Kevin McDonald may not maintain as high a profile as some of his fellow Kids in the Hall, like Scott Thompson, who’s on NBC’s “Hannibal,” or Dave Foley, who’s on everything, but that’s because he spends at least as much time as a writer or in a recording booth for some cartoon or other as he does in front of the camera. Tonight, however, McDonald steps back in front of the camera as a guest prankster on TBS’s “Who Gets the Last Laugh?”, and he spoke to Bullz-Eye about his experience on the show while also discussing guest-writing for “Saturday Night Live,” playing Pastor Dave on “That ’70s Show,” and ongoing attempts to get the Kids back together again.
Bullz-Eye: So how did you find yourself involved in TBS’s “Who Gets the Last Laugh?” Did they reach out to you?
Kevin McDonald: They reached out to me! Yes! I was in my nice blue house in Winnipeg, and I got the email from them, saying, “Would you like to do this?” And I thought at first that I’d be too Canadian to do this. Like, too polite. I thought I’d be too nice to pull pranks on people. That’s what I thought in my blue house in Winnipeg. But as it turned out, I could do it!
BE: Did you have to fight your every Canadian instinct to do it?
KM: Yes. [Laughs.] At first I did. Because we’re too polite and too nice, and we feel guilty. But then you get into it, and…it’s not even like the cruel part of me kicked in or anything…until it did. But it wasn’t even that. It was just, y’know, “It’s a job.” And once I started getting into it, it sort of became like a sketch, only with one of the people not knowing what the script was. And that was sort of the challenge, but I got really into it. I really enjoyed it.
With “30 Rock” departing the airwaves after a not-unrespectable seven seasons – a particularly incredible achievement when you consider what an incredibly off-the-wall, insider-y sort of sitcom it was throughout its run – it seemed only appropriate to offer up some sort of tribute to the show in this week’s column. Unfortunately, since everyone else seems to have swiped all of the good angles that are 100% show-specific (indeed, I actually wrote a piece on the 30 best “30 Rock” guest stars for the “Today” blog, The Clicker), I had to think a little bit outside the box, but since a key aspect of the series was its show within a show, “TGS with Tracy Jordan,” it seemed like a perfectly reasonable concept to spotlight 30 of TV’s great fictional TV series. Lord knows these aren’t all of them, of course. Hell, even limiting myself to a one-fake-TV-series-per-real-TV-series rule…with the only exception being “30 Rock,” which seemed only fair, given the reason for the list in the first place…there are still thousands of omissions, so feel free to offer up your personal favorites that didn’t make the cut, “Family Guy” fans. (There’ve been so many on that show, I didn’t even know where to start.)
1. TGS with Tracy Jordan (“30 Rock”)
For those who can remember back to the pilot of “30 Rock,” Liz Lemon (Tina Fey) was originally in charge of a not-terribly-great sketch comedy series called “The Girlie Show,” but when GE’s new Head of East Coast Television and Microwave Oven Programming, Jack Donaghy made an executive decision to add the completely unpredictable Tracy Jordan (Tracy Morgan) to the show, the comedian’s ego necessitated a change in the show’s title to feature his name more prominently. 136 episodes later, we’ve scarcely seen a single “TGS” sketch in its entirety, and what bits we have seen have rarely been funny (at least not intentionally), but the shenanigans surrounding the series have been consistently hysterical.
2. The Alan Brady Show (“The Dick Van Dyke Show”)
Dick Van Dyke has discussed on many occasions how many TV writers have come up to him over the years and told him that the biggest reasons they decided to break into the business in the first place was because Rob Petrie and his cronies on Alan Brady’s variety show made it look like one of the most entertaining occupations in the world. Strangely, he hasn’t spoken nearly as much about how many of those writers finished their comments by yelling, “Thanks for nothing, you big liar!” I’m betting it’s about 50/50.
By the way, although “The Alan Brady Show” wasn’t real, the folks at MeTV talked Carl Reiner into doing a promo for the addition of “The Dick Van Dyke Show” to their line-up where he reprised the character. Funny stuff.
3. Invitation to Love (“Twin Peaks”)
If you’re not a David Lynch obsessive, you may not remember this soap opera, but those with keen eyes will recall that it turned up at least once in each of the first seven episodes of “Twin Peaks.” It’s also worth noting that “Invitation to Love” pointedly features identical-twin characters played by the same actress, which – in no way coincidentally – was more or less what Sheryl Lee did as Laura Palmer and Maddy Ferguson.
