Month: August 2012 (Page 8 of 11)

Hidden Netflix Gems: ‘Oldboy’

This week’s Hidden Netflix Gem: “Oldboy” (2003)

Here in the States, it’s entirely likely you haven’t seen or even heard about the 2003  film “Oldboy.” If that’s the case, you’ve been missing out on what’s generally considered one of the greatest films of all time. Directed by Park Chan-wook, one of South Korea’s most popular and critically acclaimed filmmakers, “Oldboy” won the Grand Prix at the 2004 Cannes Film Festival, it’s been certified fresh with an 81 percent rating on the Tomatometer, and with its 8.4 rating on IMDb, the film sits at 87th on the site’s Top 250 movies of all-time. As a result, Spike Lee is set to direct an American remake and subsequently ruin an awesome film which deserves all the acclaim that’s been heaped upon it.

When “Oldboy” begins, its main character, Oh Dae-su (played by Choi Min-sik), is more than a bit too drunk on his daughter’s birthday. Dae-su is kidnapped and locked in a hotel room for 15 years, never knowing the identity nor the motives of his captors. Fed nothing but fried dumplings, a television is his only contact with the outside world. It is through his TV screen that Dae-su learns that his wife has been murdered and he has been made to look like the culprit. As he slowly loses grip on his sanity, Dae-su spends his days honing his fighting skills, waiting to be released and obsessing over the vengeance he plans to take on those who imprisoned him. Then, one day, completely without explanation, Dae-su is released. A beggar hands him a cell phone and a wallet filled with money, the phone rings, and the voice on the other end challenges him to uncover the reasons behind his imprisonment. Dae-su embarks on a quest for vengeance, finding himself caught in a web of conspiracy and violence, and perhaps more surprisingly, he finds himself in love.

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Drink of the Week: The Boulevardier

The BoulevardierIf you’re reading “The Sun Also Rises” right now, this may be the drink you want to put you in the apposite booze addled/jaundiced frame of mind. In fact, it was actually invented at the famed Hemingway hang, Harry’s Bar. If you’re going to overdo it the way the characters in the book do, you could do a lot worse.

Moreover, if today’s beverage  reminds you a little bit of the Negroni, then count yourself among the cocktail elect as this drink basically is that cocktail classic, but substituting whiskey — usually bourbon but some recipes say you can do it with rye and possibly even Canadian — which makes it also a bit like a Manhattan.

Still, while some writers have wondered out loud why this semi-forgotten prohibition era beverage is less well known than those undisputed classic beverages, I can see why it hasn’t become a household name. While I find the Negroni and the Manhattan difficult to mess up and nearly always amazing, the Boulevardier is more elusive. On the other hand, if you manage to get it really right, it can be pretty darn nifty — especially if you like whiskey and the powerful bitter-sweetness/sweet bitterness of Campari as I much as I do.

The Boulevardier

1 1/2 ounces bourbon
1 ounce Campari
1 ounce sweet vermouth

Combine the ingredients in a cocktail shaker. Stir if you must be a classicist, but I say you should shake this drink, damnit. Whichever you choose, strain into our old friend, the chilled cocktail glass or — especially if it’s as hot where you are as it is right now at DOTW Central — into an ice-filled rocks glass. Imbibe this beverage sure in the knowledge that you don’t really have to watch the rather turgid 1957 film version of Hemingway’s aforementioned novel with Tyrone Power and an all middle-aged-ish cast, which is dead wrong considering that “The Sun Also Rises” is kind of a higher quality early draft of “Less Than Zero” with booze, booze, and more booze substituting for booze, coke, Quaaludes, and more booze and a higher species of jerkwads for characters. Where was I? Oh, yeah, cocktail blog.

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The earliest version of this drink actually calls for equal parts bourbon, Campari, and vermouth. While I’ve found it works just dandy for a Negroni, that wasn’t the case here. Even using my go-to 100 proof Old Fitzgerald’s bourbon, I found the sweetness a bit overpowering despite the bitter Campari comeback, especially when I tried this one stirred. Things were much improved when I went with a more contemporary version which upped the proportion of bourbon.

I was concerned that the merely 80 proof Basil Hayden’s Kentucky Straight Bourbon Whiskey featured here just last week would prove too delicate to stand up to the Campari and vermouth. However, I once again badly underestimated this subtle yet powerfully flavorful Jim Beam high end brew. The resulting Boulevardier was subtly complex, with just the right level of sweetness to bitterness and with a few of the more savory-ish notes of the Basil Hayden mellowing things out.

I’m going to try this one with rye pretty soon, but that brings us awfully close to another drink, the Whiskey Rebellion inspired 1794, which I’m saving for another occasion.

Russian Girls and Cars

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Weekly Web Series Review: The Handlers

Be sure to check out our most recent interview with Bryan Cranston, the star of “Breaking Bad,” where he discusses “The Handlers” and a host of other topics!

The absurdity of political maneuvering is ripe for comedic satire, and the Comedy Central original web series “The Handlers” takes full advantage of this. our most recent interview with Bryan Cranston, star of TV’s best show, “Breaking Bad,” plays Jack Power, a state senate hopeful with a team of spin doctors (or “handlers”) watching his every move in order to spin his blunders to the campaign’s advantage. Sarah (Andrea Cansler), Miles (Matt Braunger), Tim (Josh Dean) and Goodman (Gary Anthony Williams) are experts in the field of bullshit, and when they’re not busy covering Jack’s ass, they’re twice as hard at work covering their own.

The series starts strong with its first episode, “The Focus Group,” in which Jack’s boring speech delivery style is hurting his poll numbers as well as his team of handlers watching the speech from campaign headquarters. However, when Jack experiences a slip of the tongue pronouncing a certain state name, his polls soar, and the handlers land on a brilliant strategy for the campaign. Ending with a jaunty theme song briefly introduced at the beginning, this episode nicely sets the tone for what’s to come, and the series continues strongly with a similar idea in its second episode, “Prostitute.” An innocent mistake in which Jack tries to help a woman in need, only to be railroaded by the media when she turns out to be a hooker. Perhaps the best moment of the episode comes when Jack asks his handlers, “Is a good person helping out a stranger so hard to believe?” and the answers comes back as a resounding “Yes!”

After the third episode, “Poster,” which features a really well-done sight gag at the end, the series takes a slight dip in quality. The fourth episode, “Mustache,” is well-played but basically just builds to a very predictable joke, and the same could be said of the fifth episode, “The Announcement,” which is even weaker. This is sort of the problem with the web series format, at least for this series; the characters and situation are strong enough to build an actual, full-length sitcom from, but the two-to-four minute episode format of the web series only leaves room for essentially one joke per episode. Some of the jokes work better than others, but Cranston and company always give it their best, and “The Handlers” is worth a look, especially in its first three episodes.

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