Most Bullz-Eye readers will recognize Adrian Grenier as Vincent Chase from HBO’s “Entourage.” But there’s much more to him than that. Grenier has always been passionate about the environment and living a sustainable lifestyle, and eventually that passion led him to co-found a company dedicated to this purpose.
I recently attended Ford’s 2012 Go Further event will several hundred other bloggers, and Grenier was featured on a panel with his SHFT.com co-founder Peter Glatzer to discuss green lifestyle issues along with other experts and activists. Frankly I came away very impressed. So many activists in this area can become very preachy about the subject, and that’s particularly true with celebrities. But Grenier is much more interested in inspiring people to make their lives more sustainable, and that’s the mission of SHFT.com according to their website:
SHFT is a multi-media platform founded by film producer Peter Glatzer and actor-filmmaker Adrian Grenier. Our mission is to convey a more sustainable approach to the way we live through video, design, art and culture.
The website covers a wide variety of topics, including architecture, art, business, conservation, design, energy, fashion, food and home & garden. They’re aiming for an audience looking for innovative ways to change the way they live their lives in order to better take care of our planet.
One effort is called “The Big SHFT” which involves a partnership with Ford Motor Company.
The night before, we heard from Bill Ford who recounted his own commitment to these issues and he candidly discussed how the powers that be at Ford looked at him like he was an alien when he brought up these issues years ago. But he wouldn’t give up, and now Ford has become a leader in this area.
Among the presentations at the Go Further event involved some of the innovations coming out of Ford’s research labs that are changing the materials that go into their cars. One example is Ford’s use of soybean-based foam in seat cushions, backs and head restraints that saves about 5 million pounds of petroleum annually. The next step according to the researchers is making these foams biodegradable.
Ford is also focusing on recycled materials like plastic bottles, denim and old tires. They also working on other initiatives, like retired US currency of all things. With its strong, tensile characteristics, they are looking into shredding these old greenbacks for use in the manufacture of plastic parts like trays and bins. Currently retired currency is simply burned.
The possibilities are endless, as long as we put our minds to it. Ford is one of the many companies pushing for these solutions, and SHFT.com wants to inspire more companies and individuals to look for more innovations. You don’t have to be a multi-national corporation to make a difference.
Check out the SHFT.com website for more cool content in this area. You can also follow them on Facebook and Twitter. For some the green issue has become very political and polarizing, but it doesn’t have to be that way. All of us can learn more about simple changes we can make for a more sustainable lifestyle, and this bottom-up approach can have a huge impact.
Well, that’s a wrap – the guys of “Entourage” have slammed their last car door, and though it’s a little sad to see the series end, I’d be lying if I didn’t say that it probably should have happened sooner than it did. But while the last few seasons weren’t quite up to par with the early years, Doug Ellin has done a nice job of rewarding the fans who stuck by the show with a fairly conclusive series finale that delivered the feel-good happy ending that just about everyone was expecting. “Entourage” has gone to some pretty dark places in recent seasons, but it was always going to end only one way.
Of course, that doesn’t mean that it didn’t have its problems. For starters, I don’t really believe that a woman who was so opposed to the idea of even dating Vince would suddenly agree to go on a date with him and then accept a marriage proposal in the short span of 24 hours. Not only is that incredibly disrespectful to the audience, but it completely undermines who Sofia is as a character and what made Vince fall so head over heels for her in the first place. Nevertheless, Vince and Sophia have decided to tie the knot in Paris, and Drama and Turtle have taken it upon themselves to convince Sloan to be in attendance – although she doesn’t entirely believe their story at first.
But while Sloan is honored to be considered important enough to be there for the big event (how Billy Walsh, or even Scotty Lavin for that matter, was left off the guest list is a mystery), she’s concerned that it’s all just a ploy to get her and Eric in the same room together. I’m sure that was partially the plan, but Vince and the guys were never going to let Eric run off to New York without at least trying to fix things. And though Vince initially made it worse by accidentally dropping the news to Terrence that Sloan was pregnant, he made things right in the end. That speech to Sloan was both sweet and touching, and it’s yet another example of how much Vince has matured since the first episode.
