Every Tuesday, I review the newest Blu-ray releases and let you know whether they’re worth buying, renting or skipping, along with a breakdown of the included extras. If you see something you like, click on the cover art to purchase the Blu-ray from Amazon, and be sure to share each week’s column on Facebook and Twitter with your friends.

WHAT: When con artists Irving Rosenfeld (Christian Bale) and Sydney Prosser (Amy Adams) are caught selling fake loans by an ambitious FBI agent (Bradley Cooper), they’re wrangled into working with him on an undercover sting targeting dirty politicians. But despite their deep mistrust in each another, the one thing that threatens to bring the whole thing crashing down is Irving’s wildly unpredictable wife (Jennifer Lawrence).

WHY: David O. Russell has always been a quality filmmaker, but he’s quickly becoming a force to be reckoned with thanks to movies like “The Fighter,” “Silver Linings Playbook” and this farcical con-artist caper. Loosely based on the ABSCAM scandal of the late ‘70s, “American Hustle” is immensely entertaining and features some of the best acting of the year. Forty pounds heavier and rocking the most elaborate comb-over you’ve ever seen, Christian Bale delivers a wonderfully nuanced performance as the straight man of the bunch. The other cast members aren’t quite as committed physically, but they’re just as good, including Amy Adams’ sexy and cunning partner in crime, Bradley Cooper’s short-tempered federal agent, and scene stealer Jennifer Lawrence, who’s an absolute riot as Bale’s unpredictable wife. The whole movie is also a lot funnier than you’d expect due to Russell and Eric Singer’s darkly comic script, and though some have argued that it’s too long, the characters are so richly developed and crackling with personality that I would have gladly spent another hour in their messed-up world.

EXTRAS: The Blu-ray release includes a making-of featurette and some deleted and extended scenes, but sadly, that’s the extent of the bonus material.

FINAL VERDICT: BUY

WHAT: When her sister Elsa’s icy powers inadvertently ensnare the kingdom of Arendelle in eternal winter, Anna (Kristen Bell) teams up with a rugged mountain man (Jonathan Groff) and a talking snowman (Josh Gad) to retrieve Elsa (Idina Menzel) from her self-imposed isolation and prove that she’s not the evil witch the townspeople believe her to be.

WHY: In a year of underwhelming animated films, it’s hardly fair to place Disney’s “Frozen” so high on a pedestal, even if it is one of the best things that the Mouse House has produced in almost 20 years. But while “Frozen” is undoubtedly a good movie, it’s not quite as great as the recent love-fest would suggest. It’s also not nearly as progressive, with the lead heroine falling in love with one male character mere minutes after meeting him, and relying on the help of another shortly after. Then there’s the issue of those silly troll rock thingies that threaten to derail the film in the third act, not to mention the fact that it features of the lamest and least threatening villains in memory. With that said, “Frozen” isn’t without its charms. It has a few catchy tunes (particularly the Oscar-winning “Let It Go”), some excellent laughs and a solid voice cast led by Kristen Bell, Idina Menzel and the scene-stealing Josh Gad. It’s the kind of movie that has likely empowered young girls around the world, all while selling billions of dollars in merchandise. That’s what you call a win-win.

EXTRAS: There’s a short featurette about the 75-year journey to bring Hans Christian Andersen’s “The Snow Queen” to the big screen, a music video parodying the lack of an actual making-of featurette, some deleted scenes and the short “Get a Horse!”

FINAL VERDICT: RENT

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If you haven’t been to the movie theater over the past few months, you’d be forgiven for thinking that 2013 wasn’t a very good year for film. In fact, my own year-end list was looking pretty suspect before October, but as is usually the case, the awards season blitz was jam-packed with enough great movies to fill more than the customary ten spots. That made compiling this year’s best-of list a little more challenging than in years past, especially with so many popular choices relegated to honorable mentions or missing entirely. With that said, after much deliberating, flip-flopping and even revisiting certain films, the following represents what I believe to be the best of 2013.

Check out David Medsker’s 2013 Year-End Movie Review as well for David’s picks.

1. “GRAVITY”

It’s been six years since Alfonso Cuarón’s last feature film – the criminally underrated “Children of Men” – but his outer space survival thriller was well worth the wait. “Gravity” is the kind of movie that will likely change the way films are made in the future. From the stunning, single-take opening sequence that lasts more than 12 minutes, to the numerous set pieces throughout, “Gravity” is such a technical marvel that it looks like Cuarón shot the whole damn thing in space. Though the story is ridiculously simple, not a single second of its 91-minute runtime is wasted, extracting so much suspense from the film’s terrifying setup that the brief injections of comedy (courtesy of George Clooney’s easygoing astronaut) are a welcome reprieve from the almost unrelenting intensity. Sandra Bullock delivers one of the best performances of her career as the rookie astronaut caught up in a seemingly impossible situation, but the real star of “Gravity” is Cuarón himself, and he deserves every bit of praise for creating what can only be described as pure movie magic.

