8th
Why: Believe it or not, “The Forest” isn’t a remake of a Japanese horror flick, but rather an original story whose makers somehow thought it would be a good idea to cast mostly white actors in a movie about a real-life problem in Japan. Cultural insensitivity aside, “The Forest” looks like your typical supernatural horror film circa 2005, when retooling Asian genre movies for American audiences was all the rave. Though it’s nice to see Natalie Dormer in her first Hollywood leading role, the “Game of Thrones” actress is far too talented to be wasting her time on low-rent projects like this.

“13 Hours: The Secret Soldiers of Benghazi”

Who: John Krasinski, James Badge Dale, Pablo Schreiber and David Costabile
What: An American ambassador is killed during an attack at a U.S. compound in Libya as a security team struggles to make sense out of the chaos.
When: January 15th
Why: Michael Bay’s “smaller” movies always interest me more than his effects-driven blockbusters, like this adaptation of bestselling author Mitchell Zuckoff’s book about the 2012 Benghazi attacks. Though Bay’s romanticism of the U.S. military can be a little irritating at times, he’s one of the best action directors around, and “13 Hours” is shaping up to his own personal “Black Hawk Down.” The film also boasts a solid ensemble cast led by John Krasinski and journeyman actor James Badge Dale, but its success will depend largely on whether Bay can tone down the pro-American flag-waving and just focus on telling a good story.

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Coming Soon: A Moviegoer’s Guide to January

january

January used to be a place where studios could dump their worst films like an orphan on the front steps of a church, but over the past few years, there’s been a noticeable improvement in the quality of the releases. For the most part, the movies still suck, but following the box office success of films like “Taken” and “Ride Along,” the studios seem more willing to give higher-profile titles a chance to perform against the weaker competition. It doesn’t make much difference in the long run, but if you’re able to catch just one good film that you wouldn’t have otherwise seen during a busier season, then it’s a win-win for everyone involved.

“Taken 3”

Who: Liam Neeson, Forest Whitaker, Maggie Grace and Famke Janssen
What: After he’s accused of a ruthless murder he didn’t committed, Bryan Mills goes on the run in order to find the true killer and clear his name.
When: January 9th
Why: Thankfully, no one’s been taken this time around, because that would have been too ridiculous even for this series, which already requires a willing suspension of disbelief not seen since the days of “24.” Though it’s unclear if the men framing Mills in this movie are connected to the bad guys from the first two films, the real draw of “Taken 3” (other than the action, of course) is its “Fugitive”-like storyline, which finally gives Liam Neeson a worthy co-star in Forest Whitaker. And if Neeson truly is done with the series after this installment, Luc Besson could easily keep it going with Whitaker’s federal agent. That is, provided he’s not the villain.

“Blackhat”

Who: Chris Hemsworth, Viola Davis, Wei Tang and John Ortiz
What: A hacker is released from prison to help American and Chinese authorities pursue a mysterious cyber criminal.
When: January 16th
Why: It’s been awhile since Michael Mann made a great film, and though it’s unlikely that will change with “Blackhat,” the techno-thriller at least looks more entertaining than his last few movies. Plus, it comes with the added bonus of being released on the heels of the highly publicized Sony hacks, which gives it a sense of timeliness that Mann couldn’t have planned better himself. Though Chris Hemsworth doesn’t exactly look like your typical hacker, he’s proven that he has the charisma and talent to be a really good leading man, and it’s the collaboration between actor and director that gives me hope that, if nothing else, “Blackhat” will be a fun distraction.

“The Wedding Ringer”

Who: Josh Gad, Kevin Hart, Kaley Cuoco-Sweeting and Alan Ritchson
What: A shy young groom needs to impress his in-laws, so he turns to a best-man-for-hire to help him out.
When: January 16th
Why: Kevin Hart has become to January what Will Smith used to be to Fourth of July weekend: box office gold. Simply put, the guy is on fire, and Screen Gems, the studio behind three of his most recent hits, is milking him for everything he’s worth. But while both Hart and Josh Gad can be funny with the right material, there’s no getting around the fact that “The Wedding Ringer” – which is basically “Hitch” meets “I, Love You Man” – looks pretty dumb. There are a few good bits in the trailer (especially that “Goonies” line), but if that’s the best the marketing team could find, you’d be wise to steer clear.

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Coming Soon: A Moviegoer’s Guide to January

january

Over the past few years, January hasn’t been quite as disastrous for new films as its reputation would suggest, but it’s hard to find much to be positive about this time around. Unless you like low budget horror movies (of which there are several to choose from, including the latest “Paranormal Activity”), the January release slate has very little to offer, save for a delayed Christmas blockbuster and failed Oscar bait from the usually reliable Jason Reitman.

“THE LEGEND OF HERCULES”

Who: Kellan Lutz, Scott Adkins, Gaia Weiss and Liam McIntyre
What: Betrayed by his stepfather, the King, and sold into slavery because of a forbidden love, Hercules must use his formidable powers to fight his way back to his kingdom.
When: January 10th
Why: The first of two Hercules films being released this year (and most likely the worst of the pair), Renny Harlin’s origin story of the Greek hero looks every bit the cheesy B-movie that you’d expect from the director of “The Covenant” and “Mindhunters.” Kellan Lutz has already proven himself to be a really terrible actor with the “Twilight” films, and not much seems to have changed in that department, but whoever started the rumor linking the actor with America’s favorite media obsession (Miley Cyrus) only weeks before the movie’s release was a brilliant marketing ploy. Unfortunately, no amount of publicity changes the fact that “The Legend of Hercules” promises to be even worse than the recent “Conan the Barbarian” reboot (another January dud), and that’s certainly saying something.

