When you’re a TV critic, sometimes the coolest opportunities come up at the very last second, and you’re put in a position where you have to scramble to take advantage of them. Such was the case on Monday of last week, when the boss-man of Bullz-Eye forwarded me an email and asked, “Is this something you would be interested in?”
In this instance, I was being offered the opportunity to fly to New Orleans, visit the set of the upcoming new USA series, “Common Law,” be among the first people to view the pilot for the series, and meet and participate in roundtable interviews with a few of the cast members. The only catch: the trip was taking place on Thursday.
Rationalizing that I could surely finish up all of the assignments on my plate before my departure, I said, “Sign me up!”
As it turned out, I could not finish up all of the assignments on my plate before my departure. In fact, I didn’t even come close. I ended up having to finish one of them late on Thursday night, after having had a couple of Abitas, a couple of glasses of wine, a bourbon and ginger ale, and a Pimm’s Cup. That was possibly not my best work. Then I woke up Friday morning and finished two more assignments. And in the midst of the set visit, between roundtable interviews, I finished the last of the deadlines that had to be completed before the weekend. Of course, I still had two more that had to be finished by Sunday night, but I finally just had to say, “Screw it, I’m in New Orleans, that shit’s gonna have to wait ‘til I get home on Saturday.”
When Focus Features drops you a line and asks you if you’d like to head to New York City for an overnight stay at the Waldorf Astoria in order to attend a screening and press junket for “Tinker Tailor Soldier Spy,” based on the novel by John le Carré, you don’t think about it. You just say, “Yes.” And so I did. After catching a screening of the film on a Friday night, I got up on Saturday morning to begin the interviews of the day. After a roundtable with director Tomas Alfredson and screenwriter Peter Straughan, the two gentlemen left the room, to be replaced a few minutes later by one of the stars of the film, Colin Firth.
One word of warning: the potential for spoilers exists within the piece…like, to the point where Firth asks during one of his answers “not to turn this into spoilers when you write about it.” But, look, if you don’t want to know, then don’t read it. But given that the original novel was published in 1974, followed by the TV miniseries in 1979, it’s not as if you haven’t had plenty of time to absorb this information already…
Journalist: Are you a fan of the espionage and spy films?
Colin Firth: I like the good ones, yeah.
J: Do you have any favorites?
CF: No, not really. [Gesturing toward the journalist sitting next to him.] We talked about this, actually, him and I. He had to help me out. [Laughs.] No, I’m one of those people where, if you say, “Tell me what your favorite music is,” I can’t think of any music in the world. So that’s a difficult question. You throw something at me, I’ll tell you whether I like it or not. But, yeah, I’m a fan.
J: Well, we’re all like that. You ask me, and I’d do the same thing.
CF: Yeah, I know. Nothing is more guaranteed to draw a blank, I’m afraid.
J: In the film, we were trying to figure out exactly who the people up in that big office were.
Mötley Crüe is one of the few bands that can actually add to the decadence of Sin City, so kudos to The Joint at the Hard Rock for landing the gang for an extended run in 2012. I can’t imagine a better venue for Tommy Lee, Vince Neil, Nikki Sixx and Mick Mars and the fans should love it. Now they can go from a wild concert to a wild party just by walking a few steps out of The Joint and into the Hard Rock casino.
Here’s a list of the scheduled dates:
Friday, February 3
Saturday, February 4
Sunday, February 5
Wednesday, February 8
Friday, February 10
Saturday, February 11
Sunday, February 12
Tuesday, February 14
Wednesday, February 15
Friday, February 17
Saturday, February 18
Sunday, February 19
The highlight has to be Super Bowl Sunday, and then they’re playing on Valentine’s Day and President’s Day as well. can you imagine partying all day for the Super Bowl in Vegas and then topping it off with a Mötley Crüe concert?
