Like the nation for which it is named and the spirit with which it is made, this week’s selection is often overlooked and highly underrated. Indeed, at least on the web, it’s almost unheralded among cocktails, classic or otherwise. Still, it’s a pretty delightful variation — I’d say improvement — on a whiskey sour with a bit of classic margarita thrown in.

As the name would indicate, the Canadian Cocktail is definitely an enjoyable way to enjoy Don Draper and Nucky Thompson’s underrated favorite, Canadian Club, or, if you’re feeling like something a bit more complex, the new Canadian Club Classic 12 (as in 12 years-old). It’s part of a new wave of high end Canadian whisky and a beverage we’ll be returning to elsewhere.

The Canadian Cocktail

1 1/2 ounces Canadian whisky
1/2 ounce freshly squeezed lemon juice
1/2 ounce orange curacao or triple sec
1-2 dash bitters (Angostura or orange)
1 teaspoon superfine sugar (highly optional)
1 maraschino cherry (garnish, fairly optional)

Combine ingredients in a cocktail shaker. If you’re adding sugar dissolve it. Add ice, shake like the dickens and strain into a chilled and preferably smallish rocks/old fashioned glass, perhaps one in which you’ve already tossed a maraschino cheery if you’ve skipped the sugar. Sip in a leisurely manner while watching a “Kids in the Hall” rerun or a Guy Maddin flick.

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There are other versions of this drink floating around the net. Some dispense with the lemon juice, which might work if you’re using a really good triple sec or a very small quantity of it. Some call for you to peel an entire orange rind to make a gigantic orange twist. I’m sure it’s a fine touch, but I haven’t learned to do that yet without threatening myself with major harm. I would, however, counsel cocktail cheapskates to use orange curacao, which should have a slight edge of bitterness. On the inexpensive end of the liqueur landscape, it brings a much more interesting and less insipid flavor to the drink.

You know, maybe the world will survive without the White Stripes after all.

This clip of a song from their as-yet-untitled second album, due out next year, doesn’t make much sense – why is the producer so upset, to the point where he needed to bust out the dope kung fu moves? – but it’s entertaining enough, and the song packs a whallop. All of a sudden, 2012 – which is the end of the world, you know – can’t come quickly enough.

For eight miles, everything was perfect. For the next 18.2 miles, nothing went right.

I came through the first mile marker of the 2011 Chicago Marathon at about 8:05 and comfortably held a steady pace for the next seven, soaking in the energy from the incredible crowd, taking in the view of the city and thoroughly enjoying the start of my first marathon. It was a pristine morning, with the race’s 45,000 participants treated to 64-degree temperatures and a gorgeous blue sky, and my goal of savoring the moment early on instead of obsessing about my time had thus far unfolded as planned.

I crossed the eight-mile marker in just about 64 minutes and prepared to settle in for the next 12 miles, hoping to start shaving some time off my pace before hitting the final six-mile stretch. I knew I’d need to have something left in the tank to finish strong, having topped out four weeks earlier with a 21.5-mile training run, so I was planning on listening to my body to see just how much I could safely push the pace.

I didn’t like what my body had to say.

The good news? My shoulder felt fine. Actually, it felt great. I had a case of subscapular bursitis crop up the previous weekend (NOTE: the injury has since been diagnosed as nerve compression), and while it was a painful injury, I learned during a six-mile run on Thursday and a slow two miler Saturday morning that it actually felt better while running. Hoping to prevent any late-race soreness, I slapped Icy Hot medicated strips onto three different spots of my back, just to be safe. That may very well have been my first mistake of the day.

The bad news? My legs weren’t feeling nearly as good as my shoulder. At a time when I should have been finding a mid-race groove, my legs were tired. Too tired. Certainly too tired for mile 8 of a 26.2-mile race. I knew I would be pushing my body to an extreme that day, but I wasn’t ready to do it yet. Okay, I thought, I’ll just maintain pace for now and hope my legs recover in time for a strong finish. They didn’t.