You could say the same thing about Ari, who’s been fighting tooth and nail to win back his wife all season. But while he’s always been able to talk a big game, Ari showed that he could follow through on his words as well by impulsively quitting the talent agency when he realized that it would be the only way to save his marriage and his relationship with his kids. I have to admit that it took me a little by surprise, because while I fully expected for him and Melissa (whose first name reveal was awfully nonchalant considering all the attention it’s been given throughout the years) to get back together, I never thought that he’d give up the only other thing he loved in order to make it work. In hindsight, however, it makes sense that quitting would be the only way that Mrs. Ari would take him back, and I applaud Ellin for allowing Ari to make that kind of sacrifice.
So, to recap: Vince is headed to Paris to marry Sophia; Eric has hopped on a plane with Sloan to work things out; Drama’s star is on the rise; Turtle is a millionaire; and Ari quit his job and moved to Florence with his wife… only to receive a call from the head of Warner Bros. days later offering him the chance to take over as CEO. That was a pretty cheeky move on Ellin’s part, but if a big screen movie really is in the works, then it’s the next natural place to take the story. Because even though they got their happy ending, you’d be crazy to think this is the last we’ve seen of Vincent Chase and his entourage.
As far as penultimate episodes go, “Entourage” has done a pretty stellar job of getting all its ducks in a row leading up to next week’s series finale. The journey getting there hasn’t been quite as linear as I had expected with so few episodes, but the various twists and turns have at least kept things fairly interesting. Instead of my usual recap, however, I’m going to break formula a little this week by talking more about the potential outcomes for each of the five main characters following the events of tonight’s episode.
1) Vince finally settles down
Obviously, I don’t mean that Vince is going to quit acting, move to Connecticut and start a family, but it definitely seems like he’s ready to start the next chapter of his life. Though trying to win over Sophia’s approval by making a video of interviews from ex-lovers might not sound like the greatest idea, it still had the desired effect – at least when combined with Drama and Turtle’s personal anecdotes. I still don’t buy the idea that Sophia is the first woman that Vince has ever pursued this intensely (a case can be made for both Mandy Moore and Sasha Grey), but he does seem like a new man after leaving rehab, and it’s nice to see him finally focusing on the important things in life.
2) Drama gets his chance to be the star
The one thing that Drama has wanted more than anything else since the show’s first season was to be taken seriously as an actor – something that has eluded him even when he was part of a hit TV series. But this miner movie sounds like it’s finally going to get him the respect he so desperately desires, especially when everyone in Hollywood seems to love Billy Walsh’s script. Of course, a lot of them also think that it’s too good for someone of Drama’s abilities, but Vince is so determined to make the movie with his big brother as the star that he donated $100,000 to Phil’s favorite charity in order to convince him to move ahead with the project. Could an Emmy nomination be far off?
Is it just me or does Vince’s career seem like the least of his concerns at the moment? I thought for sure that his big story arc this season would revolve around yet another comeback, but instead, it appears to be more about him becoming a better person – first in his unselfish decision to write a starring vehicle for Drama, and now in trying to find a meaningful relationship with a woman that isn’t just about sex. So what spurred this sudden moment of self-reflection?
Believe it or not, it was that GQ reporter from last week (as if anyone thought that was the last we were going to see of her), whose interview with Vince pegs him as a bit of a womanizer. You can understand why he would want to do everything in his power to prevent a piece like that from ever running, but I’m a little surprised at his overall reaction. Vince seemed genuinely shocked at her portrayal of him, which makes me think that they either erased his memory “Eternal Sunshine of the Spotless Mind”-style at the rehab center or he’s even dumber than he looks. Of course, at the rate this season is going, I’m sure that Sophia will eventually fall for Vince’s movie star charm, domesticate his inner wild child, and they’ll go on to live happily ever after.
It might seem crazy to think that Vince could ever adapt to that kind of future, but we’ve certainly seen crazier things happen – like Eric’s recent run of form. In fact, it’s almost as if the two friends have swapped bodies. Eric has been acting completely out of character lately, and after learning that Johnny Galecki might be sleeping with Sloan (isn’t she supposed to be in New York?), he gives Scotty the ultimatum to either dump Galecki as a client or say goodbye to their partnership. I get that Eric is still upset about his break-up with Sloan, but what kind of grown man acts that way? This definitely isn’t Eric’s finest hour, and only the writers are to blame, who have practically ruined one of the show’s most complex characters over the course of only six short episodes.
