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How to get a girlfriend

Some guys want to find a girlfriend, while others want to meet as many women as possible. Regardless of what you’re looking for, you have to approach more women to increase your chances of success.

In his article about how to get a girlfriend, Dan Bacon points out an interesting fact:

We have surveyed more than 6,000 women during the last 7 years and 73% say that men don’t approach women enough anymore. Women also complain that a lot of modern men have become too wimpy and take too long to make something happen.

This isn’t surprising, as many men have trouble with this. They get nervous or intimidated, and so they avoid the possibility of rejection.

So you need to learn to change your attitude. Just as important, however, is learning how to approach women. There are all sorts of great pickup artists who can help with that. Their approaches vary so you need to do research and find one that fits your personality, yet at the same time you have to be willing to challenge yourself, otherwise you won’t get better at this. Check out our pickup artist web guide for examples.

Dan Bacon’s article has some easy advice on approaching women in coffee shops. Other stress learning how to talk to women and not hitting on them as soon as you approach them. Read up and you’ll see right away many ways you can improve.

Handmade Bars Made in Less than 8 Hours

Last weekend, the world’s largest BBQ competition took place in Kansas City, Missouri as more than 600 chefs and 100,000+ attendees descended on the American Royal World Series of BBQ.

George Dickel Tennessee Whisky hosted their Raising the Bar competition at the event to celebrate the beauty behind the handcrafted hard work that goes into this mecca of meat. The rules were simple: six teams of three craftsmen had eight hours to build a badass bar from scratch. They could weld, saw and hammer to their heart’s delight, but they couldn’t leave the set, and at day’s end, the bar had to be capable of pouring a shot of George Dickel.

Check out the results below.

Why It’s Awesome: The robotic arm in the right hand side of the photo pours your shot at the push of a button no matter which bar stool you’re seated at. This whole technology thing could work out after all…

Why It’s Awesome: Let’s face it. Drinking whisky anywhere is a good thing. But drinking whisky served by pulling the trigger on an electric screwdriver while seated in stools made from actual George Dickel whisky casks is a VERY good thing.

Why It’s Awesome: Because nothing tastes better than a stiff drink after a day in the garage. Just remember, put the power tools down before picking the whisky glass up!

Why It’s Awesome: A) Because if you build a bar like this, former Cincinnati reds pitcher Rob Dibble (left) might just show up to party with you! B) You’re sitting on a full-fledged whisky barrel C) A suspended pulley triggers a shot of George Dickel. It’s like the Wild West, but better.

Weekly Web Series Review: China Illinois

It is time once again to return to the twisted, hilarious and wildly original world of Brad Neely‘s “China Illinois,” home of the Professor Brothers and Baby Cakes. This time, let’s take a look at the four-part miniseries named after the fictional town, which brings the characters from those other two series together for one continuous storyline, a first for Neely which in turn spawned a full-length, actually animated series on Adult Swim.

“China Illinois” begins with gentle giant Mark “Baby” Cakes in his usual mode, telling stories to his diary in his customarily idiosyncratic way. “Dear diary,” he says, “today me and Dad tried to clean our insides out, with plant hairs, tree ejaculates, and leafy-weafs.” “Tree ejaculates” are, of course, Baby Cakes’ unique way of saying “fruit,” just one of many phrases this character has coined that should obviously become part of the standard English lexicon immediately, for the sake of a more interesting future. When the unsatisfying meal is done, Baby Cakes comes upon “a lonely little pursey, with a pink diary hanging out,” completely failing to notice the bloody car accident adjacent to the lost purse.

The plot thickens when it is revealed that the owner of the purse was a professor at the local community college Baby Cakes attends, and that she was in an unhappy relationship with the self-absorbed Professor Frank, who romantically proclaimed to her, “You’ll never want to be anything more than the thing I am in.” Like his forbidden romance with his Dad’s girlfriend in “Baby Cakes Diary #4,” Baby Cakes becomes furious with Frank’s poor treatment of his newfound beloved, only to ultimately reconcile his feelings in a typically strange way by the end of the series.

Both Baby Cakes and Professor Frank are prone to expressing themselves through song, which, along with Baby Cakes’ poetic wordplay, brings an odd poignancy to an otherwise silly and very funny series. It’s surprising that an animatic cartoon that refers to Helen Keller as “history’s most famous little caca-faced animal kid” can strike deeper chords about the meaning of life, but that is a special ability Neely shares with fellow crude animation genius Don Hertzfeldt, and it is what makes “China Illinois” such an enduring creation.

Product Review: Gillette ProGlide Styler

In the heart of the current political season, and in the interest of full disclosure, I must say that I have always been pro-Gillette throughout my personal shaving career.

It started way back in the mid-nineties, when I fell in love with the Gillette Mach 3 right out of Harvard Law. Three blades at the time was revolutionary (not as progressive, but certainly more moderate than the Schick Hydro 5 Power Select and it’s five blade setup) and I used it faithfully for years.

