Category: Movies (Page 183 of 191)

An okay evening at Spike TV’s “Guys Choice” Awards

We’re fussy about Red Carpet events here at Bullz-Eye central. That’s largely because as a lone, online writer you’re pretty much at the mercy of the publicity gods in terms of who you’re going to meet up with and you never know who that’s going to be. One condition we have is that we get to see the show/movie/what-have-you in question so, if all else fails, we can write about that or at least get a bit of entertainment and free food. In this case, that was a good thing. Not because we didn’t get to talk to anybody interesting, but because Spike TV’s “Guys Choice” presentation, which premieres on the network at 9:00 Eastern/6:00 PDT Friday is not your usual award show.

Right down to the sexy female dancers who liven up the breaks and its highly distinctive award statue, “the Mantlers,” it’s easily the most laid back and honestly silly awards show I’ve seen. It’s also the only award show we know of which contains R-rated profanity in one of its award titles: the “Funniest Motherf*cker” award, this year being given to Jim Carrey. It’s safe the say the show was completely irreverent about everything, except for its commendable commitment to drawing attention to the bravery and sacrifices made by members of our armed forces.

Speaking of Jim Carrey, the famed comic provided a remarkable bit of comedy dealing with the always absolutely never hilarious topic of..oh, Lord, we’d better just leave it alone. You don’t want to know. Carrey himself made it clear that children and other sensitive people were better off not hearing the routine before proceeding with a shocking and explosively funny performance, abetted by the sensitive stylings of violinist Neil Hammond.

More traditionally edgy and hilarious at certain points, but a lot longer, was a marathon bit by faux canine Triumph, the Insult Comic Dog, aka comic genius Robert Smigel. The latter merited a bad on-camera review from Sean Penn who between this show and his criticism of Ricky Gervais at Golden Globes, seems to be developing a side career as a real-time award show comedy critic.

Mila Kunis at the Spike Guy's Choice AwardsJustin Timberlake less controversially proved himself to be, once again, no comic slouch, while promoting the charms of the co-star of his next flick, “Friends with Benefits,” the beautiful and talented Mila Kunis. Rolling Stones guitarist Keith Richards distinguished himself by simply being alive to pick up his award and being the innately humourous individual he is.

And so it went. I’ll have a few choice quotes from the show at the end of this piece. First, though, let’s talk about the folks we met on the Red Carpet.

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10 things you don’t know about Simona Fusco

Simona Fusco

Simona Fusco is a beautiful actress who was born in Europe and raised in Milano, Italy and Vienna, Austria. We asked Simona to share 10 personal things about herself, so keep these in mind in case you’re ever lucky enough to run into this Italian beauty . . .

1 – I am a big meat eater. I especially love raw meat.

2 – I love everything about the outdoors, especially hiking.

3 – On one hand I love skiing, but on the other I also love tropical beaches.

4 – I prefer my men to be quirky.

5 – I prefer my men to be old fashioned gentlemen in their manners.

6 – I love nothing more than a man in uniform, especially policemen and soldiers.

7 – I am a big gun and car fanatic!

8 – My all time secret wish has been to own a ranch.

9 – I have ALWAYS wanted to be a lawyer instead of an actress.

10 – The biggest things that turns me on are a sweet smile and unguarded, sincere emotions.

Photos by Brian B. Hayes

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Who’s the Man: Bullz-Eye’s favorite good, bad and strange bosses

As we bid Michael Scott a fond farewell as he walks away from Dunder Mifflin, we realized that there are few bosses who have made much of an impact in the world of entertainment. Most of them are just a device to motivate the main character, but there are a few who stand out, for reasons both good (they have your back) and bad (they might kill you). Others still are just odd, or can be both a spectacular boss and the most irritating prick on the planet. Here is a list of our favorite bosses of all stripes. As always, feel free to leave your polite, well considered opinions in the comment section.