2. “AMERICAN HUSTLE”

David O. Russell has always been a quality filmmaker, but he’s quickly becoming a force to be reckoned with thanks to movies like “The Fighter,” “Silver Linings Playbook” and this farcical con-artist caper. Loosely based on the ABSCAM scandal of the late ‘70s, “American Hustle” is immensely entertaining, impeccably structured and features top-notch acting from the entire cast. Forty pounds heavier and rocking the most elaborate comb-over you’ve ever seen, Christian Bale gives a wonderfully nuanced performance as the straight man of the bunch. His co-stars aren’t quite as committed physically, but they’re just as good. Amy Adams oozes sexiness as Bale’s cunning partner in crime, scene stealer Jennifer Lawrence is an absolute riot as his unpredictable wife, and Bradley Cooper is hilarious as the short-tempered FBI agent in charge of the sting. The whole film is a lot funnier than you’d expect due to Russell and Eric Singer’s darkly comic script, and though some have argued that it’s too long, the characters are so richly developed and crackling with personality that I would have gladly spent another hour in their messed-up world.

3. “ABOUT TIME”

Richard Curtis has written and directed some of the greatest romantic comedies of the past two decades, so it should come as no surprise that his latest movie follows in the same footsteps. Curtis’ films have always been about much more than the superficial meet-cute between boy and girl, and “About Time” is no different, aiming for something a lot deeper and more emotionally rewarding than the typical rom-com. Breakout star Domhnall Gleeson and Rachel McAdams have some fantastic chemistry, but it’s the relationship between Gleeson and Bill Nighy (playing the world’s coolest dad) that best serves the story’s central themes and leaves a more lasting impression, especially for anyone who’s ever lost a member of their family. Equally charming, funny and touching, “About Time” is classic Richard Curtis, through and through. And if the rumors about it being his directorial swan song are true, Curtis can take comfort in knowing that he went out on top, because this is not only his most mature and personal work to date, but it’s just a really beautiful film.

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It is not gross hyperbole to suggest that, box office be damned, the last couple of years have not been Hollywood’s finest. With all due respect to “The Artist” and “Argo,” the previous two Best Picture winners and fine movies, neither of them would have won had they been released in 2010. In fact, “The Artist” wouldn’t have even made my Top 10 list that year, while “Argo” would have slotted slightly ahead of “The King’s Speech” (that year’s Best Picture winner, by the way), which means it would have ranked as the sixth best movie that year. Yes, 2010 was that good, and everything since has been, as far as I’m concerned, a great disappointment.

Enter 2013, and the first time since 2010 that a movie truly excited me, to the point where I wanted to stay and watch it again the second it ended. Then I felt sad because Roger Ebert hadn’t lived long enough to see it. I’m really going to miss him. He was a damned fine writer.

Sadly, I still don’t have enough movies to make a top ten list. This is a combination of two things: missing some daytime screenings (stupid day job), and being rather underwhelmed by some movies with big time buzz, including the one that will likely win Best Picture. That won’t be a travesty along the lines of “Crash” taking the trophy in 2005, but unworthy of the honor just the same.

Check out Jason Zingale’s 2013 Year-End Movie Review as well for Jason’s picks.

1. “GRAVITY”

Only one movie comes even close to this one. I was thrilled when Alfonso Cuaron’s 2006 film “Children of Men” won my local film critics group’s award for Movie of the Year, and what he does here dwarves that in terms of technical achievement, while Sandra Bullock delivers as raw a performance as she’s ever given in her life. Even better, the movie is a mere 91 minutes long. Showing people something they’ve never seen before, while showing respect for the audience’s time: now that is my idea of a modern-day filmmaker.

2. “AMERICAN HUSTLE”

This is one of those ‘little moments’ movies, where the story is thoroughly engaging, but it’s the little bits that will stick in your head, and each of the leads has one. Bradley Cooper impersonating Louis C.K. towards the end. Christian Bale letting it all hang out at the party while listening to Duke Ellington. Jennifer Lawrence and the “science oven.” (Lawrence actually has two, if you include her lip sync of “Live and Let Die.”) Jeremy Renner explaining all of the different things you can heat in a science oven (all Italian foods). Amy Adams introducing Lady Greensly. “American Hustle” has a gonzo spirit, but it’s a smoke screen to distract you from the fact that at least one of the characters at any point in time is already thinking two moves ahead. Brilliant stuff.

3. “HER”

If “American Hustle” is a ‘little moments’ movie, “Her” is the one that will lead people to have book club-type conversations after seeing it. If the idea of someone developing feelings for an operating system seems odd on the surface, it won’t once you see Theodore (Joaquin Phoenix) give up people for Samantha (Scarlett Johansson), who satisfies him in ways that real women can’t. Johannson will probably be overlooked by the Academy for the same reasons that motion capture master Andy Serkis has been shunned (only her voice appears in the movie), but she delivers a heartbreaking and utterly believable performance as the zeroes-and-ones Samantha.

