Category: Entertainment (Page 210 of 277)

Game Review: “Madden NFL 13”

You know, I think “Madden 13” might be the most depressing game ever made.

Seriously, when I first booted it up, I was greeted by the new (and very well done) menu score, loaded up a quick play Redskins vs. Cowboys game, and marveled at the new presentation that so perfectly recreated a CBS broadcast, it managed to subside my summer longing for the football season in earnest. From there, I’m welcomed to a beautifully rendered Cowboys Stadium by the new, and enjoyable, announce team of Jim Nance and Phil Simms who actually bring some enthusiasm to the booth again, as they give a fantastic and accurate introduction to the matchup. As you might expect, the set up and presentation to “Madden 13” are phenomenal — I would even use the term unrivaled, in terms of sports games.

Then things actually get even more encouraging when I took the field. The new “Infinity Engine” that runs the game manages to avoid being a buzzword, and actually changes the gameplay in an initially significant way. Essentially the new engine attempts to prevent the canned animations and the predetermined outcomes they led to, by allowing for dynamic player reactions to on the field situations. It’s appropriate then that the cover boy this year is Detroit Lions great Calvin Johnson, as a play is never really over or decided until it is actually over and decided, much like the plays of Johnson himself. This new engine is bolstered by further innovations such as the ability to cancel a play action animation on the fly and regain control, or how defensive backs can hunt and track a ball with unprecedented levels of control. The goal of this year was obviously to make the on-field action feel more organic, and you may be surprised at how well this is achieved at first.

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App of the Week: Prismatic

Publisher:
Prismatic

Compatible with:
iPhone
iPad
iPod Touch

Requires:

iOS 5.0 or later

Price:

Free

Available here

We live in a world of constant stimulation.

At no point in the day is the average person but mere moments away from an entire universe of information and entertainment both classic and current. You could call it overwhelming, but that doesn’t really seem fitting. Overwhelming would imply there is some kind of burden, when really it’s enjoyable how much we have access to, even if there is no good way to sift through it all, and find the bits most relevant and interesting to you.

New app Prismatic may have the answer to this dilemma. After you create your log-in through Facebook, Twitter, or G+ the app immediately starts learning about you and what you’re interested in. From there it begins to pull news stories from the world over and deliver them to you based on your interests. You can influence this story selection further by letting the app know what stories you like, and telling it various subjects, people, locations, or anything else you may be interested in. What’s even better is the app begins to  learn, and varies its selection eventually creating a constant flow of news made just for you.

Call it Spotify for news, and you’ve got the right idea. What’s even better is that it works as well as the famous music app. Of course, this isn’t a completely new idea for a program, as Google Reader and some other, similar apps have been offering this same feature for a while. Prismatic, though, is different because of how organic it feels. The layout of the app allows you to smoothly move between the stories themselves, and the features that let you input information to expand the stories the app suggests. When the app is working at its best, the effect truly feels like a virtual newspaper meant just for you. Better yet, you can share stories you find with friends, and them with you, allowing you to expand your interests and horizons even further.

Even in its early stage, Prismatic is an essential app. Even if you use it for nothing more than to gather your favorite topics in one place, it does it better than any of its competitors. But if you take the time to truly explore the abilities of Prismatic and create a news network with you at the center, then you are rewarded with a program that becomes as essential to check multiple times a day as your e-mail is. While I’m still waiting to see what great additions further development of this app will create, for now it’s still newsworthy enough for my app of the week.

Friday Video: ‘Incident of 57th Street’ live by Bruce Springsteen

If you talk to die-hard Bruce Springsteen fans, many of them will list “Incident on 57th Street” as one of their favorite Springsteen songs. The song leads off the second side of Bruce’s second album, “The Wild, the Innocent & the E Street Shuffle” released in 1973, with “Rosalita” and “New York City Serenade.” The jazzy sound of these songs was dominated by the incredible piano playing of David Sancious who preceded Roy Bittan in the E Street Band.

The live version in the video above was released as a B-side in the mid-Eighties when Springsteen released his first live album, but I can’t find it anywhere on iTunes or in a legal digital format. It’s by far the best live version I’ve heard of this song and it features an excellent and mellow guitar solo by Bruce at the end that’s much better than the solo on the original recording.