The Good

Jimmy James (Stephen Root, “NewsRadio”)


He likes to think of himself as a capitalist lion tamer, but books don’t lie: dude is a macho business donkey wrestler, and don’t you forget it. James plays the kinds of big business games that we proles often fantasize about, where billionaires play poker and use their corporations as chips (he lost WNYX in a game, but faithful reporter and math wiz Lisa Miller won it back). He also treats his efforts to find a wife with the same no-nonsense business acumen that he would use to broker any deal. (He came close to making the deal once, but the location of the vacation house turned out to be a deal breaker.) The bottom line is that while Jimmy James micromanages the talent at his radio station, he is not a hatchet man by nature, and pretty much lets the lunatics run the asylum. Works for us.

Captain Jack Harkness (John Barrowman, “Torchwood”)


He can’t be killed. Think about that – whatever happens at work, your boss will not die. Isn’t that the kind of person you want to be close to? Granted, most of the people who work with Captain Jack Harkness end up dead, and once you agree to work for Torchwood, the Cardiff-based secret organization that prevents alien attacks, you are not allowed to quit. Plus, Jack is not afraid to make the tough decision, even if it means sacrificing his grandson in order to save the children of Earth. But no high-reward job comes without its share of risk, and if you’re going to risk your life fighting aliens on a daily basis, you want Jack Harkness in your corner.

Jack Donaghy (Alec Baldwin, “30 Rock”)


Jack Donaghy is, for lack of a need for any other definition, a man. He is the man we all aspire to be, even the hipster kids among us. He is tireless, unflappable, and totally at the top of his game. Before meeting his wife, he was chasing tail with Bob Ballard and drinking wine from ancient Phoenician amphoras. He consumes scotch like water. Jack Donaghy named his fists Saint Patrick and Saint Michael, a fact we know only because those fists were used to fight his own father. He eschews the familiar and espouses the opulent. Most of all, he somehow finds it in his arrogant heart to mentor one of the strangest bosses around: Liz Lemon.

Angel (David Boreanaz, “Angel”)


If there is anyone on this list that we want by our side in an alley fight, it’s Angel, a.k.a. Angelus, the most vicious vampire who ever un-lived. Cursed with a soul after murdering a young gypsy girl, Angel has learned to quench his thirst for blood in more humanitarian ways, while spending the rest of his undead days trying to destroy the Senior Partners of Wolfram & Hart, which is basically Satan’s law firm. Like Harkness, working for Angel is by no means a safe career path – as Cordelia Chase and Winnifred “Fred” Burkle could attest, if they weren’t dead – but Angel stands up for the weak, takes on the big guy, and will stop at nothing to make sure that justice is served. Nice to know there are still a few bosses out there that have your back.

The Bad

The list of candidates for this category is an admittedly long one, so for the sake of simplicity, we’re paring our list down to four most foul supervisors.

Charles Montgomery Burns (Harry Shearer, “The Simpsons”)


His nuclear plant needs hundreds of millions in repairs in order to bring it up to code. (And that was in the early, ’90s, so adjusted for inflation, it could be billions now.) He gave his employees stock, but only after they waived certain constitutional rights. He once embarked on a massive recycling program, but only to fuel a company that uses the six pack rings to strip the oceans of all sea life. He sold weapons to Hitler. Lastly, he tried to block out the sun so people would use more power from his plant. No one has ever really had a boss who wringed his hands, or had an entire walk-in closet of clothes made from exotic animals, but Montgomery Burns represents everything we loathe about bosses in the real world, whether it’s a lack of compassion for non-work commitments or the tendency to throw employees under the bus for personal gain. He might be a caricature of evil, but he’s still evil.

Bill Lumbergh (Gary Cole, “Office Space”)


Lumbergh, meanwhile, is terrifying because he is one of the most realistic bosses the entertainment world has ever seen. Promoted beyond his skill set — assuming he even has a skill set — Lumbergh knows he has a good thing, and he’ll be damned if he’s going to lose his cushy job to any of the peons beneath him, so he micromanages the bejeezus out of them, makes them work on weekends, and will even steal their cubicle walls if it helps drop employee morale. Monty Burns is playing at the Oprah level of power; there are only a handful of people with that kind of influence. But Lumbergh…the corporate world is littered with guys like him. God help us.

