Lara Pulver made her first TV appearance in 2009, but she’s quickly racked up a list of credits that’d impress just about any TV viewer, including roles on Robin Hood, True Blood, MI-5, Sherlock, Skins, and Da Vinci’s Demons. In addition to popping up briefly in the current run of Sherlock and returning to Da Vinci’s Demons for its upcoming sophomore season, Pulver can also be found in BBC America’s new limited-series event, Fleming, playing Ann Charteris, the woman who – 62-year-old spoiler alert! – eventually went on to be Mrs. Ian Fleming. Bullz-Eye was fortunate enough to chat with Pulver at the Television Critics Association winter press tour in Pasadena, and we asked her about all of the aforementioned small-screen roles while also touching on her film work with Idris Elba, Michael Sheen, and Tom Cruise.
Bullz-Eye: So how much did you know about Ian Fleming’s life before you signed on to this project?
Lara Pulver: As a Brit, I knew his novels, I knew he was behind the Bond franchise, but I knew nothing about the man.
BE: How surprised were you to learn about him?
LP: I found him fascinating. Like, from a psychoanalytic point of view. His relationship with his mom, the depressive arrogance, his ego when it came to women, his failure as a man when it came to finding an occupation, finding his niche in life… And yet he never really lived long enough to find out the true success of what we now celebrate as 50 years of Bond as a franchise. So I found it fascinating.
BE: Were you a Bond fan going in?
LP: It’s definitely in British arts and culture history. It’s on TV at Christmas. There’s always a Bond movie. And it’s quite fascinating how they’ve been able to reinvent to make it so current 50 years on.
BE: Were you familiar enough with the franchise to recognize the bits and pieces of it that turned up in his real life?
LP: Yeah, and it’s also so interesting, having done Fleming, to see a Bond movie now. That’s even more interesting.
If you’re a regular reader of Bullz-Eye, then you’re well familiar with a recurring feature that we like to call our TV Power Rankings. Back in the day, we used to offer up a list of our top 25 TV series every six months, but those who caught our most recent Rankings – we posted it back in February – know that we’re only doing it once a year now. As this is the first fall season to come around since we’ve scaled back, however, we thought it might be a good idea to take a look at the new programs that are slowly but surely making their debuts on the broadcast networks and give your our thoughts on which ones seem to have the potential to make their way onto the next Power Rankings…but with that said, you will please note the way we’ve made a point of clarifying above that this is in no way a formal declaration that they will end up on there. As we all know, shows can start strong, turn on a dime, and become craptacular within the span of only a few episodes. In short, it’s all very wait-and-see at this stage of the game, but if a show is on this list, that means that we at least think that it’s worthy of giving it a shot
At first glance, “Revolution” may seem to be a little bit like “Terra Nova” without the dinosaurs, given that it’s more or less about humanity trying to recover from a nasty situation (in this case, a sudden and seemingly total absence of electricity), but the pilot – directed by Jon Favreau – sets up the premise nicely, establishes the new power-free world, and gives stars Billy Burke and Giancarlo Esposito a chance to shine as the good guy and bad guy, respectively. The truth of the matter is that I’ll give anything with J.J. Abrams’ name on it a shot, but after the debacle that was “Undercovers,” I’m still going to enter with hesitation until “Revolution” proves itself.
As I’ve said elsewhere on Bullz-Eye, I didn’t even know I had a three-strike rule until I tried and failed on three separate occasions to get a decent interview out of Hayden Panitierre, so it’s a testament to how much I enjoyed the pilot for the country-music drama “Nashville” that I included it in this list. (Admittedly, it doesn’t hurt that she’s playing a complete bitch in the series.) There’s a very real possibility that the show could leave music-industry reality behind so quickly that I bail out well before mid-season, but with Connie Britton and Powers Boothe in the cast, it’s going to have to get pretty ridiculous for me to give up the ghost.
I’m a sucker for a good-looking period piece, so “Vegas” has already got me in its clutches by premise alone, focusing as it does on the growth of Las Vegas in the early 1960s, but it certainly doesn’t hurt that the show is headlined by Dennis Quaid and Michael Chiklis, then rounded out by Carrie Ann Moss and Jason O’Mara. I’m as excited about the possibilities of this series as I am just about anything premiering this fall…so don’t let me down, CBS!