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We recently featured the beautiful Krystle Lina in a Bullz-Eye slideshow. Among her many talents, Krystle is also a photographer, and this week we’re featuring a slideshow of her photos of the lovely Sydney Barlette.

Check out more photos of Sydney and more of Krystle’s photography at her web site at KrystleLina.com, and you can follow Krystle on Twitter @KrystleLina.

Also, check out this video of Sydney being photographed by Krystle. Very nice!

ALSO: Check out our Season Two preview, as well interviews with actor Jon Bernthal and executive producer Robert Kirkman.

Bullz-Eye: I know you won’t remember me, but we met fleetingly at the New York Comic Con, during the press roundtables.

Norman Reedus: Oh, right on. (Laughs) The craziness that is Comic-Con…

BE: Yeah, there’s no way you’d remember me in the middle of all that. But it was a good time nonetheless, so it’s good to talk to you again. And I’ve had a chance to check out the first episode of the new season…

NR: Oh, yeah? What’d you think?

BE: I think I should’ve gone straight on to the second episode.

NR: (Laughs) Awesome!

BE: So when you leapt into Season 2, how enthused were you to get back to work? It seems like it’d be a lot of fun to do.

NR: It’s a blast. I wanted to go a month early and just wait for everybody to show up. It’s such a fun job. It’s by far my favorite job I’ve ever done. The crew and the cast, everyone is so tight there. We’re all just one big family, for real. I just wanted to get back to it. I’ve never really had an acting experience that’s just so…fun. It’s so engaging. I’m really into it.

BE: Do you get used to the humidity down in Atlanta pretty quickly?

NR: You know, you kind of just suffer for the show. The heat and the surroundings are definitely a character on the show, so we’re out there surviving for our lives already. But, you know, I…I’m in Los Angeles right now, getting ready to go back to George to finish the season. But it started getting cold the last night we were there, and I shot ‘til about 4:30 in the morning and took an 8 AM flight to California, so I was exhausted. But it was freezing. It didn’t feel right. I prefer the heat.

BE: I think it was Steven (Yeun) who was telling the story about how he actually passed out his first day of filming.

NR: Yeah, he did. He had a long running scene, and he just sort of fainted. It was pretty crazy. Of course, we all teased him uncontrollably forever after that. (Laughs)

BE: So do you have to get into a Daryl mindset when you go back to work?

NR: Yeah, you know, it’s interesting, ‘cause last season, it was all ‘fuck you, I hate you,’ and this season you sort of see Daryl form alliances with certain members you wouldn’t necessarily expect. Damaged people recognize other damaged people, so they have a kindred spirit going on. It’s not just so one-noted this season. He really kind of bounces all over the place, and it’s really interesting. It’s like he needs a hug, but if you tried to hug him, he’d stab you. He’s really fragile, like a little kid in a lot of ways. You see certain members of the group trying to tell him his worth, that he’s worth more than he thinks about himself, and you find a little bit about his back story, his family history, and you see how truly damaged this guy is. It’s interesting to play all those levels. It really makes for an interesting day of work.

BE: Yeah, I mean, I wouldn’t call him a delicate flower or anything, but even in the first episode of Season 2, he feels like a slightly different Daryl than we saw last season.

NR: Yeah, but, you know, even last season, I tried to tear up between squirrel throws and whatnot, just to make him still be, like, he lost his big brother. Even assholes have big brothers. I tried to make him more than just an angry guy. It was, like, show some reasons why he’s so angry and damaged.

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ALSO: Check out our Season Two preview, as well as interviews with actor Norman Reedus and executive producer Robert Kirkman.

BE: I’ve seen the Season 2 premiere, and from what I can tell, it seems like you guys are still playing at the same level that you were in the first season.

Jon Bernthal: Aw, thanks, man, I appreciate you saying so.

BE: So you guys got to play the love triangle in Season 1, and it’s obviously still ongoing in Season 2. Is it a challenge to play something like that in the middle of a zombie thriller?