David Brent (Ricky Gervais, “The Office”)


We had to include the man who started it all. Look at that picture. That is why David Brent is a terrible person to work for – he’s a man-child, desperate for attention and woefully lacking self-awareness. He makes jokes about firing people, and will use training sessions as an opportunity to play songs on the guitar for his captive employees. He takes a position with corporate that leads to his employees getting sacked, and wonders why they’re not happy for him. His jokes are in poor taste, he’s a lousy motivator, and in his desire to be everyone’s friend, he is oblivious to their problems and doesn’t help anyone in a meaningful way. David Brent is the kind of guy that no one chooses to work for – he’s thrust upon people. Sad, sad, unlucky people.

Patty Hewes (Glenn Close, “Damages”)


Working for Patty Hewes is much like working for the Dread Pirate Roberts: even when you do good work, she’ll most likely kill you in the morning. None of her actions can be taken at face value; more than likely, she’s four or five steps ahead of everyone else, and is not afraid to step color outside the lines (while making sure her tracks are well covered) if it means winning a case. When a potential witness was reluctant to testify against her former employer, Patty had her dog killed, and made it look like the defendant was responsible. When a doctor prescribed bed rest for a young and very pregnant Patty, she walked herself into a miscarriage so she could take her first job. To call her heartless is an insult to the heartless – Patty Hewes is a functional sociopath, and working for her will haunt you for the rest of your life.

The Strange

Michael Scott (Steve Carell, “The Office”)


Like some of his fellow head honchos on this list, Michael Scott is a tough boss to categorize. On the one hand, he genuinely cares about his employees (well, everyone except Toby…and probably Dwight), but his atrocious people skills and, um, unorthodox management style often make him a colossal headache in the Dunder Mifflin offices. Forget about getting any work done if he’s hovering around your desk, particularly when he calls for an impromptu meeting in the conference room, and his repeated appearances at sensitivity training seminars clearly haven’t paid off, to which Oscar can attest. But Michael is kind, loyal and honest (generally speaking, of course), and while productivity tends to dip when he has time on his hand – which is quite frequently – he’s gone out of his way to make his employees feel like they’re part of a family with his endless stream of office parties, company retreats and charitable functions. Sure, he’s not the best boss by bottom-line standards, but you can bet Dunder Mifflin’s Scranton branch will miss their clueless leader once he rides off into the sunset with Holly Flax. Probably even Toby.

Gregory House (Hugh Laurie, “House M.D.”)


He will risk his own life to save the life of a patient. He will also take a knitting needle to the eye before complimenting one of his fellow doctors. Dr. Gregory House is a brilliant doctor but a pretty awful human being, so while you will get the education of a lifetime under his tutelage, the emotional scars from the experience may never heal.

Tony Soprano (James Gandolfini, “The Sopranos”)


Considering that he killed his nephew with his own hands, executed his best friend and clipped other members of his crew, you would think Tony would be a natural fit for the bad boss category. As Michael Imperioli pointed out in a recent interview with Will Harris on Bullz-Eye, Tony was a “cold-blooded criminal who, in the end, will kill his kin because, basically, he wants to keep his wagon train rolling and his money coming in.” Yet when you choose a life in the mob, aren’t these events just occupational hazards? If you think about who got whacked and who survived in Tony’s crew, there was a method to his brutality. Rats like Pussy, jerks like Ralph and flakes like Christopher had to face the music, while loyal subordinates like Silvio survived and thrived under Tony. Yet while much of the series focused on Tony as an ordinary guy in a violent business, he certainly had his quirks as well. His fainting spells and bizarre dreams led him to see a shrink, and it certainly made him an unpredictable boss as well. Anyone haunted by the images of ducks seems pretty strange to us.

Liz Lemon (Tina Fey, “30 Rock”)


Is it strange to call a woman whose name was once mistranslated as “Lesbian Yellow Sour Fruit” sexy? Absolutely, but despite her strange quirks, Liz Lemon somehow retains her sex appeal. Maybe it’s knowing that she would never judge you for the food you eat. Maybe it’s every man’s desire to meet a girl who is funny, smart, and attractive. Or maybe everyone just wants to be in bed with James Franco, even if the transitive property has to be employed to make it count. Whatever the case, work would be that much easier if every day meant reporting to a spunky middle-age brunette with the confidence to sing, “I’m a star, I’m on top, somebody bring me some ham!”

