The “Entourage” movie is definitely happening, and now we have the first trailer from next summer’s feature film. It looks like the entire gang is back, along with Emmanuelle Chriqui as Sloan and a slew of new hotties led by Emily Ratajkowski. Rumor is that lovely Alice Eve will make a guest appearance, probably to wrap up the idiotic engagement storyline from the final episodes.
The stars of “I Melt with You” want you to know this: this film is no one’s idea of “product.” Opening in theaters this weekend in limited release after a run on VOD, it’s a movie made by guys who are clearly trying like crazy to do something that’s far from the current run of the mill — and also paying tribute to John Cassavetes’ 1970 masculine emota-fest, “Husbands.” Jeremy Piven calls it “an existential horror film,” and Rob Lowe calls it “impressionistic,” and that’s about as good and relatively flattering a description as any. The highly intense drama first screened at Sundance to a number of walk-outs, a matter which one of our speakers will address shortly.
Directed by Mark Pellington (“Arlington Road,” “U2 3-D”) and written by first-timer Glenn Porter, “I Melt with You” stars Rob Lowe, Thomas Jane, Jeremy Piven and Christian McKay (“Me and Orson Welles”) as four smart yet deeply stupid 40-something college buddies who reunite for drug and booze-laden fun in Northern California’s ultra-scenic Big Sur. Let’s just say that after way too much fun, things take a sharp and very unfortunate left turn. Despite the appearance of Carla Gugino as a sympathetic local constable and Sasha Grey as a Sasha-licious coed, as well as some great vintage punk rock, we are left to wonder if maybe these guys would have been a lot better off if they’d listened to Nancy Reagan back in the day and went the “just say no” route. Also, suicide pacts are never a good idea.
Bullz-Eye and a select group of other journalists were fortunate enough to meet with Jane, Lowe and Piven — three strong veteran talents known to just about everyone with access to a television screen, most recently for “Hung,” “Parks and Recreation” and “Entourage,” respectively. They discussed the film and, as much as we could manage, other things.
Well, that’s a wrap – the guys of “Entourage” have slammed their last car door, and though it’s a little sad to see the series end, I’d be lying if I didn’t say that it probably should have happened sooner than it did. But while the last few seasons weren’t quite up to par with the early years, Doug Ellin has done a nice job of rewarding the fans who stuck by the show with a fairly conclusive series finale that delivered the feel-good happy ending that just about everyone was expecting. “Entourage” has gone to some pretty dark places in recent seasons, but it was always going to end only one way.
Of course, that doesn’t mean that it didn’t have its problems. For starters, I don’t really believe that a woman who was so opposed to the idea of even dating Vince would suddenly agree to go on a date with him and then accept a marriage proposal in the short span of 24 hours. Not only is that incredibly disrespectful to the audience, but it completely undermines who Sofia is as a character and what made Vince fall so head over heels for her in the first place. Nevertheless, Vince and Sophia have decided to tie the knot in Paris, and Drama and Turtle have taken it upon themselves to convince Sloan to be in attendance – although she doesn’t entirely believe their story at first.
But while Sloan is honored to be considered important enough to be there for the big event (how Billy Walsh, or even Scotty Lavin for that matter, was left off the guest list is a mystery), she’s concerned that it’s all just a ploy to get her and Eric in the same room together. I’m sure that was partially the plan, but Vince and the guys were never going to let Eric run off to New York without at least trying to fix things. And though Vince initially made it worse by accidentally dropping the news to Terrence that Sloan was pregnant, he made things right in the end. That speech to Sloan was both sweet and touching, and it’s yet another example of how much Vince has matured since the first episode.
You could say the same thing about Ari, who’s been fighting tooth and nail to win back his wife all season. But while he’s always been able to talk a big game, Ari showed that he could follow through on his words as well by impulsively quitting the talent agency when he realized that it would be the only way to save his marriage and his relationship with his kids. I have to admit that it took me a little by surprise, because while I fully expected for him and Melissa (whose first name reveal was awfully nonchalant considering all the attention it’s been given throughout the years) to get back together, I never thought that he’d give up the only other thing he loved in order to make it work. In hindsight, however, it makes sense that quitting would be the only way that Mrs. Ari would take him back, and I applaud Ellin for allowing Ari to make that kind of sacrifice.
So, to recap: Vince is headed to Paris to marry Sophia; Eric has hopped on a plane with Sloan to work things out; Drama’s star is on the rise; Turtle is a millionaire; and Ari quit his job and moved to Florence with his wife… only to receive a call from the head of Warner Bros. days later offering him the chance to take over as CEO. That was a pretty cheeky move on Ellin’s part, but if a big screen movie really is in the works, then it’s the next natural place to take the story. Because even though they got their happy ending, you’d be crazy to think this is the last we’ve seen of Vincent Chase and his entourage.