Movie Review: “The Place Beyond the Pines”

Starring
Ryan Gosling, Bradley Cooper, Eva Mendes, Dane DeHaan, Emory Cohen
Director
Derek Cianfrance

After watching Derek Cianfrance’s “Blue Valentine,” it was clear that the writer/director would be one to watch for the future, even if the anti-romance film wasn’t exactly my cup of tea. His follow-up feature, “The Place Beyond the Pines,” reunites Cianfrance with his “Blue Valentine” star Ryan Gosling, and though the movie is hindered by its own set of problems, the multi-generational crime drama makes good on the potential he showcased in his directorial debut. While it’s difficult to talk about the movie without wading knee-high into spoiler territory, “The Place Beyond the Pines” is an impressive piece of American filmmaking that’s every bit as compelling as it is annoyingly flawed.

The movie’s triptych structure is like watching three separate but interconnecting films, and Cianfrance kicks things off with what is easily the best of the bunch as we’re introduced to Luke Glanton (Gosling), a motorcycle stunt driver who reconnects with a former one-night stand named Romina (Eva Mendes) at the local fair where he plies his trade. When he learns that Romina has given birth to his son, Luke agrees to quit his nomadic job and stay in town, even though Romina has already moved on with another man. Determined to do his fatherly duties and provide for his son, Luke decides to put his unique skills to use and start robbing banks, placing him on a collision course with rookie policeman Avery Cross (Bradley Cooper), an honest family man who gave up his promising career as a lawyer to serve on the force. After becoming privy to some dirty cops in the department, however, Avery must decide what’s more important: his integrity or loyalty to his brothers in blue.

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A Chat with the Cast and Crew of “Casa de mi Padre” – Will Ferrell, Diego Luna, Génesis Rodríguez, Nick Offerman and writer Andrew Steele

Be sure to check out our 5 Questions interview with the beautiful and talented Génesis Rodríguez to read how she learned to cry on command!

Everyone in show business knows that comedy is hard. Apparently, however, it’s not hard enough for Will Ferrell. The SNL-bred all around comic superstar decided sometime ago he wanted to make a film in Spanish. He didn’t know what the movie would be about, but one thing was clear, the far from fluent Farrell would need to learn his part semi-phonetically, which by all accounts is every bit as difficult to do as you might imagine.

With the help of writer Andrew Steele and first-time feature director Matt Piedmont, that movie evolved into “Casa de mi Padre” (“House of My Father”). A broad but reasonably affectionate and detail-oriented spoof of telenovelas and Mexican and American exploitation movies, the film stars Farrell in one of his best performances yet as the 100% virtuous Armando Alvarez. Armando’s unwavering good guy nature is tested by the disrespect of his wealthy patriarch dad (the late Pedro Armendáriz Jr.) as well as the fact that his beloved brother, Raul (Diego Luna), has become a powerful narco at war with the ultra villainous La Onza (Gael García Bernal). Even more challenging is the increasingly melodramatic mutual attraction betwixt Armando and Raul’s fiercely stunning fiancée, Sonia (Génesis Rodríguez).

Bullz-Eye was fortunate enough to meet with several members of the cast and crew one day earlier this month. Along with comedy superstar Ferrell, we met with Latin-American heart-throb and respected U.S. actor Diego Luna, who may still be best known stateside for co-starring in 2001′s hyper-sexual “Y Tu Mamá También” with real-life lifelong best pal and “Casa” co-narco Gael García Bernal. Also along for the ride was fast rising comic actor Nick Offerman of “Parks and Recreation,” who portrays a bigoted DEA Agent. To discuss behind-the-camera matters we also spoke with screenwriter Andrew Steele (“The Ladies Man”). Also present at the event was the beguiling Génesis Rodríguez, who is the subject of a separate “5 Questions” feature.

Below are some highlights of the rather freewheeling discussions.

Will Ferrell on how “Casa de mi Padre” came to be.

I had always thought that it could be interesting to put myself in the middle of a Spanish language movie and fully commit to speaking Spanish. That heightened world of the telenovela meets the bad Mexican spaghetti western — all of that seemed like it could be a recipe for a type of movie you hadn’t seen before.

Diego Luna on his opinion of Will Ferrell’s Spanish.

He sounds perfect. You understand everything, basically. I was very worried. Forty days before we started shooting, I sat down in a bar with him and the director and he knew no Spanish at all. He couldn’t speak it.

He said, “Yeah, well, I’m gonna try.” Thirty days later he gave this two-minute monologue and, in fact, he makes sense. He understands what he’s saying. That was impressive, and [it was also] very impressive that two weeks after he forgot everything.

Will Ferrell on learning his lines in Spanish

Patrick Perez, who translated the script from English into Spanish, I kind of got to know him and he said, “Hey, I’m willing to work with you on your Spanish if you want.” I said “That’d be great.” We just started working about a month to six weeks out in front of the movie, meeting three or four times a week. Once we started filming, we would drive to the set every day and drive home every day. In the morning, [we'd] work on the scene or scenes for that day. On the way home, [we'd] start to work on the next day, to try to just embed it into my brain.

Every day I finished I felt like I’d wrapped an entire movie. It was just “Groundhog Day.” Diego and I laugh about because he improvised every take and I had no idea. “Okay, he’s finished? Now, I go.”

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An okay evening at Spike TV’s “Guys Choice” Awards

We’re fussy about Red Carpet events here at Bullz-Eye central. That’s largely because as a lone, online writer you’re pretty much at the mercy of the publicity gods in terms of who you’re going to meet up with and you never know who that’s going to be. One condition we have is that we get to see the show/movie/what-have-you in question so, if all else fails, we can write about that or at least get a bit of entertainment and free food. In this case, that was a good thing. Not because we didn’t get to talk to anybody interesting, but because Spike TV’s “Guys Choice” presentation, which premieres on the network at 9:00 Eastern/6:00 PDT Friday is not your usual award show.

Right down to the sexy female dancers who liven up the breaks and its highly distinctive award statue, “the Mantlers,” it’s easily the most laid back and honestly silly awards show I’ve seen. It’s also the only award show we know of which contains R-rated profanity in one of its award titles: the “Funniest Motherf*cker” award, this year being given to Jim Carrey. It’s safe the say the show was completely irreverent about everything, except for its commendable commitment to drawing attention to the bravery and sacrifices made by members of our armed forces.

Speaking of Jim Carrey, the famed comic provided a remarkable bit of comedy dealing with the always absolutely never hilarious topic of..oh, Lord, we’d better just leave it alone. You don’t want to know. Carrey himself made it clear that children and other sensitive people were better off not hearing the routine before proceeding with a shocking and explosively funny performance, abetted by the sensitive stylings of violinist Neil Hammond.

More traditionally edgy and hilarious at certain points, but a lot longer, was a marathon bit by faux canine Triumph, the Insult Comic Dog, aka comic genius Robert Smigel. The latter merited a bad on-camera review from Sean Penn who between this show and his criticism of Ricky Gervais at Golden Globes, seems to be developing a side career as a real-time award show comedy critic.

Mila Kunis at the Spike Guy's Choice AwardsJustin Timberlake less controversially proved himself to be, once again, no comic slouch, while promoting the charms of the co-star of his next flick, “Friends with Benefits,” the beautiful and talented Mila Kunis. Rolling Stones guitarist Keith Richards distinguished himself by simply being alive to pick up his award and being the innately humourous individual he is.

And so it went. I’ll have a few choice quotes from the show at the end of this piece. First, though, let’s talk about the folks we met on the Red Carpet.

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