Category: Entertainment (Page 236 of 277)

“Mad Men” cast and crew discuss the upcoming fifth season

Mad Men” always had the feel of a show that couldn’t go on forever. It’s too smart, too ambitious, too consistent to live forever in a television world so full of subpar material. Basically, it’s too good to last.

So, it was disturbing, but not surprising to hear “Mad Men” cast and creators reveal the show is ready to retire from the advertising business after its seventh season.

For now – to celebrate the show’s fifth season – media joined fans of the show at the 2012 PaleyFest in Los Angeles to see what’s ahead for the most stylish and one of most (mad) manly shows on TV. Series stars Jon Hamm and January Jones joined John Slattery, Vincent Kartheiser, Kiernan Shipka and creator/executive producer Matthew Weiner for a red carpet episode screening and Q&A.

It was heartbreak for many of the male fans in attendance as the voluptuous and witty Christina Hendricks was otherwise engaged and couldn’t attend. Of course, it’s also possible she was laying low following her recent Twitter picture scandal in which said voluptuousness was on display for all the world to see.

Obviously, though still a couple years away, the specter of a series conclusion dominated much of the media’s bombardment of questions.

“As I’ve said, I don’t want to overstay our welcome,” Weiner said. “When I was a writer on “Sopranos,” I thought it was difficult sometimes to come up with stories that hadn’t already been covered on previous seasons or by other productions in the genre – other mob movies or TV shows. The fifth season is finished now, and I’m planning on seven. It’s just really hard to do this show.”

Pushing the idea of a final season aside, the hundreds of fans in attendance at the Saban Theater wanted the scoop on the new season. Last season ended with Don Draper – legally free of ice queen wife Betty and seemingly emerging from the shadow of alcoholism – suddenly getting engaged to Megan. Hamm said the major season-spinning plot twist felt like a shock right up until cast and crew made it official on film.

“(Weiner) and I talked about that ending for weeks before we actually shot it,” Hamm said. “But, even after all of that time, when it came time to shoot the scene, I was left wondering if it was all a fake. Was it just going to be a dream sequence or something?”

“I was just glad to see the season end up on sort of a hopeful, upbeat note,” Hamm added, “because my character had been on such a downward spiral throughout the season.

Weiner made it clear that, on the “Mad Men” set, the talented collective cast stays in character and interacts as a family as the top secret scripts unfold.

Weiner explained, “When I directed the scene where Don told his coworkers about the engagement, we filmed the group’s reaction shots first – a reverse angle. The other actors were mostly frozen – not a lot of reaction.”

“Then, we turned the camera around to see what they were so stunned by, and it was (Hamm) smiling as broadly as he ever has playing the role. That unnerved everyone. There hasn’t been a lot of smiling in (Draper’s life) recently before that moment.”

Hamm added, “I find myself really hoping that this works out for my character – after watching him struggle through the divorce and trying to give up his drinking.”

“We had that episode earlier in the last season in which (Draper) documented his struggles to stop drinking in his own journal. I think that story offered a new glimpse into how (Draper) was examining himself and evolving.”

While Hamm’s character moved on to a new potential relationship, ex-wife Betty Draper Francis (Jones) continued struggling with life as an often stern and unforgiving mother.

“I’m looking forward to see how people react to Betty now,” Jones said. “For a while, people have run away from me on the street all the time because they see how Betty treats her children. I think they’re worried about me becoming a mother myself now because they think I’m really going to be like that.”

“In this new season, I think Betty is still evolving, and I see her improving as a person.”

As the fifth season gets ready to roll on AMC, Hamm is following up on the longtime tradition of a series’ big star taking his shot at work on the other side of the camera by taking on some directing duties. It’s up to everyone else now to catch up to the idea.

“(The rest of the cast) said they’ll never work with me again. Actually, everyone was very supportive, and I got a lot of great advice from the other cast members.”

Blu Tuesday: Teenage Violence, Muppets and More

First things first: I was in Austin last week for the SXSW film festival and was unable to put together a column in advance of my trip. But there were so many great Blu-rays released that it didn’t feel right to completely ignore them, so be sure to check out “The Descendants,” “Young Adult,” and if you’re a fan of Steven Spielberg, “The Adventures of Tintin” if you haven’t already. With that said, however, this week’s offerings are even better, including several Oscar nominees and one of the coolest cult films ever made.

“Battle Royale”

If you’ve never seen Kinji Fukasaku’s Japanese cult hit “Battle Royale,” then it’s something you should remedy as soon as possible, preferably before heading to theaters this weekend to check out “The Hunger Games.” Originally deemed too controversial to be released in the U.S. (partially due to the Columbine killings that occurred the same year), the movie is finally getting an official Blu-ray release through Anchor Bay in a blatant attempt at cashing in on the “Hunger Games” media frenzy. And why not? Suzanne Collins’ bestselling trilogy may not be a total rip-off, but there are still a number of similarities that can’t be ignored. Though the books aren’t nearly as brutal in their depiction of violence as it is in Fukasaku’s movie, that’s what makes “Battle Royale” so effective. It’s more twisted, more exploitative and much bloodier, but it’s also a great commentary on how desensitized society has become to violence. Plus, it features one of the most entertaining Beat Takishi roles of his career, and that alone makes it worth watching.