JB: I don’t really look at it so much as a love triangle. I look at it more as a family that…these horrible circumstances, this disease that’s turned the world into this apocalyptic state, I look at it more as a family that’s been severely fractured by it. I think that it’s not as simple as two guys in love with the same girl. I think Shane is very much in love with Lori, but I think he loves his best friend, too, as well as their little boy, Carl. I think these are relationships that are immensely important to him, and unfortunately, they’re forever tainted and they’ll never quite be the same. In this world that we’re trying to create, all of these characters have lost so many people. I think what’s very interesting for Shane is that the people in the world who mean the most to him are still alive. It’s just that their relationships will never be the same because of what’s gone down.

BE: Shane is a pretty complex character because of his situation. Do you find it hard to find that balance of personality when you’re playing the part?

JB: No, man, I love it. As an actor, it’s the kind of part you look for. When I first talked with Frank (Darabont) about this, our goal was to not just make him sort of this one-dimensional villain straight out of the comic. We wanted him to be a layered, nuanced character that wasn’t a good guy, wasn’t a bad guy, but was a real guy. I think he’s just operating from a place of being a loyal friend and trying to do what’s best, trying to protect these people that he loves so much. I think he’s always coming from a place of trying to do the right thing, but it’s fractured. It’s just such a different, cold, brutal world now. Also, what’s very interesting about the character is that he’s the first one in the series, I think, to just sort of recognize the lawlessness of this world they’re living in now. He does it when he beats down Ed by the water in Season 1, and also when he trains the gun on Rick in Season 1. I think he recognizes that there are no real circumstances for your actions in this world, and I think Season 2 is very much about Rick and Shane splitting on how they feel the best way to go forward in this world is. I think Shane feels that, to survive, you have to make very brutal, very harsh decisions, and you really have to abandon emotion and morality and just do what’s best for survival, whereas Rick, I think, is kind of plagued by trying to do the right thing. They really become at odds with each other over those philosophies.

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ALSO: Check out our Season Two preview, as well as interviews with actors Jon Bernthal and Norman Reedus.

Bullz-Eye: I know you don’t remember me, but you and I met briefly when you were doing the press roundtables at the New York Comic-Con.

Robert Kirkman: Oh, good! I hope I did okay.

BE: Oh, yeah, you did great. It was a lot of fun. I just got the Season 2 press kit, and I’m 95% of the way through the first episode, so it killed me to have to get on the phone with you.

RK: (Laughs) Awesome!

BE: So how excited are you about the premiere of the show’s second season?

RK: I’m extremely excited. I mean, you know, there’s a lot of pressure to follow up our first season. It was a big success, and, you know, knowing what I know of the second season and seeing what I’ve seen, I’m fairly confident that we’re still going to come out of the gate and impress people, so I’m really anxious to see what people think of it. A lot of hard work has been going into this season, and it’s great that it’s going to finally be enjoyed by some people. So I’m really excited.

BE: When it comes to adapting the original source material, you’ve obviously got an advantage, given that it’s yours… (Laughs) …but I’m sure it’s hard to pick and choose which bits actually make it onto television.

RK: It’s a process. There’s not really a way to nail down exactly what goes into it. But everyone in the room is familiar with the comic, and we all sit down knowing what happened in the book, and we look at where the show’s going and what the characters are doing, and we just kind of figure it all out. Sometimes we take things directly from the comic, and there are a lot of times when we’re talking about things from the comic, and things will go to different characters in the show, or it’ll spin off into something entirely new that wasn’t in the comic, but the starting point was something that did appear in the comic. So it’s an evolving process, and it’s neat to be sitting down to adapt something that I wrote awhile ago. The earlier material in “The Walking Dead” is something I wrote some time ago, so it’s good to be able to revisit that stuff.

