Month: September 2013 (Page 6 of 11)

App of the Week: Joust Legend

Developer: Rebellion Games

Compatible with: iPad 2 and up,  iPod Touch 5th Gen, iPhone 4S and up

Requires: iOS 4.3

Price: $1.99

Available: here

I think I would have liked to have been a jouster. Sure I can’t ride a horse and am lacking in upper body strength, but my enthusiasm for wearing battle armor and charging at people full speed with vicious intent is second to none.

Sadly since jousting has gone out of fashion in the last several centuries or so, my passion for the sport is relegated to watching “A Knight’s Tale” far too often (it’s both the “Varsity Blues” and “Citizen Kane” of jousting movies), or trying to drunkenly recreate the activity at the pool to mixed (ok, just horrible and awkward) results.

Luckily a new app called “Joust Legend” has come along, and provides me the chance to test my skill on the field of joust, that up until now has been so cruelly withheld.

“Joust Legend” isn’t actually the first jousting game ever, but I can tell you it is the best playing, and by far best looking. The graphics on this app are some of the best the mobile world has ever seen, and are sure to turn heads wherever you take it, as well as constantly surprise you not just with the visual pop they provide, but with the well thought out and executed artistic design that enhances their appeal far beyond the initial wow factor.

screen568x568

As for the gameplay, it’s as simple as can be. There’s really only three parts to the jousting mechanics (the take-off, lowering your lance, and hitting your target) and all of them are executed with very basic timed swipes and presses. As such you pretty much learn all there is to know about the core game on the first few goes, but really for such a concept, you don’t need anything more than that. The elements of timed control that are present fit perfectly within the basic set up of a joust, and though you may repeat the same movements over and over, the satisfaction of executing them perfectly never really goes away.

The system truly shows its value, however, once you take into account the multiple tournaments, challenges, modes, skills, and various unlockables there are in the game. Good mobile games usually provide you a simple, replayable, and addictive experience, but  the best ones always tack on another reason to keep coming back, and the torrent pace that you unlock new things to do in this game makes each already enjoyable session that much more rewarding.

This is one of those apps that may initially appear to appeal to a niche market, but deserves a download by anyone that appreciates well-made mobile action games that are easy to keep coming back to for short bursts of pure fun. Though the competition isn’t exactly fierce, “Joust Legend” stands alone at the end of the fight as the champion of jousting entertainment, and my app of the week.

Booth Babes at 2013 Frankfurt Motor Show

Booth Babes at 2013 Frankfurt Motor Show

We were back in Frankfurt this year on location for the motor show, and like before we have a great booth babe gallery for your viewing pleasure. As usual, the booths with the Italian cars had some of the most impressive eye candy with Lamborghini getting plenty of attention as usual, but there were great models at all the booths. The concept cars and new car models usually got the most attention in terms of beautiful women helping to show them off.

The 2013 Frankfurt Motor Show had some impressive new vehicles revealed like the Porsche 918 supercar and the Ferrari 458 Speciale, so check back for our coverage here and at Dashboard News.

Check out out Girls and Cars page for more!

Continue reading »

Drink of the Week: The Commodore

the Commodore.

One fact of boozy life that is both a source of endless fascination and constant befuddlement is that there isn’t a single cocktail recipe that is even remotely agreed upon, much less set in stone. Some may insist that an Old Fashioned is always made with exactly one teaspoon of water or club soda, one sugar cube, and two dashes of Angostura bitters. However, no one’s going to stop me from muddling an orange slice and/or cocktail cherry and maybe adding a bit more water and liking my version a bit better.

This week, I’m extra befuddled and feeling vaguely guilty. That’s not so much because of anything having to do with today’s drink but because this post is appearing just a few hours before the start of Yom Kippur and vague guilt is just a the natural state of being for ultra-secular Jews like myself.

Leaving all that tsuris aside, I can tell you that the Commodore is a worthwhile classic/pre-prohibition beverage with a softer edge, but I can’t even tell you which version I personally prefer. So, this week you get two recipes for the price of one, even if you’re really not supposed to be handling money on the high holidays. Did I mention that you’re also reading this on a Friday the 13th?

The Commodore

1 1/2 ounces bourbon
1 ounce fresh lemon juice
1 ounce white creme de cacao
1/4 teaspoon grenadine

OR

2 ounces bourbon
1/2 ounce fresh lemon juice
3/4 ounce white creme de cacao
1/4 teaspoon grenadine

Whichever recipe you choose, combine all the ingredients in a cocktail shaker, shake vigorously, and strain into a chilled champagne flute or cocktail glasses. Drink and toast our nation’s maritime armed forces or Dabney Coleman of “Boardwalk Empire.” (I’m at least two seasons behind so, please, no clues on the Commodore’s ultimate fate, please.)

*****

Allow me to explain the nature of this week’s cocktail cockup. Returning to the scene of the crime that was my recent Clover Club triology, my first try at the Commodore was a recipe taken almost exactly from Robert Hess’s The Essential Cocktail Guide, the second of the two recipes you see above. Made with Four Roses bourbon from a nearly empty bottle, it was pretty wonderful, with the chocolate from the creme de cacao doing a merry dance with the bourbon and citrius as the grenadine added just a hint of additional color. (The one change I made in Hess’s recipe is rendering his “dash” of grenadine as a quarter teaspoon.)