Blu-ray Highlight: Although all of the extras are incredibly dated (ported over from the numerous DVD editions), they’re still worth flipping through if you haven’t seen them before. The real highlight, though, is the four-disc box set itself, which includes two versions of “Battle Royale” (the theatrical cut and a director’s cut with additional scenes that were filmed after the movie’s initial release), a copy of the subpar sequel, and an entire disc of bonus material (albeit on DVD). Additionally, it comes housed in some killer packaging that resembles a hardcover book. In other words, it was worth the wait.

“The Muppets”

It’s hard to believe that it took this long for Kermit the Frog and Co. to make their return to the big screen, because although the Muppets property had been clearly suffering creatively by the time “Muppets from Space” was released, all it needed was someone from the outside to remind everyone why they fell in love with these characters in the first place. Kudos to Disney, then, for having the prudence to hire Jason Segel and Nicholas Stoller to write a movie that would introduce The Muppets to a whole other generation of fans while still preserving what makes them so timeless. The movie has just about everything you could want, including jokes that appeal to both kids and adults, some fantastic original music (courtesy of Flight of the Conchords member Bret McKenzie), and a brand new Muppet that fits right in with the rest of the colorful cast. The human cast isn’t too shabby either, but it’s called “The Muppets” for a reason: they’re the real stars, and let’s hope no one forgets it this time around.

Blu-ray Highlight: There are a number of great extras to choose from (including one of the funnier blooper reels and a cool feature called Disney Intermission where the Muppets perform short gags and tease other bonus material whenever you pause the movie), but the commentary with director James Bobin and co-writers Jason Segel and Nicholas Stoller is too much fun to ignore. Though they stray off topic a little too often, it’s a thoroughly entertaining commentary track that adult Muppet fans will really enjoy.

Continue reading »

Bullz-Eye Gets Back to Basics with Harley-Davidson

It started, as these things invariably do, with an email from a publicist.

The situation was thus: the fine folks from Harley-Davidson were looking to shine the light on the ’72 Harley, the latest and greatest model from their Dark Custom Line, with an all-expenses-paid trip to Chicago’s Wild Fire Harley-Davidson. Fair enough…except for the fact that I don’t own a motorcycle, it’s been more than ten years since I’ve ridden on a motorcycle, and, given that the ride in question – on the back of my brother-in-law’s bike – was so goddamned terrifying (he turned a corner, my feet dragged on the ground, and I was convinced that both our asses were about to hit the fucking pavement) that I’ve never thought for even so much as a moment about buying a motorcycle.

Ah, but the pitch wasn’t just about motorcycles. Indeed, the phrase used to describe the expedition was “a jam-packed day of ass-kicking and whiskey drinking.” Now, not being much of a scrapper, I can take or leave the former, but when you bring up the latter…? Sir, you have my undivided attention.

And that, my friends, is how I came to get…

Pre-Game

Because of the designated start time on Saturday and the terribly unhelpful flight times from my home base from Norfolk (ORF) to Chicago, it was agreed that the most convenient time for me to arrive into O’Hare would actually be on Friday…and after this was agreed upon, I then begged, pleaded, and ultimately annoyed my hosts into getting me on the earliest possible flight, so as to be in Chicago for as long as possible.

Coming down the escalator, I was met by a driver holding up a card with my name on it, which is an experience that every flier should have at least once in their life. In short order, I had been deposited at the front door of The Drake Hotel, a gorgeous establishment right in the heart of the city, and – to my utter amazement – I was able to check in immediately, go right up to my room, drop off my bags, and hit the streets of Chicago.

Continue reading »

A chat with Jamie Chung of “Eden”

Jamie Chung is one of those rare cases of a reality TV star actually forging a successful career in Hollywood. After getting her big break as a cast member on MTV’s “The Real World: San Diego,” Chung made the transition into acting with a recurring gig on “Days of Our Lives” and guest roles on other popular series. Over the last few years, the actress has continued to make a name for herself in films like “Dragon Ball: Evolution,” “Sucker Punch” and “The Hangover: Part II,” and with a full slate of projects on the way, it looks like she’s here to stay.

I had the chance to speak with Chung while in Austin, TX for the South by Southwest film festival where she was promoting her new indie drama, “Eden,” based on the real-life story of human trafficking survivor Chong Kim, and it’s the kind of role that’s going to do great things for her career. The film celebrated its world premiere by also winning a number of awards, including Audience Awards for Best Narrative Feature and Best Director, as well as a Special Jury Recognition for Chung’s performance. The actress met up with me at the bustling, historic Driskill Hotel the day after the movie’s premiere for a quick chat on all things “Eden.”