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Hyundai has been on a roll with its new models as we’ve noted in our recent reviews. With its emphasis on aggressive and unique styling, leading gas mileage and overall value, Hyundai is being rewarded with steadily increasing sales. The Veloster coupe is no exception as we discovered when we drove this newly introduced model last week in Michigan.

Exterior

The styling of the new Veloster is truly impressive. As you can see from the photos, Hyundai is going for a new generation of buyers with Veloster. The front end is very assertive with the wraparound headlights and prominent lower grille. LED headlight accents also come standard. The rear view is equally aggressive, and I liked the centered placement of the rear exhaust pipes. Veloster comes with 17-inch alloy wheels standard and optional 18-inch wheels with painted inserts that match the color of the vehicle. Consumers can also personalize body graphics when ordering their Veloster which should appeal to younger buyers.

The hidden third door stands out however as my favorite styling feature. The door is located on the passenger side and the door handle is hidden in the top left corner in the black trim area when you stand facing that side of the vehicle. With this convenience the coupe is much more functional as back seat passengers can avoid crawling in and out of the vehicle. The executives at Hyundai were non-committal when asked by reporters about the possibility of adding a fourth door on the driver’s side, but that’s hardly necessary.

Interior

The interior comes in three colors – black, gray and black and red – and it’s similar to the edgy designs we’ve seen in other Hyundai models with some unique variations. Brand Manager Brandon Ramirez explained their goal of creating a motorcycle-themed design for this coupe, with the inspiration being a high-performance sport bike. I like the funky silver-colored door handles and the overall feel of the interior.

Hyundai is using Veloster to introduce a host of new technology features, creating a reverse halo effect where less expensive models are used to introduce features, particularly those that will appeal to tech-savvy consumers. It comes with a standard LG 7-inch multimedia touch screen display with a number of standard and optional features. Veloster features Hyundai’s first application of Gracenote technology and Pandora, and XM radio is also available.

The Veloster features Hyundai’s new Blue Link service which comes in three packages – Assurance, Essentials and Guidance. One of the innovative features in the Essentials packages is Geo-Fence, which empowers parents to set a geographical area and then get electronic notifications if their kids go outside that area. You can learn more about the “connected” features offered by Blue Link here. Each package comes with initial trial periods followed by annual subscriptions for consumers who decide to stick with the service. It will be interesting to see of consumers embrace subscription services of this type.

Performance

Hyundai has generated significant buzz with its lineup of vehicles that achieve 40 MPG on the highway in the base model of three of its vehicles. The Veloster is a new addition to that impressive lineup, with estimated gas mileage of 28 MPG city and 40 on the highway with the six-speed manual transmission (it’s 29 city, 38 highway in the automatic). Again, weight reduction was a driver of the gas mileage achievement. And as with the other models, you don’t have to purchase an upgrade package to hit that number. Two fuel economy games are also available to encourage drivers to improve their gas mileage.

The car has adequate power with the automatic transmission. The eco button let’s you shoot for even better gas mileage and I didn’t notice much of a difference in performance from zero to 25 miles per hour so it’s a good option in the city. If you’re doing highway driving or hitting higher speeds in the city you’ll want to stay in the normal mode. The manual is also a good option if you want a little more zip for this vehicle.

Hyundai officials would not comment in future engine possibilities but this car will be ideal for a performance/sport model in the future.

Overview

Overall this looks like another hit for Hyundai, with a pricing range of $17,300 to $22,550. The styling will grab the attention of buyers, and the technology and customization features should be appealing to a wide range of consumers.

ALSO: Check out our interviews with actors Jon Bernthal and Norman Reedus and executive producer Robert Kirkman.

It’s no secret that AMC has endured a difficult year filled with one PR nightmare after the next – including public contract disputes that suspended production on Season Five of “Mad Men” and threatened the future of “Breaking Bad,” as well as audience backlash over the season finale of “The Killing” – but it suddenly felt very personal when Frank Darabont, creator and executive producer of “The Walking Dead,” was unexpectedly relieved of his duties only a few days after promoting the show at San Diego Comic-Con. Though the network never gave a clear reason for his dismissal, it’s believed to have something to do with forced budget cuts for the second season, which came as a surprise to Darabont after the show set a new cable ratings record in its debut season.