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Christian Bale, Amy Adams, Bradley Cooper, Jennifer Lawrence, Jeremy Renner, Louis C.K, Michael Peña

David O. Russell

David O. Russell’s “American Hustle” opens with a title card that playfully states: “Some of this actually happened.” But considering that the movie was originally titled “American Bullshit” and is populated with characters who are bullshit specialists, it’s meant to be taken with a fairly large grain of salt. Loosely based on the ABSCAM scandal of the late ’70s and early ’80s, Russell has adapted what was an already outlandish story into a ’70s-styled farce filled with a flying circus of conmen, feds, politicians and casino mobsters. Immensely entertaining, impeccably structured and featuring excellent performances from its entire cast, “American Hustle” is one of the year’s absolute best films and a serious contender for every major award.

When we first meet Irving Rosenfeld (Christian Bale), he’s seen carefully assembling his elaborate comb over with a combination of a toupee, glue and lots of hairspray. But what the paunchy conman lacks in good looks, he makes up for with confidence and intellect, which is what’s made him so successful at ripping people off. Everything changes when he meets Sydney Prosser (Amy Adams), a former stripper who partners with Irving under the guise of a British businesswoman with royal connections named Lady Edith. Their business practically triples overnight, drawing the attention of ambitious FBI agent Richie DiMaso (Bradley Cooper), who catches the pair red-handed and forces them to work undercover for the bureau. Richie wants to make a name for himself by taking down some white-collar criminals, and his first target is Camden mayor Carmine Polito (Jeremy Renner), a family man so desperate to revitalize the New Jersey economy that he’s willing to get his hands a little dirty in the process. It quickly turns into a game of who’s conning who, and yet the one thing that threatens to bring the whole thing crashing down isn’t their mistrust in each other, but Irving’s unpredictable wife, Rosalyn (Jennifer Lawrence).

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Winter has officially arrived, and with it comes the final wave of award contenders hoping to leave an impression on critics and Oscar voters. Though 2013 hasn’t exactly been the best year for movies, there’s plenty of quality on display in December, including the second installment of Peter Jackson’s “The Hobbit” trilogy, new films from David O. Russell and the Coen brothers, and the latest collaboration between Martin Scorsese and Leonardo DiCaprio. And for those looking for lighter fare, there’s also the long-awaited sequel to “Anchorman.”

Who: Christian Bale, Woody Harrelson, Casey Affleck and Zoe Saldana
What: When Rodney Baze mysteriously disappears and law enforcement fails to follow through, his older brother, Russell, takes matters into his own hands to find justice.
When: December 4th
Why: Writer/director Scott Cooper burst onto the scene in 2009 with “Crazy Heart,” netting Jeff Bridges the Oscar for Best Actor in the process, so it’s not surprising to see that he’s managed to land some equally impressive talent for his sophomore effort. Though early word for this one has been pretty mixed, the trailers have me intrigued, particularly with such an amazing ensemble cast, which also includes screen veterans like Willem Dafoe, Forest Whitaker and Sam Shepard. Plus, I’ll watch just about anything starring Christian Bale, because he’s one of this generation’s finest actors with his chameleon-like ability to completely inhabit any role. That doesn’t mean he hasn’t made a dud every now and again, but his résumé speaks for itself, and “Out of the Furnace” looks like another solid addition to an already remarkable career.

Who: Oscar Isaac, Carey Mulligan, Justin Timberlake and John Goodman
What: A week in the life of a young musician as he navigates the Greenwich Village folk scene of 1961.
When: December 6th
Why: There aren’t many directors that can boast a track record as impressive as the one that Joel and Ethan Coen have enjoyed throughout their 30-year careers, and “Inside Llewyn Davis” is just another notch on that cinematic belt. Markedly different from a lot of their films in that it’s a much more intimate, character-driven piece, “Inside Llewyn Davis” most closely resembles “A Serious Man” in both tone and execution. But although the movie is a fairly bittersweet portrait of personal failure (a running theme in the Coens’ repertoire), it’s not without their trademark wit and humor. The comedy may not be as pronounced as in their other films, but it’s yet another fine period drama that boasts a superb lead performance from Oscar Isaac and one of the best (and most addictive) soundtracks since “O Brother, Where Art Thou?”

Who: Martin Freeman, Ian McKellan, Richard Armitage and Orlando Bloom
What: The dwarves, along with Bilbo Baggins and Gandalf the Grey, continue their quest to reclaim Erebor, their homeland, from Smaug.
When: December 13th
Why: It’s a little ironic that the villain of this story is an avaricious reptile, because Warner Bros. could be accused of similar behavior following the decision to split “The Hobbit” into three movies. Of course, fans are hardly complaining about spending more time in Middle-earth, and now that the stage has been set with “An Unexpected Journey,” the second installment promises to be even better. Along with introducing important characters like Bard the Bowman (Luke Evans), The Necromancer and Smaug (Benedict Cumberbatch pulling double duty), the movie also marks the return of fan favorite Legolas and newly created female elf Tauriel, neither of whom actually appear in Tolkien’s novel. It wouldn’t be the first time that Peter Jackson has tinkered with the source material, but he hasn’t let us down yet, and that’s more than enough reason to get excited about Part Two.