Movie Review: “We’re the Millers”

Starring
Jason Sudeikis, Jennifer Aniston, Emma Roberts, Will Poulter, Ed Helms
Director
Rawson Marshall Thurber

It hasn’t been a particularly memorable year at the movies, especially for those in search of a good comedy, so it’s a relief to see a film like “We’re the Millers” arrive in theaters, because although it’s not as funny as its behind-the-scenes talent might suggest, it’s one of the better comedies released thus far. Directed by Rawson Marshall Thurber (“Dodgeball: A True Underdog Story”) and co-written by the guys behind “Wedding Crashers” and “Hot Tub Time Machine,” “We’re the Millers” doesn’t break any new comedic ground, but it’s packed with some great laughs and an ensemble cast that seems game for just about anything, no matter how outrageous or inappropriate it may be.

“SNL” veteran Jason Sudeikis stars as David Clark, a low-level drug dealer who gets robbed one night by a group of thugs, losing his entire stash and personal savings in the process. His slimeball boss (Ed Helms) doesn’t take the news well, but he offers David a chance to make amends by smuggling a “smidge” of marijuana across the Mexican border in exchange for a clean slate and $100,000. David knows that a single guy traveling alone in an RV will only draw attention from the border police, so he recruits a fake family to serve as a disguise, including the stripper who lives in his apartment building (Jennifer Aniston), the dorky virgin next door (Will Poulter) and a bratty teen runaway (Emma Roberts). But when they arrive in Mexico, the aforementioned “smidge” turns out to be a few metric tons, and worse yet, it belongs to someone else, forcing the ersatz Miller family on the run from a ruthless drug lord.

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5 Ways Movie Stars Make Money Between Films

Most movie stars like to take breaks between big films, but they don’t necessarily want to stop making money. Check out these five ways movie stars make money between films.

Working as Musicians

Creative types often use their off time pursuing other crafts, such as visual art or music. Keanu Reeves played bass in a band called Dogstar until the Matrix Trilogy hurtled him into a new level of celebrity. Donald Glover, who acts in movies as well as the television series Community, spends quite a bit of time pursuing his career as a rapper under the pseudonym Childish Gambino. By all accounts, Glover is considerably better at his musical craft than Reeves.

Inventing New Technologies

Few actors have successful careers as inventors. 1930’s film star Hedy Lamarr, however, had a flair for mathematics that made her an outstanding inventor as well as an actress. In fact, Lamarr co-created a technology that made it nearly impossible for enemy armies to jam radio communications from US soldiers. The military didn’t fully understand the importance of her invention, but her frequency-hopping, spread-spectrum patent played an instrumental role in developing Wi-Fi networks and Bluetooth.

Endorsing Products

Jenna Fischer, who has performed in hit comedies such as Blades of Glory and Hall Pass, made some extra cash by endorsing Proactiv products in 2010. While endorsing products like Proactiv’s dark spot corrector, she also won a Screen Actors Guild Award for her performance on The Office. That must have been a busy year!

Appearing in Foreign Commercials

A lot of actors don’t want to appear in commercials because they worry the work might tarnish their reputations. When they’re away from home, though, many of them will appear in commercials for extra cash. Jennifer Aniston appeared in a German Heineken commercial. Leonardo DiCaprio starred in a TV ad for an Italian telephone company. One of the weirdest examples, though, comes from Nicholas Cage, who played himself in a commercial for a Japanese gaming device. In the ad, he becomes crazed by blonde triplets, jumps on top of his car while yelling “fever!”, and speeds off without warning.

Investing in Businesses

Movie stars have a lot of money, so they are key targets for any entrepreneur who needs startup capital. Planet Hollywood is probably the most popular example of this. Without investments and endorsements from Bruce Willis, Demi Moore, Sylvester Stallone, and Arnold Schwarzenegger, it’s unlikely that this chain would have become as popular.
Ashton Kutcher has invested his money in companies that seem much hipper by today’s standards. Some of his investments include Foursquare and Spotify. He also bought into Skype before it became popular. Even if he hadn’t gotten rich off his romantic comedies, that well-timed investment would have made him extremely wealthy.
Actors have to do more than just sit around looking attractive when they’re between films. What other celebrities have you seen participating in side projects?

  

The Light from the TV Shows: A Chat with Kathleen Robertson (“Boss”)

Although I get plenty of opportunities to do in-person interviews when I’m out on the west coast for the Television Critics Association press tours, I very rarely get the chance while I’m here at Virginia, so when I was offered the chance to meet Kathleen Robertson for coffee, one of the stars of a show I already have a lot of love for (“Boss”), you can imagine that I didn’t have to think twice before answering, “Absolutely!” Indeed, I didn’t even blink an eye when it was casually mentioned that it might be nice if I managed to find a way to bring up Starz’s new app for Cox subscribers, Starz Play, because, what, like it’s such a bad thing to hype something that helps more people see some of my favorite series? (As you hopefully recall, I’m a big “Magic City” fan, too.) As I was assured in advance, Kathleen was a total sweetheart, and as we chatted over the course of a half-hour, the topics included the series that brought us together in the first place, of course, but also “Maniac Mansion,” “90210,” “Tin Man,” and even the hilarious-but-underrated IFC series, “The Business.” Read on…but don’t forget that the “Boss” Season 2 finale airs Friday night on Starz!

