Movie Review: “Terminator Genisys”
Emilia Clarke, Arnold Schwarzenegger, Jai Courtney, Jason Clarke, J.K. Simmons, Byung-hun Lee, Matt Smith
“Terminator Genisys” marks the second sequel to a seemingly dead franchise this summer. Following the massive success of “Jurassic World” comes the fifth “Terminator” movie to date. The last two sequels were failed reboots, and for good reason, as neither of them had the intensity or awe James Cameron brought to the original films. “Terminator Genisys” doesn’t recapture the series’ former glory, but it is an actual “Terminator” movie, and it’s certainly more ambitious and entertaining than its recent predecessors.
The film begins in 2029, with John Connor (Jason Clarke) and Kyle Reese (Jai Courtney) leading an ambush against Skynet. We see the events that influence Connor’s decision to send Reese back in time to save his mother, making this both a reboot and a surprisingly faithful sequel. Reese expects a helpless Sarah Connor (Emilia Clarke) back in 1984, but she’s nothing of the sort; she’s a trained, skilled soldier. At her side, once again to Reese’s surprise, is a T-800 (Arnold Schwarzenegger), who Sarah refers to as “Pops.” For a reason that’s being saved for a potential sequel, someone sent the T-800 back in time to protect Sarah as a child, which answers one of the most of obvious questions in this franchise: Why doesn’t Skynet simply kill Sarah as a kid? Sarah Connor, Kyle Reese and the T-800 have to work together to prevent Skynet’s takeover and, surprisingly, defeat John Connor, who’s working for the bad guys this time around.
Screenwriters Patrick Lussier and Laeata Kalogridis rewrite the past, but they don’t erase it. There is no shortage of time travel talk in the film, and one of the key decisions made is to establish this as an alternate timeline, so the other timelines, meaning the first two films, still exist. Do the time travel rules always make sense? No, but neither does time travel. Sometimes, the less explained, the better – and the first hour struggles with that. There is a cluster of exposition in the setup, often explaining what we’re literally seeing. At first, Jai Courtney’s performance suffers because of how many questions and obvious statements he has to deliver, but once the wheels start moving, “Terminator Genisys” improves as it goes along.
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Movie Review: “Dom Hemingway”
Jude Law, Richard E. Grant, Emilia Clarke, Demian Bichir, Kerry Condon
It’s been nine years since writer/director Richard Shepard burst onto the scene with the hugely entertaining black comedy “The Madator,” and with the exception of his underseen 2007 follow-up (“The Hunting Party”), he’s spent most of that time as a hired gun for various TV shows. But he’s finally back with a new movie featuring a character that could rival Jonathan Glazer’s “Sexy Beast” for the title of Most Polarizing British Gangster, which is quite the feat considering that the British crime genre is jam-packed with loud, brash and over-the-top personalities. Apart from Ben Kingsley’s Don Logan, however, none come even close to being as memorable as the title character of Shepard’s latest film, which is pretty much the only reason why it works at all.
Dom Hemingway (Jude Law) is an expert safecracker who has spent the last 12 years serving a prison sentence after refusing to rat out his boss, Mr. Fontaine (Demian Bichir). And now that he’s finally a free man, Dom wants what is rightfully owed to him, so he heads to Mr. Fontaine’s estate in the French countryside with his best friend Dickie (Richard E. Grant) to collect his reward for keeping his mouth shut all those years. But after a strange chain of events leaves Dom penniless mere hours after he’s gifted a small fortune, he heads back to London in an attempt to reconnect with his estranged daughter (Emilia Clarke), who wants nothing to do with him.
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30 Sexiest TV Actresses of 2013
Television has always been home to a parade of beautiful actresses, and with the explosion of cable TV and now Netflix, the roles have even become sexier over the years. Here are some of our favorites from 2013:
This sexy brunette oozes sex appeal, and she was perfect as the sexually liberated Virginia Johnson in the new Showtime series “Masters of Sex.” She certainly wasn’t shy about showing off her impressive body as her character dove into her work researching how the female body responded during sex. This was by far the sexiest new show on television this year which shouldn’t be a surprise given the subject matter, and we saw a parade of lovely actresses disrobing as Virginia Johnson and Dr. William Masters began their study, though some of the best scenes took place when the two of them took part in their own study. “Masters of Sex” has established itself as one of the best shows on television as this period drama pulls the curtain on an era where most conversations about sex were taboo, and the show works mostly due to Caplan and costar Michael Sheen as Masters. Check out our interview with Lizzy from 2010.
