There aren’t many directors that can boast a track record as impressive as the one that Joel and Ethan Coen have enjoyed throughout their 30-year careers, and “Inside Llewyn Davis” is just another notch on that cinematic belt. Markedly different from a lot of their films in that it’s a much more intimate, character-driven piece, “Inside Llewyn Davis” most closely resembles “A Serious Man” in both tone and execution. But although the movie is a fairly bittersweet portrait of personal failure (a running theme in the Coens’ repertoire), it’s not without their trademark wit and humor. The comedy may not be as pronounced as in the duo’s other films, but it’s yet another fine period drama that showcases a different side of the directors.
Set during the early 1960s in the middle of the New York folk scene, the movie stars Oscar Isaac as Llewyn Davis, a struggling musician trying to make it as a solo artist after his former singing partner commits suicide. The music business is already difficult enough to break into, but even more so for the hard-to-market folk genre, despite Llewyn’s obvious talent. With no steady income or plans for the future, Llewyn spends his days wandering the city in search of his next gig and his nights crashing on friends’ couches, including musician couple Jean (Carey Mulligan) and Jim (Justin Timberlake), the former of whom Llewyn may or may not have gotten pregnant. Desperate to get out of town for a few days, Llewyn hitches a ride to Chicago to audition for legendary manager Bud Grossman (F. Murray Abraham).