After racing out of the gate with a couple of action-packed episodes, the last two weeks have been a bit of a slow burn in terms of major plot revelations, but at least they’ve still been entertaining. Tonight’s show found the club headed down to Arizona to meet up with the local charter, SAMTAZ, which has been put in charge of providing protection to the cartel during the transportation of the guns across the border. Now, SAMCRO may not exactly be the cleanest MC around, but they look like saints compared to these Tucson guys, who are involved in all sorts of nasty stuff, including dealing crystal meth.

Clay is shocked that such a vote would even pass, but as the club’s president is quick to remind him, muling cocaine and dealing crank isn’t all that different. When SAMCRO looks deeper into the matter, however, they discover a shady plot by two of SAMTAZ’s officers that involved the murder of one of their members and the blackmailing of another in order to push the vote through. Though the decision is left up to the charter president to deal with the situation how he sees fit, he doesn’t really have much of a choice other than to kick them out, and even bemoans the fact that he’s essentially lost a third of his members as a result. He didn’t look very happy about SAMCRO poking their nose into his club’s business, and I wouldn’t be surprised if this wasn’t the last we’ve seen of SAMTAZ. Because now that they’ve decided to continue dealing, if anyone is going to cause a problem for SAMCRO down the road, it’ll almost certainly be them.

Meanwhile, back in Charming, Gemma is trying to keep herself busy while Clay is away on business, so she decides to visit the new floral shop in town about some dying flowers in her greenhouse. Lo and behold, the owner of the store just so happens to be Sheriff Roosevelt’s wife, who perhaps unsurprisingly is Gemma’s match in just about every way. I don’t know what kind of game Gemma is playing by making friends with the woman (not that she’s buying it), but you can be sure that there’s some hidden agenda behind her donation to the Save the Garden committee that Mrs. Roosevelt serves on. There’s always some selfish reason for anything Gemma does, and the fact that she’s using Tara’s name as the main benefactor suggests that she has ulterior motives.

If only Tara knew what Gemma was doing behind her back, but of course, she’s far too busy between work, taking care of the kids, and guarding her knowledge of Maureen’s letters to keep an eye on her future mother-in-law. Though Tara attempts to confide in Piney about the mystery of JT’s death, their conversation is interrupted by Gemma, who warns Piney to stop digging into the past before it kills him. I’m not sure if that was meant as a threat, but it certainly sounded like one, and it’s the second time that Piney has been warned in as many episodes. What do you think the odds are of him kicking the bucket before the season ends? One of the Sons seems destined to die before this is all over, and between Piney butting heads with the wrong people and Bobby voicing his disapproval every chance he gets, I have a bad feeling it’s going to be one of them.

Other thoughts from the episode:

* Gemma might think she’s pretty cunning, but Lincoln practically had her eating out of his hand within seconds of meeting her. She had absolutely no clue that she was being played, and now that she knows about Jacob Hale potentially losing the Charming Heights property, you can bet that she’s going to share that news with Clay the minute he gets back. And that’s exactly what Lincoln wants her to do, because he’s betting on the fact that the Sons will make a stupid move and he’ll be able to catch them in the act.

* Lincoln definitely isn’t wasting any time in bringing them down. Along with having Roosevelt rattle Juice’s cage last week, he visited Otto in prison in an attempt to get him to turn against SAMCRO as well. We already know that Bobby didn’t kill Luanne (Tom Arnold’s sleazy porn producer did), and Otto has always been very loyal, but if there’s one thing that could make him snap, it’s the discovery that Luanne was being unfaithful.

October has never been known for offering much in the way of quality at the cineplex (in many respects, it’s the dumping ground of the fall movie season), but usually, horror fans can at least expect a bunch of scary movies to help get them in the mood for Halloween. This year is a little different, however, because there are very few horror films in sight. But while the month certainly looks to be short on scares with the exception of “Paranormal Activity 3,” “Red State” and perhaps “The Thing,” the rest of the schedule is filled with some interesting titles that really have the potential to surprise.

Who: Hugh Jackman, Dakota Goyo, Evangeline Lilly and Anthony Mackie
What: Set in the near future where robots have replaced humans in the ring, a former boxer and his estranged son discover a junkyard bot that could become champion.
When: October 7th
Why: It’s easy to see how someone might be a little skeptical about a film that looks like “Rock ‘Em Sock ‘Em Robots: The Movie,” but after visiting the set last summer, any concerns I might have had were quickly laid to rest following a chat with director Shawn Levy and star Hugh Jackman. I’ve also had the opportunity to see the finished product since then, and while the movie certainly isn’t going to earn a spot alongside “Rocky” and “Raging Bull” as a boxing classic, it’s still a really enjoyable underdog sports drama with strong central performances and plenty of awesome robot-on-robot action.