Sure, the kick-off of the 2011-2012 TV season is still about four months away, give or take, but it’s never too soon to start getting excited about the new shows that will be gracing the broadcast networks come the fall…or to start placing bets on which ones will be the first to be cancelled. I’m keeping my mouth shut on both topics for the time being, but I have no doubt that most folks who check out these network-provided plot synopses and trailers won’t hesitate for a moment to offer up their opinions, so I look forward to reading what ya’ll have to say about what’s coming up…
666 Park Avenue (Sun., 10–11PM): At the ominous address of 666 Park Avenue, anything you desire can be yours. Everyone has needs, desires and ambition. For the residents of The Drake, these will all be met, courtesy of the building’s mysterious owner, Gavin Doran (Terry O’Quinn). But every Faustian contract comes with a price. When Jane Van Veen (Rachael Taylor) and Henry Martin (Dave Annable), an idealistic young couple from the Midwest, are offered the opportunity to manage the historic building, they not only fall prey to the machinations of Doran and his mysterious wife, Olivia (Vanessa Williams), but unwittingly begin to experience the shadowy, supernatural forces within the building that imprison and endanger the lives of the residents inside. Sexy, seductive and inviting, The Drake maintains a dark hold over all of its residents, tempting them through their ambitions and desires, in this chilling new drama that’s home to an epic struggle of good versus evil.
It’s a sure sign that spring is on the verge of emerging when the networks start to let slip the names, premises, and attached actors for all of the pilots under consideration for the next TV season. Most of these pilots go nowhere, which is the way the cookie has always crumbled, but a few lucky programs end up getting the go-ahead for a series commitment. I don’t claim to have any real idea how the networks think – as a critic, it’s pretty much a given that I never know what the networks are thinking (and, in turn, they don’t care what I’m thinking) – but that doesn’t mean I’m afraid to give my thoughts on 15 of the pilots that I’d like to see come to fruition and join the fall schedules of their respective networks. You can check out a much fuller list from The Hollywood Reporter by clicking here, but in the meantime, here’s the stuff that I’m hoping to be TiVo’ing in a few months’ time….
1. Gilded Lilys (ABC)
It’s been quite awhile since a broadcast network has managed to sell viewers on a period piece set prior to the 20th century, so the fact that ABC is even considering this series, which takes place in 1895 and revolves around the first luxury hotel in New York, is proof of how much pull executive producer Shonda Rhimes has with the American Broadcasting Company. In truth, the big selling point for me is John Barrowman. This doesn’t exactly bode well for another season of “Torchwood,” but the dude deserves a big U.S. break. You never know: this could be it.
2. Untitled Louis C.K. / Spike Feresten Comedy (CBS)
Go on, admit it: you were sold the moment you saw the name “Louis C.K.,” weren’t you? And Spike Feresten isn’t bad, either. Seeing these two guys attached to this project is the only reason why it stands out, since the only real description available is that it’s an an ensemble comedy about a bunch of twentysomethings trying to make their dreams come true despite today’s crappy financial climate. But, damn, after two seasons of “Louie,” the idea of Louis C.K. putting his spin on anything makes it something that’ll surely be worth seeing. With that said, however, I hope Dan Byrd ends up not being available to do the show, as that will mean that “Cougar Town” has been renewed.
3. Animal Kingdom (NBC)
Two words: Tyler Labine. I mean, come on, America, what more does this loveable teddy bear of a comedy actor have to do to get a show to stay on the air for more than a season or two? NBC is, if memory serves, the last of the broadcast networks that has yet to cancel a series out from under Mr. Labine – “Invasion” was on ABC, “Reaper” was on The CW, “Sons of Tucson” was on Fox, and “Mad Love” was on CBS – and, frankly, this could be his last stop before the autograph-show circuit. Doesn’t Tyler Labine deserve a better fate than that? You’re damned right he does.
4. Untitled Kevin Williamson serial killer drama (Fox)
The man behind “The Vampire Diaries” brings Kevin Bacon to the small screen to play Ryan Hardy, a former FBI agent on the hunt for serial killer Joe Carroll (James Purefoy), who’s busy building himself a whole cult full of serial killers. If that isn’t enough to sell you, the cast also features Natalie Zea (“Justified”).