Category: Entertainment (Page 171 of 277)

The Light from the TV Shows: A Chat with Theresa Russell (“Liz & Dick”)

Theresa Russell has spent far more of her career on the silver screen than the small screen, so when she takes on a TV role, it’s a pretty big deal. Of course, “Liz & Dick” was already destined to be a big deal whether Russell had been cast as Elizabeth Taylor’s mother or not, simply by virtue of Lindsay Lohan playing Liz, but that doesn’t make it any less lovely to see Russell turn up.

With “Liz & Dick” now available on DVD, Russell kindly set about doing a bit of press for the production, and in chatting with Bullz-Eye, she discussed how working alongside Lohan caused her maternal instincts to kick in, revealed how serious funnyman Bill Murray can be, and detailed the good and the bad about her short-lived stint as a series regular on The WB’s “Glory Days.”

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Bullz-Eye: I feel like I’m the only TV critic who didn’t get a chance to watch “Liz & Dick” when it originally aired, so I’m glad they sent me a copy of the DVD release in time to watch it before you and I talked.

Theresa Russell: And…? [Laughs.] What did you think?

BE: I enjoyed it well enough.

TR: It’s entertaining, I think.

BE: Well, I tend to enjoy bio-pics in general, if only just to see how a cast and crew decide to tackle the challenge of bringing someone’s life story to the screen.

TR: Yeah. I think Lindsay did a good job. And I didn’t realize that (Elizabeth Taylor’s) mom was so involved her life, either, until doing that, so I thought it was interesting. I actually met Liz. My former husband, Nicolas Roeg, did…I think it was for CBS, but it was Tennessee Williams’ “Sweet Bird of Youth” with her. She was just a wonderful woman. I even tried on that damned diamond. [Laughs.] She goes, “Here, try it on!” I was, like, “Oh, my God…” We were standing around her pool. I put it on, and the thing was…I’m not a big jewelry person, so I thought it would look like a hunk of glass, but it didn’t. It was beautiful. I mean, looking into it was like looking into infinity. It was unbelievably beautiful. She was a trip, though. She was an amazing woman. She really was special. A special creature.

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The Drinks of Hollywood Blvd, or TCM 2013: A Booze Odyssey

Booze and the movies go way back. From the self-medicating part-time hooker heroine of 1931’s “Safe in Hell” — a highlight of 2013’s Turner Classic Movies Festival — to the lovable dipsomaniacs of “The Thin Man” and “Harvey” and on into more recent times with such frequently soused superheros as James Bond and Tony Stark, the movies have glamorized alcohol. When Hollywood wanted to, it could make habitual drunkenness charming, funny, and, of course, sexy.

While the movies once celebrated cigarette smoking as well, modern day Hollywood Boulevard makes it tricky for smokers to indulge in their passion, give or take some hookah bars and a medical marijuana “clinic.” Booze, however can be obtained with great ease. All you need is plenty of ready cash or a clean credit card or two and you can have your fill of cocktails.

And that’s exactly what I did between classic, near classic, and merely really interesting movies the weekend of the 2013 TCM Fest. What follows is a (relatively) brief journal of the drinks I found going up and down the boulevard we call Hollywood the final weekend of April.

Now, I should add that this listing is my no means exhaustive and is, with one exception, limited to cocktails one can purchase on Hollywood Boulevard proper, no side streets allowed, within an easy walk of Sid Grauman’s old Chinese and Egyptian Theaters and the legendary Hollywood Roosevelt Hotel, the heart of Hollywood and the home base of the TCM Fest.

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“Iron Man 3” continues to dominate box office

Iron Man 3

If you one of those guys who loves betting so much that you even lay money down on box office numbers, let’s hope you had week 2 of “Iron Man 3” beating week one of “The Great Gatsby.” Gatsby opened well with a $50.1 million debut, but Iran Man hung in there after a monster opening weekend to pull in another $72.5 million to win the box office last week. It’s nice to see movies live up to the hype, at least when it comes to ticket sales.

You have to give Marvel credit, as they strung together hit after hit across all of their characters. After “Avengers” I thought the third installment of of the Iron Man franchise could end up being a letdown like we’ve seen so many times in this genre, but Marvel is firing on all cylinders, and there’s something about the Tony Stark character created by Robert Downey, Jr. You see Iron Man merchandise everywhere, including slot machines at the Vegas casinos and even virtual slot machines at Betfair casino.

