Category: Television (Page 78 of 84)

“Breaking Bad” is back, baby!

It’s been a long, cold wait for Walter White to start making meth again…so long, in fact, that the actor who plays him – Bryan Cranston, of course – has missed the window of eligibility for this year’s Emmy Awards…but on Sunday night at 10 PM EST, “Breaking Bad” will finally return to AMC.

Season Four of the acclaimed series arrives just on the heels of the network having received countless complaints from irate viewers who felt cheated when “The Killing” didn’t resolve the mystery of who killed Rosie Larsen, but if you’re one of those folks, fear not: while the answer to the question “is Gale dead?” isn’t definitely answered at the precise instant the season premiere begins (although you would be forgiven for thinking that it has been), you’ll have clarification of Gale’s state of existence mere moments after the opening credits conclude.

Mind you, despite all of the discussion about whether or not Jesse Pinkman (Aaron Paul) successfully shot and killed Gale Boetticher (David Costabile) at the end of Season Three, series creator Vince Gilligan has said outright that “it’s not actually meant to be ambiguous. It’s meant to be, ‘Oh my God, Jesse shot poor Gale.” Not that he couldn’t have changed his mind in the interim between seasons, of course, but given Gilligan’s steadfast vision for the series over the course of 33 episodes, there’s little reason to think that he has.

Okay, so everyone remembers that Gale probably got shot by Jesse, since that was the last moment of the Season Three finale, but do you remember where everyone else was at the end of the season? Let’s play a little bit of catch-up, just in case.

When we last left Walt, he (probably) was on the verge of being shot and killed by Mike (Jonathan Banks), as order by fried-chicken impresario / meth kingpin Gus Fring (Giancarlo Esposito), but the stay of execution was temporarily rescinded upon the realization that Jesse might well be in the process of murdering the only other person capable of maintaining the manufacturing of the meth. (Did I ever mention how much I love alliteration?) Victor (Jeremiah Bitsui), another one of Gus’s main men, makes a mad dash toward Gale’s apartment, but as it stands right now, we don’t officially know whether or not he made it in time…except, y’know, we probably do know, which is to say that he almost certainly didn’t.

But I digress.

Elsewhere, Walt’s wife, Skyler (Anna Gunn), now knows of her husband’s goings-on (even if she isn’t nearly as much in the know as she thinks she is) and is trying to incorporate her own business acumen into the operation. Utterly in the dark, however, is their teenage son, Walt, Jr. (R.J. Mitte), who spent much of Season Three trying to figure out just what the hell was up with his parents. And can you blame him? After all, he watched his mom kick his father out of the house, demand a divorce, and even call the cops in order to have him arrested, only to see her backpedal. You’d be confused, too.

You’ve also got Skyler’s sister, Marie (Betsy Brandt), whose DEA-agent husband, Hank (Dean Norris), was left a paraplegic after an attack by two very violent gentlemen on a quest to avenge their cousin. When last we saw Hank and Marie, she had just successfully managed to make his groundhog see its shadow…by which, of course, I mean that she gave him a hand job and made his penis stand at attention. Sure, it seems like an easy enough trick, but it was the first time he’d managed it since incurring his injuries, and the fact that Marie made it happen meant that he had to make good on his promise that he’d leave the hospital, head home, and begin further physical therapy. Once Hank’s back on his feet, it’s only a matter of time before he’s also back on the trail of the mysterious blue meth and the man responsible for manufacturing it.

Obviously, we know where Jesse was when we last left him, but prior to that, he’d had a hell of third season. He started off in rehab, and once he got out, he initially managed to stay clean while still continuing to make meth, but after spending a little too long lingering on his conviction that he had become “the bad guy,” he soon began to backslide. In addition to his chemical dependency, Jesse also had his fair share of emotional turmoil, dealing with the death of his girlfriend, Jane (Krysten Ritter) by seeking solace in Andrea, a girl from his drug counseling sessions, only to learn that her 11-year-old brother had been responsible for the murder of his friend and fellow dealer, Combo. Dude can’t catch a break.