After last week’s mostly uneventful episode, I was starting to get worried that this final season might end up being just a whole bunch of filler. But thankfully, there’s plenty to talk about tonight, starting with the latest development from the Vincent Chase career rehabilitation saga. Though it wasn’t totally surprising that Vince would botch his interview with the Vanity Fair reporter once he realized that she was smoking hot, I expected much worse to come from all his flirting. Instead, Vince took it upon himself to make things right, and though he did successfully smooth things over by giving a good second interview, he still had the urge to hit on her again when it was over. Vince claims that he’s in love, but this has happened too many times before for anyone to seriously believe that it’ll end any differently.
And as one Chase brother attempts to put his career back together, the other is coming dangerously close to tearing his apart. Then again, can you blame him? While Drama has tried to stick it out after Dice’s decision to walk from the show, his new replacement has become insufferable to work with, even going so far as to criticize his performance in the recording booth. Desperate to get Dice back at any cost, Drama makes the unselfish offer to give him the difference in his pay so that they would be making the same amount. Dice graciously declines, however, stating that if anyone’s going to pay him, it’ll be the network, and is confident they’re going to give in to his demands soon.
But Phil doesn’t think that’s the case, letting Drama in on the secret that the network is so pleased with his work that they’re planning to tailor the entire show around him. Granted, I thought that’s what they were doing this whole time by making a cartoon called “Johnny’s Bananas,” but I digress. Drama feels that if the network really believes in him that much, however, that they would be willing to do anything he asks, so he decides to walk from the show in an attempt to convince them that the cartoon will only be successful with Dice’s involvement. That would have been a pretty boneheaded decision a few weeks ago, but now that Drama knows what he does, it’s his best chance of saving the show. It also proves just how much he’s matured over the last eight seasons, because I don’t think a younger Drama would have done the same.
After the misfortune of being present during Carl Ertz’s drug blowout and subsequent suicide, it didn’t take a genius to figure out that Vince would have his back against the wall for most of this week’s episode. But even with the paparazzi on the hunt for some juicy gossip, the guys didn’t seem too concerned that Vince would be in any real trouble. After all, though he may have been in Ertz’s house at the time of his death, Vince didn’t do any actual blow, so a drug test would clear him of any suspicion that he broke probation. Of course, Vince always seems to make things more complicated then they need to be – a lesson that Eric was unfort when Vince reveals that he smoked a joint recently to prove to himself that he wasn’t an addict.
That’s all fine and well, but it made passing the impending drug test a little trickier. Drama’s suggestion to use home remedies like vinegar to clean out his system didn’t go over too well when Vince could barely hold down a single sip, let alone the gallons necessary, and with only four hours to go until the test, he was forced to call in the big guns. You’d expect Billy Walsh to know quite a bit about cheating drug tests considering his past history, but even he seems too smart to try something as silly as a fake penis. Eric certainly didn’t think it was a very good idea, and rightfully so, because being caught with a contraption designed to cheat a drug test would likely yield a far worse punishment than if marijuana was found in his system. Nevertheless, that didn’t stop Vince from doing it anyway, and you really have to give him kudos for having the balls (no pun intended) to take such a big gamble. Let’s just hope he’s finally learned his lesson, because this subplot wasted an entire episode.
The only other major story development of the night revolved around Ari’s old and new relationships, with his night of fun with Dana Gordon ending on a sour note after he mentions that he’s late for couple’s therapy with his wife. Not exactly the most romantic thing to say to someone that you’ve just had copious amounts of sex with, but Dana didn’t seem as offended as other women might. Like, say, Mrs. Ari, who was so upset over Ari’s late arrival to their session (due to dealing with the whole Vince situation) that she decided to give him a taste of his own medicine by walking out midway through. You’d think that since Vince is considered family she would have understood, so I’ll just chalk that up to how ridiculously out of character she’s been acting all season.
