Triumph knows a thing or two about comebacks. The British motorcycle manufacturer is one steeped in history, but not tied to tradition. They are well known for their historic bikes such as the Bonneville. However, after falling on hard times, they were reborn in the early ‘90s as a full-fledged modern manufacturer. Now, they offer a comprehensive line of bikes that both harken back to their past and compete with the best of the present.
Comebacks are more important than ever since the great recession. There’s an even greater effort now to draw new customers and younger riders onto a company’s bikes since the poor economy wiped out many repeat motorcycle customers. The reason for this is because many of those customers heavily financed their bike loans through their houses. I don’t think I need to tell you how that story ends after 2008. To cope, there are a few ways motorcycle companies are attempting to draw attention to their products in a continually shrinking marketplace. Some are offering new bikes at a cheaper price point. Others are making their new and existing products more visible through more aggressive marketing campaigns. However, the few and the brave are actually putting their bikes in the hands of these riders through riding events. One such company is Triumph with their Factory Demo Tour events.
Here’s how it works. First, go to the event’s website. Then, find a dealership using the tool on the site. The website will show you which dealers are holding the event and when. You can also choose which bikes you would like to ride. The best part is that it is all completely free. Don’t feel like registering beforehand? You can show up to the event as well with no prior reservation. However, the event fills up fast, so you may want to register beforehand and get there early to get the bikes you want. This specific event ran from 8a.m.-4p.m., and you can stay or go at any time. However, get there early if you are motivated to ride a specific bike.
There are some requirements to attend, but no more than what is common sense. First, you must have a valid motorcycle license. Second, you must wear the proper gear. Leave the flip-flops and shorts at home, squids. Proper gear means a DOT certified helmet, long pants, long-sleeved shirt, closed-toed shoes and motorcycle gloves. The shirt and long pants do not have to be motorcycle specific gear, but it is highly recommended. Plus, if you call ahead to the dealer you’re going to, you may be able to rent an item or two. Finally, there is no reckless riding. You ride in a group around 10-15 strong while being escorted by staff. If you get separated from the group (cough, like me, cough), there are plenty of escorts to take you through the full route and bring you back to the starting point. But is the event any fun? That’s what I set to find out when I went to Motoworks in Chicago.
Mazda invited us to join them in Frankfurt as they unveiled the new CX-5 Crossover SUV at the Frankfurt Motor Show. The crossover market is exploding, and this new vehicle gives Mazda with a strong entry in the small crossover segment. The CX-5 is a completely new vehicle for Mazda from the technology to the design language. Mazda CEO and President Takashi Yamanouchi proudly introduced the new vehicle at the auto show along with Chief Designer Masashi Nakayama and Program Manager Hideaki Tanaka.
As you can see from the photos above, the styling on this all-new crossover is sporty and aggressive. CX-5 becomes the first production model to feature Mazda‘s new design theme, “KODO – Soul of Motion.” Chief Designer Masashi Nakayama explained: “With the CX-5, our focus was on expressing a strong sense of vitality and agility. We looked at videos of cheetahs; their agile footwork and how they use their entire body as a spring to accelerate rapidly and change the direction instantly. They emanate great energy throughout their entire body. Inspired by their efficient yet beautiful movements, we aimed to push the SUV appearance to new levels with KODO design language.” The prominent front and rear fenders and sculptured body sides give the CX-5 a distinctive look, and we’ll start seeing the new front grille and face of the vehicle showing up on other Mazda cars.
The CX-5 will be introduced progressively to global markets beginning early next year. This is the first Mazda developed completely around its new SKYACTIV TECHNOLOGY, which includes all-new gas and diesel engines, manual and automatic transmissions, body and chassis. North American president and CEO Jim O’Sullivan explained to us that the CX-5 was truly a clean-sheet design from the ground up using this new technology, and all of these elements will start appearing in other Mazda models in years to come. This approach on the CX-5 also allowed Mazda the opportunity to achieve significant weight savings as well which will have a significant impact on gas mileage.