The relationship between Walt and Jesse hit some serious highs and lows during the course of the third season, but by the end of the next-to-last episode, it became clear that the two of them have a bond which cannot be broken. What remains to be seen, however, is how Gus is going to handle their continued partnership, not simply because of his lack of respect for Jesse, but also because of the way Walt has transitioned from being a mere manufacturer into someone who clearly has an interest in working his way up the corporate ladder, as it were.

So that’s where we stand with “Breaking Bad” as we enter into the show’s fourth season. Tensions were sky high when we last left the series, and I can assure you that by the time the credits roll on the season premiere, you will feel the same way Giancarlo Esposito felt after he read the script for the episode: a little bit stunned and a little bit shaken.

True, that’s generally how most viewers feel at the end of every episode of “Breaking Bad,” but having already seen this one, I’m going to lay it on the line: the show delivers the “holy shit” moment to end all “holy shit” moments to date.

See you on Sunday, kids.

P.S. Don’t forget to visit Bullz-Eye’s “Breaking Bad” blog right after the season premiere to join in on the post-show discussion. Trust me, there’s definitely going to be a lot to talk about. In the meantime, be sure to head over to our “Breaking Bad” Fan Hub for all the interviews, reviews, and features about the show that you can stand.

Norm MacDonald hosting the ESPYs in 1998

We’re sure Seth Myers will do a good job again this year hosting the ESPYs (which will be starting any minute), but the best opening monologue at the ESPYs will always belong to Norm MacDonald. The athletes in the audience had no idea how to react to some of Norm’s harsh jokes about other athletes. Make sure to watch the whole thing, as the crack at the end is priceless.

Make sure to check out our recent interview with Norm!

An okay evening at Spike TV’s “Guys Choice” Awards

We’re fussy about Red Carpet events here at Bullz-Eye central. That’s largely because as a lone, online writer you’re pretty much at the mercy of the publicity gods in terms of who you’re going to meet up with and you never know who that’s going to be. One condition we have is that we get to see the show/movie/what-have-you in question so, if all else fails, we can write about that or at least get a bit of entertainment and free food. In this case, that was a good thing. Not because we didn’t get to talk to anybody interesting, but because Spike TV’s “Guys Choice” presentation, which premieres on the network at 9:00 Eastern/6:00 PDT Friday is not your usual award show.

Right down to the sexy female dancers who liven up the breaks and its highly distinctive award statue, “the Mantlers,” it’s easily the most laid back and honestly silly awards show I’ve seen. It’s also the only award show we know of which contains R-rated profanity in one of its award titles: the “Funniest Motherf*cker” award, this year being given to Jim Carrey. It’s safe the say the show was completely irreverent about everything, except for its commendable commitment to drawing attention to the bravery and sacrifices made by members of our armed forces.

Speaking of Jim Carrey, the famed comic provided a remarkable bit of comedy dealing with the always absolutely never hilarious topic of..oh, Lord, we’d better just leave it alone. You don’t want to know. Carrey himself made it clear that children and other sensitive people were better off not hearing the routine before proceeding with a shocking and explosively funny performance, abetted by the sensitive stylings of violinist Neil Hammond.

More traditionally edgy and hilarious at certain points, but a lot longer, was a marathon bit by faux canine Triumph, the Insult Comic Dog, aka comic genius Robert Smigel. The latter merited a bad on-camera review from Sean Penn who between this show and his criticism of Ricky Gervais at Golden Globes, seems to be developing a side career as a real-time award show comedy critic.

Mila Kunis at the Spike Guy's Choice AwardsJustin Timberlake less controversially proved himself to be, once again, no comic slouch, while promoting the charms of the co-star of his next flick, “Friends with Benefits,” the beautiful and talented Mila Kunis. Rolling Stones guitarist Keith Richards distinguished himself by simply being alive to pick up his award and being the innately humourous individual he is.