4. The Adventures of Mermaid Man and Barnacle Boy (“Spongebob Squarepants”)
The best bit about this cartoon-with-a-cartoon was the fact that the “Spongebob” show runners reunited former “McHale’s Navy” co-stars Ernest Borgnine and Tim Conway to prove the characters’ respective voices. It doesn’t get much cooler than that.
5. The Terrence and Phillip Show (“South Park”)
Disproving a longstanding theory that Canadians can’t be funny while cementing the not-really-in-question suspicion that farts are always funny, it need only be said that Terrence and Phillip are a stone-cold gas. Sadly, this clip is from their movie, “Asses of Fire,” rather than their series, but it’s basically the same thing. Y’know, except filthier. Much, much filthier.
Last night at Manhattan’s posh Hotel on Rivington penthouse suite, HP and blogger Arjan Writes presented a special preview of “Halcyon,” the new album by British pop sensation Ellie Goulding. Best known in the United States for her monster hit, “Lights,” Goulding has gone on to great success stateside, appearing on “The Late Show with David Letterman” and “Saturday Night Live,” as well as a special guest appearance at the White House last December, where she sang Christmas carols onstage with Barack Obama. For all of her enormous success in the last few years, though, Goulding is a very humble, down-to-earth and endearing personality.
The evening began with a bit of background on Goulding, who grew up in the small town of Hereford and got heavily into music early on. “My mum was cool with music,” she says. “She would buy every new thing that was out. We really had no money, but whatever we did have, she’d spend it on CDs and tapes.” Idolizing singers like Bjork, Joni Mitchell, Beyonce and Stevie Nicks, Goulding says she quit college because “something was pushing me into music.” Elaborating on what that something is, she also says, “Having people come together for the same cause is really important. The fact that I can do that with shows is really awesome.”
Delving into “Halcyon,” we heard samples of a few tracks, including the clearly Bjork-influenced “My Blood,” which shares thematic water imagery with other songs on the album. Goulding says, “I have a fascination with the ocean, being lost at sea. I kind of want to be a mermaid.” The title track, “Halcyon,” addresses another theme of the album in its plaintive chorus: “When it’s just us, you show me what it feels like to be lonely, you show me what it feels like to be lost.” “I write songs out of being alone,” Goulding says. “I’m around people all the time, but there’s a theme of loneliness on this album.”
That is not to say the album is relentlessly downbeat or somber, however, as Goulding is quick to point out that “I like making things that give people hope, I suppose, in the least cheesy way possible.” Ellie Goulding’s career certainly seems to show a lot of hope, with unreleased collaborations with the likes of Skrillex and Swedish House Mafia possibly on the way “in the next couple of years,” proving her mantra that anything could happen.
This week Saturday Night Live is celebrating the end of its’ 37th season on air (yes, you read that right) by pulling out the usual bags of tricks. That includes rock god Mick Jagger taking on hosting duties, while Arcade Fire and the Foo Fighters provide the marquee music interludes (plus there will be comedy sketches…at least I think they still do those).
But while the cast and crew will mostly be sticking to the traditional SNL formula for success, they are throwing one new variable into the mix for this monumental occasion. That comes in the form of a partnership with the Facebook app Color.
Some of you may remember Color as the app that allowed you to share your photos and short (about 30 seconds) live video clips with a network of your closest friends. More likely though, you remember the story of how the program managed to raise $41 million dollars for its launch, only to fade into obscurity sometimes after that. It’s not that the program didn’t work; it just didn’t manage to catch on in the ever growing app market.
But now, thanks to a new partnership with Verizon, Color is looking to make a big comeback. Not only will Verizon start making the app standard on all new Android phones, but Color has also beefed up its’ own services, particularly in the video area which now has a better broadcast quality, sound with your live feed (for Verizon customers), and the ability to notify your friends immediately for live broadcast.
To celebrate (and most importantly, to promote), Color will be teaming with SNL to have the actors, crew, and guests take backstage footage of the evening, and fill in the breaks and commercials with exclusive footage that will be broadcast to anyone who friends Verizon on Facebook.
Color certainly seems more focused this time around. It’s no wonder either considering the recent $1 billion Instagram acquisition by Facebook, and how Facebook itself is preparing for the richest public offering anyone has ever seen. But if you’re looking for the new Color’s greatest motivation…that may actually be Twitter. It’s a smart move to try to set up a service that could be similar to Twitter, but uses video instead since that would seem to be the logical progression of the medium.