I really don’t understand why she’s being so childish, but it’s only bringing out the worst in Ari, as her refusal to believe that he could possibly be seeing someone else was no doubt the motivation behind his decision to take Dana out to dinner at Bobby Flay’s restaurant. Even Flay knew it was a pretty low-ball move, and when Dana figured out that Ari was using her to get back at his wife, she was understandably a little pissed. Too bad, because they made a fun couple. But now that Dana is seemingly out of the picture, I’m still not entirely convinced that Ari will be getting back with his wife any time soon – at least, not as much as I was at the start of the season. Mrs. Ari really seems to mean business, and with only four episodes left, Ari’s going to have to do a heckuva lot more if he has any hope of winning her back.
If there was ever any doubt that Vince would be able to kick his drug habit without relapsing even once, then tonight’s episode surely put an end to that debate, as it’s hard to imagine him even thinking about cocaine after what he witnessed. Though everyone warned him not to trust producer Carl Ertz (who, in addition to screwing him out of a movie a few years ago, didn’t appear nearly as drug-free as he claimed), Vince was all too willing to give him a second chance.
And though it looked like his faith in Ertz was actually going to pay off after CBS agreed to produce Vince’s TV movie with Drama attached, it all came tumbling down when he realized that Ertz was only doing him a favor so that he could pitch him some crappy action thriller called “Tax Man.” Turtle knew right away that something wasn’t right, but Vince was determined to stay and help Ertz get through his latest drug bender without anyone getting harmed. I kept telling myself that it wasn’t going to end well, and sure enough, Ertz ended up locking himself in his bathroom and shooting himself in the head. Talk about scaring someone straight. I’ve never seen Vince that shaken up before, and that includes his recent brush with death on that Nick Cassavetes movie.
While Vince tried to play sponsor to Ertz, Eric and Scotty were busy making sure that Drama didn’t shoot himself in the foot by siding with Dice over his contract demands. Though Drama wasn’t exactly opposed to the idea of making more money, after Phil reminded him of a past gig he had (a ‘90s cop show called “Concrete Heat”) that tested through the roof only to last a single week on the air, Drama agreed that it probably wasn’t worth the risk. Unfortunately, Dice refused to budge, and though Eric told him that the network would just fire him if he threatened to walk off the show, Dice decided to take his chances. As it turns out, it was a lose-lose situation for everyone involved. Dice got the boot, and in trying to replace him with an impersonator (played by Jamie Kennedy), Phil may have just ruined the only good thing that “Johnny’s Bananas” had going for it. Drama definitely didn’t look too happy about his new castmate, while Billy Walsh threw a king-sized hissy fit and stormed out of the building in classic fashion.
After focusing pretty heavily on Vince’s return from rehab this week, the actor was stuck in the background for most of tonight’s episode, leading me to wonder whether he’ll even get the chance to mount another comeback before the end of the season. Sure, there was a tiny subplot involving him writing the script to that Romanian miner movie he wants Drama to star in, but apart from getting Billy to read the outline and agree to help flesh it out, Vince was surprisingly MIA this week.
He mostly just followed the rest of the gang around like he was part of Drama’s entourage – a scary thought, I know, but things are once again looking up for Vince’s older brother. Despite my personal feelings about “Johnny’s Bananas,” the guys seem to think it has the potential to become a runaway hit, even if Andrew Dice Clay has reservations about it performing well with the public. So when Phil drops by the recording studio to inform Drama and Dice that the show is being screened for a test audience, Dice practically begs him to tag along.
Unfortunately, that may not have been the best decision, because as soon as the Dice Man hears that “Johnny’s Bananas” tested through the roof, he immediately starts planning a mutiny to walk from the show. That’s pretty amateur behavior on his part, no matter how much he thinks they’re being underpaid. After all, the cartoon isn’t even on the air yet, and as Jerry Seinfeld (whose own show famously scored terribly with test audiences) can probably attest to, those scores mean very little in the grand scheme of things. Drama would be wise to keep his cool and not let Dice get into his head, because if he screws this opportunity up, it could very well be his last.