Tickets, starting at $45 (plus applicable service fees) will be available Saturday at 10am at the Hard Rock Box Office, Motley.com, TheJointLasVegas.com, Ticketmaster.com. Hard Rock Hotel & Casino is also offering ticket and room bundles via Hardrockhotel.com.
I love being in Mötley Crüe. I love Mötley Crüe. I’m so grateful to Mötley Crüe. There’s something magic that happens when the four of us get together. You know, we have had such highs and we’ve had lows. It’s, like, I get to live and breathe every fantasy I’ve ever had because of those other three men being with me, and all of us foraging the fucking road together and creating all of this amazing music. And being a creative person, when I’m not doing Mötley Crüe, I’m doing something else creative. You know, I’m in this other band, Sixx:A.M. James (Michael) and DJ (Ashba) are two of my best friends, and we create all of this amazing music. And I do the radio show. And I’ve got a great partner with Kelly Gray and our clothing line, Royal Underground. That’s doing fantastic. And it’s all positive energy. I mean, I feel like I can infect everybody around me with positive energy. And I do. ‘Cause I want everybody to be successful.
These guys should put on some incredible shows so head to Vegas and check them out.
If Marcus Sakey’s name doesn’t mean anything to you…well, first of all, maybe don’t tell him. He’s a nice guy. I wouldn’t want you to hurt his feelings. But beyond that, it probably means that you need to pick up the pace when it comes to reading top-notch crime thrillers. His debut novel, 2007’s The Blade Itself, was featured as a New York Times Editor’s Pick was named by Esquire as one of the 5 Best Reads of the year, and he’s since enjoyed continued success with subsequent novels Good People, The Amateurs, and The Two Deaths of Daniel Hayes.
But we’re not here to talk about Sakey’s books. We’re here to talk about his TV show.
On December 6, the Travel Channel will debut “Hidden City with Marcus Sakey,” a series that will, over the course of its 12 episodes, explore 12 different cities around the United States – caveat: for these purposes, we’re treating the Florida Keys as one big city – by investigating some of the more sordid (or at least less than cheery) parts of their pasts. For example, in Boston, Sakey explores the history of the Boston Strangler. In Chicago, he looks into the infamous protest riot of 1968. Neither is the sort of thing that’d pop up on the cover of a tourism brochure, but it is the sort of thing that fascinates Sakey. I’ve had a chance to screen the first two episodes of the series, which, not coincidentally, find Sakey working his way through Chicago and Boston, and I found it to be highly enthralling viewing.
Okay, so maybe Sakey doesn’t have the eccentric intensity of, say, James Ellroy. (If you haven’t seen Ellroy’s series “L.A.: City of Demons,” I highly recommend it.) But you can sense Sakey’s fascination with the material he’s discussing and the people with whom he’s conversing, which goes a long way. Plus, c’mon, it’s the guy’s first time playing host. Give him a chance to grow into the role, huh? And, anyway, the end of his adventures in Chicago, one thing’s for sure: he’s up for anything if it’ll help him get a better handle on the discussion at hand…even if it involves being temporarily blinded.
Bullz-Eye: So I checked out both of the episodes on the screener yesterday…
Marcus Sakey: Oh, cool! What did you think?
BE: A lot of fun, to say the least.
MS: Beautiful! Thanks, man, I appreciate it.
BE: In fact, I went on Facebook right after I watched it and said that my eyes were burning just watching the Chicago episode.
It’s true. I really do. I’ve been a major proponent of the MOD (Made on Demand) format for DVDs ever since I first heard about the idea in the context of movies – “Want an obscure film from our vault released on DVD? We’ll print copies on an as-ordered basis!” – but when they started moving into doing the same thing for TV series, I practically lost my mind. Mind you, they eased into television, first offering up a bunch of TV movies, then miniseries, then a couple of more recent series that didn’t have massive fanbases, like “The Eleventh Hour” and “Dark Blue.” Soon, however, they started to delve into their back catalog of Hanna-Barbera series…and that’s when things really started getting interesting for me.