And so it went. I’ll have a few choice quotes from the show at the end of this piece. First, though, let’s talk about the folks we met on the Red Carpet.

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Who’s the Man: Bullz-Eye’s favorite good, bad and strange bosses

As we bid Michael Scott a fond farewell as he walks away from Dunder Mifflin, we realized that there are few bosses who have made much of an impact in the world of entertainment. Most of them are just a device to motivate the main character, but there are a few who stand out, for reasons both good (they have your back) and bad (they might kill you). Others still are just odd, or can be both a spectacular boss and the most irritating prick on the planet. Here is a list of our favorite bosses of all stripes. As always, feel free to leave your polite, well considered opinions in the comment section.

The Good

Jimmy James (Stephen Root, “NewsRadio”)


He likes to think of himself as a capitalist lion tamer, but books don’t lie: dude is a macho business donkey wrestler, and don’t you forget it. James plays the kinds of big business games that we proles often fantasize about, where billionaires play poker and use their corporations as chips (he lost WNYX in a game, but faithful reporter and math wiz Lisa Miller won it back). He also treats his efforts to find a wife with the same no-nonsense business acumen that he would use to broker any deal. (He came close to making the deal once, but the location of the vacation house turned out to be a deal breaker.) The bottom line is that while Jimmy James micromanages the talent at his radio station, he is not a hatchet man by nature, and pretty much lets the lunatics run the asylum. Works for us.

Captain Jack Harkness (John Barrowman, “Torchwood”)


He can’t be killed. Think about that – whatever happens at work, your boss will not die. Isn’t that the kind of person you want to be close to? Granted, most of the people who work with Captain Jack Harkness end up dead, and once you agree to work for Torchwood, the Cardiff-based secret organization that prevents alien attacks, you are not allowed to quit. Plus, Jack is not afraid to make the tough decision, even if it means sacrificing his grandson in order to save the children of Earth. But no high-reward job comes without its share of risk, and if you’re going to risk your life fighting aliens on a daily basis, you want Jack Harkness in your corner.

Jack Donaghy (Alec Baldwin, “30 Rock”)


Jack Donaghy is, for lack of a need for any other definition, a man. He is the man we all aspire to be, even the hipster kids among us. He is tireless, unflappable, and totally at the top of his game. Before meeting his wife, he was chasing tail with Bob Ballard and drinking wine from ancient Phoenician amphoras. He consumes scotch like water. Jack Donaghy named his fists Saint Patrick and Saint Michael, a fact we know only because those fists were used to fight his own father. He eschews the familiar and espouses the opulent. Most of all, he somehow finds it in his arrogant heart to mentor one of the strangest bosses around: Liz Lemon.

Angel (David Boreanaz, “Angel”)


If there is anyone on this list that we want by our side in an alley fight, it’s Angel, a.k.a. Angelus, the most vicious vampire who ever un-lived. Cursed with a soul after murdering a young gypsy girl, Angel has learned to quench his thirst for blood in more humanitarian ways, while spending the rest of his undead days trying to destroy the Senior Partners of Wolfram & Hart, which is basically Satan’s law firm. Like Harkness, working for Angel is by no means a safe career path – as Cordelia Chase and Winnifred “Fred” Burkle could attest, if they weren’t dead – but Angel stands up for the weak, takes on the big guy, and will stop at nothing to make sure that justice is served. Nice to know there are still a few bosses out there that have your back.

The Bad

The list of candidates for this category is an admittedly long one, so for the sake of simplicity, we’re paring our list down to four most foul supervisors.