This fan video was created by a Springsteen fan on YouTube who has posted a number of excellent Springsteen videos. He mashes up concert footage and other Springsteen footage to create visually interesting interpretations of the songs, and he translates the lyrics into Spanish subtitles.

The Lyricist Lounge Presents Pete Rock vs. DJ Premier in New York’s East River Park

Last night at Manhattan’s East River Park, the legendary Lyricist Lounge continued their 20th anniversary celebration with a free show featuring two of Hip-Hop’s all-time greatest producers and deejays, Pete Rock and DJ Premier. Hosted by Lyricist Lounge founders Danny Castro and Ant Marshall, the show was dubbed “Pete Rock vs. DJ Premier,” though it was really less a battle than a collaborative showcase. Castro began the show by schooling the audience on a bit of trivia about the East River Park bandshell, which is where the finale of the 1983 Hip-Hop classic “Wild Style” was filmed.

Pete Rock and Premo opened their shared set with a tribute to Rock’s cousin, the late, great Heavy D, taking turns spinning some of his best-loved jams, including the classic “Nuttin’ But Love.” The evening was heavy on R.I.P. shout outs to some of the great musicians of the past, including a medley of Rick James songs like “Give It to Me Baby” and “Mary Jane,” a brief medley of the Jackson 5 hits “I Want You Back” and “ABC,” and a much more extended medley of the James Brown classics “The Payback,” “Soul Power,” “Make It Funky,” and “Sex Machine.” Along with cuts from Al Green, Kool & the Gang, the Commodores and more, Premo and Rock’s set felt like a miniature history lesson in black music, continuing into the rest of the evening.

Promising to soon go head to head with some of their own original beats, the two deejays first segued into the Hip-Hop portion of the evening with some ’80s favorites like Afrika Bambaataa‘s “Planet Rock,” MC Lyte‘s “Survival of the Fittest,” Audio Two‘s “Top Billin’,” Eric B. & Rakim‘s “Move the Crowd,” and Biz Markie‘s “Nobody Beats the Biz.” When Premo spun the Boogie Down Productions battle classic “The Bridge is Over,” a diss track aimed partly at Marley Marl (a huge influence on both Rock and Premo), Rock observed, “It’s even hard to hear at a distance, ’cause those are my people.”

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Weekly Web Series Review: Between Two Ferns

Hosted by Zach Galifianakis at his most awkward, “Between Two Ferns” represents what television talk shows might actually be like in a much more interesting world. Filmed to look like a low-budget public access show, but with big-name celebrity guests, the series mines uncomfortable humor to the fullest. Galifianakis frequently mispronounces the names of his guests and openly insults them, creating an environment of hostility that often feels almost too real. When not blatantly mispronouncing names, he is prone to making intentionally terrible puns out of them, like when he asks Jon Hamm if his middle name is “Honey-Baked,” or if he has considered changing his name to something like “Stewart Turkey-Link.”

The discomfort starts strong right out of the gate in the first episode, in which Galifianakis basically molests Michael Cera. There is a common thread of one-sided sexual tension in many of the episodes, and certainly not just with the female guests, though it may be strongest in the episode featuring Natalie Portman. It is a testament to her skill as an “acteress” that this episode is one of the most authentic, as if she were actually just in the midst of a nightmarish interview set up by the most incompetent agent imaginable. Other episodes are more clearly staged, and perhaps the weakest is the one with Will Ferrell, if only because the two are generally too chummy with each other, at least until the end.

The series is at its best when Galifianakis is openly hostile to his guests, like the episodes featuring Ben Stiller and “Brad Lee Cooper.” Though this hostility is common throughout the series, only “Conan O. Brien” gets an explanation, which is that Galifianakis thought he had a shot at “The Tonight Show.” Another especially convincing episode features Galifianakis’ “twin brother,” Seth, interviewing a wooden-faced Sean Penn, who really seems like he might haul off and punch Galifianakis at any moment. As with Portman, it is Penn’s acting skill that pulls off the joke so well.

A pitch-perfect spoof of bad, desperate public access talk shows, “Between Two Ferns” is easily one of the best offerings from the always enjoyable Funny or Die. Even the opening and closing theme music feels authentic, though it is actually lifted from Bernard Herrmann‘s “Taxi Driver” score, which adds to Galifianakis’ creepy, angry vibe. I’m not sure how well it would work as a full-length show on television, but in the small segments available online, it is hilarious.

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