If you’re interested in the footage,you just have to like Verizon on Facebook, and download the Color for Facebook app on your mobile device. While Verizon customers are the only ones that get sound with the feed, anyone can sign up for it.
It’s easy to see that the team behind Color believes in their product, and their dedication to getting their name out there shows that. If the SNL show is a success, it’s easy to imagine the public imagination taking hold of this app and making something unique out of it.
And , maybe Mick will even sing “Start Me Up” for them.
Chris Elliott has comedy in his genes, courtesy of his father, Bob Elliott (of the legendary comedy team Bob & Ray), and he’s passed his abilities on to the next generation, as his daughter Abby Elliott proves week after week on “Saturday Night Live,” but, geez, enough about his dad and kid already. Surely it’s time to shine the spotlight solely on Chris Elliott himself, who first won our hearts with his decidedly unique characters on “Late Night with David Letterman,” completely blew the minds of a generation of moviegoers with his film “Cabin Boy,” and has since gone on to appear in everything from “Manhunter” to “Everybody Loves Raymond.” On April 12, his current endeavor – Adult Swim’s “Eagleheart” – returns for its second season, just over a week after the DVD release of Season One, which hit stores on Tuesday. Bullz-Eye chatted with him…okay, fine, we geeked out…about the more eccentric side of his comedy, including his seminal TV series “Get A Life,” which, as you may have read elsewhere first (although it came from this interview), is coming to DVD in a complete-series set at long last.
Bullz-Eye: First off, let me just tell you what a pleasure it is to talk to you. I’ve been a fan for many years.
Chris Elliott: Oh, well, thank you. I just don’t hear that enough. [Laughs.]
BE: In my case, it’s no exaggeration: when I was in high school, I sent off for tickets for “Late Night with David Letterman.” Granted, I had graduated by the time I actually got them, but, hey, at least I got them.
CE: Oh, my gosh. That’s pretty funny. So did you actually wait four years for tickets?
BE: No, but it was more than a year: I sent them off during my senior year, and it was well after graduation when they finally arrived.
CE: Wow, that’s pretty amazing. But it proves that you were a hardcore fan. Do you remember who was on the show when you went?
BE: Absolutely: it was Jane Pauley and Bruno Kirby. I also remember that they did Shoe Removal Races that night, with a podiatrist squaring off against a shoe salesman.
CE: Ah, yes, that was an excellent episode. [Laughs.]
BE: You were actually just on Letterman’s show a few nights ago. It sounded like you may have taken a bit of flour into your lungs.
CE: [Laughs.] I started to smell like cookies after I was under the lights for a little while. But I thought it came off all right. It’s always fun to go back there, and I hate coming back on there as myself in any form. This interview is okay because I can’t see you. [Laughs.] But I don’t like coming on and just talking as myself, so I always come on with something.
BE: The “Downton Abbey” thing was great, too.
CE: Yeah, I thought that came out great.
BE: So let’s talk “Eagleheart.” One of the most surprising things about the series, at least to me, is that you don’t actually get a writing credit on the show. Not that you don’t have some input, given that you’re a consulting producer, but…
CE: I’d say these guys have my voice down. I knew that when I met with them. They were huge fans of mine, and, honestly, I didn’t want the extra work. [Laughs.] And at the same time, y’know, they changed the pilot quite a bit to suit me, and what I do – and Adam Resnick does this, also – is sort of take a pass at the scripts when they’re done with them and change a couple of jokes here and there, and if something’s not quite in my voice, I just kind of paraphrase what I would be saying, and that sort of thing. I’m sort of at the point in my career where writers that are working in the business sort of grew up knowing about me. At least the ones that are fans of mine, anyway. And they’re really capable of writing for me. It wasn’t always that case. Early on in my career, it was pretty much Adam and me just trying to establish this voice.
BE: Of course, it makes me wonder if people sometimes come to you with something utterly off the wall, saying, “Well, ‘Cabin Boy’ was so nuts that I figured you’d be into this.’
CE: Yeah, I think I get that a lot. It’s interesting: some people put anything weird in the “weird” category and think, “Oh, Chris’ll do that because it’s so weird.” But you’re right. Certain people, like yourself, get why certain things are funny-weird as opposed to just being strange. That’s a different breed. I think I do get lumped in a lot with “he’s just off the wall, he’s crazy.”