Charles Montgomery Burns (Harry Shearer, “The Simpsons”)


His nuclear plant needs hundreds of millions in repairs in order to bring it up to code. (And that was in the early, ’90s, so adjusted for inflation, it could be billions now.) He gave his employees stock, but only after they waived certain constitutional rights. He once embarked on a massive recycling program, but only to fuel a company that uses the six pack rings to strip the oceans of all sea life. He sold weapons to Hitler. Lastly, he tried to block out the sun so people would use more power from his plant. No one has ever really had a boss who wringed his hands, or had an entire walk-in closet of clothes made from exotic animals, but Montgomery Burns represents everything we loathe about bosses in the real world, whether it’s a lack of compassion for non-work commitments or the tendency to throw employees under the bus for personal gain. He might be a caricature of evil, but he’s still evil.

Bill Lumbergh (Gary Cole, “Office Space”)


Lumbergh, meanwhile, is terrifying because he is one of the most realistic bosses the entertainment world has ever seen. Promoted beyond his skill set — assuming he even has a skill set — Lumbergh knows he has a good thing, and he’ll be damned if he’s going to lose his cushy job to any of the peons beneath him, so he micromanages the bejeezus out of them, makes them work on weekends, and will even steal their cubicle walls if it helps drop employee morale. Monty Burns is playing at the Oprah level of power; there are only a handful of people with that kind of influence. But Lumbergh…the corporate world is littered with guys like him. God help us.

David Brent (Ricky Gervais, “The Office”)


We had to include the man who started it all. Look at that picture. That is why David Brent is a terrible person to work for – he’s a man-child, desperate for attention and woefully lacking self-awareness. He makes jokes about firing people, and will use training sessions as an opportunity to play songs on the guitar for his captive employees. He takes a position with corporate that leads to his employees getting sacked, and wonders why they’re not happy for him. His jokes are in poor taste, he’s a lousy motivator, and in his desire to be everyone’s friend, he is oblivious to their problems and doesn’t help anyone in a meaningful way. David Brent is the kind of guy that no one chooses to work for – he’s thrust upon people. Sad, sad, unlucky people.

Patty Hewes (Glenn Close, “Damages”)


Working for Patty Hewes is much like working for the Dread Pirate Roberts: even when you do good work, she’ll most likely kill you in the morning. None of her actions can be taken at face value; more than likely, she’s four or five steps ahead of everyone else, and is not afraid to step color outside the lines (while making sure her tracks are well covered) if it means winning a case. When a potential witness was reluctant to testify against her former employer, Patty had her dog killed, and made it look like the defendant was responsible. When a doctor prescribed bed rest for a young and very pregnant Patty, she walked herself into a miscarriage so she could take her first job. To call her heartless is an insult to the heartless – Patty Hewes is a functional sociopath, and working for her will haunt you for the rest of your life.

The Strange

Michael Scott (Steve Carell, “The Office”)


Like some of his fellow head honchos on this list, Michael Scott is a tough boss to categorize. On the one hand, he genuinely cares about his employees (well, everyone except Toby…and probably Dwight), but his atrocious people skills and, um, unorthodox management style often make him a colossal headache in the Dunder Mifflin offices. Forget about getting any work done if he’s hovering around your desk, particularly when he calls for an impromptu meeting in the conference room, and his repeated appearances at sensitivity training seminars clearly haven’t paid off, to which Oscar can attest. But Michael is kind, loyal and honest (generally speaking, of course), and while productivity tends to dip when he has time on his hand – which is quite frequently – he’s gone out of his way to make his employees feel like they’re part of a family with his endless stream of office parties, company retreats and charitable functions. Sure, he’s not the best boss by bottom-line standards, but you can bet Dunder Mifflin’s Scranton branch will miss their clueless leader once he rides off into the sunset with Holly Flax. Probably even Toby.

Gregory House (Hugh Laurie, “House M.D.”)


He will risk his own life to save the life of a patient. He will also take a knitting needle to the eye before complimenting one of his fellow doctors. Dr. Gregory House is a brilliant doctor but a pretty awful human being, so while you will get the education of a lifetime under his tutelage, the emotional scars from the experience may never heal.

