At the start of Labor Day weekend 2014, I gave you the updated version of the Liberal, a classic cocktail that I still think fits very nicely with a holiday that was created to honor the American labor movement, but which was also placed on the calendar pretty far from International Workers Day (May 1), a holiday associated with labor movements that had more radical connections. As a center-left type who will very definitely NOT be voting for Jill Stein this coming November, I am quite comfortable being described as an old school bleeding heart liberal, and so I am happy to now be providing the old school version of the drink, more or less cribbed from Ted Haigh’s essential “Vintage Spirits and Forgotten Cocktails.” On the other hand, I’m sure conservatives could enjoy this drink as well; at least it’s not called The Progressive.

This version differs from the update I presented two years back in that it has equal parts of both whiskey and sweet vermouth, rather than emphasizing the base spirit, placing it a bit further from its roots as a variation on a Manhattan. It’s definitely a bit sweeter than the updated version, but I’m sure most people would prefer the older model for that very reason. See what you think.

The Liberal (old school version)

1 1/2 ounces bourbon or rye whiskey
1 1/2 ounces sweet vermouth
1/2 teaspoon Torani Amer
1-2 dashes orange bitters
1 cocktail cherry (optional garnish)

Combine the liquid ingredients in a cocktail shaker or mixing glass and either stir or shake vigorously, depending on your preference. Strain into a chilled cocktail glass and add the cherry if you’ve got it. Salute your right to drink your cocktail shaken, stirred or at all, regardless of your race, religion (or lack thereof), gender identity or sexual preference.

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Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

WHAT: When King Amphitryon (Scott Adkins) uncovers the truth about his son, Hercules (Kellan Lutz) – sired by the god Zeus and not himself as originally believed – he sends him off to war in the hopes that he’ll be killed. Instead, Hercules is captured and sold into slavery, where he uses his skills in the arena to win back his freedom and return to Greece to exact revenge.

WHY: The first of two Hercules movies to be released this year, Renny Harlin’s brawn-over-brains rendition of the classic tale makes for pretty miserable viewing. Though there’s plenty to criticize about “The Legend of Hercules,” its fate was sealed long before production, when the film’s writers (four to be exact) decided to ignore everything about their hero’s mythological adventures in favor of making a generic sword-and-sandals movie. It’s essentially a mish-mash of every likeminded film that’s preceded it, with a story that hews dangerously close to “Gladiator” and a visual style ripped straight from Zack Snyder’s “300.” The 3D is also pretty annoying, especially when every other scene is blanketed in confetti and pollen. Who knew that Party City was so popular in Ancient Greece? Unfortunately, that’s just the beginning of its problems. From the dreadful acting, to the laughably bad dialogue, to some cheesy special effects (including an animatronic lion that looks like a stuffed toy), “The Legend of Hercules” is reminiscent of those Asylum-produced B-movies designed to cash in on upcoming Hollywood blockbusters, except those films actually know they’re terrible.

EXTRAS: The Blu-ray includes an audio commentary with director Renny Harlin and star Kellan Lutz, as well as a making-of featurette.

FINAL VERDICT: SKIP

WHAT: Set in a quaint New England town during Labor Day weekend in 1987, reclusive single mother Adele (Kate Winslet) and her young son Henry (Gattlin Griffith) are taken hostage by a fugitive named Frank (Josh Brolin), who plans to hide out in their rundown house until he can make a run for it. But as Adele and Henry get to know their new houseguest, it becomes clear that Frank isn’t the dangerous murderer that he’s been made out to be.

WHY: For a moment, it seemed like Jason Reitman could do no wrong, but even the best filmmakers are capable of making bad movies, and though “Labor Day” isn’t a complete failure, it’s the director’s weakest film by a country mile. Based on the 2009 novel by Joyce Maynard, the movie represents a major departure for Reitman, who’s made a name for himself telling stories with a dark comedic bite. That trademark humor isn’t present in “Labor Day,” instead replaced by gooey sentimentalism that you’d be more likely to find in a Nicholas Sparks adaptation. It’s essentially a trashy romance novel disguised as an Oscar prestige movie – the kind of story that sets back feminism several decades by suggesting that a woman could be this helpless without a strong man around the house to take care of her. Though the first act is fairly good, staged more like a kidnapping thriller than a sappy romance, it eventually devolves into a bunch of melodramatic nonsense. It’s hard to imagine how much worse “Labor Day” might have been without Winslet and Brolin in the lead roles, because their performances are the only thing separating this from your average Lifetime movie of the week.

EXTRAS: There’s an audio commentary by writer/director Jason Reitman, a making-of featurette and some deleted scenes.

FINAL VERDICT: SKIP

WHAT: Pregnant teenager Agnes “Apple” Bailey (Vanessa Hudgens) leaves her abusive, drug-addicted mother (Rosario Dawson) in order to track down her estranged father (Brendan Fraser). But when she refuses to get rid of the baby at his advice, Apple is taken in by a woman’s shelter dedicated to helping young mothers-to-be.

WHY: Based on a composite of several real-life women to come through the doors of the Several Sources Shelters run by Kathy DiFiore (played in the film by Ann Dowd), “Gimme Shelter” had the potential to be much better than this heavy-handed afterschool special. Though it’s great to see Vanessa Hudgens continuing to push herself with challenging roles, her one-note performance (all anger and no nuance) doesn’t change the uncertainty regarding her abilities as an actress. The rest of the cast is wasted in underwritten parts, especially Brendan Fraser as the father looking to make amends, and the aforementioned Dowd, who’s so good in her limited screen time that you wonder why she wasn’t given more to do. In fact, DiFiore’s story is fascinating enough to deserve its own movie, although as my colleague Billy Tatum Jr. suggested in his review, director Ron Kraus would have been better off just shooting the whole thing as a documentary. Hollywood has a tendency to neuter these kinds of stories during the production process, and “Gimme Shelter” is one that would have benefited from the authenticity of its real-life subjects.