“JACK RYAN: SHADOW RECRUIT”

Who: Chris Pine, Keira Knightley, Kenneth Branagh and Kevin Costner
What: Jack Ryan, as a young covert CIA analyst, uncovers a Russian plot to crash the U.S. economy with a terrorist attack.
When: January 17th
Why: It’s another reboot of a popular movie character, although one that, unlike James Bond and Batman, wasn’t exactly in high demand. Originally scheduled for Christmas before Paramount pushed it back to make room for “The Wolf of Wall Street,” the studio is apparently so unconvinced that moviegoers even know who Jack Ryan is that they had to include his name in the title. While my lack of excitement may be obvious, “Shadow Recruit” does have a few things going for it, including Kenneth Branagh in the director’s chair (as well as playing the Russian baddie), and Keira Knightley and Kevin Costner in supporting roles. I wish the same could be said about Chris Pine, but after already reviving one pop culture icon with Captain Kirk, his casting as Ryan is uninspired to say the least.

“RIDE ALONG”

Who: Kevin Hart, Ice Cube, Tika Sumpter and John Leguizamo
What: Fast-talking security guard Ben joins his cop brother-in-law James on a 24-hour patrol of Atlanta in order to prove himself worthy of marrying James’ sister.
When: January 17th
Why: There always seems to be at least one urban comedy released during the doldrums of January, and this year’s lucky winner is the latest movie from Tim Story, which reteams the director with Ice Cube (“Barbershop”) and Kevin Hart (“Think Like a Man”) for what Universal Pictures is no doubt hoping will be the studio’s first hit of 2014. (They have to start recouping that “47 Ronin” budget somewhere). These movies are usually made for pretty cheap and have strong opening weekends, but while “Ride Along” should find success with its target audience, that doesn’t mean it will be any good. The pairing of Ice Cube and rising star Hart is definitely encouraging, but between its paint-by-numbers plot and the surprising lack of laughs in the trailer, you might want to wait for this on Blu-ray.

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Coming Soon: A Moviegoer’s Guide to January

It’s hard to decide what the worst part about January is – the cold weather or the crappy movies – but at least with the winter chill, you can always add extra layers to help stay warm. There’s not a lot you can do to make a bad film more tolerable, and unfortunately, the turn of the year is typically brimming with cinematic duds. Though there are a few potential surprises in the cards this January from some heavy hitters, it’s best to keep your expectations low, because even the biggest stars are due a stinker every once in a while, and if there was ever a good time to release it, this would be the month to do it.

“GANGSTER SQUAD”

Who: Josh Brolin, Ryan Gosling, Sean Penn, Emma Stone and Nick Nolte
What: A crew of LAPD enforcers team up to take down vicious mobster Mickey Cohen.
When: January 11th
Why: After getting bumped from its September release date to accommodate reshoots following the Aurora, Colorado tragedy (particularly a scene involving machine guns in a movie theater), it’s a little sad to see Ruben Fleischer’s police drama land in the dregs of January, because it deserves better than that. Loosely based on the LAPD’s war against organized crime during the late 40s and early 50s, the film’s cast is packed with enough talent – from its major stars to supporting players like Giovanni Ribisi, Anthony Mackie, Michael Pena and Robert Patrick – to rival any of the “Ocean’s Eleven” movies. Though I was disappointed by Fleischer’s last effort, the crime comedy “30 Minutes or Less,” it’ll be interesting to see how the “Zombieland” director handles more serious material, and whether his unique visual style clashes with the particular look of that era.

“A HAUNTED HOUSE”

Who: Marlon Wayans, Essence Atkins, Nick Swardson and David Koechner
What: When Malcolm and Keisha learn that a demon resides in their dream home, Malcolm turns to a priest, a psychic, and a team of ghostbusters for help.
When: January 11th
Why: Unless you’re a fan of the “Scary Movie” franchise, which Marlon Wayans helped launch over a decade ago, it’s hard to imagine you’ll have any sort of interest in his new horror comedy, which parodies found footage films like “Paranormal Activity” and “The Devil Inside.” But if those awful spoof movies by Jason Friedberg and Aaron Seltzer taught us anything, it’s that there’s definitely a market for this brand of lowbrow idiocy, although you’d be hard-pressed to find anyone to actually admit it. That doesn’t mean they don’t exist, but even for a spoof movie, “A Haunted House” looks embarrassingly bad for everyone involved, including those dumb enough to waste their time and money.

“THE LAST STAND”

Who: Arnold Schwarzenegger, Johnny Knoxville, Forest Whitaker and Luis Guzman
What: The leader of a drug cartel busts out of a courthouse and speeds to the Mexican border, where the only thing in his path is a sheriff and his inexperienced staff.
When: January 18th
Why: Between the English-language debuts of Kim Ji-woon and Park Chan-wook, and Spike Lee’s upcoming remake of the cult classic “Oldboy,” the Korean invasion is in full swing, and deservedly so, because they’re making some of the best movies at the moment. Kim Ji-woon’s revenge thriller “I Saw the Devil” was one of my favorite films of 2011, so it’s not surprising that his fans have been drooling over the prospect of his Hollywood debut, and the fact that it also happens to be Arnold Schwarzenegger’s first starring role in a decade will probably bring it even more attention. That could end up hurting the movie more than it helps it if expectations are set too high, but the script didn’t earn a place on the Black List for nothing, and if it’s anything like Kim’s oddball Western “The Good, the Bad, the Weird,” then U.S. audiences could be in for a fun treat.

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