With this particular vehicle, Program Manager Hideaki Tanaka explained: “We aimed to develop a vehicle with a long-term appeal that would delight owners and make them proud for years to come. I think that these were the most important values we had to embody in the CX-5. We wanted to deliver the best of all worlds in order to suit the various lifestyles and life stages of our customers, and satisfy their high expectations over the long term. Specifically, we focused on providing pleasure through the CX-5’s appearance, its precise handling, its insightful functionality, and its long-term appeal. By aiming to achieve the ideal in each area, we pursued the innovation of driving pleasure.”
The company clearly nailed the styling on this one and it should appeal to single buyers along with consumers with small families. The interior room and functionality was impressive. I’m anxious to drive the CX-5 once it’s ready for production as Mazda consistently delivers on vehicles that are fun to drive.
If tonight’s episode taught us anything, it’s that SAMCRO has gotten a lot smarter about the way it handles business – whether it’s selling guns or killing gangsters. Though dumping those dead Russians on Jacob Hale’s property development reeked of the club’s involvement, the decision to use Opie’s wedding as their alibi is already paying off. Not that Roosevelt is necessarily buying their cover story, but Lincoln knows that there’s nothing they can do about it for the time being. Of course, if SAMCRO is willing to sever their ties with the Russians so easily, Lincoln suggests that it can only mean one thing: they’re working with someone even bigger.
And as it just so happens, he’s right, with Alvarez serving as the middle man for introductions between SAMCRO and the Galindo drug cartel, which is run by a guy named Romeo, who, despite being played by the always intimidating Danny Trejo, actually seems like a pretty nice guy as far as drug traffickers go. Clay has struck a lucrative deal with Romeo to provide guns to the cartel, but when Jax learns that their new business venture includes transporting cocaine for them as well, he’s not a happy camper. Though working with Romeo comes with its benefits (namely, protection from the Russians and friends in high place), Jax doesn’t like that Clay has agreed to the deal without speaking to the rest of the club about it first.
There’s a reason for that, of course – no one would ever agree to it – but Clay is so desperate to make some quick money before he’s forced to step down as President that he asks Jax for his backing when he puts it to vote. Though Jax is completely against the idea of getting mixed up in the drug business, he agrees to help out Clay on one condition: when he finally does step down, Clay will back his decision to leave the club and push the vote for Opie to become the new President. Clay has no other choice to agree, but I can’t imagine how Tig or Bobby (who clearly have more seniority than Opie) will react when that day comes. Then again, what’s to say it ever will? Plus, Bobby isn’t on very good terms with Clay after locking horns over the vote, and he’s trying to get Tig on his side by convincing him that they’re no longer part of Clay’s inner circle.
The competition: Dancing with the Stars (ABC), Two and a Half Men / Mike & Molly (CBS), The Sing-Off (NBC), House (Fox)
Starring: Rachel Bilson, Jaime King, Wilson Bethel, Cress Williams, Scott Porter
Executive producers: Leila Gerstein, Josh Schwartz, Stephanie Savage, Len Goldstein and Donald Todd
What the network says: “Fast-talking New Yorker Zoe Hart has her life all figured out: after graduating top of her class from medical school, she’ll follow in her father’s footsteps as a cardio-thoracic surgeon in New York City. But life has other plans for Zoe. Turned down for the prestigious fellowship she had been certain she would get, Zoe is without a job and without a plan. Desperate, she decides to finally respond to the kindly stranger, Dr. Harley Wilkes, whom she met at her medical school graduation and who had offered her a place at his small medical practice in Bluebell, Alabama. She swallows her considerable pride and heads down South – temporarily, she assures herself.”
