Month: February 2012 (Page 5 of 10)

Drink of the Week: The Whiskey Smash

The Whiskey SmashThe Whiskey Smash is probably one of the clearest examples of a drink rescued from complete obscurity by the ongoing classic cocktail revival. Although the modern version featured in a growing number of retro-friendly bars differs enough from the recipe written up by cocktail pioneer Jerry Thomas in 1862 to be an entirely different cocktail, the more polished and slightly more elaborate version below is certainly a classic of sorts.

As it stands, the Whiskey Smash is a close relative of the Mojito and the (I swear upcoming) Mint Julep. It’s outstanding for a warm day or in a bar so crowded if feels like a warm day. Certainly if you’re a fan of whiskey, lemon, mint,  and heavy muddling, this is your drink.

The Whiskey Smash

2-3 ounces whiskey (bourbon, rye, Canadian, etc.)
1 quarter lemon, cut into four or more pieces
5 or more mint leaves
2-3 teaspoons superfine sugar
3 dashes of bitters
1/2-3/4 ounce water (optional)
1 mint sprig (semi-optional garnish)
1 maraschino cherry (very optional garnish)

Combine your whiskey, lemon pieces, superfine sugar, mint leaves and, if you like, splash of water in a cocktail shaker. (The water is really only there to approximate the 1/2 to 3/4 ounces of simple syrup most recipes call for instead of sugar, but I found the results about the same whether or not I included it.)

Muddle it all rather intensely, paying special attention to give a good mushing to the lemon pieces — this is a “smash” after all. You can take it a bit easier on the mint if you like. Make sure, however, that your sugar is dissolved in the liquid, which should happen without too much effort if you’re using superfine sugar and not cheating with ordinary table sugar.

Add lots of ice — cracked or crushed ice is probably better — and shake vigorously. Strain into a well chilled old fashioned glass with a few ice cubes in it. Because of all the lemon, mint, and crushed ice you may have to exercise a bit more patience at the straining stage, but your forebearance will shortly be rewarded. If you’d like an extra dash of sweetness and color, add a maraschino cherry along with the semi-obligatory mint-spring.

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I found the results remarkably consistent regardless of which whiskey I used, though I found using Buffalo Trace bourbon resulted in a slightly more mellow and interesting smash than the super-reasonably priced Evan Williams I picked up for a ten spot. 100 proof whiskeys seem to work well here, and I had good luck using my standby Rittenhouse Rye as well as the hard to find 100 proof Canadian Club I’m lucky enough to have. (You can buy it online here.) I also found that this one drink that worked very nicely not only with traditional aromatic bitters like Angostura, but also with the bottle of Fee Brothers Celery Bitters I recently picked up. (Speaking of revived classics, as I understand it, celery bitters pretty much disappeared between sometime in the middle of prohibition and, believe it or not, 2008.)

I’ve also noticed there’s something of a fetish among bartenders not to end up with bits of mint in the final, strained drink. It happened to me a lot of the time, and it wasn’t a problem  either in terms of taste or aesthetics, in my view.

And just a reminder that you will really need a good, solid muddler suitable for lemon smashing as described so long ago in our guide to bar implements. If you don’t have one, you can improvise but you want something solid. A freshly washed hammer used with extreme caution, perhaps.

 

Friday Video – The Presidents of the United States of America, “Lump”

Click here to listen to The Presidents of the United States of America on Spotify

Pretty obvious why we chose this band for this week, wouldn’t you say?

Happy President’s Day weekend, everyone. Oh, and don’t bail on this clip once “Lump” is finished, as the band follows it with their cover of the Buggles’ “Video Killed the Radio Star.” Sweeeet.

Bullz-Eye’s 2012 TV Power Rankings

Bullz-Eye's 2012 TV Power Rankings

So…where were we?

Oh, fine, let’s go ahead and deal with the elephant in the room: it’s been nine months since Bullz-Eye doled out our most recent version of our TV Power Rankings. What can we say? There were a lot of good shows on the air between May 2011 and February 2012, and somewhere around late October, it just kind of reached a point where we said, “You know what? It’s way more fun to watch TV than it is to write about it.” Eventually, though, the powers that be pried us off the couch (there’s still an indentation where we were sitting), set us back in front of the computer, and said, “Look, the readers demand to know Bullz-Eye’s take on the best shows of the past year* and, frankly, they’re starting to get a little belligerent about it.”

(*Rounded up for statistical purposes.)

So here we are, ready to offer up our list of the 25 best shows on television** as well as several shows bubbling just under our list, plus a new section called “Still Too New to Call,” where we praise shows that seem pretty damned good after their first few episodes but simply haven’t been around long enough for us to feel comfortable including them in the other two lists.

(**Okay, technically, it’s the 24 best shows on television plus one show that hasn’t been on since 2010, but we’re so excited about that particular show coming back that we included it, anyway.)