Photo courtesy of Showtime by Michael Desmond
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Posted in: Celebrities, Entertainment, Television
Tags: actresses, Addison Timlin, Alison Brie, Amanda Setton, celebrities, celebrity babes, Daenerys Targaryen, Elena Satine, Elisha Cuthbert, Emilia Clarke, Emmy Rossum, Gillian Jacobs, Heléne Yorke, Ivana Milicevic, January Jones, Jennifer Love Hewitt, Jurnee Smollett-Bell, Kaley Cuoco, Kate Mara, Keri Russell, Lauren Cohan, Lili Simmons, Lindsey Gort, Lizzy Kaplan, Maggie Grace, Meagan Good, Meghan Markle, Minka Kelly, Olga Kurylenko, Olivia Munn, Sarah Shahi, sexiest actresses on TV, sexiest television actresses, sexy videos, Shiri Appleby, Sofia Vergara, Zooey Deschanel
The Light from the TV Shows: “Game of Thrones” begins anew (and so does “The Killing”)
As we enter into the final quarter of the traditional broadcast TV season, where many of the mid-season entries are already beginning to wrap up their runs (“Alcatraz,” for example, aired its two-hour finale on Monday) and most of the series that kicked off way back in the fall are in that depressing twilight period just prior to their last run of new episodes before season’s end, many of your favorite premium cable programs are taking advantage of the semi-lull by coming back with a vengeance.
This past Sunday, of course, AMC brought us the return of “Mad Men,” which you probably already knew, since it managed to pull in 3.5 million viewers, a none-too-shabby increase of 21 percent over the series’ previous season premiere. This Sunday, the network has another series coming back, though it’s probably safe to presume that the numbers won’t be nearly as impressive for this one. But, look, if your excuse for not liking “The Killing” is that they didn’t resolve Rosie Larsen’s murder by the end of the season, go peddle your wares somewhere else, because I’m tired of hearing people whine about that. So what if it hasn’t been resolved yet? A show’s allowed to keep its viewers in suspense, isn’t it? If you didn’t like it because you thought it was boring, that’s one thing. If you’re really complaining because the producers promised “a very, very satisfying ending to Season 1” and reneged on that promise, though, I say that you may be well within your rights to be frustrated, but don’t say, “Ugh, they lied, therefore the show sucks,” because that’s just lame.
I do think AMC must be resigned to the return of “The Killing” being slaughtered both by the critics and in the ratings, however, since even though it’s coming back this Sunday night at 8 PM for a two-hour season premiere, the homepage of the network’s press resource center is still busy trumpeting last week’s return of “Mad Men.” For my part, while I do think the series dragged quite a bit in places and reached the point of ridiculousness with how many times Sarah Linden bailed on her planned departure (if I was Ray McDeere, I probably would’ve broken off my engagement to Sarah somewhere around Episode 1.3), I was perpetually gripped whenever Michelle Forbes and Brent Sexton were portraying parental grief, and I am steadfast in my disagreement with anyone who says that Episode 1.11 (“Missing”) was an unnecessary detour away from the case, because that may have been my favorite episode since the pilot. If you didn’t like that episode, you probably also watched “Twin Peaks” and complained about how they spent too much time focusing on Audrey Horne when they could’ve been figuring out who killed Laura Palmer…and I’m here to tell you that you can never spend too much time focusing on Audrey Horne.
Quick sidebar: if you didn’t watch “Twin Peaks,” this is Audrey Horne:
This concludes your moment of Sherilyn Fenn zen. We now return to our regularly scheduled column…provided we can all get our concentration back.
Oh, right, now I remember where I was…
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Posted in: Entertainment, Interviews, News, Television
Tags: A Clash of Kings, A Song of Fire and Ice, Alcatraz, AMC, Art Parkinson, Audrey Horne, Brent Sexton, Camelot, Carice van Houten, D.B. Weiss, David Benioff, Emilia Clarke, Game of Thrones, George R.R. Martin, Gethin Anthony, HBO, Isaac Hempstead-Wright, Jack Gleeson, Kit Harington, Laura Palmer, Lena Headey, Liam Cunningham, mad men, Maisie Williams, Mark Addy, Michelle Fairley, Michelle Forbes, Nikolaj Coster-Waldau, Outcasts, Peter Dinklage, Ray McDeere, Richard Madden, Sarah Linden, Sean Bean, Sherilyn Fenn, Sophie Turner, Stephen Dillane, The Killing, The Light from the TV Shows, Tom Wlaschiha, TV Week, Twin Peaks, Will Harris