What we say: If you thought the worst thing about “Hart of Dixie” would be trying to buy Bilson as a surgeon, you’re wrong. In addition to painting the character of Zoe with the sort of broad strokes where she starts the pilot as a complete bitch who’s dismissive of living in a small Southern town and ends it as a thoughtful young woman who believes the people of Bluebell just might have a few life lessons to teach her, the proceedings tend to be little more than cornpone cliches slathered atop a heaping helping of schmaltz. There are a few clever lines and amusing characters, like the mayor of Bluebell, a former football player who regularly refers to himself in the third person, but viewers below the Mason-Dixon line will likely sneer at the way they’re portrayed, while everyone else will just roll their eyes and switch over to…well, just about anything else, really.
Tuesday
Ringer
(9 – 10 PM, Sept. 13)
The competition: Dancing with the Stars (ABC), NCIS: Los Angeles (CBS), The Biggest Loser (NBC), New Girl / Raising Hope (Fox)
Starring: Sarah Michelle Gellar, Nestor Carbonell, Mike Colter, Ioan Gruffudd
Executive producers: Pam Veasey, Jon Liebman and JoAnne Colonna
What the network says: “Bridget Kelly is a recovering addict, struggling to turn her life around. She’s six months sober, and beginning to get back on track, when she witnesses a professional hit. She’s placed in federal protection under the watch of Victor Machado, an agent determined to see that justice is done. But Bridget knows that Victor can’t keep her safe and she flees, telling no one, not even her close friend and Narcotics Anonymous sponsor Malcolm Ward. Hoping to buy some time, Bridget contacts her identical twin sister, Siobhan Martin, and joins her in New York City, reuniting with her for the first time in six years. Siobhan is fabulously wealthy, with a strikingly handsome husband, Andrew, who has no idea that Bridget exists. When Siobhan suddenly disappears, seemingly taking her own life, Bridget makes the split decision to take on her sister’s identity.”
What we say: With so many unabashed “Buffy the Vampire Slayer” fans among the writing staff, no one wants to see Sarah Michelle Gellar succeed in a series more than Bullz-Eye, but for that to happen, viewers are going to have to get past the painful sequences at the beginning of the pilot where Gellar interacts with herself. If you can get beyond that, Gellar’s interactions with the trifecta of Carbonell, Colter, and Gruffudd may offer enough charisma to keep people coming back, but given that we weren’t even halfway through the pilot before we started wondering incessantly just how long Bridget was going to be able to perpetuate her chicanery, things are going to have to get really interesting really quickly for the show to maintain the initial “welcome back to the small screen, Sarah Michelle” momentum in the ratings.
Wednesday
H8R
(8 – 9 PM, Sept. 14)
The competition: The Middle (ABC), Survivor (CBS), Up All Night / Free Agents (NBC), The X Factor (Fox)
Host: Mario Lopez
Executive producers:Mike Fleiss, Lisa Gregorisch-Dempsey, Mario Lopez and Jeremy Spiegel
What the network says: “Celebrities are constantly in the public eye – but not everyone is a fan. Each week, celebrities from the world of television, sports and music will come face-to-face with their biggest ‘haters’ to try to win them over.”
What we say: All we’ve seen thus far is a “presentation” to give us a feel for what the show will be like, but it now appears that the season premiere is going to feature the same material, namely Snooki from “Jersey Shore” and Jake Pavelka from “The Bachelor” each confronting a “hater.” The concept itself isn’t so awful – it’s about time some of these internet trolls were taken to task by the people they’re mouthing off about from the safety of their computers – but based on the sampling of future “stars” who’ll be appearing on the show, it’s clear that the word “celebrity” is going to be pretty relative. Given the competition, it’s hard to imagine that reality-show alumni facing off against their “haters” are going to pull sufficient ratings to make much of a ratings dent against actual reality shows like “Survivor” and “The X-Factor.”
Thursday
The Secret Circle
(9 – 10 PM, Sept. 15)
The competition: Grey’s Anatomy (ABC), Person of Interest (CBS), The Office / Whitney (NBC), Bones (Fox)
Starring: Britt Robertson, Thomas Dekker, Gale Harold, Phoebe Tonkin, Shelley Hennig, Jessica Parker Kennedy
Executive producers: Kevin Williamson, Andrew Miller, Les Morgenstein and Gina Girolamo
What the network says: “Cassie Blake is a normal, happy teenager, leading an everyday life with her devoted single mom, Amelia. But when her mother dies in what Cassie thinks is a tragic, accidental fire, her world is turned upside down. Cassie moves in with her warm and loving grandmother Jane in the beautiful small town of Chance Harbor, Washington – where the residents seem to know more about her than she knows about herself.”
