Author: Will Harris (Page 19 of 41)

The Light from the TV Shows: Even executive producer Vince Vaughn can’t liven up “Sullivan & Son”

When the DVD screener arrived for TBS’s new sitcom “Sullivan & Son,” I couldn’t help but notice that the packaging for the disc featured five words placed prominently above the title: “From Executive Producer Vince Vaughn.” For some, this wouldn’t necessarily be that big a selling point. Hell, it’s not even that big a selling point for me, and I consider “Swingers” to be one of my favorite films from the ’90s. It’s not that I don’t think Vince Vaughn’s funny. It’s just that, in addition to the fact that his comedy track record is far from 100%, the simple fact of the matter is that you absolutely cannot tell how funny a sitcom is going to be by its executive producers…and, boy, is “Sullivan & Son” proof of that.

“Sullivan & Son” starts Steve Byrne as Steve Sullivan, an NYC attorney who returns home to Pittsburgh with his new girlfriend, Ashley (Brooke Lyons), in tow in order to help celebrate the 60th birthday of his Irish-American father, Jack (Dan Lauria). The birthday celebration takes place in the bar owned by Jack and his wife / Steve’s mother, Ok Cha (Jodi Long)…and in case the name didn’t give it away, yes, Steve’s mom is Korean. During the evening’s celebration, Steve’s parents reveal that they’ve decided to sell the bar, a newsflash which sends Steve into a tizzy of reflection as he tries to decide if his current path in life is more important than keeping the bar in the family. Unsurprisingly, he decides on the matter, talking his parents into selling the place to him, and although this utterly infuriates Ashley, who’d already worked out a 12-step program to have the perfect married life with Steve, it’s a decision which nicely sets up the premise of the series.

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A Chat with Peter Farrelly (“The Three Stooges”)

The initial reaction to the idea of a new Three Stooges film for 2012 brought no end of moans and groans from Moe, Larry & Curly purists, but after Bobby and Peter Farrelly’s film hit theaters, many were surprised by the fact that it didn’t completely suck. Indeed, it was actually about as good as anyone could’ve hoped, thanks in no small part to the Farrelly’s devotion to making the best possible tribute to the comedic trio that they possibly could, aided in no small part by the efforts of Chris Diamantopoulos (Moe), Sean Hayes (Larry), and Will Sasso (Curly). Bullz-Eye talked to Peter Farrelly in conjunction with the film hitting DVD, and he spoke about the trials and tribulations of getting the film made, his Zen attitude toward the lengthy casting process, and his continued optimism that the Farrellys’ next film will indeed be “Dumb & Dumber 2.”

Bullz-Eye: Not that you haven’t been asked this more than a few times, but…what’s your very first memory of experiencing the Three Stooges?

Peter Farrelly: You know, the God’s honest truth…? I don’t remember it. Because they were always there. I’ve been watching the Stooges since I could turn on a TV. But I guess the thing I recall the most is, for some reason, I went through a period when I was, like, a freshman in high school where they were on every day from I think 4 – 5 PM, and I just remember it being the highlight of that winter. [Laughs.] Every day, because it was freezing out, you’d just get in the house and turn on the TV. Every kid in my school at that time was watching. For some reason, they were going through some sort of a renaissance. Everybody was watching them that year.

BE: Not that you guys have ever been afraid of testing boundaries, but it would seem to be pretty daunting to update the Three Stooges. I think the last time anyone tried it was with “The Three Robonic Stooges.“

PF: Yeah, we knew it wasn’t gonna be easy, but we love the Stooges and…the God’s honest truth is that we felt like they were going away. I had little kids…well, they’re 11 and 13 years old now, but the last few years, I asked their friends, and two-thirds of them did not know the Three Stooges. Or they had heard of them, but they didn’t really know who they were. And that bothered us, because we’re huge Stooges fans – they’ve given me more laughs than anybody – and we wanted to bring them back. But we knew that…you know, look, anytime you do anything like this… There was a huge, huge opportunity to fall on our faces, but I did believe that it should be done, the movie should be made, and I felt very confident that we could pull it off.

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The Light from the TV Shows: “Breaking Bad” is about to do some more bad-breaking

If you’ve frequented any pop-culture website or picked up an entertainment-themed publication at any point in the past week or so, it’s highly unlikely that you’re ignorant of the impending return of AMC’s “Breaking Bad.” I’m not saying you’re necessarily a fan, but you’d be hard pressed to be unaware of the fact that the show’s coming back, since every TV critic and their brother wants to make sure they get in a story or three about the fact that this is the last season of the show…except it really isn’t, now that they’ve decided to split the 16-episode final season into two eight-episode seasons instead. But, hey, po-tay-to, po-tah-to, a story’s a story’s, whether it’s 100% accurate or not, am I right?

Regrettably, it’s unlikely that I’m going to be blogging each and every episode of this season I have over the course of the past couple of years, but that’s not to say that I won’t still be offering up the occasional piece about the show. I mean, after all, I meant it when I said – repeatedly – that it’s the best show on television, so I’m rarely without something to say about it. Indeed, having been fortunate enough to check out a screener of the Season 5 premiere, I thought I’d devote this week’s column to desperately avoiding saying too much about what goes on while still giving you as many reasons as possible to make you want to tune in.