Subsequent research, however, provided me with two discoveries. Firstly, there are actually a number of barely related classic-era cocktails called “Commodore,” including one with rum and egg white I might well be trying pretty soon, and a version from The Savoy Cocktail Book that is basically just a super simple Canadian whiskey sour. Secondly, I discovered that the Hess recipe was actually a refinement of a somewhat less boozy cocktail from an era when good bourbon was probably a little harder to find than in these times of alcoholic plenty.

So, that led me to the first recipe of the cocktail you see above. While I found that I enjoyed it well enough, one of my in-house guinea pigs found it a bit over-citrusy and I had to admit it wasn’t quite the subtle taste treat I remembered from my first try at the Commodore. I found, however, that when I switched out the lighter 80 proof Four Roses I started with for some 100 proof Knob Creek, I liked that version a lot better.  Still, that first drink, the one with more whiskey and less lemon, was so strong in my memory that it would still just have to my recommendation to the denizens of DOTW land.

That, however, went all to hell when I tried the Hess recipe again. A super-boozy attempt using two whole ounces of Knob Creek was, to my mouth, a bitter tasting non-starter which I tossed out.  I then went with what I thought would be a sure thing — Basil Hayden, which is both 80 proof and an absolutely outstanding bourbon that usually mixes superbly. For whatever reason, using it with the Robert Hess recipe was okay but far from spectacular. Since I’m out of Four Roses, it’s hard to know whether my love of that first Commodore was just the thrill of the new, or a repeatable phenomenon, as long as I stuck with just the right bourbon. So, despite being a bit citrusy and overtart, I think I’ll have less to atone for, and will  have a slightly better chance of being inscribed in the Cocktail Book of Life, if I steer readers towards the older recipe I listed first. Got that?

Shana tova, everybody.

The Light from the TV Shows: A Chat with Laura Fraser (‘Breaking Bad’)

As “Breaking Bad” began winding down toward its inevitable conclusion with its fifth and final season, the series introduced a new character who has gone on to make a surprising impact for someone who started off all but shivering in fear at the prospect of what the future might hold for her. Laura Fraser may not be a familiar face to those who prefer their TV to be wholly American, but she’s done quite a bit of small-screen work in the UK, and you may recognize her from some of her big-screen performances as well…like, say, playing against Heath Ledger in “A Knight’s Tale.” Bullz-Eye chatted with Fraser about her current gig as well as some of her earlier roles, including a gig she was hired for but was subsequently replaced…and if she hadn’t ended up on “Breaking Bad,” she’d probably still be miserable about it.

Laura Fraser Breaking Bad 1

BE: So how did you first find your way onto “Breaking Bad”?

LF: Just a regular audition. I got sent a scene that wasn’t from the show, but it was, like, similar to the scene in the diner with Mike in the episode “Magical.” I had to make a tape, which I did, and I sent it to the casting director, who sent it to Vince Gilligan, who said it was great. And then Vince gave us a note and a real scene from episode 2 of Season 5. So I did that, and I got it from that. And I never met anyone! It was all on tape. So it was as if by magic. [Laughs.]

Continue reading »

Movie Review: “The Family”

Starring
Robert De Niro, Michelle Pfeiffer, Diane Agron, John D’Leo, Tommy Lee Jones
Director
Luc Besson

Luc Besson is best known for his testosterone-fueled action thrillers, so the dark comedy “The Family” represents a major departure for the French-born multi-hyphenate. It’s also his first English-language film in over a decade, not counting the numerous action franchises (like “The Transporter” and “Taken”) that he helped shepherd as a writer/producer. Though many of Besson’s past movies have had shades of humor, this is the first one he’s helmed that could be described as a comedy. Adapted from Tonino Benacquista’s novel “Malavita” (renamed “Badfellas” for the English translation), “The Family” is a surprisingly funny fish-out-of-water tale that succeeds thanks to its excellent cast.

Robert De Niro stars as Giovanni Manzoni, a respected member of the New York mob who’s been in witness protection for the better part of the last decade after snitching on his mafia family. Unable to stay out of trouble wherever he goes, Giovanni is relocated to a small, quiet town in Normandy, France with his wife Maggie (Michelle Pfeiffer) and their two kids, Belle (Diane Agron) and Warren (John D’Leo). But before they’ve even unpacked, the incognito Blake family doesn’t waste any time in reverting to their old ways. Maggie blows up the local supermarket after being treated poorly by the staff; Belle teaches some horny teenagers a lesson in how to treat a woman; and Warren sets up several rackets at school. When Giovanni’s old mafia don is tipped off to their location by pure chance, however, a team of hitmen is sent to Normandy to exact revenge on him and his family mob-style.

Continue reading »

« Older posts Newer posts »

© 2026 Bullz-Eye Blog

Theme by Anders NorenUp ↑