What we say: The fact that it’s from Williamson, most recently known to CW viewers as the man who brought them “The Vampire Diaries,” may lead everyone who’s aged out of their teens to believe that “The Secret Circle” will be at best no more than another guilty pleasure that they’ll never publicly admit to watching. “Circle,” however, begins without the bandwagon-jumping feel that “Vampires” had at the outset – “It’s just like ‘Twilight,’ except it’s on every week!’ – and instantly offers a dark, intriguing premise as well as all the teen angst you’ve come to expect from a Williamson project. Yes, many oldsters will smile knowingly at the similarities to “The Craft” when the bitchy teen witches hit the screen, but it feels more like an homage than a rip-off. This could prove to be one of the more enjoyable series of the season. Stay tuned.
Well, that’s a wrap – the guys of “Entourage” have slammed their last car door, and though it’s a little sad to see the series end, I’d be lying if I didn’t say that it probably should have happened sooner than it did. But while the last few seasons weren’t quite up to par with the early years, Doug Ellin has done a nice job of rewarding the fans who stuck by the show with a fairly conclusive series finale that delivered the feel-good happy ending that just about everyone was expecting. “Entourage” has gone to some pretty dark places in recent seasons, but it was always going to end only one way.
Of course, that doesn’t mean that it didn’t have its problems. For starters, I don’t really believe that a woman who was so opposed to the idea of even dating Vince would suddenly agree to go on a date with him and then accept a marriage proposal in the short span of 24 hours. Not only is that incredibly disrespectful to the audience, but it completely undermines who Sofia is as a character and what made Vince fall so head over heels for her in the first place. Nevertheless, Vince and Sophia have decided to tie the knot in Paris, and Drama and Turtle have taken it upon themselves to convince Sloan to be in attendance – although she doesn’t entirely believe their story at first.
But while Sloan is honored to be considered important enough to be there for the big event (how Billy Walsh, or even Scotty Lavin for that matter, was left off the guest list is a mystery), she’s concerned that it’s all just a ploy to get her and Eric in the same room together. I’m sure that was partially the plan, but Vince and the guys were never going to let Eric run off to New York without at least trying to fix things. And though Vince initially made it worse by accidentally dropping the news to Terrence that Sloan was pregnant, he made things right in the end. That speech to Sloan was both sweet and touching, and it’s yet another example of how much Vince has matured since the first episode.
You could say the same thing about Ari, who’s been fighting tooth and nail to win back his wife all season. But while he’s always been able to talk a big game, Ari showed that he could follow through on his words as well by impulsively quitting the talent agency when he realized that it would be the only way to save his marriage and his relationship with his kids. I have to admit that it took me a little by surprise, because while I fully expected for him and Melissa (whose first name reveal was awfully nonchalant considering all the attention it’s been given throughout the years) to get back together, I never thought that he’d give up the only other thing he loved in order to make it work. In hindsight, however, it makes sense that quitting would be the only way that Mrs. Ari would take him back, and I applaud Ellin for allowing Ari to make that kind of sacrifice.
So, to recap: Vince is headed to Paris to marry Sophia; Eric has hopped on a plane with Sloan to work things out; Drama’s star is on the rise; Turtle is a millionaire; and Ari quit his job and moved to Florence with his wife… only to receive a call from the head of Warner Bros. days later offering him the chance to take over as CEO. That was a pretty cheeky move on Ellin’s part, but if a big screen movie really is in the works, then it’s the next natural place to take the story. Because even though they got their happy ending, you’d be crazy to think this is the last we’ve seen of Vincent Chase and his entourage.
