SPOILER WARNING: This post will appear every Wednesday following a new episode of “Sons of Anarchy.” It is intended to be read after seeing the show’s latest installment as a source of recap and analysis. As such, all aspects and events that have occurred up to and including the episode discussed are fair game.

“Who’s doing this to us?” Gemma asks at the beginning of “Small World,” referring to the home invasions that have been plaguing Charming. The same question has been on everyone’s mind, Gemma was just the one who happend to voice it. At the end of the episode, we finally got the answer to her question: Clay. He’s been pulling the Nomads’ strings and orchestrating the break-ins, although he didn’t intend for anyone, let alone Roosevelt’s wife, to die. He yells as much at his puppets during the reveal.

Now, most everyone has suspected Clay since the close-up on Greg the Peg’s prosthetic leg in the season premiere, which is why I refer to the ending as a reveal rather than a twist.  This was always an Occam’s Razor scenario. Who else had more to gain from “stirring the pot,” as Unser put it? Who else had anything to gain? Plus, the Nomads have been parroting Clay’s every word at the table and working to undermine Jax’s leadership since the day they arrived in Charming.

Likewise, Clay’s had his mind set on returning to the head of the table ever since the gavel was taken from him. Despite losing his once-substantial physical power, he was never going to just lay down. Clay’s been using his wits to return to a position of power. And now, he’s even got some of that brawn coming back to him. In “Stolen Huffy,” we saw him lifting weights. This week, he continued to wear his oxygen tank, even after his doctor says he no longer needs it, so he can continue to garner sympathy and maintain his wounded warrior image.

“Small World” confirmed Clay’s misdeeds to the viewer, and based on the promo for next week’s episode, it seems Jax will figure things out as well. With six of the season’s thirteen episodes in the books, the action’s starting to ramp up. Moving forward, that means Clay’s return to his prominent position as the show’s main antagonist, plus some conflict with Roosevelt as well as the newly introduced con man played by Joel McHale. Not to mention that the club’s amicable relationship with Damon Pope simply cannot last.

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Although I get plenty of opportunities to do in-person interviews when I’m out on the west coast for the Television Critics Association press tours, I very rarely get the chance while I’m here at Virginia, so when I was offered the chance to meet Kathleen Robertson for coffee, one of the stars of a show I already have a lot of love for (“Boss”), you can imagine that I didn’t have to think twice before answering, “Absolutely!” Indeed, I didn’t even blink an eye when it was casually mentioned that it might be nice if I managed to find a way to bring up Starz’s new app for Cox subscribers, Starz Play, because, what, like it’s such a bad thing to hype something that helps more people see some of my favorite series? (As you hopefully recall, I’m a big “Magic City” fan, too.) As I was assured in advance, Kathleen was a total sweetheart, and as we chatted over the course of a half-hour, the topics included the series that brought us together in the first place, of course, but also “Maniac Mansion,” “90210,” “Tin Man,” and even the hilarious-but-underrated IFC series, “The Business.” Read on…but don’t forget that the “Boss” Season 2 finale airs Friday night on Starz!

Bullz-Eye: So the second season of “Boss” is coming to a close…

Kathleen Robertson: Yep!

BE: Your character, Kitty O’Neill, had a decidedly different dynamic in Season 2 than she did in Season 1. How much forewarning did you have about how Kitty’s storyline was going to play out during this season? Did you know from the get-go, or was it only doled out to you on an episode-by-episode basis?

KR: I knew from the get-go. I sat down with the writers at the very beginning of the season, and they sort of explained to me what the storyline was for her. With the exception of the finale. They were very secretive about the finale, and I didn’t know what was going to happen until the week before we shot it and I read the script. Have you seen the finale?

BE: I have not yet.

KR: [Tries and fails to disguise her giddiness.] It’s so good. It’s so good. They kept saying to me all through the year, “Just be patient. Just be patient and wait for (episode)10.” I said, “What does that mean, though? Like, am I gonna get killed? What are you…what happens in 10?” “Just be patient.” And then they’d say, “10 is your episode, and you’re gonna be really happy with it.” So I was. And I am really happy with 10. It’s amazing.

BE: 10 may be “your episode,” but it’s arguable that you’ve had a lot of episodes. Kitty’s evolved throughout the season, at least in a certain sense. At the same time, though, she also ends up making it pretty clear that she doesn’t really know who she is unless she has someone to serve.

KR: Yeah, that’s true.

BE: Did you see that as being a part of her character from the very beginning, or was that something you discovered as time went on?

KR: Well, with Season 1… [Hesitates.] Farhad (Safinia) said to me at the beginning of the series, “For Season 1, Kitty almost has a reverse arc.” She kind of starts here… [Holds hand up and then begins lowering it.] …and ends here. And it’s kind of like that in Season 2 as well, because from the moment we meet her in this season, she’s pregnant, she’s sort of deciding if she even wants to be in politics anymore…she’s deciding who she is. So the journey for her over Season 2 was a much more internal one, and it was much more a case of asking, “Who am I without my identity?” And for her, the identity isn’t just working for Kane. It’s being in this whole world that she’s sacrificed everything for. So she sort of flirts with the idea of trying to be an alternate Kitty throughout the season, and by the end… [Smiles knowingly.] When you see the finale, I think she ends up where she belongs.

