Movie Review: “Joy”
Jennifer Lawrence, Bradley Cooper, Robert De Niro, Elisabeth Röhm, Édgar Ramírez, Virgina Madsen, Isabella Rossellini, Diane Ladd
David O. Russell
David O. Russell has developed a repertory of players akin to “American Horror Story” creator Ryan Murphy. Including Russell’s new film “Joy,” Jennifer Lawrence, Robert De Niro and Bradley Cooper have been in each of his last three films, while Christian Bale, Amy Adams and Elisabeth Rohm have been in two of his last four. Russell had some hiccups with actors early in his career (George Clooney and Lily Tomlin come to mind), so it’s nice to see that Russell has found the balance between the directorial process and ego management, and that is crucial to a director’s continued success. If you have a reputation for treating actors poorly, you will no longer have good actors auditioning for your films, or accepting your calls.
With “Joy,” Russell has a motherlode of talent ready to carry the weight, but his own script undercuts them. It begins with an “American Hustle”-style bolt of adrenaline, but it quickly shifts into ‘kick the shit out of Joy’ mode for the rest of the movie. Joy is dealt a terrible hand, and the movie’s message seems to be that that is why she became a success, that it was her awful family that gave her the drive to succeed. So for you parents out there who are encouraging their kids to think positive and believe in themselves, we’re all clearly doing it wrong. If you want your kids to be super-rich, you clearly have to raise them to be sociopaths.
Joy (Lawrence) was encouraged at an early age by her grandmother (Diane Ladd) that she was meant to use her creativity to do greater things for her horribly broken family. She has a half-sister Peggy (Rohm) from her father Rudy’s (De Niro) first marriage, and by the time Joy married singer Tony Miranne (Edgar Ramirez), Rudy was on his third marriage, which of course ended in divorce. Now divorced herself with two kids, Tony living in the basement, and her mother (Virginia Madsen) watching soap operas nearly nonstop, Joy has yet to act on her promise, until a moment on the boat of Rudy’s new girlfriend Trudy (Isabella Rossellini) gives Joy the idea of a lifetime: a mop that people can clean without touching the strands. Joy draws it up with the help of her daughter, and meets nothing but disapproval and resistance from the people who have nothing to lose, and everything to gain, from her success.
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Movie Review: “Accidental Love”
Jessica Biel, Jake Gyllenhaal, James Marsden, Catherine Keener, Tracy Morgan, James Brolin
“Accidental Love” did not have a smooth production process, and it shows in the stitched-together final product. The comedy was initially a David O. Russell film titled “Nailed,” shot all the way back in 2008. But due to funding issues, the movie never completed principal photography, and what was once Russell’s “Nailed” is now being released under the pseudonym Stephen Greene as “Accidental Love.”
The film centers on Alice Eckle (Jessica Biel), a small-town, roller-skating fast food waitress. On a night out with her boyfriend (played by the always reliable James Marsden), Alice not only gets a ring on her finger, but a nail in her head thanks to a freak accident. Making her situation worse, Alice doesn’t have health insurance, meaning she can’t get the nail taken out unless she magically comes up with $150,000. And until her condition is taken care of, she’ll experience uncontrollable emotions and wild thoughts. Ultimately, Alice heads to the nation’s capital and enlists the help of young congressman Howard Birdwell (Jake Gyllenhaal), who, with the assistance of a few friends and familiar faces, will try to change the health care system in order to get the nail removed from Alice’s head.
Anyone expecting a sharp political satire will walk away disappointed. “Accidental Love,” which was co-written by former Vice President Al Gore’s daughter, Kristen, is a hugely broad comedy. The film has more in common with a sitcom than movies like “Bulworth” or “Wag the Dog,” but that doesn’t mean “Accidental Love” isn’t without its laughs. When a cast includes James Marsden, Tracy Morgan, Kurt Fuller and Bill Hader, not all jokes are going to fall flat. Marsden continues to prove he’s one of the most undervalued comedic actors working today. The former “X-Men” star has no shortage of charisma, so it’s baffling that this guy still isn’t a huge movie star. Marsden is a supporting player here, but he comes away stealing the show, even during the redundant and awkward post-credits sequence. As for Biel, it’s impossible to come away from “Accidental Love” without feeling bad for her. She’s charming and funny in a way audiences haven’t seen from her before, fully committing to the lunacy of this story.