Who: Ryan Gosling, George Clooney, Philip Seymour Hoffman and Paul Giamatti
What: An idealistic staff member for a Democratic presidential candidate gets a crash course on dirty politics during his latest stint on the campaign trail.
When: October 7th
Why: With a big name like George Clooney attached to a movie come big expectations, especially when he’s the one calling the shots. Thankfully, his latest directorial effort appears to be more “Good Night, and Good Luck” than “Leatherheads,” and it doesn’t hurt that he’s surrounded himself with such an incredible ensemble cast. In addition to the film’s multi-hyphenate star, “The Ides of March” features two other Oscar winners and two nominees. It might not be considered the year’s strongest awards contender, but the Academy always loves a good political thriller, and this definitely looks the part.

Who: Mary Elizabeth Winstead, Joel Edgerton and Adewale Akinnuoye-Agbaje
What: When an alien life form begins wreaking havoc at an Antarctic research site, a graduate student teams up with a helicopter pilot to prevent it from escaping.
When: October 14th
Why: There’s been a lot of debate over whether Universal’s “The Thing” is a remake or a prequel to the 1982 John Carpenter classic (the fact that it shares the same title certainly hasn’t helped matters), but it’s now been confirmed that it takes place prior to R.J. MacReady’s trip to the Antarctic and will detail what happened at the Norwegian camp featured in the original film. I’m not sure if that makes this prequel any less unnecessary, but at least it’s got a couple of good actors in Mary Elizabeth Winstead and Joel Edgerton. That’s definitely a start, but it still has a ways to go to winning back the fanboys after Ronald D. Moore’s script was reportedly scrapped back in late 2009.

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Let’s get it out of the way now: not only was this the best episode of the season to date – which, given the competition, is a pretty damned impressive feat in and of itself – but it has instantly vaulted into the elite category known as The Best “Breaking Bad” Episodes of All Time.

This is not hyperbole. This is fact.

And with this having been said, let’s get to talking about the proceedings, shall we?

What’s going down ‘round the hospital? Oh, wait, this isn’t a hospital: these are some of Gus’s guys, a rag-tag team of doctors who were clearly prepared for the eventuality that his preventative measures might not do the trick. Unfortunately, they’re not nearly as interested in helping out poor Mike, as evidence by when Jesse says, “This man needs help,” and the lead physician replies matter-of-factly, “This man pays my salary.”

Meanwhile, back at the SuperLab, Walt’s continuing to make with the meth under the watchful eye of Gus’s right-hand man, but as Walt reminds him for what must surely be the hundredth time, “If Pinkman’s gone, I’m done.” So what’s up with Walt’s figures being off? Is he just frazzled and not paying attention? If so, you have to admit that’s a little understandable, what with everything going on in his world…like, for instance, teaming up with Hank on a stakeout of the Los Pollos Hermanos warehouse. Walt’s less than subtle when asking about the status of the cartel, but it works: Hank’s heard rumblings that a major massacre went down, big even by cartel standards. In return, Hank starts asking about the bruises on his face, once again offering him a friendly ear, but Walt stiffens and snaps, “I’m done explaining myself.”

Looks like they found time to help Mike after all. Jesse discovers just how much advance planning Gus put into the goings-on in Mexico, and it’s clear that, although he’s shocked, he has considerable respect for the man. Moments later, the man himself emerges, looking tired but on his way to recovery. Unfortunately, Mike’s still going to be laid up for a week or more, but Gus assures Jesse that he’ll send for their friend as soon as he’s well enough to travel. The lead doc smiles and prescribes water and rest to Gus, and I swear, I think this was the most human I think we’ve ever seen Gus look. I don’t know how far they go back, but it’s got to be pretty damned far. And speaking of far, it’s a hell of a stroll back to the border, and it’s even longer once Gus casually comments that Jesse can run the lab himself. Jesse understands the implications…and he does not appreciate them.

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Greetings, all, and welcome back to Prohibition-era Atlantic City. Since the Season 1 DVD set of “Boardwalk Empire” has yet to emerge, I have to admit that my memory on what went on when last we saw Nucky Thompson and the rest of the gang isn’t as fresh as it perhaps ought to be, so I’m hoping that your recollections are similarly imprecise. If not, then lord knows I’ll hear about it, but I’ll keep my fingers crossed and just dive right in, shall I?