Throughout the ’70s, I was an obsessive watcher of cartoons: before and after school, Saturday mornings, even the occasional Sunday morning series. (Anyone remember “These Are The Days”?) As Warner Archive has begun to reissue the series that I watched in my youth but, in most cases, haven’t seen since, I’ve all but drooled at the prospect of getting to revisit them. Now that I have, I thought I’d shine the spotlight on the top 10 releases that have resulted in the most flashbacks for me:
Be delightfully miserable with the Addams Family as they take to the road in their Victorian-styled RV for spooktacular cross-country quests only they can conjure. From Nashville to New Orleans, New Mexico and Hawaii, these peculiar parents – Gomez and Morticia – treat their family to misadventures, including outwitting a band of gold thieves, freeing the animals from New York’s Central Park Zoo and racing a horse in the Kentucky Derby. They even win a piece of the moon and with Uncle Fester’s rocket, the trip will be a blast! You may remember them as “altogether ooky,” but the spirit of this family is contagious!
Although the “Addams Family” movies resulted in an animated series in the early ’90s, a lot of people don’t realize that there’d already been one back in the early ’70s. I remembered that I’d watched it as a kid, but I hadn’t seen it in years. Indeed, my only truly concrete memory of the ’70s animated version of the Addams Family came from when they appeared on an episode of “The New Scooby-Doo Movies.” Unfortunately, although John Astin, Carolyn Jones, Jackie Coogan, and Ted Cassidy contributed to the Addams’ “Scooby-Doo” appearance, they’re nowhere to be found on this set. This is the sort of disappointment you never really get over as you’re watching it, but at the same time, if you’re a fan of “The Addams Family” in general, then it still makes for relatively enjoyable viewing.
Buzz Conroy is a heroic boy-genius who builds the powerful robot Frankenstein Jr. When the Ghastly Genie, the Junk Man and other evildoers get up to their old tricks, “Frankie” and his young creator crank into action. The crime fighting coalition continues with the Impossibles, a group of superheroes disguised as a beatnik rock group. At the direction of “Big D,” Multi Man, Coil Man and Fluid Man make hot-rockin’ musical justice thwarting thieves and corralling crooks with their transformative powers.
This remains one of the oddest – and therefore coolest – series ever to have emerged from Hanna-Barbera. There would seem to be little doubt that the Frankenstein Jr. / Buzz Conroy relationship was inspired at least in some part by Gigantor, the famous space-age robot who was under the command of Jimmy Sparks, but hearing Ted Cassidy’s voice come booming out of Frankie made it rather easy to dismiss the derivative nature of the premise. As for the Impossibles, I remain mystified as to why a series about a rock band who doubled as superheroes neither lasted very long nor made any sort of dent on the pop charts. Somebody at Hanna-Barbera really dropped the ball on that one, that’s all I can say.
One cold, wet night three lost teens – Skip, April and Augie plus Elmo their dog – stumbled inside a spooky old house hoping to get warm. The dusty clock showed the wrong time, so these helpful kids reset the clock hands. A gong rang out, followed by a voice: It’s the Spirit of 1776, even, at your service! Much to their surprise was the friendly ghost Mudsy and his mischievous ghost cat Boo. Antics abound when this motley group hits the road, cracking cases and thwarting crooks, pirates, ghosts and all kinds of strange characters.
For my part, when I think of the Funky Phantom, I think of the fact that, when the amusement park Kings Dominion used to be Hanna-Barbera-themed, we also used to end up parking in the Funky Phantom lot. Also, I always remember that Micky Dolenz of the Monkees did one of the voices on the show (Skip). Funnily enough, though, it wasn’t until years later that I actually saw my first episode of the show, by which point I’d already long since associated it with fond memories of childhood, anyway. Having revisited it, it’s still a fun little show, following the same general formula as “Scooby-Doo,” but with the twist of doing the ghost-hunting with an actual ghost.