Next week things will get even more interesting as J.J. Abrams is back with “Star Trek Into Darkness” which has a great shot of winning the weekend. As for hype, Abrams is getting plenty of it. With Star Trek he’s already responsible for reviving one of the great science fiction franchises, and then next year he’ll tackle the big one with the Star Wars franchise. After George Lucas belly flopped with the three prequels, let’s hope Abrams is the right choice to take Luke, Han and the others on a worthwhile journey. At the very least the next Star Wars movie will probably be the easiest box office winner to predict. But in the meantime you’ll have to figure out if the Trekkies can rise to the occasion next week.

App of the Week: Pizza Compass

Developer: Oak

Compatible with: iPhone 3GS and up (optimized for iPhone 5), iPod touch 3rd gen and up, iPad

Requires: iOS 6.0 or later

Price: $0.99

Available here

A scenario.

It’s 2 A.M. and you’re the kind of drunk that usually only follows a particularly joyous event, or a particularly disastrous one. While concerns such as the bar tab you just threw on your credit card, and that black eye forming over a disagreement over that girl you don’t remember will soon dominate your thoughts, the only worry at the moment is where you can get a slice of pizza in this unknown part of town that you were highly familiar with only four shots ago.

While you can ask a stranger (unlikely and potentially dangerous) or navigate Yelp and Google Maps (not a chance in your current state), what you really need is a digital arrow that simply shows you where the nearest pizza is right damn now.

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Such is the purpose of Pizza Compass. Simply spin the app’s pizza icon and you’ll soon be directed to the nearest slice joints, and even be provided with a steaming pizza graphic when you’re in range. Should you have the need, you can also explore the built in map to view all nearby pizza places, and get photos, hours, reviews courtesy of Foursquare, and more.

Described as both a no frills app, and “the most important app ever made,” the makers of Pizza Compass are very aware of both the incredibly simple nature of the program, and the fact it is absolutely essential. You can easily make the well-reasoned and fact based argument that everyone with a soul enjoys pizza, and as such it is highly likely that at some point, you will appreciate having an app that cuts through the crap (as in other food that isn’t pizza) and gets you on the right path to enjoying the greatest thing to ever come in slice form (that’s right…suck it mere bread).

A further scenario. It’s now 2:30 A.M., and you’ve soaked up a medically advisable amount of excess alcohol courtesy of a hot and greasy peperoni pizza, all thanks to Pizza Compass. With the few brain cells left firing, you realize that Pizza Compass is in fact the app of the week.

Movie Review: “The Great Gatsby”

Starring
Leonardo DiCaprio, Carey Mulligan, Tobey Maguire, Joel Edgerton
Director
Baz Luhrmann

Baz Luhrmann was born to make “The Great Gatsby.” Dazzling excess, star-crossed lovers, and tragedy are the cornerstones to nearly every movie he’s ever made, and F. Scott Fitzgerald’s novel has all three in abundance, wrapped in a searing indictment of the pursuit of wealth. All four of those elements of the story are on full display here, but there’s something missing in the execution. For a story with so much passion and longing and regret, it’s surprisingly bloodless. This is not to say that Luhrmann doesn’t hit the emotional buttons; he just doesn’t hit them hard enough. Then again, that may not be Luhrmann’s fault at all, but the source material. A bunch of clueless people ruining their lives by making bad decision after bad decision; it’s like a Mike Leigh movie, with money.

Nick Carraway (Tobey Maguire) is in a sanitarium for a laundry list of conditions (top of the list: morbid alcoholism), and soon begins telling his shrink about the summer of 1922. Nick had taken a job as a bond salesman during the Roaring Twenties, and found a small cottage in the village of West Egg, where he lived next to new-money millionaires. Nick’s cousin Daisy (Carey Mulligan) lives across the bay from her, and is (unhappily) married to old-money millionaire and unfaithful thug Tom Buchanan (Joel Edgerton). The man who lives next door to Nick is a mysterious fellow named Jay Gatsby (Leonardo DiCaprio). Jay would throw massive parties every weekend, but his reason for doing so was surprisingly sweet: he hoped that one day Daisy would attend one of them. Daisy was Gatsby’s girl five years earlier, and once Jay discovers that Nick and Daisy are related, he asks Nick to invite Daisy over for tea. This sets in motion a chain of events that would change the lives of all concerned.

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