EXTRAS: The Blu-ray includes an audio commentary by writer/director Ron Krauss, a making-of featurette and some deleted scenes.

FINAL VERDICT: SKIP

Kate Winslet, Josh Brolin, Gattlin Griffith, Clark Gregg, Tobey Maguire

Jason Reitman

For a moment, it seemed like Jason Reitman could do no wrong, following up his excellent directorial debut, “Thank You for Smoking,” with one great movie after the next, and earning a quartet of Oscar nominations in the process. But even the best filmmakers are capable of making bad movies, and though “Labor Day” isn’t a complete failure, it’s the director’s weakest film by a country mile. Based on the 2009 novel by Joyce Maynard, the movie represents a major departure for Reitman, who’s made a name for himself telling stories with a dark comedic bite. That trademark humor isn’t present in “Labor Day,” instead replaced by the kind of gooey sentimentalism that you’d be more likely to find in a Nicholas Sparks adaptation, which leads me to wonder what Reitman was even thinking.

Set in a quaint New England town during Labor Day weekend in 1987, the film stars Kate Winslet as Adele, a shut-in single mother on the verge of a nervous breakdown. During a rare excursion outside to take her teenage son Henry (Gattlin Griffith) clothes shopping for the new school year, they’re approached by a wounded stranger named Frank (Josh Brolin), who takes Adele and Henry hostage and holes up in their rundown house with the intention of making a run for it at nightfall. A convicted murderer who escaped from the hospital while recovering from an emergency appendectomy, Frank insists that there’s more to the story, and as they spend more time with the supposedly dangerous fugitive, he turns out to be a pretty nice guy. So when Frank ends up staying the next day to do some repairs around the house, Adele and Henry don’t complain, and before long, he’s accepted as a part of the family, serving as a father figure to Henry and passionate lover to the fragile Adele.

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Over the past few years, January hasn’t been quite as disastrous for new films as its reputation would suggest, but it’s hard to find much to be positive about this time around. Unless you like low budget horror movies (of which there are several to choose from, including the latest “Paranormal Activity”), the January release slate has very little to offer, save for a delayed Christmas blockbuster and failed Oscar bait from the usually reliable Jason Reitman.

Who: Kellan Lutz, Scott Adkins, Gaia Weiss and Liam McIntyre
What: Betrayed by his stepfather, the King, and sold into slavery because of a forbidden love, Hercules must use his formidable powers to fight his way back to his kingdom.
When: January 10th
Why: The first of two Hercules films being released this year (and most likely the worst of the pair), Renny Harlin’s origin story of the Greek hero looks every bit the cheesy B-movie that you’d expect from the director of “The Covenant” and “Mindhunters.” Kellan Lutz has already proven himself to be a really terrible actor with the “Twilight” films, and not much seems to have changed in that department, but whoever started the rumor linking the actor with America’s favorite media obsession (Miley Cyrus) only weeks before the movie’s release was a brilliant marketing ploy. Unfortunately, no amount of publicity changes the fact that “The Legend of Hercules” promises to be even worse than the recent “Conan the Barbarian” reboot (another January dud), and that’s certainly saying something.

Who: Chris Pine, Keira Knightley, Kenneth Branagh and Kevin Costner
What: Jack Ryan, as a young covert CIA analyst, uncovers a Russian plot to crash the U.S. economy with a terrorist attack.
When: January 17th
Why: It’s another reboot of a popular movie character, although one that, unlike James Bond and Batman, wasn’t exactly in high demand. Originally scheduled for Christmas before Paramount pushed it back to make room for “The Wolf of Wall Street,” the studio is apparently so unconvinced that moviegoers even know who Jack Ryan is that they had to include his name in the title. While my lack of excitement may be obvious, “Shadow Recruit” does have a few things going for it, including Kenneth Branagh in the director’s chair (as well as playing the Russian baddie), and Keira Knightley and Kevin Costner in supporting roles. I wish the same could be said about Chris Pine, but after already reviving one pop culture icon with Captain Kirk, his casting as Ryan is uninspired to say the least.

Who: Kevin Hart, Ice Cube, Tika Sumpter and John Leguizamo
What: Fast-talking security guard Ben joins his cop brother-in-law James on a 24-hour patrol of Atlanta in order to prove himself worthy of marrying James’ sister.
When: January 17th
Why: There always seems to be at least one urban comedy released during the doldrums of January, and this year’s lucky winner is the latest movie from Tim Story, which reteams the director with Ice Cube (“Barbershop”) and Kevin Hart (“Think Like a Man”) for what Universal Pictures is no doubt hoping will be the studio’s first hit of 2014. (They have to start recouping that “47 Ronin” budget somewhere). These movies are usually made for pretty cheap and have strong opening weekends, but while “Ride Along” should find success with its target audience, that doesn’t mean it will be any good. The pairing of Ice Cube and rising star Hart is definitely encouraging, but between its paint-by-numbers plot and the surprising lack of laughs in the trailer, you might want to wait for this on Blu-ray.

Happy Labor Day everyone! We hope you have a great day off with your friends and family at a cookout or party.

Tavia gets in the Labor Day spirit as she sports a tool belt and poses with a power drill in front of a work bench. Check out the entire shoot of this pretty blonde from Australia.