But first, AMC’s official look at what’s ahead:

Now that you’ve watched that, prepare yourself for a list of 20 things that you probably won’t want to read if you want to go into the episode being as surprised as possible. Trust me, though: although arguably all 20 things qualify as spoilers on some level, I really haven’t told you much of anything…which you’ll realize after you’ve watched the Season 5 premiere on Sunday night. Once you have, I hope you’ll check back in. I’m curious to know what you think.

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The Light from the TV Shows: A Remembrance of Summer Replacement Series

A few weeks ago, I was fortunate enough to chat with Drew Carey in conjunction with the upcoming DVD release of PBS’s “American Masters: Johnny Carson,” for which Carey was interviewed, and at some point in the conversation, we got to talking about the phenomenon of summer replacement series. In a world where cheesy, cheap-to-produce reality shows tend to fill the programming void while your favorite shows take their annual summer hiatus, we sometimes forget that there used to be a wealth of cheesy, cheap-to-produce variety shows.

Okay, so maybe they weren’t significantly more substantive in the long run, but here it is almost 40 years since the glory days of these programs – I speak of the ‘70s, of course – and they’re still remembered at least semi-fondly by those of us who lived through the era. Here’s a look back at some of the series that kept us relatively entertained during June, July, and August when I was a kid…

1. Make Your Own Kind of Music (NBC, 1971): Riding high on the soft-pop success of singles like “Close To You” and “We’ve Only Just Begun,” brother-and-sister duo The Carpenters were given their own variety show in the summer of ’71, although it’s one that occasionally slips under the radar for fans of the group due to the fact that their name wasn’t actually in the title. It’s also the sort of program that further cements the Carpenters’ reputation as being less than hip, what with guests like the Doodletown Pipers and Al Hirt, but let’s just remember that, in 2012, a heck of a lot more people still listen to the Carpenters than the Doodletown Pipers. All told, I think it’s fair to say that Karen and Richard had the last laugh.

2. The Helen Reddy Show (NBC, 1973): Yeah, yeah, she was woman, we heard her roar…but that’s really about all most people remember about Helen Reddy’s musical career anymore, though. (I’d almost forgotten about “Delta Dawn” ’til I started writing this piece, and I still can’t place “Angie Baby,” even though it was apparently also a #1 hit for her.) Nowadays, you’re more likely to have people think back to her gig as a very special guest star on “The Muppet Show,” or maybe her occasional stints as an actress, as seen in such ’70s classics as “Airport ’75” and “Pete’s Dragon.” Oh, right, and that really was her saying “Helen Reddy, standing by” in that episode of “Family Guy.” But in ’73, Reddy got a boost in profile from Flip Wilson, who apparently had a hand in selecting her to serve as the summer replacement for his variety series.

3. The Bobby Darin Amusement Company (NBC, 1973): By the end of 1973, crooner Bobby Darin would be dead, his perpetually poor health finally getting the best of him (he died from complications during heart surgery), but in his final year, he took to the small screen for a summer variety series that continued to prove his versatility as a interpreter of popular song.

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The Light from the TV Shows: A Chat with Maurice LaMarche (“Futurama”)

Maurice LaMarche has been my Facebook friend for several years, but I’d never actually met him, talked to him, or even traded email with him until a few days ago…which means, of course, that he really wasn’t my friend at all. I mean, not really, anyway. After I found out that he and I would be chatting in conjunction with the return of “Futurama,” however, I decided I’d tag him on my status update about our upcoming conversation. In turn, I drew Mr. LaMarche’s attention at long last…or, at least, one of my “likes” did.

Eh. Either way, Maurice LaMarche kinda sorta knew who I was when I got on the phone. I’m chalking it up as a win.

Maurice LaMarche: Now, I’m looking here on your Facebook page, and…who are your likes? Because I see you’ve got “The Newsroom,” and then you’ve got this guy with really tightly cropped hair, but then when I go into your page, you’ve got something like 1,200 “likes,” so I can’t tell who he is. Do you know who I’m talking about?

Bullz-Eye: Yeah, he’s…I’m blanking on his name right this second, but he’s part of the cast of USA’s “Suits.”

MLM: Hmmm. Because he looks like a guy who used to be on a show that I loved that got cancelled, a show called “Jake In Progress.” He played a magician, I think, but…God, that’s gonna drive me nuts now. I’ve got to look up “Suits” now! [Laughs.] Sorry! Then we can start. I’m a little compulsive…

BE: Well, look, I’ll help you out: that’s the same guy. His name is Rick Hoffman.

MLM: Yes! I love him! He’s so good. So funny. I love that guy.

BE: Yeah, I think I first saw him on “Samantha Who?”

MLM: Okay, so you never saw him on “Jake in Progress,” then…? Oh, “Jake in Progress” was my favorite show, and it just was treated so… [Puffs up his voice.]  …ignominiously by ABC. Reminiscent of the way they treated a certain futuristic cartoon show, one might say.

BE: I’m sure I don’t know what you’re referring to.

MLM: I’m sure I don’t, either. [Laughs, then puffs up voice again.] But Comedy Central has treated us much better.

BE: Yes, “Futurama” continues to be the gift that keeps on giving. It’s like a zombie: Fox tried to kill it, but they couldn’t get rid of it.

MLM: That’s right. We just keep coming back at you. And we’ll try not to do any zombie storylines, so…thank you for your patronage. [Laughs.]

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