J. Jonah Jameson (J.K. Simmons, “Spider-Man”)


Bark bark bark bark bark bark bark bark bark bark! That’s J. Jonah Jameson in a nutshell, but what an amusing bark it is. Jameson and Montgomery Burns are the only characters who can wring the funny out of the words, “You’re fired.”

And, of course, we would be remiss if we didn’t include this clip, the “SNL” digital short of “Like a Boss,” from the Lonely Island’s Incredibad. Fifth of vodka…

 

Who in the World is Gary Oldman?

When theatergoers leave screenings of “Red Riding Hood” this weekend, a great number of them will be saying, “The best thing about that movie was Gary Oldman.” This isn’t necessarily the greatest compliment that Oldman’s ever been paid – trust us, we’ve seen the movie – but it’s one that he’s heard plenty of times, and rightfully so.

On the occasion of this latest film, we thought we’d take a look back at 20 of his most notable roles, most of which are found in films far better than “Red Riding Hood.” That’s most, though, and not all. (See #10 and #13.) Still, as track records go, you’ll soon see that Oldman’s is pretty damned enviable.

1. Sid Vicious (Sid and Nancy, 1986): Most would agree that it was Oldman’s performance as the late Sex Pistols bassist which really put him on the radar. Even those who criticized the accuracy of the film generally had glowing words for Gary, and that goes all the way up to Johnny Rotten himself. “The chap who played Sid, Gary Oldman, I thought was quite good,” wrote John Lydon in his autobiography, Rotten: No Irish, No Blacks, No Dogs. “Even he only played the stage persona as opposed to the real person, (but) I don’t consider that Gary Oldman’s fault because he’s a bloody good actor.” This was echoed by the Evening Standard British Film Awards, who named Oldman the year’s Most Promising Newcomer.

2. Joe Orton (Prick Up Your Ears, 1987): Only 34 years passed between the life and death of English playwright Joe Orton, and one might be able to successfully argue that more people know him for his connection to the Fab Four (he wrote a screenplay, “Up Against It,” which was rejected as the Beatles’ cinematic follow-up to “Help!”) than for his plays, let alone this movie, but if you’ve managed to see “Prick Up Your Ears,” then you’re already aware of the phenomenal work Oldman does alongside Alfred Molina, who plays Kenneth Halliwell, Orton’s boyfriend and – eventually – his murderer. Indeed, Oldman’s performance earned him a BAFTA Award nomination for Best Actor.

3. Rosencrantz (Rosencrantz & Gildenstern are Dead, 1990): Fans of the Bard with a sense of humor have long praised the way Tom Stoppard took two relatively insignificant characters from “Hamlet” and turned their actions – or, rather, their lack thereof – into a full-length play, but there’s not quite as much unanimity about the way the production transitioned onto the big screen. Still, the only real complaint tended to be that it probably played better when performed on a stage, which stands to reason. (After all, the play’s the thing, innit?) Granted, the humor’s a bit highbrow for the mainstream, but if you like Shakespeare, you’ll love seeing Oldman and Roth pondering their characters’ existence.

4. Jackie Flannery (State of Grace, 1990): Although Phil Joanou’s Irish-American crime drama didn’t break any box office records, possibly because the Italian-American criminal contingent had the higher profile at the time (this was right around the same time as “Goodfellas”), it sure had a hell of a cast: Oldman is teamed with Sean Penn, Ed Harris, Robin Wright, John Turturro, John C. Reilly, and Burgess Meredith. Throw in an Ennio Morricone score, and you’ve got the kind of picture that critics drool over…and rightfully so.