But despite all the backroom drama and concerns that Darabont’s absence would spell trouble for the hit zombie series, AMC was insistent that “The Walking Dead” was in the capable hands of his replacement, Glen Mazzara. Then again, Darabont was already hard at work on the show for months before getting the axe, and mapped out the entire season prior to his departure, so audiences may not notice many differences (if any at all) until the show’s third season. It should be noted, however, that Mazzara is no slouch when it comes to making great TV (having previously spent five years behind the scenes on “The Shield”), and he’s still working with the same team that Darabont put together, including zombie experts Robert Kirkman and Greg Nicotero. In fact, based on the first two episodes alone, it’s pretty clear that fans have nothing to worry about.

When we last left Rick Grimes and the rest of the survivors, they had just escaped the Centers for Disease Control in Atlanta by the skin of their teeth and hit the road once again in search of a new refuge. Though they don’t actually arrive at Hershel’s Farm – the provisional sanctuary featured in Kirkman’s comics – until the second episode, the season premiere has more than enough going on to keep them busy, including a tension-packed opening sequence where the survivors must hide from a herd of zombies after Dale’s RV breaks down on the highway. There’s plenty of action and gore as well, with one survivor wounded pretty badly in the aforementioned attack, another one shot in what is likely the first of many “holy shit” moments of the season, and a truly disgusting zombie moment that some people might not be able to stomach. Oh yeah, and fan favorite Daryl kicks a lot of zombie ass, but I’m guessing you already knew that.

Of course, the series is first and foremost about the relationships between its large cast of characters, and although some viewers might bemoan the slower pace of these early episodes, it allows for a lot of great interactions – particularly involving the Rick, Lori and Shane love triangle – that will only make you even more invested in their survival. And if there’s one thing that AMC can never take away from Darabont, it’s the amazing job he did with laying down a strong foundation on which those characters could grow. Because while he may no longer be around to captain the ship, Darabont’s fingerprints are all over “The Walking Dead,” and it’s the main reason why the show will continue to operate at such a high level of excellence. It may not have gone down exactly the way we would have liked, but the audience still comes out the winner in the end.

“The Walking Dead” returns to AMC on October 16th at 9/8c with a special 90-minute premiere. Can’t wait that long? Check out a sneak peek of the new season below.

Click here to read our review of “Horrible Bosses”

The thing about people who are naturally good at making people laugh is that they often lose sight of when it’s time to drop the mic and walk away. Now take a movie like “Horrible Bosses,” which is 96 of the funniest minutes you’ll spend this year or any other. For a movie so packed with humor and wit, there is surely something just as awesome that didn’t make the cut, right?

Well, maybe. The truth is, we have yet to watch the extended version of the film (it’s eight minutes longer, and if we knew where those eight minutes were, we’d go straight to them), but if the deleted scenes in the Special Features section on the Blu-ray are any indication, the makers of “Horrible Bosses” left nothing in the bag, as it were. There are a couple of alternate openings, neither of which is as good as the one in the final film, and we get to hear the full recording of Kurt’s tryst with Nick’s boss’ wife (hint: it doesn’t take long). The only other scene worth the film it’s printed on is Colin Farrell at the supermarket, accosting the pharmacist (a snippet of which you can see in the closing credits of the movie). There are featurettes on working for horrible people and how much fun it is to play mean, but the general tone of the featurettes is pretty dry. This is a movie worth owning, no question, but don’t expect the bonus features to serve as the motivation for the purchase. They’re really just a pleasant addition.

Of course, we may change our minds on that once we’ve seen the Totally Inappropriate Edition of the movie, but we’re betting against it. ‘Unrated’ tends to mean ‘overrated’ when it comes to these things.