That being said, I was totally unaware and fully surprised when I recently received the Gillette ProGlide Styler for review. So rest assured, this review comes to you as the result of a fully non-partisan effort.

The 3-in-1 features the ability to shave with the Fusion ProGlide Power Blade, the Power Trimmer to trim your facial hair or beard, and the Precision Edging Blade to make crisp, defined lines to finish your cut or look of choice.

Right out of the box, I immediately liked the weight, feel and contour of the tool to fit in your hand.

The Precision Edging Blade is a great touch and totally removes the need for a separate tool to tighten up you sideburns, mustache, beard or just your look in general.

The Power Trimmer came with three adjustable attachments to trim up a beard or sideburns, but you could just as easily use it for some spot manscaping or even to trim a wild hair on your head.

The coolest feature on the Fusion ProGlide Power Blade is the built in Microcomb at the base of the razor. This helps by guiding your hair to the blade so you can shave, even against the grain, in a more controlled, close manner. The razor didn’t feel as solid as I would’ve liked (it felt somewhat flimsy), but it gave me a very close shave.

While using it, I got the feeling that this is a great 3-in-1 tool for a person who does a lot of traveling. There are very few attachments to carry around and lose while on the road. Also, there is no need for a charger because it is battery powered. Switching attachments was somewhat difficult at certain points.

The ProGlide Styler is waterproof and is also contoured and coated in rubber, which means that it’s not only more difficult to drop should you be shaving with a wet hand, but it could also withstand said drop should it hit the sink.

The built in Organizer Case was also a nice touch to make keeping track of the attachments and interchangeable parts even easier.

Accompanying the ProGlide Styler was the Fusion ProGlide Shave Gel. Interestingly, the shave gel was actually clear and barely foams up in the sense of a more traditional shaving cream. It definitely made it easier to see the area you were shaving, so you can “see where to shave and edge more accurately”, which was true. There was no blind shaving, which was a great touch and definitely lent itself to the quick shave a man may need to undertake when he is on the road shaving in a hotel room for business.

The versatility is what any user of the ProGlide Styer will like the most. It is a quick and easy alternative to using separate tools for each shaving task.

For more information, click here.

The Light from the TV Shows: A Chat with Julian Jarrold (HBO’s “The Girl”)

Given how much media attention has been drawn by the upcoming Alfred Hitchcock biopic starring Anthony Hopkins, it’s no wonder that some may see HBO’s upcoming movie, “The Girl,” which debuts on Oct. 20, to be a pretender to the throne. In fact, they’re both perfectly viable entities in their own right, each covering a different aspect of the director’s career. Hopkins will be playing Hitchcock as he’s in the throes of making “Psycho,” whereas “The Girl” finds Toby Jones’s version of Hitch as he’s obsessing over Tippi Hedren (played by Sienna Miller) during the filming of “The Birds” and “Marnie.” Bullz-Eye caught up with Julian Jarrold, director of “The Girl,” just before a panel for the film at the summer Television Critics Association press tour, during which time he chatted not only about his look into the darker side of Hitchcock but also some of the other films and television efforts he’s tackled in his career to date.

Bullz-Eye: How did “The Girl” land in your lap? Or did you go looking for “The Girl”?

Julian Jarrold: No, it was sent to me ages ago, and…it was a little bit more based around the making “The Birds” and “Marnie,” but obviously it was still an exploration of this relationship. The writer (Gwyneth Hughes) had done quite a lot of research and come over here and met Jim Brown, the assistant director, and Rita Riggs (wardrobe supervisor), and Tippi, obviously. So he’d kind of pieced together this sort of fascinating script, and I loved Hitchcock, but I didn’t know this at all, so it was a bit of a shock, actually, to read it. [Laughs.] I knew he was odd, but I didn’t know he was that odd. Yeah, it totally changed my view of Hitchcock. Actually, what was fascinating was…I knew “The Birds” and “Marnie” and “Vertigo,” and they’re strange films. You kind of wonder where they’re coming from. And then finding out about this story, you certainly go, “Ah, I see where he was coming from…and where his personal obsessions are and his attitude to women and everything.” So it sort of illuminated all that. Which was very interesting.

BE: Tippi Hedren is here at the TCA tour, so presumably she’s supportive of the film, but how interactive was she you were making it? Did you speak with her in advance?

JJ: Well, no. I mean, she obviously spoke at length with the writer, and Sienna met her. But she didn’t come on set. I think she read the script. It’s obviously difficult when someone’s making a film like this. How do you compute that? Because it’s 90 minutes revolving around her life. But she said she saw it recently, and she seemed to love it. She saw it with her kids, Melanie (Griffith) and everybody, and it seemed to go down okay. But it’s difficult. It must be a painful, difficult thing to look at. You know, she had such a complex relationship with Hitchcock. It was daunting, because you mustn’t judge that. I wanted to show the sunny side of the relationship, where there was a sort of optimism at the beginning and he was such a fantastic teacher, but then how it changed and darkened and was abusive, really.

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