5. Lee Harvey Oswald (JFK, 1991): When you make a film about the assassination of President John F. Kennedy, if there’s one role that you absolutely, positively must cast perfectly, it’s that of the man who (ostensibly) assassinated him. In an interview with Empire, Oldman revealed that director Oliver Stone gave him a couple of plane tickets, a list of contacts, and told him to go research the part himself. You’d think it would’ve been easier on the budget if Stone had just paid for Oldman’s cab fare to the library, but, then, the library wouldn’t have provided Oldman with a tenth of the information about the man he was portraying that he ended up getting from his meeting with Oswald’s widow, Marina.

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Bullz-Eye’s 2011 Oscar Recap: Anne Hathaway of making us tingly

We love the Oscars. We just wish that they loved us back. Every year we get excited about the big show, and every year we feel a little sad when they’re over, and not because the show is over, but because they just can’t surprise us anymore. The major categories are all decided weeks before the show, and the non-award pieces, save the brilliant Auto-Tune bit, were pretty flat. At least there weren’t any dancers this year.

Ah, but the show did have its good points, along with some less than good points. Here’s the Bullz-Eye breakdown of the 2011 Academy Awards.

The Good

The show was short

It was over in three hours and 15 minutes, making it the shortest broadcast since 2005. And had Kirk Douglas not done that “You know…” bit over and over, it would have been five minutes shorter. But it’s hard to fault Douglas for that since it was one of the better improv moments of the evening.

Anne Hathaway

Did we mention that she’s hot, as in ‘would look good in a suit of armor’ hot? And the bit where she poked fun at her own movie by saying, “You know, it used to be that you get naked, you get an Oscar. Not anymore.” Then, one more time, wistfully, “Not anymore.” Gold. And that last dress she wore…wow. We found it extremely difficult to take our eyes off of her breasts, which was surely the point.

Inception” won more Oscars than we were expecting

We knew the technical awards were a lock, but stealing the Cinematography Oscar from the Deke (that would be Roger Deakins, who shot “True Grit“) was a shocker. And yet, despite winning four Oscars and being nominated for Best Picture and Original Screenplay, the Academy didn’t see fit to nominate Christopher Nolan for Best Director. Ugh.

They weren’t afraid to make fun of Charlie Sheen

Though, as one of our Popdose colleagues observed, the show probably would have been a lot more entertaining had he hosted.

Randy Newman

God love him. Even he knows the score that if you’re on screen, you damn well better be entertaining. “I want to be good television!” The sad thing is that, as we watched him win his second Oscar – in 20 attempts – we had a horrible thought: if he came along today, no major label would even think of signing him.

Trent Reznor is an Oscar winner

And rightfully so, though in a perfect world, he and Atticus Ross would have been dueling it out with Daft Punk (“TRON: Legacy“) for Best Score. The Frenchies was robbed, we tells ya.

The Bad

James Franco

We love James Franco. He turned in our favorite performance of the year in “127 Hours.” But he was, um, off last night, leading some to speculate that he was high. Personally, we think Franco is way too smart to do something so boneheaded; just because he played a friendly stoner in “Pineapple Express” doesn’t mean he is one. Dude’s too busy to get high. But it seemed as though he was playing his character in “Freaks and Geeks,” as if that was at all a good idea.

Everything else about Cate was stunning. Cute hair, lovely figure, wry smile, ba-boom ba-boom ba-boom. But that dress…what the hell? It looked like a tablecloth, one that had lemon cream pie spilled at the shoulders.

Tom Hooper winning Best Director

There is an argument that there is no bad acting, only bad direction, and by that standard, Tom Hooper did an outstanding job directing “The King’s Speech.” And truth be told, he did do an outstanding job directing that movie. But look at what David Fincher had to put together, the number of moving pieces, and the dialogue that his actors had to get just right. He should have won, plain and simple.

Christian Bale plugging a web site in his acceptance speech

Tacky, and the crowd let him know it.

Celine Dion singing during the “In Memoriam” piece

There wasn’t anyone else you could have found to sing that song? Really? Anne Hathaway is sitting right backstage. She can sing. And she doesn’t look like an alien.

Susanne Bier

The Danish filmmaker just won her first Academy Award for her film “In a Better World,” and here was the reaction from one of our party guests: “She has pit stains!” Ow.

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