Movie Review: “10 Cloverfield Lane”
Mary Elizabeth Winstead, John Goodman, John Gallagher Jr.
The 2008 found footage movie, “Cloverfield,” showcased producer J.J. Abrams at his secretive best, flying completely under the radar until the mysterious release of its buzzworthy teaser. No one imagined that Abrams could pull off the same trick again, yet that’s exactly what he’s done with the intriguingly titled “10 Cloverfield Lane,” this time with the whole world watching. It was an ingenious but risky marketing stunt for a movie scheduled to hit theaters only eight weeks after the surprise announcement, and it worked like a charm. While the film will undoubtedly frustrate those expecting any sort of substantial connection to its namesake, “10 Cloverfield Lane” is a well-crafted thriller that deserves the added exposure its title brings, even if that affiliation threatens to overshadow the story itself.
The movie opens on a young woman named Michelle (Mary Elizabeth Winstead) as she frantically packs a suitcase with some clothes and personal belongings before leaving town to escape a toxic relationship. While driving through the night, Michelle is blind-sided by a truck and knocked unconscious, eventually waking to find herself chained to a wall and treated for her injuries. Michelle immediately fears the worst, but her captor Howard (John Goodman) insists that he saved her life by pulling her from the wreckage and then bringing her back to his fallout shelter following some kind of massive chemical attack that has rendered the outside world uninhabitable. Though Michelle is understandably skeptical of the slightly deranged Howard, she’s able to corroborate his story with Emmett (John Gallagher Jr.), a good-natured construction worker who broke his arm while fighting his way into the bunker. Forced to accept the possibility that Howard’s nutty conspiracy theory might actually be true, Michelle can’t shake the feeling that he’s still hiding something.
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Movie Review: “Monsters University”
Billy Crystal, John Goodman, Steve Buscemi, Helen Mirren, Nathan Fillion
For the first 15 years of their existence, Pixar was bulletproof. For the past three years, less so. Following the soaring success of 2010’s “Toy Story 3” was going to be difficult regardless, but 2011’s “Cars 2” and 2012’s “Brave” marked the first time in the company’s history that they released back-to-back films that could be considered disappointments (at least from a critical standpoint; they still made just under $1.1 billion in worldwide ticket sales). With the announcement that their next film would be “Monsters University,” a prequel to 2001’s “Monsters Inc.,” people smelled blood in the water. They’ve run out of ideas. They’re not even trying to be the Pixar of “old.” (That last line is an actual complaint from a fellow critic.) And to be fair, “Monsters University” doesn’t tug at the heart strings the way its predecessor did, but at the same time, how could it? Boo was one of the cutest characters in movie history, and there was no organic way of playing that card in a college setting.
So no, “Monsters University” won’t be anyone’s favorite Pixar movie, but it’s still quite enjoyable, funny, beautifully rendered, and it has a great message for kids about not letting anyone tell you what you can or can’t be. It’s no “Up” or “WALL∙E,” but it’s better than Pixar’s last two films combined, and for that alone, we should be thankful.
Mike Wazowski (Billy Crystal) arrives on the campus of Monsters University with stars in his eyes. He has wanted to be a scarer since he was a little boy, and has read every book on the subject. Jimmy Sullivan (John Goodman), on the other hand, is a prodigy, a natural born scarer who takes his gifts for granted. After both are kicked out of scaring school because of their obvious shortcomings (Sulley is lazy, and Mike just isn’t scary enough), Mike makes a bet with the tough-nosed Dean Hardscrabble (a pitch-perfect Helen Mirren), where she will let him back into scaring school if he and his oddball fraternity brothers win the annual Scare Games competition. If he loses, he’s expelled from school. Yep, it’s “Revenge of the Nerds,” with monsters, and John Goodman on the ‘nerd’ side of the battle this time around.
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Hidden Netflix Gems: Raising Arizona
It’s Saturday night and you need something to watch. Never fear, Hidden Netflix Gems is a weekly feature designed to help you decide just what it should be, and all without having to scroll through endless pages of crap or even leave the house. Each choice will be available for streaming on Netflix Instant, and the link below will take you to its page on the site. Look for a new suggestion here every Saturday.
This week’s Hidden Netflix Gem: Raising Arizona (1987)
Even if you haven’t heard of Joel and Ethan Coen, you’ve sure as hell heard of some of their films. The brothers have jointly written, directed, and produced such modern classics as Fargo, The Big Lebowski, O Brother, Where Art Thou?, No Country for Old Men, and True Grit. Their work bounces around in time, space, and genre—the Coens never make the same movie twice—and they’ve been renowned for it over the past three decades, with 13 Academy Award nominations and four wins.
Before all those accolades, the Coen brothers made their debut with 1984’s Blood Simple, a neo-noir thriller. Not wanting to make a reputation as one-trick ponies, they avowed to make to their next project as different from their first as possible. Out of that desire, the one-of-a-kind screwball comedy Raising Arizona was born.
Our protagonist is Herbert I. “Hi” McDonnough, played by the polarizing Nicolas Cage, who can make or break a movie depending on whether or not he fits his character. Hi is the type of lovable nitwit that often fills Coen fare: an erudite idiot reminiscent of Lebowski’s Dude, if he’d been born in an Arizona trailer park and had a penchant (though not necessarily a skill) for robbing 24-hour convenience stores. Luckily, Cage slips into Hi’s skin masterfully, right down to the wacky hairdo and funny accent (“Temp-ee, Arizona”). The performance remains one of his best to date, although ultimately Adaptation takes the cake.