The first sight we see this season is a bunch of kids running through the surf, picking up…a bottle? I think it was a bottle. Maybe it’s just because I was watching the episode as an advance screener, but it was so damned dark that I honestly couldn’t tell exactly what they were picking it up. But, hey, it’s a show about running bootleg liquor during Prohibition, so a bottle makes about as much sense as anything else, and I’m going to take a similar stab in the dark and presume that what they’re moving onto trucks in the next shot is crates of the same stuff. Basically, the whole segment is intended to give us a quick look at what all of the usual suspects are doing nowadays, and it looks for the most part that they’re still doing about the same thing they were when we left them. Nucky’s still enjoying the 24-hour party while Margaret remains at home, Jimmy’s busy handling the transport of product to Chalky White, Eli’s recovering from his wounds, Agent Van Alden’s with his wife, and…hey, wow, look how much more energy the Commodore’s got! Amazing how reinvigorated one can be when they stop ingesting poison, huh? Unfortunately, it isn’t long before all of the joviality is replaced by tragedy, with Chalky’s operation being abruptly machine-gunned into oblivion by a bunch of KKK members. Pretty horrifying stuff, and although Chalky manages to make it out alive, he’s rightfully pissed about what’s gone down. (At least he manages to take one of his attackers down before they drive away.)

Nucky and Margaret may be making this relationship work, but it’s clearly having a toll on the kids. After pulling an all-nighter, Nucky arrives to find Teddy ensconced under the dining room table, refusing to go to school because he’s been so traumatized by the nuns, but Nucky talks him out by sharing his own past educational experiences, leaving the adults to enjoy a bit of tense conversation amongst themselves. It might’ve shifted into a little bit of loving, but thanks to the nattering of the children, Nucky bails out, leaving Margaret understandable frustrated. Uh-oh, Teddy, you’re in trouble…

Looking in on Angela and Jimmy, it’s clear that Angela’s still an emotional wreck after losing out on the lesbian love of her life at the tail end of last season. She might be trying to put on the façade of family happiness, but there’s misery dripping from every word out of her mouth, and she obviously has no tolerance for Jimmy’s mother, Gillian. Speaking of which, how incredibly creepy was it when, apropos of nothing, she announced that she used to kiss Jimmy’s wee winkie once upon a time. Talk about your awkward revelations. Meanwhile, in Chicago, Capone’s still got a chip on his shoulder when it comes to people perceiving him as Johnny Torrio’s lackey, as evidenced by his reaction to George Remus, whose ridiculous tendency to refer to himself in the third person completely confuses Capone. Remus submits a plan to help Torrio do an end-run around Nucky Thompson, which Torrio accepts, quickly passing the buck to Capone on the matter of informing Nucky that his services will no longer be required.

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Of all the boozy discoveries I’ve made in the relatively short time I’ve been writing DOTW, easily the most personally fascinating to me is Campari and the great cocktail made with it, the Negroni. Mine is a lonely passion, however. American bartenders tend to play down Campari and Campari-based drinks, even while they usually stock it. It’s not hard to see why because it’s a dangerous drink, taste wise. It’s essentially the bitterest of bitters mixed with the sweetest of liqueurs. When you drink it straight — and you really should, just once — the sweet part leads the charge followed by a sharp, intoxicating punch of bitterness. Pleasure followed by a punishment I personally find quite addictive.

Fortunately, the Negroni is not alone among Campari-based cocktail classics. This history of the Americano goes back the mid-19th century, when it was first known as the Milano-Torino before the Italians noticed that we Yanks we’re taking to the drink. No doubt, that was because it does such a great job of softening the Campari 1-2 punch.

Wikipedia also points out that the Americano is the first bar order made by James Bond in Ian Fleming’s first James Bond novel, Casino Royale. Relax, however; you don’t have to be a super-spy to enjoy this and you certainly don’t need to be a super-mixologist to make it. In fact, it’s a perfect drink for lightweights and/or lazy bartenders with a mild adventurous streak.

The Americano

1 ounce Campari
1 ounce sweet vermouth
Carbonated water
Orange slice or lemon peel (optional, but desirable, garnish)

Pour equal parts Campari and sweet vermouth over ice cubes in a rocks/old fashioned glass. Top off with carbonated water of your choice. Add citrus slice/peel of your choice. Stir.

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If you’d like a bit more hydration or if you’d like to put a bit more distance between yourself and the Campari bitters, it’s also perfectly acceptable to make an Americano in a Colllins/highball, leaving more room for the carbonated water. As to the type of soda water, club soda or plain seltzer/carbonated water are fine, though I understand 007/Ian Fleming suggested using Perrier with it in the short story, “A View to a Kill.” On the other hand, since that magnificent snob recommended using the French mineral water as a relatively inexpensive way to improve “a bad drink,” he couldn’t possibly have been talking about the Americano.