All told, we hope you’ll walk away from this piece either nodding your head in agreement or wondering why you haven’t been watching some of these shows. If not, however, there’s a perfectly good Comments section that’s just waiting for your opinions about what’s good on TV.

Everybody ready? Then let’s get this thing started…

1. Breaking Bad (AMC)

Breaking Bad labFact: if you believe that there is any show on television that’s better than “Breaking Bad,” you are wrong. Period. End of story. Although the show began with a concept that spoke to many a family man – if you knew you were going to die, to what lengths would you go to make sure that your family was provided for? – it has since evolved into so much more. Bryan Cranston and Aaron Paul continue to startle with the depth of their performances, but Giancarlo Esposito‘s work as the chillingly efficient Gus Fring was the kind of work that makes an actor’s career. With an end date now in sight, the series has grown more gripping than ever, and there’s little doubt that we’ll see Hank (Dean Norris) figure out what Walt (Cranston) has been doing behind the back of him and his fellow DEA agents. In other words, folks, for all the shit we’ve seen hit the fan so far, you ain’t seen nothin’ yet.

2. Mad Men (AMC)

Mad Men female charactersYes, we know it hasn’t been on the air since 2010 (we covered that in the intro, you may remember), and, no, we don’t know any more about what to expect from the new season – which premieres on March 25 – than you do (series creator Matthew Weiner is notoriously tight-lipped, and we’re pretty sure he threatens to do terrible things to his cast’s pets if they leak anything to the press), but if we’re going to be doing these TV Power Rankings on an annual basis, then we’re forced to go with our instincts here and presume that “Mad Men” will continue to be as awesome in the future as it has been up to this point.

3. Modern Family (ABC)

Modern Family - 2012 Power RankingsIt’s a little hard to take the cynics seriously when they say that “Modern Family” isn’t as funny as it used to be when we continue to laugh so hard at each and every episodes. Admittedly, the storyline about Cam and Mitchell trying to adopt another baby has been a little hit-and-miss, and the idea of Claire running for public office seemed a lot funnier in concept than it has in execution, even with David Cross in tow. But the heart of the show continues to be the relationships between the three distinct family units – Cam and Mitchell, the Dunphys, and Jay and Gloria – and their respective kids. If things haven’t been quite as funny this year, so be it: it’s still funny, and we’re still watching.

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The Light from the TV Shows: Chatting with Natalie Zea about “Justified” (with a little bit of “Dirty Sexy” talk, too)

FX’s “Justified” continues to be one of the best series on television, with a lot of the credit for its success rightfully being attributed to Elmore Leonard’s original source material and the love and respect series creator Graham Yost and his writers have for Leonard’s work. Lest we forget just how important the cast is to the success of the series, however, I wanted to make sure that I took advantage of the opportunity to chat with at least one of the actors from the ensemble after they wrapped the “Justified” panel at the January TCA tour. As there’s such a wealth of talent to choose from, I’m sure you’ll believe me if I assure you that it was complete coincidence that I just happened to end up talking to the most gorgeous one of the bunch.

Okay, so maybe it wasn’t entirely coincidental. Look, I’ve been smitten with Natalie Zea since she first crossed my radar as part of the cast of ABC’s “Dirty Sexy Money,” and I had the chance to talk to her in a perfectly legitimate capacity. So sue me.

Also, just so it’s out there, I should probably also mention that I sound like a complete doofus a couple of times, responding to her responses by simply saying, “Really?” I’m not usually like that, but, hey, this is what happens when you’re blindsided by a beautiful woman…

Bullz-Eye: So what was it like when the cast gathered back together for the first table read of Season Three?

Natalie Zea: We, uh, don’t do table reads. [Laughs.]

BE: [Surprised.] Really?

NZ: Regretfully. I think they’re very handy. I think it’s that Graham (Yost) is not a fan of table reads. I’m not sure why. So, yeah, you kind of get thrown back into it on the first day. My first scene of Season Three was a love scene. And it’s, like, “Oh, hello, haven’t seen you in six months! How are you doing? Great! Let’s get into bed!” [Laughs.] And then, y’know, after the first 15 minutes, it’s like I never left.

BE: There’s at least a slightly different dynamic with your character this season, owing to her pregnancy, but you indicated during the panel that you’re not planning to play her a whole lot differently.

NZ: No, I’m not. Also, in regards to the pregnancy, what I realized but didn’t say is… We’re not really talking about the pregnancy as much as we are the baby. So I think probably Winona’s pregnancy is going quite well. [Laughs.] She’s having a really easy time of it. Which I like. I think…y’know, if there are concerns with viewers – and I think there would be, given the nature of this show – that it’s going to turn into this, like, “Baby? Pregnancy? I want ice cream and pickles! My feet hurt!” [Laughs.] It’s not happening. The pregnancy almost never gets addressed. But the issues…the outcome and the issues regarding the outcome, those are discussed. Because it’s life. And you have to discuss it.

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