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Watching the latest commercials for Old Spice’s new Champion line of antiperspirant, body spray and body wash, it’s pretty easy to tell Greg Jennings has a great sense of humor. The Super Bowl champion and two time Pro Bowl selection (2010, 2011) didn’t disappoint when we discussed petting a grown man like a dog, his hate for Bears fans and who has better balls: Brett Favre or Aaron Rodgers.

Was it weird to pet a grown man like a dog?

Oh man it was real weird. It was spooky because it looked so realistic; it’s unbelievable, the process.

What’s the deal with Old Spice and how did you guys team up?

It’s all about the new Champion Scent and I was just working with Old Spice and the new ad campaign. There is more to come, but the first ad, me with my dog, just letting everybody know that if you believe in your “smelf”, anything can be possible. Your “smelf” is all about “smelf confidence” and making sure you can overcome anything getting the viewer and the fan to realize you can overcome any type of adverse situation if you use this Champion Scent from Old Spice.

So that was your dog in the ad?

That wasn’t technically wasn’t like, “my dog”, but it definitely was “my dog”.

Seemed like there was a connection there some good chemistry like you and Aaron Rodgers.

Absolutely — “You did it Roscoe!”

Aaron Rodgers seems like a very low key guy who is easy to get along with- is that true? Does it make the relationship easier and more productive?

Absolutely. Any time you can have a guy that is as down to earth and easy going as he is it makes the relationship and what we do together on the field, and off the field, that much easier. When you can relate with someone on and off the field, it makes the work environment that much easier.

You’ve caught passes from obviously Aaron Rodgers and earlier in your career Brett Favre- who throws the ball harder?

I always have to tip my hat to Aaron simply because he is younger; I was with Brett in his latter stages. He has storied about guys with broken fingers on his resume, but when I was here definitely Aaron.

Who throws the more catchable ball? And what makes a ball more catchable?

They both throw the most catchable balls. And that said, NO Homo. But they both have balls that…I don’t even like to talk about it. They both throw a really good uh… (laughing) balls.

How bad do you personally hate Bears fans?

Uhhh, pretty bad.

When you get into games and say you’re playing a non-divisional rival, are you more motivated or are you always at the same level whether it’s a team like the Bears or not?

Um, pretty much it’s a different intensity overall of the game, the atmosphere. When you’re playing a team like the Bears or a division rival. Vikings even, Lions even. It’s just a different intensity. But when you’re out there competing it really doesn’t matter as an individual you go out there w the mindset that you gotta beat your opponent every single snap. That’s my mindset and as far as the Bears are concerned I shouldn’t really hate them, I should love them- they’ve always been so gracious to us (laughing). I had to get that in there.

Growing up in Michigan were you a Lions fan?

I was, I was. I hesitate to say I was a Lions fan because I was more of a Barry Sanders fan. I hated the Lions; but I loved Barry Sanders. I rooted for them because of him. But it was tough man. It’s great to see them having success now just because I’ve grown up watching them my entire life, but I don’t want them to have too much success, but, you know how that goes.

How different would your life be if John Skelton was your QB?

Uhh — a lot different. It would be a ton different.

Listen to the full interview here.

For more information on the new Old Spice Champion Collection, check out the website here.

Though the rest of the month promises a healthy selection of new releases, there’s not a whole lot to choose from this week. My first instinct was to skip the column altogether, but that wouldn’t have been fair to “Moonrise Kingdom,” which deserves all the attention it can get. Plus, it would have meant letting “That’s My Boy” off the hook, and I’m not in the business of going easy on Adam Sandler films, because he’s a plague on cinema.

I’ve liked just about everything Wes Anderson has done since first arriving on the scene with “Bottle Rocket,” but I was pretty skeptical going into “Moonrise Kingdom,” even if it ended up being all for naught. Though he’s done the precocious kid thing before with “Rushmore,” his latest film features all the usual keystones of an Anderson production (quirky characters, gorgeous cinematography and a folk/rock soundtrack) while still managing to feel totally original. All of those elements play a part in the movie’s success, but it ultimately comes down to two things: the sweet and clever script by Anderson and Roman Coppola (who also co-wrote the underrated “Darjeeling Limited”) and the fantastic ensemble cast. Though the adult actors turn in some really funny performances, especially Edward Norton and Bruce Willis in their first (but hopefully not last) Anderson film, it’s newcomers Jared Gilman and Kara Hayward who steal the show as the adolescent runaway lovers. “Moonrise Kingdom” still ranks below “The Royal Tenenbaums” and “Fantastic Mr. Fox” on a list of the director’s best films, but it’s one of his more enjoyable and accessible movies to date.

Blu-ray Highlight: The film may have been a hit both critically and commercially, but Universal apparently didn’t see fit to produce any worthwhile bonus material. The best extra they could conjure was a collection of short behind-the-scenes featurettes focusing on actors Bill Murray, Bruce Willis, Edward Norton and director Wes Anderson.