Bullz-Eye: So the second season of “Boss” is coming to a close…

Kathleen Robertson: Yep!

BE: Your character, Kitty O’Neill, had a decidedly different dynamic in Season 2 than she did in Season 1. How much forewarning did you have about how Kitty’s storyline was going to play out during this season? Did you know from the get-go, or was it only doled out to you on an episode-by-episode basis?

KR: I knew from the get-go. I sat down with the writers at the very beginning of the season, and they sort of explained to me what the storyline was for her. With the exception of the finale. They were very secretive about the finale, and I didn’t know what was going to happen until the week before we shot it and I read the script. Have you seen the finale?

BE: I have not yet.

KR: [Tries and fails to disguise her giddiness.] It’s so good. It’s so good. They kept saying to me all through the year, “Just be patient. Just be patient and wait for (episode)10.” I said, “What does that mean, though? Like, am I gonna get killed? What are you…what happens in 10?” “Just be patient.” And then they’d say, “10 is your episode, and you’re gonna be really happy with it.” So I was. And I am really happy with 10. It’s amazing.

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BE: 10 may be “your episode,” but it’s arguable that you’ve had a lot of episodes. Kitty’s evolved throughout the season, at least in a certain sense. At the same time, though, she also ends up making it pretty clear that she doesn’t really know who she is unless she has someone to serve.

KR: Yeah, that’s true.

BE: Did you see that as being a part of her character from the very beginning, or was that something you discovered as time went on?

KR: Well, with Season 1… [Hesitates.] Farhad (Safinia) said to me at the beginning of the series, “For Season 1, Kitty almost has a reverse arc.” She kind of starts here… [Holds hand up and then begins lowering it.] …and ends here. And it’s kind of like that in Season 2 as well, because from the moment we meet her in this season, she’s pregnant, she’s sort of deciding if she even wants to be in politics anymore…she’s deciding who she is. So the journey for her over Season 2 was a much more internal one, and it was much more a case of asking, “Who am I without my identity?” And for her, the identity isn’t just working for Kane. It’s being in this whole world that she’s sacrificed everything for. So she sort of flirts with the idea of trying to be an alternate Kitty throughout the season, and by the end… [Smiles knowingly.] When you see the finale, I think she ends up where she belongs.

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Jennifer Aniston in new smartwater campaign

Check out the new photos of Jennifer Aniston in a soon-to-be-released smartwater campaign. She looks fantastic as usual and we think smartwater was pretty smart to pick the winner of our TV Girlfriends contest!

Here Jennifer looks pretty sexy in that car.

See the next pic after the jump.

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An okay evening at Spike TV’s “Guys Choice” Awards

We’re fussy about Red Carpet events here at Bullz-Eye central. That’s largely because as a lone, online writer you’re pretty much at the mercy of the publicity gods in terms of who you’re going to meet up with and you never know who that’s going to be. One condition we have is that we get to see the show/movie/what-have-you in question so, if all else fails, we can write about that or at least get a bit of entertainment and free food. In this case, that was a good thing. Not because we didn’t get to talk to anybody interesting, but because Spike TV’s “Guys Choice” presentation, which premieres on the network at 9:00 Eastern/6:00 PDT Friday is not your usual award show.

Right down to the sexy female dancers who liven up the breaks and its highly distinctive award statue, “the Mantlers,” it’s easily the most laid back and honestly silly awards show I’ve seen. It’s also the only award show we know of which contains R-rated profanity in one of its award titles: the “Funniest Motherf*cker” award, this year being given to Jim Carrey. It’s safe the say the show was completely irreverent about everything, except for its commendable commitment to drawing attention to the bravery and sacrifices made by members of our armed forces.

Speaking of Jim Carrey, the famed comic provided a remarkable bit of comedy dealing with the always absolutely never hilarious topic of..oh, Lord, we’d better just leave it alone. You don’t want to know. Carrey himself made it clear that children and other sensitive people were better off not hearing the routine before proceeding with a shocking and explosively funny performance, abetted by the sensitive stylings of violinist Neil Hammond.

More traditionally edgy and hilarious at certain points, but a lot longer, was a marathon bit by faux canine Triumph, the Insult Comic Dog, aka comic genius Robert Smigel. The latter merited a bad on-camera review from Sean Penn who between this show and his criticism of Ricky Gervais at Golden Globes, seems to be developing a side career as a real-time award show comedy critic.

Mila Kunis at the Spike Guy's Choice AwardsJustin Timberlake less controversially proved himself to be, once again, no comic slouch, while promoting the charms of the co-star of his next flick, “Friends with Benefits,” the beautiful and talented Mila Kunis. Rolling Stones guitarist Keith Richards distinguished himself by simply being alive to pick up his award and being the innately humourous individual he is.

And so it went. I’ll have a few choice quotes from the show at the end of this piece. First, though, let’s talk about the folks we met on the Red Carpet.

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