Opposite Cage is Holly Hunter as the tight-lipped policewoman, Edwina or “Ed,” who’s always taking the recidivist Hi’s mugshot photos. After one particularly fateful arrest, Hi finds Ed in tears and learns that her fiance has left her. He proposes after his latest release from prison, and the two get married and move into a tiny trailer in the Arizona desert, which Hi lovingly calls a “suburban starter home.” One of the film’s many sources of comedy is the contrast between the upbeat world of Hi’s narration and that of the more objective reality we see on screen.
Hi does his best to “stand up and fly straight” after settling into married life, getting a job in a machine shop, but finds it difficult “with that darned Reagan in the White House.” Nonetheless, as time passes, the couple want to take the logical next step and start a family. Unfortunately, “biology is against them,” as they receive the unhappy news that Edwina is “barren,” and they’re denied the chance to adopt because of Hi’s criminal record.
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Posted in: Entertainment, Movies
Tags: Coen Brothers, Ethan Coen, Hidden Netflix Gems, Hidden Netflix Gems Blog, Holly Hunter, Joel Coen, John Goodman, Nate Kreichman, Nicolas Cage, Raising Arizona, Staff Picks - Movies, William Forsythe
The Light from the TV Shows: Pilot Season Ahoy!
It’s a sure sign that spring is on the verge of emerging when the networks start to let slip the names, premises, and attached actors for all of the pilots under consideration for the next TV season. Most of these pilots go nowhere, which is the way the cookie has always crumbled, but a few lucky programs end up getting the go-ahead for a series commitment. I don’t claim to have any real idea how the networks think – as a critic, it’s pretty much a given that I never know what the networks are thinking (and, in turn, they don’t care what I’m thinking) – but that doesn’t mean I’m afraid to give my thoughts on 15 of the pilots that I’d like to see come to fruition and join the fall schedules of their respective networks. You can check out a much fuller list from The Hollywood Reporter by clicking here, but in the meantime, here’s the stuff that I’m hoping to be TiVo’ing in a few months’ time….
1. Gilded Lilys (ABC)
It’s been quite awhile since a broadcast network has managed to sell viewers on a period piece set prior to the 20th century, so the fact that ABC is even considering this series, which takes place in 1895 and revolves around the first luxury hotel in New York, is proof of how much pull executive producer Shonda Rhimes has with the American Broadcasting Company. In truth, the big selling point for me is John Barrowman. This doesn’t exactly bode well for another season of “Torchwood,” but the dude deserves a big U.S. break. You never know: this could be it.
2. Untitled Louis C.K. / Spike Feresten Comedy (CBS)
Go on, admit it: you were sold the moment you saw the name “Louis C.K.,” weren’t you? And Spike Feresten isn’t bad, either. Seeing these two guys attached to this project is the only reason why it stands out, since the only real description available is that it’s an an ensemble comedy about a bunch of twentysomethings trying to make their dreams come true despite today’s crappy financial climate. But, damn, after two seasons of “Louie,” the idea of Louis C.K. putting his spin on anything makes it something that’ll surely be worth seeing. With that said, however, I hope Dan Byrd ends up not being available to do the show, as that will mean that “Cougar Town” has been renewed.
3. Animal Kingdom (NBC)
Two words: Tyler Labine. I mean, come on, America, what more does this loveable teddy bear of a comedy actor have to do to get a show to stay on the air for more than a season or two? NBC is, if memory serves, the last of the broadcast networks that has yet to cancel a series out from under Mr. Labine – “Invasion” was on ABC, “Reaper” was on The CW, “Sons of Tucson” was on Fox, and “Mad Love” was on CBS – and, frankly, this could be his last stop before the autograph-show circuit. Doesn’t Tyler Labine deserve a better fate than that? You’re damned right he does.
4. Untitled Kevin Williamson serial killer drama (Fox)
The man behind “The Vampire Diaries” brings Kevin Bacon to the small screen to play Ryan Hardy, a former FBI agent on the hunt for serial killer Joe Carroll (James Purefoy), who’s busy building himself a whole cult full of serial killers. If that isn’t enough to sell you, the cast also features Natalie Zea (“Justified”).
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Posted in: Entertainment, News, Television
Tags: ABC, Aidan Quinn, Allan Arkush, Amber Stevens, American Judy, Andre Braugher, Animal Kingdom, Bill Lawrence, Bruce Davison, Carrie-Anne Moss, CBS, Clancy Brown, Colin Ferguson, CW, Dennis Quaid, Devious Maids, Downwardly Mobile, Elaine Hendrix, Elementary, Ethan Embry, Fox, Gilded Lilys, James Purefoy, Jeff Goldblum, Joey Dakota, John Barrowman, John Goodman, Jonny Lee Miller, Judy Greer, Justin Kirk, Ken Marino, Kevin Bacon, Kevin Williamson, Last Resort, Linus Roache, Louis CK, Lucy Liu, Marc Cherry, Mark Harmon, Martin Landau, Michael Chiklis, Natalie Zea, NBC, Nicholas Pileggi, Ralph Lamb, Robert Patrick, Roland Emmerich, Roseanne Barr, Sarah Silverman, Scott Speedman, Shaun Cassidy, Shonda Rhimes, Spike Feresten, Susan 313, Susan Lucci, The Frontier, The Light from the TV Shows, Tyler Labine, Will Harris