Tony Soprano (James Gandolfini, “The Sopranos”)


Considering that he killed his nephew with his own hands, executed his best friend and clipped other members of his crew, you would think Tony would be a natural fit for the bad boss category. As Michael Imperioli pointed out in a recent interview with Will Harris on Bullz-Eye, Tony was a “cold-blooded criminal who, in the end, will kill his kin because, basically, he wants to keep his wagon train rolling and his money coming in.” Yet when you choose a life in the mob, aren’t these events just occupational hazards? If you think about who got whacked and who survived in Tony’s crew, there was a method to his brutality. Rats like Pussy, jerks like Ralph and flakes like Christopher had to face the music, while loyal subordinates like Silvio survived and thrived under Tony. Yet while much of the series focused on Tony as an ordinary guy in a violent business, he certainly had his quirks as well. His fainting spells and bizarre dreams led him to see a shrink, and it certainly made him an unpredictable boss as well. Anyone haunted by the images of ducks seems pretty strange to us.

Liz Lemon (Tina Fey, “30 Rock”)


Is it strange to call a woman whose name was once mistranslated as “Lesbian Yellow Sour Fruit” sexy? Absolutely, but despite her strange quirks, Liz Lemon somehow retains her sex appeal. Maybe it’s knowing that she would never judge you for the food you eat. Maybe it’s every man’s desire to meet a girl who is funny, smart, and attractive. Or maybe everyone just wants to be in bed with James Franco, even if the transitive property has to be employed to make it count. Whatever the case, work would be that much easier if every day meant reporting to a spunky middle-age brunette with the confidence to sing, “I’m a star, I’m on top, somebody bring me some ham!”

J. Jonah Jameson (J.K. Simmons, “Spider-Man”)


Bark bark bark bark bark bark bark bark bark bark! That’s J. Jonah Jameson in a nutshell, but what an amusing bark it is. Jameson and Montgomery Burns are the only characters who can wring the funny out of the words, “You’re fired.”

And, of course, we would be remiss if we didn’t include this clip, the “SNL” digital short of “Like a Boss,” from the Lonely Island’s Incredibad. Fifth of vodka…

 

Bullz-Eye Goes Back to “Breaking Bad”

It all started, as many things do, with a seemingly innocuous question.

In early January 2011, Bryan Cranston was doing a small round of press for his new Atom.com series, “The Handlers,” and once I learned that there was a very decent possibility that I could pull one of the few available timeslots, there was never any chance that I wouldn’t throw my hat into the ring. As regular Bullz-Eye readers know, I’ve chatted with Mr. Cranston on several occasions – on the phone, at the TCA tour, even on the set of “Breaking Bad” – and he’s never proven to be anything less than a fantastic interview.

Better yet, as a result of these recurring conversations and encounters, we’ve reached a point in our relationship (such as it is) where the man actually knows who I am. Having spent many years being steadfastly convinced that no one knows who I am, I can’t tell you what a pleasure it was to get on the phone with him in January and have him kick off our chat by asking A) how I was, and B) when I was coming back to the set of “Breaking Bad.”

I answered the only way I possibly could: “You tell me when I’m coming, and I’m there.”

“All right, we’ll work it out again,” replied Cranston. “We’ll have another caravan.”

My heart soared at his words, of course, but as time passed, I…

Okay, you know, this would be the perfect place for me to say that Cranston’s words faded into hazy memories, and that I received a pleasant reminder of his comments a few months later when I received an email which said, “Come join us on the ‘Breaking Bad’ set!” But that’s not what happened.

What really happened was that I committed his comment to memory, dwelled on it for two months, and when a fellow TV critic got his invite and I didn’t, I promptly dropped a line to Cranston’s publicist and said, “Hey, remember when Bryan asked me when I was coming back to the set? I hear they’re doing that press caravan he mentioned!” A few days later, I got an email from Sony in which, without preface, they asked to confirm my travel arrangements to Albuquerque.

Eh. Either way, I still got to visit the set of “Breaking Bad” again. I ain’t complaining.

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