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Movie Review: “American Hustle”
Christian Bale, Amy Adams, Bradley Cooper, Jennifer Lawrence, Jeremy Renner, Louis C.K, Michael Peña
David O. Russell
David O. Russell’s “American Hustle” opens with a title card that playfully states: “Some of this actually happened.” But considering that the movie was originally titled “American Bullshit” and is populated with characters who are bullshit specialists, it’s meant to be taken with a fairly large grain of salt. Loosely based on the ABSCAM scandal of the late ’70s and early ’80s, Russell has adapted what was an already outlandish story into a ’70s-styled farce filled with a flying circus of conmen, feds, politicians and casino mobsters. Immensely entertaining, impeccably structured and featuring excellent performances from its entire cast, “American Hustle” is one of the year’s absolute best films and a serious contender for every major award.
When we first meet Irving Rosenfeld (Christian Bale), he’s seen carefully assembling his elaborate comb over with a combination of a toupee, glue and lots of hairspray. But what the paunchy conman lacks in good looks, he makes up for with confidence and intellect, which is what’s made him so successful at ripping people off. Everything changes when he meets Sydney Prosser (Amy Adams), a former stripper who partners with Irving under the guise of a British businesswoman with royal connections named Lady Edith. Their business practically triples overnight, drawing the attention of ambitious FBI agent Richie DiMaso (Bradley Cooper), who catches the pair red-handed and forces them to work undercover for the bureau. Richie wants to make a name for himself by taking down some white-collar criminals, and his first target is Camden mayor Carmine Polito (Jeremy Renner), a family man so desperate to revitalize the New Jersey economy that he’s willing to get his hands a little dirty in the process. It quickly turns into a game of who’s conning who, and yet the one thing that threatens to bring the whole thing crashing down isn’t their mistrust in each other, but Irving’s unpredictable wife, Rosalyn (Jennifer Lawrence).
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An okay evening at Spike TV’s “Guys Choice” Awards
We’re fussy about Red Carpet events here at Bullz-Eye central. That’s largely because as a lone, online writer you’re pretty much at the mercy of the publicity gods in terms of who you’re going to meet up with and you never know who that’s going to be. One condition we have is that we get to see the show/movie/what-have-you in question so, if all else fails, we can write about that or at least get a bit of entertainment and free food. In this case, that was a good thing. Not because we didn’t get to talk to anybody interesting, but because Spike TV’s “Guys Choice” presentation, which premieres on the network at 9:00 Eastern/6:00 PDT Friday is not your usual award show.
Right down to the sexy female dancers who liven up the breaks and its highly distinctive award statue, “the Mantlers,” it’s easily the most laid back and honestly silly awards show I’ve seen. It’s also the only award show we know of which contains R-rated profanity in one of its award titles: the “Funniest Motherf*cker” award, this year being given to Jim Carrey. It’s safe the say the show was completely irreverent about everything, except for its commendable commitment to drawing attention to the bravery and sacrifices made by members of our armed forces.
Speaking of Jim Carrey, the famed comic provided a remarkable bit of comedy dealing with the
always absolutely never hilarious topic of..oh, Lord, we’d better just leave it alone. You don’t want to know. Carrey himself made it clear that children and other sensitive people were better off not hearing the routine before proceeding with a shocking and explosively funny performance, abetted by the sensitive stylings of violinist Neil Hammond.
More traditionally edgy and hilarious at certain points, but a lot longer, was a marathon bit by faux canine Triumph, the Insult Comic Dog, aka comic genius Robert Smigel. The latter merited a bad on-camera review from Sean Penn who between this show and his criticism of Ricky Gervais at Golden Globes, seems to be developing a side career as a real-time award show comedy critic.
Justin Timberlake less controversially proved himself to be, once again, no comic slouch, while promoting the charms of the co-star of his next flick, “Friends with Benefits,” the beautiful and talented Mila Kunis. Rolling Stones guitarist Keith Richards distinguished himself by simply being alive to pick up his award and being the innately humourous individual he is.
And so it went. I’ll have a few choice quotes from the show at the end of this piece. First, though, let’s talk about the folks we met on the Red Carpet.
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