BE: “Eden” represents a pretty drastic change in tone compared to the movies that you’ve previously done. Had you been actively seeking more dramatic roles?

JC: You know, I think every actor craves to really sink their teeth into something substantial and meaningful. And when the script came around, it’s just unheard of for an Asian-American female having this kind of storyline. It blew my mind that this story existed and that Chong came forward and shared this story. As soon as I read it, I was like, “I absolutely need to be a part of this.” The story itself is so moving, and what she went through is so horrific, but the entire story, what was so beautiful about it is, it’s a story of survival, and the will of the human spirit of how much she wants to live and survive and cope and continue on.

BE: You said that you weren’t aware of the story before you read the script, but did you get a chance to meet Chong before you began filming?

JC: I had the privilege of speaking to her after I was cast. And what was great too was that she also talked to Matt (O’Leary, who plays one of her captors, whom Chong befriends in order to escape) because it was really important to understand their relationship.

BE: The story takes place in the mid-90s, but human trafficking is still a really huge problem today. Have you gotten involved in any activist work as a result of working on the film?

JC: There’s an organization coming out of San Francisco that’s helping girls get out of sex trafficking, but the main focus is local girls – girls within the United States. The first thing when you hear “sex trafficking,” you think, third world country. India. Pakistan. Taiwan. Wherever. But what I love about this organization is the main focus is going to go here, and it’s something that’s in development right now. But Chong works with many organizations and she’s very much hands on, and we were entertaining the possibility of maybe traveling to Korea to meet the comfort women, that are now getting really old and are going to stop protesting, but also some other organizations throughout Asia.

Continue reading »

The Light from the TV Shows: Pilot Season Ahoy!

It’s a sure sign that spring is on the verge of emerging when the networks start to let slip the names, premises, and attached actors for all of the pilots under consideration for the next TV season. Most of these pilots go nowhere, which is the way the cookie has always crumbled, but a few lucky programs end up getting the go-ahead for a series commitment. I don’t claim to have any real idea how the networks think – as a critic, it’s pretty much a given that I never know what the networks are thinking (and, in turn, they don’t care what I’m thinking) – but that doesn’t mean I’m afraid to give my thoughts on 15 of the pilots that I’d like to see come to fruition and join the fall schedules of their respective networks. You can check out a much fuller list from The Hollywood Reporter by clicking here, but in the meantime, here’s the stuff that I’m hoping to be TiVo’ing in a few months’ time….

1. Gilded Lilys (ABC)

It’s been quite awhile since a broadcast network has managed to sell viewers on a period piece set prior to the 20th century, so the fact that ABC is even considering this series, which takes place in 1895 and revolves around the first luxury hotel in New York, is proof of how much pull executive producer Shonda Rhimes has with the American Broadcasting Company. In truth, the big selling point for me is John Barrowman. This doesn’t exactly bode well for another season of “Torchwood,” but the dude deserves a big U.S. break. You never know: this could be it.

2. Untitled Louis C.K. / Spike Feresten Comedy (CBS)

Go on, admit it: you were sold the moment you saw the name “Louis C.K.,” weren’t you? And Spike Feresten isn’t bad, either. Seeing these two guys attached to this project is the only reason why it stands out, since the only real description available is that it’s an an ensemble comedy about a bunch of twentysomethings trying to make their dreams come true despite today’s crappy financial climate. But, damn, after two seasons of “Louie,” the idea of Louis C.K. putting his spin on anything makes it something that’ll surely be worth seeing. With that said, however, I hope Dan Byrd ends up not being available to do the show, as that will mean that “Cougar Town” has been renewed.

3. Animal Kingdom (NBC)

Two words: Tyler Labine. I mean, come on, America, what more does this loveable teddy bear of a comedy actor have to do to get a show to stay on the air for more than a season or two? NBC is, if memory serves, the last of the broadcast networks that has yet to cancel a series out from under Mr. Labine – “Invasion” was on ABC, “Reaper” was on The CW, “Sons of Tucson” was on Fox, and “Mad Love” was on CBS – and, frankly, this could be his last stop before the autograph-show circuit. Doesn’t Tyler Labine deserve a better fate than that? You’re damned right he does.

4. Untitled Kevin Williamson serial killer drama (Fox)

The man behind “The Vampire Diaries” brings Kevin Bacon to the small screen to play Ryan Hardy, a former FBI agent on the hunt for serial killer Joe Carroll (James Purefoy), who’s busy building himself a whole cult full of serial killers. If that isn’t enough to sell you, the cast also features Natalie Zea (“Justified”).

Continue reading »

« Older posts Newer posts »

© 2026 Bullz-Eye Blog

Theme by Anders NorenUp ↑