It shouldn’t come as much of a surprise just how bad “That’s My Boy” turned out to be, but despite its many problems, none is worse than the discovery that the movie is two fahking hours long – a death kiss for most comedies, let alone one starring Adam Sandler. There’s absolutely no reason for such a long runtime, and had I known about it going in, I probably wouldn’t have agreed to review the film. Though it’s actually better than Sandler’s last outing (the embarrassingly awful “Jack and Jill”), “That’s My Boy” features the former “Saturday Night Live” star at perhaps his most annoying. Sandler seems to think that the louder he shouts, the funnier it is, but it doesn’t work that way, and after making as many shitty movies as he has over the years, he should know that by now. It’s actually pretty incredible that he’s still able to recruit the kind of talent that he does (see: Susan Sarandon), because Andy Samberg is the only one who doesn’t come out looking like a complete idiot. He’s also what prevents the film from being any worse, although that’s not exactly saying much.

Blu-ray Highlight: The disc comes loaded with a gag reel, deleted scenes and a few behind the scenes featurettes, but after wasting two hours watching the film, you’d be better off just cutting your losses than spending more time on these worthless extras.

The cover art for “Chernobyl Diaries” proudly exclaims that it comes from the mind of “Paranormal Activity” creator Oren Peli, but if anything, that only made me less impressed, because the found footage series is all bark and no bite, and Peli’s latest film is no different. Though it’s competently made by first-time director Brad Parker, it’s lacking in just about every department. The story doesn’t have a concrete hero or villain, and you couldn’t care less what happens to any of the characters. Perhaps more importantly, the scares are virtually nonexistent and you’re never given a logical explanation for anything that happens over the course of the movie. It’s a pretty hollow horror experience, which is a shame, because the Ukrainian backdrop provides a unique and atmospheric setting, even if Parker doesn’t make the most of it. But if there’s one thing that bothers me more than anything else, it’s why anyone would go on an “extreme tour” of a creepy Eastern European city in a post-“Hostel” world. Don’t the people in horror movies actually watch horror movies?

Blu-ray Highlight: The selection of bonus material is so piss-poor that it doesn’t seem like Warner Bros. was even trying with this film. Nothing to see here folks, move along.

Nissan invited us out to wine country near San Francisco to test drive the all-new 2013 Nissan Pathfinder. Nissan has been a leader in the large SUV category for years with the Pathfinder, and the 2013 model represents the 4th generation of this vehicle. This segment has evolved through the years as the various manufacturers have moved from a body-on-frame truck design to a more carlike unibody construction. The result is a more comfortable driving experience, even for these large SUVs, and the Pathfinder is no exception.

Exterior

With the 4th generation Pathfinder comes an all-new exterior which represents a nice improvement over the previous model. The front end in particular offers a much cleaner design. The headlights are larger and the angled grille looks like it belongs on the vehicle. The lines on the front hood and near the fog lights accentuate the grille design as well. Overall, the vehicle retains enough of the rugged feel of earlier versions, yet also has a classy, upscale look as well.

Interior

The 7-passenger Pathfinder is loaded with interior features that will make drivers and passengers feel very comfortable. The new Pathfinder boasts best-in-class interior passenger volume and best-in-class front headroom and front legroom. It’s definitely roomy and you can load this vehicle up with adults and kids no problem.

You can get all of the comfort options you would expect, heated and cooled front seats, heated 2nd row seats, heated steering wheel, power tilt and telescoping steering wheel, push button start, multiple user memory settings and an advanced Bose Audio System with 13 speakers. The Pathfinder also features easy 3rd row access from the 60/40-split 2nd row with innovative technology that lets you access the 3rd row even when an empty child seat is still in the second row.

Buyers can also choose a Dual Panorama Moonroof, with sliding opening front panel and fixed rear glass panel which extends over the 2nd and 3rd rows. You should definitely check out this option.

Performance

I was able to push the Pathfinder pretty hard around some winding roads through Napa and Sonoma and was very impressed with the handling on this large vehicle. The Pathfinder gripped the road nicely even at higher speeds. The acceleration was also solid for this type of vehicle. The new Pathfinder is the only vehicle in this segment with a CVT transmission which helps provide a 30 % increase in combined fuel economy over the previous model. Fuel economy is rated at 26 mpg highway, 20 mpg city and 22 mpg combined for the 2WD model and 25 mpg highway, 19 mpg city and 21 mpg combined for the 4WD model. The CVT performed nicely as Nissan continues to perfect this technology. With gas mileage at a premium these days, the V8 is no longer an option.

I drove a model with the available intuitive four-wheel drive. Drivers can choose full-time 2WD for maximum fuel economy, auto mode to automatically monitor conditions and adjust the balance of power between front and rear wheels for best traction, or 4WD Lock mode when full-time 4WD is desired. It also features standard Hill Start Assist that helps add control when starting and driving away on a steep incline (both 4WD and 2WD models).

Overview

The Pathfinder remains an excellent option in the large SUV category. It’s perfect for families and for an active lifestyle. With best-in-class standard 5,000-pound towing capacity you can use the Pathfinder tow your boat, jet skis or trailer. It’s roomy and fun to drive so it should continue to be a hit for Nissan.