Tonight’s season premiere of “Entourage” was about one thing and one thing only: picking Vincent Chase up out of the gutter and getting his career back on track… again. After a 90-day stint in rehab, Vince is finally free to return home, but little does he know that Drama has been obsessing over making sure that his baby brother doesn’t relapse. Along with getting rid of all the real drugs and alcohol in the house, Drama goes so far as to even prevent any pill-shaped substance from being in sight, whether it’s an Advil or a Tic-Tac. It doesn’t take long for Vince to realize that the gang is babying him (even more than normal), and how could he not? Everyone was acting so awkward the minute he stepped out of the rehab clinic that it was only a matter of time before he called them out on it.
Vince seems willing to put up with all the coddling, however, if it means he can get back to work. And amazingly, Warner Bros. still wants him as the star of that Stan Lee superhero film, “Airwalker,” as long he’s willing to take a drug test. But the movie doesn’t start shooting until March, and Vince is raring to go, so he suggests directing his own film about a real-life story of Romanian miners getting trapped underground. The rest of the guys think it sounds terrible (a Lifetime movie-of-the-week at best), but because they’re trying to be supportive, they refrain from telling him the truth. That is until Eric, who’s still a little pissed at Vince for ignoring him while he was away, speaks his mind.
You can hardly blame him for being so grouchy lately. Though he’s enjoying professional success after taking over Murray’s management agency alongside Scotty Lavin (who, despite being partners, still fight like a couple of siblings), Eric’s personal life is in the dumps following Sloan’s decision to call off the marriage when he refused to sign a prenup. I’m guessing it was more of a matter of integrity than Eric simply being greedy, but that didn’t stop Sloan from sending back the engagement ring in an envelope. And as the gang so humorously points out, “not even a padded one.”
To be completely honest, “Entourage” probably should have called it quits a few seasons ago after Vincent Chase reemerged from the failure of “Medellin” to reclaim his spot among the Hollywood elite. But now that the final season is just around the corner, I’d be lying if I said that I wasn’t excited to see how it all ends. Even with the chance of a potential big screen adventure, it’s hard to imagine that creator Doug Ellin won’t want to provide at least some kind of bookend to the series – particularly one that’s a little happier than the way he left off things last season.
With perhaps the exception of Eric, whose rekindled relationship with Sloan led to the pair getting engaged, the rest of the guys ended Season Seven on a low. After bringing in Mark Cuban as a potential business partner for Avion tequila, Turtle was seemingly pushed out of the deal with nothing to show for it; Drama gave up a plum job on network TV only to wind up settling for a new animated show conceived by Billy Walsh; Ari managed to save his career but not his wife after she walked away from their marriage; and Vince was thrown into rehab following his arrest for possession of cocaine.
Fortunately, the only place to go from there is up, which means that even if Season Eight doesn’t cap off the series with a completely happy ending, it’ll at least have a much brighter outlook than the previous season. Though everyone involved is holding their cards pretty close to their chests in regards to what we can expect to see, HBO has released a few promos and snippets of information that tell us a few things. For starters, the season will begin with Vince being released from a 90-day stint in rehab and eager to get back to work. But when he finds it difficult to land an acting job due to his recent tabloid-worthy exploits, he decides to write a starring vehicle for himself.
The rest of the guys will also continue to try and forge their own careers now that they’ve severed their dependency to Vince, with Turtle launching a new business venture to open a Hollywood location of the New York-based Italian restaurant, Don Peppe; Drama beginning production on “Johnny’s Bananas” alongside Andrew Dice Clay (presumably as one of the other voices); and Eric opening a new management company with Scotty Lavin. Interestingly enough, it also looks like his engagement to Sloan has hit a snag, while Ari will dedicate his time solely to winning back Mrs. Ari following their separation.
It all sounds promising enough, as long as things don’t get too serious. That was one of the main problems with last season, which often forgot it was a comedy at times by focusing all of its energy on the darker and more dramatic moments. And with only eight episodes for its grand finale, Ellin and Co. will have to be especially mindful of staying true to the story they want to tell while still delivering the show that fans know and love.
The eighth and final season premieres July 24th at 10:30 pm EST on HBO.
